Metal sound effects
Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.
The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.
The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.
The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.
Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10
The Metal Scrap library was recorded at a scrapyard where they do nothing but shredding, cutting, breaking and moving metal of all sorts, all day long.
• Large metallic objects and metal debris being drooped by huge cranes, into and onto various surfaces.
• The end of the Conveyer belt, where the smaller pieces of metal junk fall onto a bigger pile af junk.
• Lots of metallic destruction and impacts, huge and small.
This library was derived entirely from material collected in the Metal Hits, Scrapes and Squeaks library. Each sound was meticulously crafted by hours of experimenting with different processing techniques. I created this library for fun and to in part showcase the flexibility of my metal recordings.
I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.
I believe this library will provide excellent source material for a wide variety of applications. Both as stand-alone effects or layered in with other libraries/sounds to help create a dark/spooky aesthetic.
We recorded tons of different metallic objects like wrenches, cameras, stands, microphones,etc… to create different hits and textures for the Source Material kit, everything was recorded at 192 kHz with the famous Sennheiser MKH 8040/8050 microphones in order to capture all the harmonics up to 50-60 kHz. Then we layered/edited/pitched, crushed them to create the sounds in the Designed folder.
The “Source” folder contains 91 files and hundreds individual sounds divided into these categories:
The “Designed” folder contains 20 files and many more individual sounds, all created from the “Source Material”:
– Silenced/Suppressed shots
The “Synced” folder contains multiple groups of 8 layers + 3 silencers/suppressor, all sync’ed on some of the most common guns rate of fire :
– Ak 47
All the sounds are 192 kHz / 24 bits, giving you all the process flexibility you need. Most importantly the files are embedded with exhaustive metadata compatible with Soundminer, Basehead, etc…
This library is perfect to spice up “boring” real life recordings, create a whole new futuristic weapon or just to give that ” Hyper Realistic ” feel to the project you’re working on.
SSL15 Metal Workshop Session is a full angle recordings from a metal workshop. All the machines in all the formats and angles. Choose between the close 416 mono mic, with the full power of the engine, or the far or medium surround format recorded 5/20 meters away.
This way we managed to get all the sounds from the visit to the workshop!
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
The MicroTone: Doors library contains 133 everyday filing cabinet drawer open and closes at various distances and speeds.
Two filing cabinets, one metal and one wood, recorded at close and medium perspectives. Performances of all the drawers at fast, medium and slow speeds.
Contains sounds which will work for all your drawer and door effect cutting needs. Slowed down they make great rattling, creaking doors as well. The metal cabinet sounds particularly big and slamming at lower pitches!
MicroTone is a series of smaller, less expensive libraries from Tone Manufacture for those times when you need a small injection of fresh sounds for a project and don’t have time to record your own.
is a bizarre and unique harp for Ni Kontakt based on a custom-made musical instrument by Italy-based guitarist Paolo Balestri.
He crafted Mokarpa using guitar strings mounted on a Moka, the iconic Italian coffee pot.
The sounds is harmonically rich, delicate with metallic resonances and with a dreamy flavor.
It’s suitable for fantasy soundtracks, lo-fi hiphop, R&B, cinematic and chill tracks.
The Kontakt instrument allows you to adjust the sound with a custom scripted GUI.
MOKARPA WORKS ONLY WITH FULL KONTAKT 5.8.1 or ABOVE (NOT COMPATIBLE FREE KONTAKT PLAYER)
A sound pack full of money:
Falling, rolling & spinning coins, handling & counting coins and bills, rummage, pouring, digging in money piles, stacking money sacks & more.
Please insert coins to download.
Two versions are included in your download – you can either choose one or download both of them:
The audio content of both versions is 100% identical.
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
Multi Impacts is a package born from our previous Hits and Whoosh bundle. We have taken the decision to split the previous bundle to make two. Here's one of them!
Multi Impacts contains many impacts/hits sounds on several different surfaces. The library contains 258 sound files: Asphalt, Rubber, Car, Human, Ice, Metal, Water, Dirt, Plastic, Wood, and Sci-Fi Impacts.
The perfect package for add on another texture to your action!
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
CLICKS, SWIPES, SCROLLS, NOTIFICATIONS, APPROVALS, DENIALS, WARNINGS, MESSAGES, PICK-UP ITEMS, COINS, TRINKETS, and OBJECT SOUNDS are all in this concise set of 300 interface sound files! Each and every CHIME, DING, PLUCK, POP, TUNE, HIT, ALARM, BLEEP, ZAP, SPLASH, THUMP, WHOOSH, ALERT and much much more has been carefully constructed with a distinct feel using METALS, LIQUIDS, & SYNTH themed sounds, covering all shapes, sizes and paces you’ll ever need for any specific elemental UI sound!
…and all other audio-visual productions
This library contains a wide selection of musical and non-musical instruments, toys and noisemakers.
You will find a wide variety of bells, whistles, cymbals, horns, blocks, drums, toys, shakers, crankers, etc. Can be utilized in a multitude of ways. For example, fill out a musical arrangement, for cartoon effects, goofy UI, etc!
Music is only heard in the demo. Downloads are high resolution and without background music.
