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Home Materials & Texture

Materials & Texture

Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more

  • This library recorded a creepy, old, metallic, and huge storage door. It contains metal impacts, creepy metal squeaks, creeks and rattles. Use this SFX to create crazy sound design, especially for horror movies.

     

    The library was recorded with:

    Zoom F8 device, and Ntg3 Rode Mic

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  • Bundle The Eiravaein Collection Play Track 21,000+ sounds included, 3265 mins total $1,129

    The Eiravaein Works total mix.

    This auditory omnibus includes all 30 of our individually released SFX libraries. Encompassing a tremendously diverse amount of content, topics, unique sources, designs, recording techniques, and channel formats, our complete collection provides you with over 2.25 days of professional audio assets.

    With the Eiravaein Collection, you will receive:

    48Kilos, Anarchy, BigBlock, Bunretsu, Burst, Crepitus, Dx, Epona, Flourish, Gravitas, Grit, Helinä, Ilmarinen, Jarred, Kieuk, Latchlocker, Meridian, Mouthy, Nocked, OutwardInversion, Parched, Start Select, Tubular, Unfathomed, Vaeya I, Vaeya II, Vaeya III, Vaeya IV, Wakey Wakey and Yvaine.

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  • With THE GLITCH 2 sound library Sound Response brings you the second installment of totally twisted, mangled, glitchy, twitchy sonic madness! Great for sound experimentation and exploration these glitch sound effects often turn out to be an effective source of inspiration in music production and sound design, especially in music genres like electro, dubstep, EDM, IDM, drum’n’bass, glitch hop, industrial, hardcore, and other electronic and experimental music styles!

    They’re also very useful as a sound design tool for video games, movies, trailers, and other cinematic projects, where you can either use them as they are, or you can unlock their full potential by combining and layering them for creation of all sorts of futuristic sci-fi and hi-tech sounds, mechanisms, robot sound effects, and other sci-fi sound effects! If you’re looking to expand your sound effects collection and sound design audio arsenal with high-quality glitch sound effects THE GLITCH 2 sound library is a must-have!

    THE GLITCH 2 sound library contains 192MB (341 sound effects) of high definition 24 Bit / 96 kHz Stereo WAV files, embedded with metadata to speed up your workflow.

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  • Mechanical The Gondola Lift Play Track 25 sounds included, 17 mins total $39.99

    The gondolas lifts of Whistler are one of the most wonderful machinery pieces made by man to move them around the mountains.

    This Sound Effects Library recorded the sounds of these unique vehicles during wintertime. The library shows multiple gondola perspectives, from its interiors to many Pass bys, and P.O.V’s of the cables that suspend this huge lifts. You will find different sizes and kinds of gondolas. Enjoy them and enjoy the experience of sound

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  • The Junkyard Metal sound library includes 3183 clips in 98.49 GB. It collects the sound of metal hits, drops, pick ups, rattles and clatters, rumbles and rummaging, rocking, rolling, and scraping.

    Featuring diverse props ranging from large metal storage containers, diesel tanks, shopping carts, and tractor buckets to to smaller propane tanks, crates, shopping carts, and bolts, nails, and ammunition, the collection provides multiple performances in each clip.

    The sounds were performed from light to heavy intensities and captured at 192 kHz, 24-bit resolution with Sanken, Sennheiser, Neumann, and Schoeps microphones.

    The bundle is delivered with Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.

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  • This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.

    In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.

    There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.

    This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.

    Bonus:
    This library includes the Suburb Rain SFX collection at no extra cost - featuring almost 50 minutes of rain recordings
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  • The Rush is a collection of massive rushing sounds that are perfect for use in timelapses, swirls, swarms, and any other massive movement situation. It features 319 sound rushed files that were generated from 30 lovingly curated sources and carefully rendered in Sound Particles.

    Sound sources range from trains and race cars to vinyl, metal and paper frictions to gore, motorcycles and helicopters. Parameters are tweaked to yield textured and interesting results with detailed heads and tails that rush in and gently dissolve out.

    Each rush has a different number of particles running, so you get every level from sparse detailed movement to overwhelming waterfalls of sound per sample set. Check it out today!

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  • SHHhhhhh… They are listening…

    282 strange, ghostly and spy-like sounds collected from 2 old analog dictaphones, 1 portable cassette recorder, 1 very small digital dictaphone, 3 portable modern recorders, 1 video cam, and finally 1 very famous portable Reel to Reel recorder (a Nagra IS).

    The Undercover Sound FX Library Contains:

    • 136 tracks of, Microphone bumps, lav. Microphone put on clothes, Microphone Feedback, Microphone Noises, and the sounds of the inside of a video cams Mechanics.
    • 41 tracks of, Dictaphone & Cassette Processed (Kyma, GRM Tools, SoundToys) Sounds, weird telephone answering machine noises, Buttons, Play, Rewinds, and Fast Forward sounds.
    • 82 Reel To Reel sounds. Buttons, Tape on, Rewinds/Fast forwards, Manual searching and scratches, where the recorded sounds are heard through the internal speaker of the tape recorder, as well as recorded line out.
    • 23 Various processed (Kyma, GRM Tools, SoundToys) sounds. Different stuff speed up, and mangled.

