Metal sound effects
Space Divers library kicks you right into the deep sea and to open space. This special material-resonation-based sound design has been inspired by such movies as Gravity, Interstellar and variety of scuba-diving or submarine movies.
Experience the dark and deep frequencies, vibrating through rusty submarines and errant space shuttles. Listen to your own breath and hollow noises while exploring sea bottom or repairing space-station systems.
Also available in the LT Underwater Bundle!
Spring Box is 13 minutes/453mb of shrieking, droning, scraping metallic sounds – made by bowing a steel spring bolted to an empty steel enclosure. 81 separate files – recorded in 24bit/96kHz using Primo EM172 and JrF contact microphones.
Here's a collection of eerie sounds for your next horror/sci-fi/ambient project. Everything from low rumbling and rattling, to high pitched, harmonics-laden screams; long, drawn-out sounds and short dings and twangs. Of course they sound really good when pitched down, too (the last 3 sounds in the preview are shifted down to quarter speed)!
The Spring Box is an old 19 inch rack enclosure, which I gutted and fitted with two springs from a genuine Luxo lamp (so you know it's good). I have been having fun bowing and scraping this with a cello bow, as well as striking it with various other objects. Some sounds are recorded acoustically, while others were done with contact mics.
This library features recordings created using a “Knas Ekdahl Moisturizer”, a boutique spring reverb effects unit where three reverb springs are exposed, allowing them to be hit, played, and manipulated in real time.
The unit also includes a multi-mode analog filter, and when combined with the playability of the springs, opens up many sound creation options.
The result is a unique sound effect library of massive metallic hits, clangs, scrapes, plucks, bounces, and rattles. The springs were played like a percussion instrument, using a collection of found objects, such as hammers, mallets, allen wrenches, forks, and plastic / metal rods. The springs were also stretched to alter the pitch, and objects were placed on the springs, much like a prepared piano, to alter the sound.
No other effects were applied other than the built-in multimode filter (high pass, low pass, band pass, and resonance) on certain sounds. These include sub-sonic hits, sweeping filtered metallic scrapes, and drones that round out the collection.
A big new collection of squeaking and creaking sounds – nearly two hours in total, from a wide range of sources.
Shower glass, metal hinges, garage doors, office chairs, plastic handles, rusty ladders, wooden doors, styrofoam, running shoes, bottle corks, plastic containers, medicine cabinets, rubber gloves, plastic bottles, metal coathangers, rusty pipes, wood deckboard, metal springs, plastic straws, wooden baskets, small metal doors, roll-up curtains, large wooden gates, wood floors, metal wheels, screen doors, sliding doors, metal locker doors, rubber extension cords and more.
Steel Strained Faunethic sound library is a unique collection of 59 sounds of large metal structure under stress and pressure.
This library focuses on the musicality and the tonality of metal material, perfect to add tension and anxiety to your productions.
All these sounds have been recorded and produced with high quality equipment at 24/96 kHz at very low noise floor in nice acoustics.
-Metal resonances and vibrations.
-Metal stress, groan and scrape.
-Spring rattling and hit.
-Hit and low impact.
This collection comes in two sections:
-Raw material: construction kit to create and design your own effects. Most of the sounds come with many variations.
-Designed: ready to use sound effects, tonal, scifi, bassy, saturated and modulated.
This library provides authentic and interesting sounds, recorded with Neumann, MBHO and DPA mics powered by an Aeta 4minX.
Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds.
All Faunethic tracks include metadata tags carefully edited, compatible with Soundminer, Soundly and Basehead.
'Tackle Box' by Badlands Sound features 155 sound effects of various sounds of an old metal tackle box. This library will be a great addition to add more fishing sound effects in a video game or at small metal sounds in a film. Some sounds include opening and closing tackle box, rustling around looking for specific fishing accessories, grabbing different types of lures, and much more!
All of these sounds were recorded with high-quality professional equipment inside my studio. Recorded with Sound Devices 702t and Sennheiser MKH 8040 – 94k 24 bit.
The bell collector sound library is a unique collection of 113 sounds of bells, gong and other metal percussions. These objects have been collected over the years, mainly in Asia, India and Europe.
All these sounds have been recorded and produced with high quality equipment at 24/96 khz at low noise floor.
Each bell, sorted by tonality, comes with many variations of intensity and rhythms.
This library provides authentic and interesting sounds, recorded with Neumann and MBHO mics powered by an Aeta 4minX.
Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds.
All Faunethic tracks includes metadata carefully edited, compatible with Soundminer, Soundly and Basehead.
The Blacksmith Sound Effects Library gets you the ringing, banging sounds of hammer impacts on an anvil, as well as the sounds of a large blacksmith's bellows.
The Blacksmith Sound Effects Library features 800 files with over 1000 sounds, recorded at a one-day visit to an old forge from the last millennium. You get tons of hammering metal on an anvil of course but also many other typical forge sounds, as well as more unusual sonic experiences. Mostly metallic sounds – from tools handling, metal hits, drops, clank of chains to vibrating metal poles, rattling cranks, wooden hatches and much more.