Featuring a very special (and spatial) library. If you want true natural interior noises, Noisy Buildings delivers. The pack contains high quality sound files, recorded in abandoned spaces. This first volume represents rumble and rattle sounds, perfectly suited for psychedelic and horror madness – or just when you want to create an unsettling atmosphere. The sounds are rich in natural reverbation, which is specific for large and medium building spaces. For example, you can find very loud and strange sounds of breaking windows, falling into the elevator shaft.
Old Cameras sound library features 69 recordings of different camera related activities. 13 different cameras were recorded with two MKH 8040s in 192kHz. Total length of the files is 52 minutes. Inside you’ll find sound effects like rewinding film, pulling different levers, rotating dials, shutter effects, handling noises, lens focus rings and aperture clicks, polaroid mechanism and more.
“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.
Demo files include pitched sounds, which are not delivered with library.
Old Soviet Factory – industrial sounds from rusty old mining factory – INT and EXT:
Get a rare opportunity to get into a working oil shale factory from early 20th century. Most of the building and technology has remained unchanged and is still working. This sound library contains high quality recordings from both inside the factory and exterior industrial and mining soundscapes. As a bonus there are lots of open field oil shale mining sounds, with heavy machinery.
All the files have been recorded 96kHz/24bit with industry standard equipment – stereo (Sennheiser MKH 8020) plus mono for details (DPA 4017) Sound Devices Mixpre10T, and have added metadata.
OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
This sound library delivers a composite and very versatile collections of sounds of all kinds of things that can be opened and/or closed.
Obviously there are several doors, hatches and drawers but also lots of other opening and closing sound effects that will come in handy in your everydays sound design work, especially for Cartoon productions and Game Audio. You will also find, Roller Shutters, Boiling Pot Lids, Umbrellas, Water Boilers, Boxes, … most with several variations.
You can use the sounds as they are or use them for intense sound design.
All Sounds were recorded with Sennheiser MKH8050 + Ambient Emesser 208 MS-Rig in a Sound Devices 744T and 788T and also with a Sony PCM-D100.
Want that sound that’s made between the Optometrist asking if a or b is better? Want to hear what it sounds like when your eyes are being scanned and tested? Hear your glasses being adjusted before you get to wear them? The optometrist equipment library has all of this ready for you to use. This small boutique library covers a range of equipment used everyday to help optometrists figure out how well we see. Whether you’re using the machine noises to cut an optometrist scene or if you want to take the many mechanical sounds and design them into something other worldly it’s all there for you.
From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.
Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We're just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer's ear, Outward Inversion is our microscope applied to the aural world.
Sounds for this library were recorded in amazing sounding film scoring studio and performed on orchestral set of top-end Kolberg percussion instruments. The intention was to perform organic sound effects resonated by musical instruments and not regular musical samples.
Sounds were generated with a few different rubbers, mallets and a bow. They were performed to be used for abstract sound design elements, as well as emotional big creatures vocalizations. You will find there many growls and moans, which can be used for example as designed whale vocalizations.
Recordings were done on microphones with extended frequency range: Schoeps CMC6XT, Sanken CO-100k and Trance Inducer (which also records up to 50kHz), which makes them ideal source for pitch-shifting.
Please note: Pitch shifted files in the demo are presented only to show potential of those recordings and aren't included in the library. No additional processing was done on all sounds.
Timpanis • Taiko Drums • Gran Casa • Orchestral Toms • Orchestral Snares • Chinese Gongs • Chinese Wuhan Gongs • Chinese Opera Glissando Gongs • Burmese / Thai Gongs • Metal Plates • Vibraphone • Crotales • Bell Tree • Lion’s Roar • Ocean Drum • Rainstick • Ratchets • Vibraslap • Flexatone • Tibetan Bowl • Glass Chimes • Bamboo Chimes • Temple Blocks • Alpine Bells • Musical Saw
Schoeps CMC6XT MK41/MK8 MS kit • Sanken CO-100k • Sennheiser MKH-8060 • Trance Audio Stereo Inducer contact microphones • Sound Devices 702, 744, MixPre
KLAP Sound took a piano and tortured it, dismembered it and finally destroyed it—and recorded the whole process. For the making of this library, they used several tools such as hammers, screwdrivers, knives, and saws, as well as props like dirt, send, gravel, forks and other sharp objects. The results are raw sounds of foley with musical rings, harmonic tails and creepy vibes that are dry yet barely edited for your own enjoyment.
Have you ever dreamt of attacking a piano with a metal mallet? Dream no more! This library is available in two versions, a discounted bundle, and also in the further discounted “2017 InspectorJ Bundle” for 50% off!
The sounds have been mapped to Kontakt 5 patches for quicker playing (requires the full version of Kontakt 5), but the raw files are also included. The five different samplers offer you a wide variety of durations:
• Damped instantly (84 sounds; five octaves)
• Damped after 1 second (97 sounds; seven octaves)
• Damped after 2 seconds (97 sounds; seven octaves)
• Damped after 5 seconds (88 sounds; six octaves)
• Sustained fully (97 sounds; seven octaves)
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.