This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).
If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You've found it.
Fringe Elements is an aggressive sample pack of divergent and destructive sounds designed for musicians and sound designers in need of a hard-hitting sound pallet on the periphery of normal. Each sound was built in the modular world and heavily processed through DSP algorithms to create structurally unique outcomes and ultimately highly usable samples.
Contained in this collection are 225 unique sounds designed as FX, rhythmic elements, evolving textures, noise, distortion, spectral atmospheres and other elements perfect as building blocks to new music and sound projects or to be layered into existing work to add weight, depth and dimension.
The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries. This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.
The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing. They will work well for Sci-Fi weapon layers, user interface sounds and more.
THE GLITCH SFX TOOLKIT
In this library, you will find electronic sounds that can be used on a variety of applications such as Sci-Fi projects, computer glitches, faulty equipment, robots and much more.
All of the files were designed from scratch – no pre-existing sounds were used – and they are sourced from actual computer errors, generating original sounds.
Included, you will find a folder called “TELEVISION_&_RADIO”. The files in that folder have an EQ applied to them to simulate the effect of the sounds coming out of those pieces of equipment. This will save you time – you don’t have to worry about processing them and can drag & drop them into your projects.
THE GLITCH sound library brings you highly twisted, glitchy, twitchy, gritty, grimy audio madness perfect for various music genres like dubstep, EDM, IDM, hardcore, darkcore, electro-industrial, hardstyle, glitch hop, downtempo, drum‘n’bass, hybrid cinematic music, but also very useful sonic tool for sound designers, editors, and pretty much anyone who likes to play and try different things with sound!
These warped and mangled glitch sounds always work great as a source of inspiration and new ideas as they tend to induce more experimental approach to music making, thus helping in achieving unexpectedly creative and original results. A must have for every producer, musician or sound designer, these glitch sound effects will instantly find a way into your production and bring some serious edge to it!
THE GLITCH sound library contains 331MB (340 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
The Glitch UI SFX library delivers a collection of user interface sounds created from mangled video files, circuit bent keyboards and dying hard drives.
Pops, clicks, glitches and transitions, all sourced from our Error Tone library but re-edited and processed specifically for sound designers with extensive Soundminer metadata.
Contains sounds which will work for all your user interface feedback needs, from retro computer interfaces to modern tablets to futuristic sci-fi UIs.
Glitches is a collection of 500 error sounds for use as communications interference, future computer malfunctions, data processing, Sci-Fi weapon elements, degraded circuits, out of control droids and any scenario which calls for the sound of equipment failure.
Sourced from analog feedback loops, electromagnetic field recordings, databent computer files and abstract tonal textures then processed with granular synthesis techniques, you’ll find all the hums, buzzes, crackles, static and noise needed to construct a convincing Glitched-out soundscape.
GLITCHY CIRCUITS is a collection of 220 glitch sound effects.
Glitchy risers, distorted circuit impacts, mangled & overdriven stutters, sparkly tiny one-shots and more.
GC is an experimental sound effects library that delivers all kinds of glitch SFX:
– Heavily distorted and mangled glitches created with a verity of guitar pedals and plugins.
– Glitchy build-ups and risers
– Heavy, cinematic, overdriven glitchy impacts
– Tiny, sparkly glitch one-shots
– Reverberating, feedback-y glitchy drones
All source sounds have been heavily processed with guitar pedals, plugins, recorded through old tape decks
and small speakers.
Perfect for sound designer, gamedevs and music producers.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: JrF C series, JrF Coil Pickup, Sound Devices MixPre-6, Apogee Duet
EDITED AND MASTERED WITH: Pro Tools, Ableton Live, iZotope RX, iZotope Trash 2, Guitar Pedals,
Old Tape decks, Guitars, Synthesizers, FabFilter, ReFuse, Reaktor, Modular.
The Handheld Tranceivers library delivers walkie-talkie sound effects from no less than three models: The AEG Voxtel, the Cobra MicroTalk and the Kenwood TK-3107.
It features button sounds, beeps, squelches, feedback sounds, static and white noise sounds, garbled communications and much more. Recorded with a Nevaton MC48 microphone and a Tascam DR70d portable recorder.
Harsh Noise is a collection of analog feedback loop manipulations where traditional audio equipment is pushed to extremes and sent spiralling out of control.
Featuring glitched-out signal malfunctions, huge walls of noise and piercing high-frequency tones, these sounds will really set the mood for any abstract scenes, unsettling moments or technological nightmare situations in your productions, particularly if working to a horror, science fiction, dystopian or experimental theme.
With each file coming in at 1 minute in length and recorded at a high resolution of 24/96, you are invited to go beyond the source material and explore your own sonic territory by way of editing, filtering and processing to suit your needs.
High Desert Thunderstorms has the vast, beautiful crackling of Southwestern summer thunderstorms. These powerful storms travel for miles in all directions with rumbles that feel physically and emotionally immersive. Plus, you receive many types of Texan storms with rainstorms, dry thunder, echoing thunderclaps, and much more. If you need storm ambiences that ripple across barren valleys, listen to High Desert Thunderstorms.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Hand-picked sounds from over 20 summer thunderstorms
• Three-part library: Dry Thunder, Wet Thunder, and Rain and Thunderstorm Ambiences
• Thunder echoing in mountain valleys
• Unraveling explosions as close as 2,000 feet
• Sub-bass growls as far away as 20 miles
• Approaching and fading storm cells
• Descriptors: close, distant, rippling, rolling, growling, rumbling, unraveling, sonic boom, Zeus, and sub-bass
• multiple microphone perspectives for a variety of stereo images and uses
• Location: Near Marfa, Texas, summer 2016, mountain valley at an altitude of 6,000 ft.
