Metal sound effects
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
Multi Impacts is a package born from our previous Hits and Whoosh bundle. We have taken the decision to split the previous bundle to make two. Here's one of them!
Multi Impacts contains many impacts/hits sounds on several different surfaces. The library contains 258 sound files: Asphalt, Rubber, Car, Human, Ice, Metal, Water, Dirt, Plastic, Wood, and Sci-Fi Impacts.
The perfect package for add on another texture to your action!
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
This library contains a wide selection of musical and non-musical instruments, toys and noisemakers.
You will find a wide variety of bells, whistles, cymbals, horns, blocks, drums, toys, shakers, crankers, etc. Can be utilized in a multitude of ways. For example, fill out a musical arrangement, for cartoon effects, goofy UI, etc!
Music is only heard in the demo. Downloads are high resolution and without background music.
Featuring a very special (and spatial) library. If you want true natural interior noises, Noisy Buildings delivers. The pack contains high quality sound files, recorded in abandoned spaces. This first volume represents rumble and rattle sounds, perfectly suited for psychedelic and horror madness – or just when you want to create an unsettling atmosphere. The sounds are rich in natural reverbation, which is specific for large and medium building spaces. For example, you can find very loud and strange sounds of breaking windows, falling into the elevator shaft.
Old Cameras sound library features 69 recordings of different camera related activities. 13 different cameras were recorded with two MKH 8040s in 192kHz. Total length of the files is 52 minutes. Inside you’ll find sound effects like rewinding film, pulling different levers, rotating dials, shutter effects, handling noises, lens focus rings and aperture clicks, polaroid mechanism and more.
“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.
Demo files include pitched sounds, which are not delivered with library.
Old Soviet Factory – industrial sounds from rusty old mining factory – INT and EXT:
Get a rare opportunity to get into a working oil shale factory from early 20th century. Most of the building and technology has remained unchanged and is still working. This sound library contains high quality recordings from both inside the factory and exterior industrial and mining soundscapes. As a bonus there are lots of open field oil shale mining sounds, with heavy machinery.
All the files have been recorded 96kHz/24bit with industry standard equipment – stereo (Sennheiser MKH 8020) plus mono for details (DPA 4017) Sound Devices Mixpre10T, and have added metadata.
OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
This sound library delivers a composite and very versatile collections of sounds of all kinds of things that can be opened and/or closed.
Obviously there are several doors, hatches and drawers but also lots of other opening and closing sound effects that will come in handy in your everydays sound design work, especially for Cartoon productions and Game Audio. You will also find, Roller Shutters, Boiling Pot Lids, Umbrellas, Water Boilers, Boxes – most with several variations.
You can use the sounds as they are or use them for intense sound design.
Open & Close is available in three versions:
From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.
Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We're just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer's ear, Outward Inversion is our microscope applied to the aural world.
Sounds for this library were recorded in amazing sounding film scoring studio and performed on orchestral set of top-end Kolberg percussion instruments. The intention was to perform organic sound effects resonated by musical instruments and not regular musical samples.
Sounds were generated with a few different rubbers, mallets and a bow. They were performed to be used for abstract sound design elements, as well as emotional big creatures vocalizations. You will find there many growls and moans, which can be used for example as designed whale vocalizations.
Recordings were done on microphones with extended frequency range: Schoeps CMC6XT, Sanken CO-100k and Trance Inducer (which also records up to 50kHz), which makes them ideal source for pitch-shifting.
Please note: Pitch shifted files in the demo are presented only to show potential of those recordings and aren't included in the library. No additional processing was done on all sounds.
Timpanis • Taiko Drums • Gran Casa • Orchestral Toms • Orchestral Snares • Chinese Gongs • Chinese Wuhan Gongs • Chinese Opera Glissando Gongs • Burmese / Thai Gongs • Metal Plates • Vibraphone • Crotales • Bell Tree • Lion’s Roar • Ocean Drum • Rainstick • Ratchets • Vibraslap • Flexatone • Tibetan Bowl • Glass Chimes • Bamboo Chimes • Temple Blocks • Alpine Bells • Musical Saw
Schoeps CMC6XT MK41/MK8 MS kit • Sanken CO-100k • Sennheiser MKH-8060 • Trance Audio Stereo Inducer contact microphones • Sound Devices 702, 744, MixPre
KLAP Sound took a piano and tortured it, dismembered it and finally destroyed it—and recorded the whole process. For the making of this library, they used several tools such as hammers, screwdrivers, knives, and saws, as well as props like dirt, send, gravel, forks and other sharp objects. The results are raw sounds of foley with musical rings, harmonic tails and creepy vibes that are dry yet barely edited for your own enjoyment.
