Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more
Glass Smash HD from Soundopolis is a large collection of glass breaking sounds, glass debris, and footsteps on glass. Probably the last time you’ll ever have to buy a glass sound effect!
The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries. This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.
The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing. They will work well for Sci-Fi weapon layers, user interface sounds and more.
THE GLITCH SFX TOOLKIT
In this library, you will find electronic sounds that can be used on a variety of applications such as Sci-Fi projects, computer glitches, faulty equipment, robots and much more.
All of the files were designed from scratch – no pre-existing sounds were used – and they are sourced from actual computer errors, generating original sounds.
Included, you will find a folder called “TELEVISION_&_RADIO”. The files in that folder have an EQ applied to them to simulate the effect of the sounds coming out of those pieces of equipment. This will save you time – you don’t have to worry about processing them and can drag & drop them into your projects.
THE GLITCH sound library brings you highly twisted, glitchy, twitchy, gritty, grimy audio madness perfect for various music genres like dubstep, EDM, IDM, hardcore, darkcore, electro-industrial, hardstyle, glitch hop, downtempo, drum‘n’bass, hybrid cinematic music, but also very useful sonic tool for sound designers, editors, and pretty much anyone who likes to play and try different things with sound!
These warped and mangled glitch sounds always work great as a source of inspiration and new ideas as they tend to induce more experimental approach to music making, thus helping in achieving unexpectedly creative and original results. A must have for every producer, musician or sound designer, these glitch sound effects will instantly find a way into your production and bring some serious edge to it!
THE GLITCH sound library contains 331MB (340 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
The Glitch UI SFX library delivers a collection of user interface sounds created from mangled video files, circuit bent keyboards and dying hard drives.
Pops, clicks, glitches and transitions, all sourced from our Error Tone library but re-edited and processed specifically for sound designers with extensive Soundminer metadata.
Contains sounds which will work for all your user interface feedback needs, from retro computer interfaces to modern tablets to futuristic sci-fi UIs.
Glitches is a collection of 500 error sounds for use as communications interference, future computer malfunctions, data processing, Sci-Fi weapon elements, degraded circuits, out of control droids and any scenario which calls for the sound of equipment failure.
Sourced from analog feedback loops, electromagnetic field recordings, databent computer files and abstract tonal textures then processed with granular synthesis techniques, you’ll find all the hums, buzzes, crackles, static and noise needed to construct a convincing Glitched-out soundscape.
GLITCHY CIRCUITS is a collection of 220 glitch sound effects.
Glitchy risers, distorted circuit impacts, mangled & overdriven stutters, sparkly tiny one-shots and more.
GC is an experimental sound effects library that delivers all kinds of glitch SFX:
– Heavily distorted and mangled glitches created with a verity of guitar pedals and plugins.
– Glitchy build-ups and risers
– Heavy, cinematic, overdriven glitchy impacts
– Tiny, sparkly glitch one-shots
– Reverberating, feedback-y glitchy drones
All source sounds have been heavily processed with guitar pedals, plugins, recorded through old tape decks
and small speakers.
Perfect for sound designer, gamedevs and music producers.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: JrF C series, JrF Coil Pickup, Sound Devices MixPre-6, Apogee Duet
EDITED AND MASTERED WITH: Pro Tools, Ableton Live, iZotope RX, iZotope Trash 2, Guitar Pedals,
Old Tape decks, Guitars, Synthesizers, FabFilter, ReFuse, Reaktor, Modular.
GRANULAR is the ultimate source library for anyone looking to add compelling and distinctive granular textures into their sound design; it contains designed sounds, a large collection of processed sounds, and some additional raw recordings.
This library is the culmination of many hours of exploration and experimentation in the area of granular sound processing, using a variety of plugins, audio tools, recording techniques and processes.
GRANULAR features 395 24bit / 96kHz WAV files, each embedded with full metadata.
To build the range and palate of character that we needed for this collection, we transformed community park and green-way bridges into large-scale percussive instruments. We sought out 12 very special bridges in particular locations and sampled many different performances on them to elicit the right sorts of impacts that we were looking for. Each performed impact has 3 layers, 2 mono and 1 stereo, all with different perspectives due to mic placement. These sounds are highly dynamic, containing an artful blend of the locale they were captured in, and can add some very rich color to any explosion, impact, or crushing event in your editing mix. Go ahead and do your best (or worst)!
These sounds can take a beating. Enjoy!
An onslaught of movement and force using various granularities of dirt-like substances. It's all in the name. Dirty, gravelly, and ragged.
In this library you will find a myriad of gritty movement sounds derived from 4 different granularities: Course, Medium, Fine, and Ultrafine. There are sweeps, smears, crushes, scatterings, drops, scrapes, rubs, and more, with multiple variations of each. The assets chain together particularly well so that you can use them to make long continuous runs.
The timbre and dynamics of these sounds lend them to be used for many different designs than just scrapes and scratches, such as movement in snow or sand, powerful bursts, high energy flames, shifting heavy objects, large beast vocalizations (dragons, anyone?), and more. As well, their metadata is organized conveniently to allow you to grab chunks of variations on similar movements and drop them into your favorite audio implementation software for quick assignment to random containers or sequences for an asset or call.
This library will almost always find itself being thrown into a creative media project one way or another. Its full of a particular cornerstone sound that is essential to any sounds designer's toolbox. And with such a variety and versatility to explore, we promise it will serve you well.
The Gun Shell sound effects library features a comprehensive collection of sounds made with empty gun shell casings. Including 12 different shell types, 7 surfaces, and a huge amount of takes (3600+ files in total), this library is more than just a collection of falling shell sounds. It includes shells colliding with each other, rolling, bouncing, being picked up, and more.
