Harsh Noise is a collection of analog feedback loop manipulations where traditional audio equipment is pushed to extremes and sent spiralling out of control.
Featuring glitched-out signal malfunctions, huge walls of noise and piercing high-frequency tones, these sounds will really set the mood for any abstract scenes, unsettling moments or technological nightmare situations in your productions, particularly if working to a horror, science fiction, dystopian or experimental theme.
With each file coming in at 1 minute in length and recorded at a high resolution of 24/96, you are invited to go beyond the source material and explore your own sonic territory by way of editing, filtering and processing to suit your needs.
High Desert Thunderstorms has the vast, beautiful crackling of Southwestern summer thunderstorms. These powerful storms travel for miles in all directions with rumbles that feel physically and emotionally immersive. Plus, you receive many types of Texan storms with rainstorms, dry thunder, echoing thunderclaps, and much more. If you need storm ambiences that ripple across barren valleys, listen to High Desert Thunderstorms.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Hand-picked sounds from over 20 summer thunderstorms
• Three-part library: Dry Thunder, Wet Thunder, and Rain and Thunderstorm Ambiences
• Thunder echoing in mountain valleys
• Unraveling explosions as close as 2,000 feet
• Sub-bass growls as far away as 20 miles
• Approaching and fading storm cells
• Descriptors: close, distant, rippling, rolling, growling, rumbling, unraveling, sonic boom, Zeus, and sub-bass
• multiple microphone perspectives for a variety of stereo images and uses
• Location: Near Marfa, Texas, summer 2016, mountain valley at an altitude of 6,000 ft.
• 95% Bird Free
• Library can be purchased in parts or as a bundle to save 20%
All the essential high voltage electricity sounds you’ll need for your sound library. Sounds include sparks, electrical fires, fruit electrocution, electric arcs, shocks, hums, overloaded circuitboards, light bulbs, capacitors and much more. Features recordings from high voltage units such as 2 power supplies, 3 microwave oven transformers, 2 neon sign transformers, a 250k volt Tesla coil, 3 Jacob’s Ladders, an arc electric welding machine and a car battery
The Hum, Buzz & Glitches U.S.O. Bundle includes Unseen Noises, Transmission Apparatus, 3Dimensional Printing & ACME from Unidentified Sound Object. This multi-pack combo provides selected sound libraries at a savings of 25% off the retail price, for a savings of $38.25 ex VAT.
$153. Discounted combo price $114.75 ex VAT.
HumBuzz is a versatile collection 113 tech-noise-sounds with a length from 7 to 27 seconds.
The files were created by capturing the electromagnetic fields of fridges, microwaves, boilers, cell phones, TVs and computers.
Buzz • Hum • Noise • Start Up • Tonal
“INACCURACY” is a collection of 152 digital glitches, errors and malfunctions. These sounds were created using a great variety of audio sources (from vocalizations to, even, designed Sci-Fi weapons) processed with extreme changes in time, velocity and pitch to obtain very direct and aggressive glitches.
The sounds in “INACCURACY” are great for any kind of Sci-Fi production (games, trailers and movies).
Using a Magnetic Coil, this library contains electro-magnetic fields of a variety of household, commercial, and industrial electronics. Hear electronics like you’ve never heard them before in the Series 1000 Induction SFX Library
INTERACT is a royalty-free SFX collection providing you with interface, menu and HUD sound effects for your game or film at an affordable price.
We have aimed to make this collection versatile enough to be used in a wide range of projects, from a heads-up display inside a mech to quick and easy sounds in a menu for your video game.
Metadata has also been included in all of the sounds in the collection to make them easier to find in your database.
This collection contains:
Interface is a collection of Button Presses, Power-Ups, Data Rolls and Whooshes for use in Games and Multimedia. They are also very useful for creative music production. Use the whooshes as transition elements or the Power-Ups to start off a song. This collection belongs in every digital artist toolkit.
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
Here you go! Pick your version below:
This pack features 130+ files and 450 magic sound effects (full tracklist (PDF))
This pack features 430+ files and 2300+ magic sound effects (full tracklist (PDF))
This pack features 570+ files and 2700+ magic sound effects!
With Magic Spells & Sorcery sound library Sound Response brings you nine different categories of high quality magic sound effects to choose from! Whether you need those sparkling and shimmering magical spells, buffs, bursts, whooshes and casts sound effects, or the sounds of massive fireballs, flames and swirls, earth, water, air, ice, powerful electric bursts, chimes, or drones, this sound FX collection will provide you with sonic arsenal that will instantly find a way into your production!
Magic Spells & Sorcery soundpack is a result of months of stage and field recording with high-end recorders and microphones, and meticulous sound design process afterwards. Perfect for video games, movies, trailers, videos, but also very useful for music producers, and pretty much anyone who’d like to expand sound collection with various exotic whooshes, transitions and bursts sound effects!
Magic Spells & Sorcery sound library contains 1.48 GB (318 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into nine categories: 1.Spells 2.Fire 3.Earth 4.Air 5.Water 6.Ice 7.Electricity 8.Chimes 9.Drones
Magnetic Balls consists of 283 beautifully recorded and edited sounds, tagged with rich metadata. From whizzes and sparks, to impacts and more.
If you're after electromagnetic sounds, this library delivers: Captured with The LOM Elektrosluch 3+ throughout 2015. The sounds heard with this special piece of equipment are other-worldly, ghostly and oftentimes, scary. If you haven't managed to get your hands on one yet, or missed out while pre-orders we're presenting this library as the definitive Elektrosluch 3+ sound. Hear the analog and digital: screaming whirls of electronic servo motors, the intense hum and whoosh of new and old transformers, and the pained glitching of processors and data paths of a circuit-bent Furby.