    Many of the recorded sounds have been re-recorded on to tape to get that smooth analog sound. Especially the feedback sounds, and bumps benefit from this technique, but also ambience sounds recorded onto a over used 5″ tape has a certain undercover sound to them!

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  • Bundle The Vault Play Track 12743 sounds included, 1249 mins total $599.99

    The whole 9 yards.

    Comprised of five heavy hitting libraries, this bundle includes GEARBOXSORCERYHEROBROKEN, and MELEE. Save by bundling all FIVE in a single library.

    GEARBOX:
    Boutique analog mechanical contraptions, steampunk gadgetry, gizmos and machines big and small.


    SORCERY
    Spells, deflects, casts, blocks, beams, and more. Unrivaled wizardry at your fingertips.


    BROKEN:
    Car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, and more.


    HERO:
    HERO – Sword fights, stabbing, guillotines, impaling, battle cries, shields, drawbridges, armor, foley and more.


    MELEE:
    Punches, kicks, blocks, bodyfalls, grabs, slaps, bone breaks, blood splatters, and more.


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  • The VHS & Betamax Sessions assembles a collection of vintage, lo-fi sounds taken from over 80 tapes from everybody’s favorite magnetic video recording formats.

    Inside this collection, you’ll find over 3 hours of background ambiences taken from assorted home videos, ranging from sports crowds, outdoor ambiences, water parks, amongst other oddities; ready to be dropped onto the late 70s, early 80s flavored projects and retro-futuristic user interfaces.

    Complementing the material found inside the tapes, there’s also rewind, fast forward, tape insertion and removal sounds from both players for your foley aspirations.

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  • Wood The Windmill Play Track 30+ sounds included, 84 mins total $40

    The Windmill library gets you rich, organic-sounding recordings of wood, stone and metal. Crunches, grindings, rumbles, rhythm, squeaks, roars, movements, gears – it's all there, captured in an old windmill.

    The library focuses on the sounds of the wings, the main axis, the grindstone, the flour beaters and the global atmosphere – and they're perfect for sounds of a wooden boat, wagons, structures, ropes etc.

    Features both interior and exterior recordings, and gets you more than 1 hour and 20 minutes of atmospheric recordings in total.

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  • Need some massive windshield impacts and glass smashing sounds?

    'The Windshield' sound effects library is the first installment in a new 'Car Damages Collection' from Red Libraries – and it delivers wild glass destruction, captured from actual windshields breaking.

    It contains than 170 impacts, crunches and explosive sounds of laminated glass. Neutral acoustics and adjusted width allows you to easily manipulate and integrate the various elements. It also comes with contact microphone layers to get you fine, extra detail to your glass breaking textures and impacts.

    Have a truly smashing time with The Windshield!

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  • Enjoy the comfort of a warm fire. The Wood Stove Audio Prop includes the basic elemental sounds needed to recreate character interactions with that prop. The Wood Stove includes opening the stove, match strikes, building the fire, various tool and accessory sounds, and fire loops to keep those chestnuts warm indefinitely.

    Library highlights:
    • 18 high definition sound clips
    • 96 kHz, 24-bit mono and stereo WAV files
    • Includes file lists and broadcast WAV compliant metadata
    • Hot cocoa not included

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  • Thermal Flux is a sound effects library formed by extreme temperature reactions. With materials ranging from -119°F to 1900°F all captured at 192kHz/24bit, it’s a fiery (and icy) collection of unique sound design source material.

    In each recording, props with vast temperature differentials interact with each other… Red hot ball bearings vaporize liquids, melt ice, and destroy various household products. Extremely cold metal instantly freezes water. Molten metals and glass pour into water, groaning, chirping, and crackling, as they solidify. Dry ice causes coins to viciously chatter. Water beads bounce, whine, and buzz on blazing hot pans. White hot sand roars and erupts upon contact with water. All of this and more was recorded with mics capturing quality frequency information up to ~65kHz. This ultrasonic content allows for extreme pitch shifting without compromising fidelity.

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  • “Thin Ice” is a handy collection of gripping ice sound effects.

    It offers raw sound materials encompassing 315 sounds of cracklings, frictions, impacts, and squashes.

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  • Environments Thunder & Rain Play Track 46+ sounds included, 23 mins total $13

    Thunder & Rain is a sound library that delivers the recordings of two storms. It includes a total of 46 audio files, split into three folders: STEREO, MS and UPMIX 5.1. It also comes with 40 audio files in the AS REC MS (NO De-Noise) folder.

    De-noise was applied to most of the recordings, to only preserve thunder FX, but you have the NO De-Noise folder included too.

    Create your own thunder ambiences with the included Winds/Storm/Rain files (in the preview below, I used the Rain file in addition to thunder files).