These expressive little sounds can add the essential detail in your project, or you can use them creatively to craft totally new sound effects layers for weapons or item/coin pick up. Ammo box handling foley and bullet belt link sounds are also included.
Included calibers / shell types:
7.62×39mm • 7.62×54mmR • 9mm • .22LR • .30-06 • .38 SPL • .44 MAG • .45 ACP • .223 REM • .308 WIN • 12-gauge Shotgun Paper Shell • 12-gauge Shotgun Plastic Shell
Concrete floor • Wooden floor • Carpet floor • Rumbling metal • Hard metal • Gravel • Dirt
Recorded in a quiet studio environment in 96 kHz / 24 bit, these well-edited and meta-tagged sound clips make it easy to add the perfect gun shell sounds in your projects. In addition to a massive amount of variations of shells falling on different surfaces, the sounds are useful for sweetening bullet impacts, creating collect/pick up sound assets, and pitch-shifting them to create totally new sci-fi weapons.
An informative PDF spec sheet is included with a lot of details about the shells. There you can easily find example firearms using the specific cartridge to accurately match the correct shell sounds with the guns in your projects.
The library comes in two versions: One with multiple takes in a single audio clip, the other has a new audio clip for each shell drop. Both versions are included with this library.
This Gym Weights library focuses on clinking weights in different shapes and sizes, mostly barbell and hand weights – recorded in an empty gym. As a bonus it contains hits on a punching bag, an ambience track from a large gym (with the sound of people & exercise activity), and some workout machine sounds.
The library is recorded with film sound in mind, so the sounds are not compressed to death. These are also great ingredients for metal impact sound design.
Get the sounds of a hand spinner – or fidget spinner – with this new sound effects library! Separated into 2 folders, Raw recordings and Pre-designed sound effects, you will find your spinning happiness for your projects. With the raw files you can design drones or helix sounds and more… Let your imagination take you away!
The Handheld Tranceivers library delivers walkie-talkie sound effects from no less than three models: The AEG Voxtel, the Cobra MicroTalk and the Kenwood TK-3107.
It features button sounds, beeps, squelches, feedback sounds, static and white noise sounds, garbled communications and much more. Recorded with a Nevaton MC48 microphone and a Tascam DR70d portable recorder.
If you need the sound of handwriting, this SFX library delivers: It gets you 841 files containing more than 2000 different handwriting – sounds from different pens, pencils, crayons, chalk on blackboard, felt pens, markers, even brushes and writing in sand, and carving in stone. All this in many variations from writing words and sentences, strokes, periods and doodling. So if you’re after the sound of writing, here it is:
This library is a small collection of handwriting foley on paper. It’s a mix of scribbles, doodles writing and punctuation that will save you alot of time when you need various writing movements and sounds.
All sounds recorded using the Neumann KMR81 and the MA5 Pre.
Who doesn’t recognize the sounds of construction work and the toughest duties ever known to humankind. Drilling, hammering, building and constructing. (Swearing not included). Packed with 237 different sounds to immerse you audience in the true hardwork day to day
Sound Devices 633
Seymour Duncan SCR-1
HARMONICS is a new designed sound collection that explores the inner beauty of resonating metals to create an extensive set of inspiring sonic material for sound design and film scoring – proudly presented by SampleTraxx.
Metal happens to have the right combination of speed of sound and decay. Different metal shapes produce a broad spectrum of soundscapes and tones.
HARMONICS investigates this hidden magic by designing and layering these unique timbres.
The result is an extensive set of designed evolving textures and designed metal elements which are great to create sound cues in minutes, metal hits, passby-reverses and evolving drones.
The nature of this soundpack doesn’t call for compressor or maximizer. Close attention has been paid to preserve the original dynamic excursion of each sound and fully enjoy its natural vibration and evolution.
Having a wide dynamic range guarantees more freedom in layering and arranging different elements to create endless variations.
The sonic material contained in the pack is all presented in a designed fashion and different levels of design are provided: from simple elements to evolving multilayered soundscapes and textures, all based on metallic sources. No external sounds apart from metals have been added to the mix.
86 Designed Textures and Elements (dur. up to 1’10″)
37 Hits (Hi and Low Designed Hits)
26 Pass-by Reverse
9 Tibetan Bowl (Raw Recordings)
9 Kontakt Instruments -Kontakt 5.5 full required for these (free player not supported)
Note: the WAV themselves files can be used without Kontakt
Harsh Noise is a collection of analog feedback loop manipulations where traditional audio equipment is pushed to extremes and sent spiralling out of control.
Featuring glitched-out signal malfunctions, huge walls of noise and piercing high-frequency tones, these sounds will really set the mood for any abstract scenes, unsettling moments or technological nightmare situations in your productions, particularly if working to a horror, science fiction, dystopian or experimental theme.
With each file coming in at 1 minute in length and recorded at a high resolution of 24/96, you are invited to go beyond the source material and explore your own sonic territory by way of editing, filtering and processing to suit your needs.
An incredible assortment of organic, elemental and abstract source files at delivered in .WAV 192k 24Bit. The beauty of this library besides the stunning recorded quality is that it was recored with top gear like Apogee Symphony and Sennheiser MKH 416 in a professional sound studio. This is a go to pack to grab for those wanting the cleanest audio files to manipulate.
307 Abstract Source files • 264 Cinematic • 125 Clicks Hits and Buttons • 202 Cloth and Plastic • 132 Construction • 185 Household • 165 Kitchen • 54 Laundry and Bathroom • 1080 Metals • 67 Metal Chains • 177 Metal Slide • 196 Pantry Cabnets Pots • 63 Paper • 214 Plastic • 360 Tools and Machines • 1151 Bonus files (Mud, Stone, Dirt, Glass, Clicks + more)
A total of more than 4700 files in 24 bit / 192 kHz – 18 GB in total
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.