All sounds were recorded in MS using a Sennheiser MKH-8050 + Ambient ATE 208 going in a Sound Devices 788T in 192kHz and 24Bit. The sounds are cleaned and edited for direct use. All mastered and decoded to stereo for instant use.
This library recorded a creepy, old, metallic, and huge storage door. It contains metal impacts, creepy metal squeaks, creeks and rattles. Use this SFX to create crazy sound design, especially for horror movies.
The library was recorded with:
Zoom F8 device, and Ntg3 Rode Mic
The Junkyard Metal sound library includes 3183 clips in 98.49 GB. It collects the sound of metal hits, drops, pick ups, rattles and clatters, rumbles and rummaging, rocking, rolling, and scraping.
Featuring diverse props ranging from large metal storage containers, diesel tanks, shopping carts, and tractor buckets to to smaller propane tanks, crates, shopping carts, and bolts, nails, and ammunition, the collection provides multiple performances in each clip.
The sounds were performed from light to heavy intensities and captured at 192 kHz, 24-bit resolution with Sanken, Sennheiser, Neumann, and Schoeps microphones.
The bundle is delivered with Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.
This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.
In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.
There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.
This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.
Sounds of a tortured, tormented and ultimately destroyed vintage piano.
Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.
Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
Carma Studio is excited to bring you a new library of over 260 metallic textures! Starting with low-end dark atmospheres to high brittle sizzle.
Hits, Bangs, Rattles, Screams, Moans, Contact Scrapes, Iced Contractions, Stretching, Cracking and Metal Movement.
These clean recordings of metal tones are left raw and unprocessed for your own creative designing.
Solo or layer these intense sounds for instant metallic mayhem. These are the tortured metal sounds you have been looking for!
44k/24bit BWAV files, All files are Soundminer metadata enabled.
Undoing computer is a package of destroying actions and metal sounds. The library contains 125 files of various metal case computer destruction sounds. Hit, Rubbing, Drop, Bend, Twist, Crush. A collection of several sounds of Scrap Metal, Rattle, Smash on the floor and object debris! The perfect little scrap metal pack!
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24 Bit / 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
Unsettling Creaks and Squeaks – Extension I is the first extension to the very popular “Unsettling Creaks and Squeaks” sound library.
It delivers door and furniture creaks and squeaks, creaking leather, rubber and balloons, door handles, disturbing metal on metal squeaks and much more.
This sound effects library is a composite collection of 345 files with even more single sounds of unsettling and and unpleasant squeaking and creaking elements. It’s a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, through Science Fiction to Horror. All sounds are production ready: Cleaned, edited and leveled, and all with with embedded BWF Metadata.
This is a special assortment of design fragments from Eiravaein Works. Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed. A welcome addition of flavor for any sound designer's archive!
The second volume of assorted recording sessions and design fragments from Eiravaein Works.
Libraries in the Vaeyan series will be produced over time as new library concepts are explored and researched.
A second helping of intriguing sonic flavor for any sound designer's archive!
A collection of sounds gathered from conceptual designs and audio experiments. While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
Vibrations Bowed Materials 1 is a construction kit library composed of various plastic, metal and paper materials vibrated with a cello bow! These sounds are meant to be manipulated and mangled to oblivion for further creative purposes. These sounds are highly flexible and can easily be pitch-shifted -48 semitones or more. They remain remarkably useful and clean giving each sound multiple “dimensions”.
I’ve found particularly strong potential in using these for creature sound design. One of the metal props recorded was also used to produce my Electric Arcs and Energy designed sound library. The array of how they could be used or transformed is quite possibly endless!
Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds. The recording was done at 24 Bit / 192 kHz using the Sennheiser MKH 8050 mic which captures frequencies up to 50kHz. Any processing or editing was then performed at 192kHz.
Includes Forge/Reaktor Sample Maps
7 Different Bowed Metal Prop Recordings
6 Different Bowed Paper Prop Recordings
7 Different Bowed Plastic Prop Recordings
1000 sounds total
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
World Of Secrets is a collection inspired by those mysterious and beautiful objects and furniture, meticulously designed by 15th to 19th century’s craftsmen. Those geniuses used their art to protect what had to remain confidential or secret.
One of the mentors of that art was Leonardo Da Vinci, master of inventions, designing incredible mechanisms for his machines. After much research, and a large photo review session, Red Libraries has designed this collection of modules to assemble as you wish.
A bookcase, a desk, a sarcophagus, a hidden door, a statuette, a cane with a retractable blade, a poison ring, an old grimoire.. each of them will reveal its secret mechanism, from the delicate parts assembled by the jeweler, to the smooth slides of hinges designed by the cabinetmaker.
Gear & specs: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Barcus berry contact mic • 96 kHz/24bits, 149 .WAV, stereo and mono files (243 MB)
Gear & specs: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Barcus berry contact mic • 96 kHz/24bits, 488 .WAV, stereo and mono files (494 MB)
Gear & specs: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Barcus berry contact mic • 96 kHz/24bits, 1081 .WAV, stereo and mono files (2.4 GB)
Gear & specs: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Barcus berry contact mic • 96 kHz/24bits, 1718 .WAV, stereo and mono files (3.47 GB)
Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.
These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!
The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.
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