Have you ever dreamt of attacking a piano with a metal mallet? Dream no more! This library is available in two versions (and a bundle):
Props Box 2 sound library is a collection of different sounds emitted by everyday objects used in weird ways. It can be a great and handy tool in designing more complex sound effects for games, or just a go to pack to quickly fill the gaps in movies and other linear media.
The library gives you 193 files, featuring more than 2000 sound effects, as each recording contains different variations of the same activity. The total length of the files is 234 minutes.
Cardboard • electric hair ball remover • foam pipes • glass box • glass jar • glass plates • leather box • metal bowl • metal brush • metal cage • metal chain • metal container • cutlery • garlic presser • keys • knife sharpener • metal bars • nuts • paper book • paper thick and thin • pepper mill • plastic bag • chips • bottles • plastic boxes • calculator • jars • toys • silica gel • sponge • stone mortar • tapes • wooden box • wooden brush • toothpicks • nutcrackers
As for the post processing, everything was edited and mastered. Editing came down to removing unwanted sounds between takes, and mastering to removing harsh sounding frequencies, compressing and setting everything on level that is comfortable to work with, so you don’t have to constantly adjust the levels while looking for specific sound.
Inside you’ll find recordings with materials like cardboard, foam, glass, leather, metal, paper, plastic, wood and different objects.
I went there, so you don't have to. The nerv wrecking sounds of a fork scraped across a plate, the annoying scratches of fingernails on a coated pot are as well part of this library as many similar and sometimes less unpleasant sounds.
The major part of this library has been recorded in 192kHz with Earthworks QTC 50 microphones. Frequencies up to over 90 kHz are captured with plenty of the noises and allow for decent pitch and bend fun. Plastic, wood, metal, glass, porcelaine, syntetic leather and rubber has been used to perform squeaks, screeches, squeals, creaks, groans and scratches. Each material has been dragged and rubbed against each other in different speed and with varying pressure to make sure to get multiple variations of each sound.
This versatile library is a rich resource and a starting point for creature sound design, iron weapon action, robotic and machine movements and many more. Also great for music production – check the demo. Anything that should make the audience goose bumps or sound old an tortured will profit from “QUEETSH”.
Caution: some sounds might be considered unpleasent / annoying.
Recorded at an old bunker constructed near the Chebucto Head lighthouse (Halifax, Nova Scotia) during WWII, now derelict and covered in rust.
These recordings were a happy accident, discovered on the way to record something else. This large, heavy steel door has been rusting since wartime, and when I noticed it I immediately knew it would have a unique sonic character. When moved, it produces interesting almost musical tones, rich with harmonics and ripe for processing.
This library includes a variety of sounds generated by interacting with the door in different ways (scraping, punching, and moving at various speeds), and was recorded in mid-side with a Schoeps Mini CMIT + CMC6 MK8 into a Sound Devices 633.
All sounds are decoded to LR stereo, normalized and processed minimally beyond noise reduction. Files are tagged with metadata in Basehead and stamped in iXML, bext and ID3 formats.
Introducing the ultimate roller coaster sound library: Roller Coaster Sound Builder includes high-quality recordings from 5 different roller coasters, from classic steel coasters to aggressive impulse coaster. This huge collection includes clean roller coaster passbys, onboard recordings, and classic roller coaster screams.
Roller coaster pass by sounds were recorded without background noise in an amusement park that was closed to the public. A great amount of natural screams with different intensities is also included, recorded during a regular summer day in the amusement park.
This collection provides unique, hard-to-access source material in high-quality, with a large amount of takes for creative sound design. We worked hard to capture as much useful material as we could when we had full access to the rides. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
Rolling Objects, the next step of our Materials & Textures SFX series, is a diverse collection of 270 HQ sounds which covers a wide range of objects rolling on various surfaces.
The possibilities you have with this library are genuinely endless. You can cover anything from vehicle sound design to landslides and giant boulders to more innovative concepts like drone textures and sci-fi mechanical movements.