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  • Environments Thunder and Rain Play Track 43+ sounds included, 152 mins total $40

    Looking for sounds that make you want to grab a warm blanket and stay inside? This collection has thunder and rain recordings collected during window-shaking storms from 2012 to 2015.

    Most sounds are recorded in Helsinki, where summers contain a few weeks of hot weather accompanied by dramatic thunderstorms.

    It also features a hot, violent storm captured in France that lasted several hours.

    With recordings that last from 13 seconds to over a half hour, you're sure to get all the drizzling and cracking thunderclaps you're looking for!

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  • Drones & Moods Thunder Tube Play Track 550 sounds included, 212 mins total $30

    Thunder Tube offers you an extensive collection of sounds from a unique resonant source, ideal for any sound design purpose.

    Key features:

    • Includes three different thunder tubes: 5 inches, 6 inches and 7 x 2 inches. Each one gives a specific timbre and color.
    • Performing different actions, such as shaking it, moving it around the microphone, pulling the spring, hitting the spring against several materials and surfaces.
    • Thumping resonances, long and deep tails, dark rumbles, distorted crashes, metallic hits, subtle rattles.
    • Rich low end and mid frequency content.
    • Recorded at 96 kHz / 24 bit. Some of the metallic sounds produced by the spring go up to 50 kHz.
    • Design laser guns, earthquakes, space ships, rocket launchers, crashes, whooshes, ominous atmospheres, among many others.
    • Recorded from four different perspectives:
      • Near perspective: Sennheiser MKH 8050 and MKH30 in M/S placed at 50 cm away from the source.
      • Distant perspective: Sennheiser 8040s in ORTF placed at 2 meters away from the source.
      • Interior perspective: Lom mikroUšis placed inside the drum.
      • Contact microphone perspective: Aquarian H2a.
      • Near and distant perspective were recorded simultaneously. Interior and contact mic perspective took place in separated takes.
    • Recorders used: Zoom F8, Sony D100.
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  • The torch whoosh is a staple amongst whoosh sounds. Great movement, different speeds and bursts with nice bottom end for pitching. Add some variety to your collection with these fiery by’s.

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  • Torsion is a new dark hi-tech sound library packed with cinematic sound effects, tempo locked synths, stutter-stingers, tonal feedback, signature braams, hits, downers, low end whooshes, vocals, rise-crescendo, reverse and comes with 300+ wav samples and 86 kontakt instruments powered by The Forge engine by Audiority.

    The front panel of torsion features lp-hp resonating filters, adsr stages for both filters and amplitude, dual reverb which is a combination of classic reverb and convolution. This is great to add textures and personalise your sound.

    Effect section include a very aggressive distortion unit,  saturation and punch stages, delay and eq.

    The distortion unit is gritty and very aggressive, combining a british amplifier with a voice-level bitcrusher.

    The saturation unit features the high quality algorithm of kontakt.

    The punch effect is a transient shaper, a kind of compressor used to control the attack and the sustain portion of a sound and which world great for drums, percussions, impacts, guitars, pianos and other sounds with a fast attack.

    On top of that you can find the advanced rhythmic programmer that can work as an arpeggiator, a polyphonic sequencer or a gater.

    Another key features in Torsion is the stack mode-voicing control which increase the number of voices per note played at the same time. On a single key you can play a different number of sounds to create chords of samples for more rich and layered ensembles.

    A analog emulated 4-bands parametric equalizer. Low and high are shelf type, while low mid and high mid are bell type.
    The resonant delay unit combines a delay based tunable resonator and a tempo synced stereo delay.

    Torsion is 100% royalty free – single user license.

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  • Sounds of a tortured, tormented and ultimately destroyed vintage piano.

    Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.

    Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.

     

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  • Torturing Wood is a compact bundle of cracking, tearing, and breaking sounds – from the destruction of an old wooden garage. It offers 100 files, each meticulously edited, and embedded with metadata information for easy import and ensure a fast and easy workflow.

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  • Transmission apparatus is a construction kit designed to create a broad range of communication sounds, from real to “alien” broadcasting signals.

    The library contains more than 2 GB of data, delivered in 373 files of unique sound material. It’s catalogued in five elements: AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches).

    The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.

    The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.

    Transmission Apparatus is available in two versions:

    96 kHz .WAV version• Audio Format: Broadcast Wave Files (.wav)
    • Bit Depth: 24-bit Size: 2.49 GB
    • Download size is 1.82 GB (compressed .rar archive)

    Native Instruments Kontakt 5 version• Audio Format: NI Instruments File (.nki)
    • Sample Rate: 96 kHz
    • Bit Depth: 24-bit Size: 1.66 GB
    • Download size is 1.64 GB (compressed .rar archive)
    • Full version of NI Kontakt 5 required

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  • Whooshes Tubular Play Track 365 sounds included, 62 mins total $38

    This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.

    The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.

    This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!

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