• 95% Bird Free
• Library can be purchased in parts or as a bundle to save 20%
All the essential high voltage electricity sounds you’ll need for your sound library. Sounds include sparks, electrical fires, fruit electrocution, electric arcs, shocks, hums, overloaded circuitboards, light bulbs, capacitors and much more. Features recordings from high voltage units such as 2 power supplies, 3 microwave oven transformers, 2 neon sign transformers, a 250k volt Tesla coil, 3 Jacob’s Ladders, an arc electric welding machine and a car battery
The Hum, Buzz & Glitches U.S.O. Bundle includes Unseen Noises, Transmission Apparatus, 3Dimensional Printing & ACME from Unidentified Sound Object. This multi-pack combo provides selected sound libraries at a savings of 25% off the retail price ($38.25 ex VAT).
$153. Discounted combo price $114.75 ex VAT.
HumBuzz is a versatile collection 113 tech-noise-sounds with a length from 7 to 27 seconds.
The files were created by capturing the electromagnetic fields of fridges, microwaves, boilers, cell phones, TVs and computers.
Buzz • Hum • Noise • Start Up • Tonal
Hyperdrive is a collection of powerful energy sounds inspired by a variety of futuristic vehicles and weapons. The sounds contained range in texture from more traditional to extremely chaotic. The collection will lend itself well for use as standalone effects or as exciting elements to be further manipulated and layered in your projects.
Great care was taken during the recording and editing process to ensure the maximum flexibility of these sounds. All source material was recorded at 24/192kHz using the Sennheiser MKH 8050 mic which captures frequencies up to a minimum of 50kHz. All processing and design for this collection has been done at 24/192kHz.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
This library contains 130 high resolution 24 bits / 96 kHz elements perfect for radio imaging / radio production and much more.
Those abstract but powerful sound effects give you infinite possibilities by using them forward or backward or by cutting and combining themselves together.
“INACCURACY” is a collection of 152 digital glitches, errors and malfunctions. These sounds were created using a great variety of audio sources (from vocalizations to, even, designed Sci-Fi weapons) processed with extreme changes in time, velocity and pitch to obtain very direct and aggressive glitches.
The sounds in “INACCURACY” are great for any kind of Sci-Fi production (games, trailers and movies).
Using a Magnetic Coil, this library contains electro-magnetic fields of a variety of household, commercial, and industrial electronics. Hear electronics like you’ve never heard them before in the Series 1000 Induction SFX Library
This extensive collection of industrial ambiences features heavy machinery, mechanical rumbles and diffuse urbanscapes from the following locations:
All sounds were recorded using the Sound Devices Mix-Pre 6 and Sennheiser MKH 8020s to capture the extensive low frequencies present within the aforementioned locations.
Interface is a collection of Button Presses, Power-Ups, Data Rolls and Whooshes for use in Games and Multimedia. They are also very useful for creative music production. Use the whooshes as transition elements or the Power-Ups to start off a song. This collection belongs in every digital artist toolkit.
More than two years after the release of Binary Code sound library, Sound Response brings you massive (1.5GB in size) second installment – Binary Code 2, with a total of 1000 professionally designed, high quality, futuristic interface and sci-fi computer UI sound effects!
Binary Code 2 is a diverse collection of HUD and UI sound effects separated in eight different categories, that features vast selection of neutral interface hi-tech beeps, bleeps, and button sci-fi sound effects, confirmed (access granted) and negative (access denied) interface sounds, subtle sweeps and smooth futuristic hi-tech hologram sound effects, data processing and readouts, various glitch sound effects, those chirpy 8-bit retro game sounds, and typing sci-fi sound effects! With this large and versatile interface sound effects collection at your disposal you’ll be able to create that sought-after, sophisticated, futuristic sound for your next game, movie, trailer, video, app, music track, or any other project that you’re working on!
Creation of Binary Code 2 sound library involved two months of extensive sound synthesis with synthesizers and usage of noise generators in order to create the necessary source sounds, followed afterwards by hours upon hours of mangling, processing, meticulous editing and fine-tuning.
Binary Code 2 sound library contains 1.57GB (1000 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into eight categories.
1. Neutral • 2. Confirmed (Access Granted) • 3. Denied (Access Denied) • 4. Subtle (Holograms) • 5. Data Processing • 6. Typing • 7. 8-Bit Retro • 8. Glitches
Lamps focuses on the buzzing/humming sound of light bulbs, lamps, fluorescent tubes, you name it… You can find a sound for any electricity driven device you can imagine.
These sounds can be used as pure effects or as a layer in your ambiances/atmos tracks to create a buzzing hallway or even to add tension in a basement scene with a fluorescent tube.
Low humming growls, aggressive and high pitched, glass resonant tubes, tiny filament lamp, fridge style hums,etc…
This library contains 44 designed textures and about 20 source material files with full and detailed metadata embedded ( Soundminer, Basehead, iXML ) , all at 96kHz / 24 bits.
Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
Rumbles and rattles from lighthouse motor recorded at every floor, from bottom to top of the tower.
Recorded in Atlantic Maritimes PEI province in Canada. The lighthouse has an electric motorized engine that makes the light rotate at 360 degree, so that the boat can be guided.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.