Some of the most exciting elements included are large metallic pipes rolling on concrete, tree logs and gravel sloping downwards, a Chinese meditation ball slipping from an aluminum rail, a metal barrel moving on various surfaces, various kid toys rolling on wooden surfaces.
Ronks is a collection of metal screaming, groaning, and resonating. This library primarily features dry ice resonating a large air duct in a variety of ways, but also covers a variety of smaller metal objects like cans, spoons, and small bits of metal.
Rummage is a collaborative sound library from SoundBits and Glitchedtones with a focus on unsystematic searches through everyday items.
Created especially for projects calling for careful, hasty or frantic rummaging, these 733 files offer up plenty of variation to cover a wide range of scenarios. Featuring searches through paper, pockets, trash, wallets, retro media, wood, tools, bags, wardrobes, metal and lots more… your movie scene, game environment or even music production in need of some Rummage, is covered, or more appropriately, uncovered!”.
The Sack Of Coins sound effects library features 34 mono 96kHz files recorded with Rode NTG3, Sennheiser MKH 8040, LOM microphones and Zoom F8. The library covers different money-related activities, from shaking in different containers, rolling and spinning, handling noises, and gathering, touching and more.
• Dropping coins on concrete floor
• Touching, shaking, moving coins with hands
• Sounds of coins in metal container
• Sounds of coins on metal tray
• Sounds of coins on old wooden box
• Sounds of coins on wooden desk
• Sounds of coins in a sack
The hot, humid sound of saunas.
Alongside the sound of the sauna itself, this sound library focuses on the impact of water on the incredibly hot rocks. From small water droplets to large splashes, this library features a large range of steam sound effects.
All sounds were recorded using the Schoeps CCM8/CCM4 mid-side microphone, Sennheiser MKH 8020 stereo pair and Sound Devices 788T.
Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.
Sci-Fi Explorations – Vol I features 546 creative sci-fi sound effects, alien textures, ambiences, drones, space cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts, abstract user interface sounds, transitions, and more.
Created with synth equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects.
Sci-Fi Explorations – Vol I is an experimental collaboration between Gregor Quendel and ARC Noise.
Professional metadata provided and edited by Kai Paquin.
SCI FI MECHANICS is a collection of 301mechanical/robotic sound effects.
SFM is a contraction-kit, that allows you to created, heavily synthesized robotic and mechanical sound effects.
Packed with high quality robotic sequences, one-shots, transformations, impacts and experimental mechanical sounds.
Perfect for crafting sound for all sorts of sci-fi/future-tech.
RECORDED WITH: NTG3
CREATED WITH: Pro Tools, Live, Reaktor, Kontakt.
Scratches is a comprehensive library of 700 recordings of scraping, cutting, scuffing, peeling and rubbing sounds. This high-quality collection of versatile sounds will make your skin crawl and hair stand on end.
The idea behind this project was to gather a wide assortment of objects like saws, scissors and chalks, and to record their acoustic interaction with surfaces such as wood, glass, metal, concrete and gravel. We even came to vandalize a few musical instruments (snare drums, oriental percussions, cymbals and more) with hammers and knives in order to capture weird noises and unique musical qualities.
If you want to get an insight into how we created Scratches library, head over to our blog here
Sigil is a unique library of dark, gritty, raw, and eerie textures and tones made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician Nathan Moody.
Sigil provides an edgy set of layers that are rich with organic complexity: Skittery bows on handmade string instruments; “prepared” string tones and textures, bowed and rubbed springs under tension; salvaged rusty metal tubes; perforated steel gongs; aluminum water bottle bells; and deep, resonant handmade percussion instruments. Textures include chugs, shrieks, groans, drones, bounces, peals, and rattles. The sounds range from blissfully musical to horrifyingly atonal, and are equally at home lending an uneasy tone to either avant garde musical works or multi-layered sound effects, especially in thriller or horror genres.
The organic nature of the Sigil library means that its sounds hold up well to extreme processing like pitch shifting and granular resynthesis. The handmade nature of the instruments used means that there’s no other library quite like it.
The recordings were made with a variety of pickups, contact microphones, and traditional microphones, through various high-end “character” mic preamps selected uniquely per microphone and per instrument. Full details are in the library’s documentation.
This collection was recorded at 24 bits, 96 kHz and includes over three hours of recordings with more than 600 individual sounds, all fully tagged with metadata. Multiple articulations and voicing are ganged into single files for convenience and organization.
Singing Bowl features a variety of sounds captured directly from a small Tibetan singing bowl.
The library was meticulously recorded in stereo using a mixture of contact microphones and a Sony PCM D100 recorder. Strikes in a variety of styles, from wood, rubber, fingering, plastic, and metal were recorded, as well as rotation resonances, drops and scrapes. In addition to allowing the bowl to fully ring out, the recordings also include dampened hits.
Also included are a unique set of designed sounds. Utilising a variety of sound processing techniques, the results include user interface effects, abstract drones and moving tones. This sound set was also produced dry so that you can apply your own reverb to taste if required.
This library is all about the small insignificant sounds that occur everyday in any small office along with some very special sounds made from those items. All sounds are recorded cleanly with many variations to choose from and named meticulously. They´ve also been noise treated and edited carefully to make the use a seamless experience.
Since a lot of the sounds very recorded very closely, they open up new possibilities to sound designer. Some of the sounds could easily be used for weapon or impact and other kinds of sound design.
Some of the categories used in this library are: paperclips, hole punchers, staplers, fax-machine, printers, shredders, lots and lots of paper variations, drawers, file cabinets, ringbinders, post-its, books, keyboards and more.
Sonic Transmission is a unique collection of 257 sounds recorded and produced with high-quality equipment at 24 bit /96 Khz. Recorded in a 0 acoustic fields with a large range of piezo, contact, suction and hydrophone microphones, this sound library offer original audio textures ready to use or to design.
Plenty of material has been recorded over many months to provide a wide range of variety, such as:-Metal: small to big, hollow to thin, resonating, heavy, soft
-Plastic: hit, impact, scrape, squeak
-Glass: brillant to low and deep, saturated, bouncing
-Water: oxygen, bubbles and movements into resonant containers
-Wood: low and long creaks, hit and movements
-Servo motors: clean, low, accidented, revs
-Spring: creaky and tonal
-String: cello and bass
-And much more
This collection comes in two section:
-Raw material: construction kit to create and design your own effects. Most of the sounds comes with many variations.
-Designed: ready to use sound effects, tonal, scifi, bassy, whoosh, saturated, modulated, drone, impacts
Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds. All Faunethic tracks include metadata tags filled with Soundminer.
Rock The Speakerbox presents Sorcery, the ultimate sound design toolkit for magic and enchantment.
Harness the forces of light with white magic. Ignite the night with the unbridled power of fire and flame.Summon the darkest of evil with black magic and necromancy. Release the fury of a million volts by mastering the electron. Lay waste to your foes with the sheer might of water and acid. Conjure the frigid and unleash the frost with the power of ice.
Recorded on stage and in the field, and designed by award winning sound designers, SORCERY contains 11.7 GB of HD quality content spread across 1992 construction kit sounds and 204 designed sounds. With spells, deflects, casts, blocks, beams and more, SORCERY provides sound designers and media content creators unrivaled wizardry at their fingertips.
The extraordinary awaits within.
Space Divers library kicks you right into the deep sea and to open space. This special material-resonation-based sound design has been inspired by such movies as Gravity, Interstellar and variety of scuba-diving or submarine movies.
Experience the dark and deep frequencies, vibrating through rusty submarines and errant space shuttles. Listen to your own breath and hollow noises while exploring sea bottom or repairing space-station systems.
Also available in the LT Underwater Bundle!
Spring Box is 13 minutes/453mb of shrieking, droning, scraping metallic sounds – made by bowing a steel spring bolted to an empty steel enclosure. 81 separate files – recorded in 24bit/96kHz using Primo EM172 and JrF contact microphones.
Here's a collection of eerie sounds for your next horror/sci-fi/ambient project. Everything from low rumbling and rattling, to high pitched, harmonics-laden screams; long, drawn-out sounds and short dings and twangs. Of course they sound really good when pitched down, too (the last 3 sounds in the preview are shifted down to quarter speed)!
The Spring Box is an old 19 inch rack enclosure, which I gutted and fitted with two springs from a genuine Luxo lamp (so you know it's good). I have been having fun bowing and scraping this with a cello bow, as well as striking it with various other objects. Some sounds are recorded acoustically, while others were done with contact mics.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.