We have designed this library to be as useful and versatile as possible to be used in every application, from television, music sampling, theatre, to film. We recorded, edited and hand-picked a selection of science fiction-inspired electrical props in order to obtain the best sound sources for this library. All sounds have not been processed through special effects processors, they are simply the sounds of Electromagnetic Fields, recorded with a LOM Elektrosluch 3+.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Transformers, Televisions, Motors, Servos, Hard Drives, Vintage and New Electrical Technologies, Circuit Bent Props, Cameras, Telephones, Computers, Disk Drives, Remote Controls, Toys, Power Supply Units, Fairy Lights, and Vacuum Cleaners.
Magnetic Fields Volume Two. A science fiction adventure. Following up to the ever popular volume one, volume two is an extension or a standalone introduction to the Magnetic Fields libraries. From the delicate high frequencies of an OLED display panel, to the huge low frequencies of the London Underground, and the beautiful rhythms of an LED open sign. This library has been slowly assembled and pieced together since the release of the original library in 2016. Hear the magnetic tension of a public bus, the grind and stress of a lint shaver servo, and the soft intricate pulses and rhythms of computer processors.
Magnetic Fields Volume Two gives you 104 minutes of pure meta tagged charged particles, sounds of the unheard and the purest science fiction base for your sound library. Volume Two is best paired of Volume One for the definitive experience and sound set.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Transformers, Televisions, Servos, Hard Drives, Sound Recorders, Telephones, Computers, Disk Drives, Trains, Motors, Billboards, Buses and Power Supplies.
Does your production need analog tape playback sounds?
Oh, boy, we have some!
Scratching, speeding up and down, humming, noise and crackles, feedback, distortion, wavefolding, damaged tape, spring reverb and even processed with the filter of evil Polivoks synthesizer.
All records were made with analog gear and recorded with 192KHz sample rate for further manipulations.
Almost 350 scratching, stuttering, and mangled, shuddering sound design glitches in over 500 megabytes.
Each clip is trimmed and carefully organized in folders and with extensive metadata.
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
Modular Eplorations: Bristol features cinematic alien arcades and cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts and abstract user interface sounds.
Created in Bristol with Eurorack equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects in Berlin.
Modular Explorations: Bristol is an experimental collaboration between Gregor Quendel and ARC Noise.
Professional metadata provided and edited by Kai Paquin.
Modular Synth is a collection collaborated by Ross Fish and Kai Paquin, this collection represents a series of one shot sounds featuring sample and hold, granular, and FM synthesis using a custom built modular synth rack.
MOTOR FAN household edition features both Internal & External mechanical sound from household items.
Motors and compressors found in the kitchen, ACs & outdoor units + heaters and compressors and more.
*BUZZZZ* Left your phone in your pocket? On the tile floor? Under a pile of your roommate's disgusting laundry? Locate it with these 17 audio files, recorded in various locations using a customized vibration pattern.
Nature’s Fury: Rain, Wind, Thunder is a massive collection of storm sounds to help you build your environments.
Whether you need a light rain ambience all the way up to heavy rain, howling winds, and cracking and rumbling thunder blowing through your scene – we have you covered. We even isolated some low rumbling thunder to be used in your sound design.
Consider this a storm toolkit that comes with three 4-minute long 5.1 surround designed thunderstorms to get you started!
Newsreel Noises features a collection of unwanted Noises, Rumbles, Hums & Crackles – collected when digging through copies of newsreels from the the 40ies and 50ies of the last century. Whenever such a newsreel starts or ends a lot of sidenoises occur and each one plays another pattern of mysterious sounds. The library is organised into 10 categories:
* Cadenced, Crackle, Hum, Impulse, Noise, Pulsed, Rattle, Rhythmical, Shuttle, Tonal
The library delivers more than 150 WAV-files with embedded loop points. Each file has a descriptive name where the first part describes the strongest element of the sound and the second part gives additional informations about the structure of each sound.
Noise Elements: Electrical & Interference is a sound effects library featuring 36 noise production elements of imagined electricity and interference particularly well-suited to Dystopian, Science Fiction or Horror scenarios.
Think cameras on the blink in found-footage horror, industrial alien atmospheres or glitched-out, distorted communications, the potential applications for these sounds are vast and only limited by your imagination.
With sounds useful as electrical glitches, harsh static, hub drones, transmitter crackles, radio noise, broken circuits, and abstract planetary ambiences – further shaping, layering and processing only adds to this already versatile collection.
Noise Elements: Electrical & Interference comes with a selection of bonus interference sounds from the following libraries:Data Disruption • Drones • Feedback Loop FX & Atmospheres • Signal Interference
OBSCURE FREQUENCIES is a unique collection of 336 sound effects created from uncommon audio recordings of radio masts, antennas, digital meters, circuit boards, batteries, home & leisure electronics, broken electronics etc.
Deep, dark, low and evolving soundscapes, cracking, distorted whooshes, hybrid electric loops and complex one-shots, all designed using exclusively recordings done with induction coil microphones.
Obscure frequencies is a very versatile pack that can be successfully use in many projects such as sci-fi, horror, sound installations and game audio. Its unique sound comes from combining organic recordings of things that cannot be heard without a special equipment and hours of complex sound design.
All soundscapes loop seamlessly and all source/raw recordings are included.
RECORDED WITH: Sound Devices MixPre 6 + JrF Induction Coil Mic + DIY Mics
CREATED AND EDITED WITH: Pro Tools, Live 10, iZotope Iris II, NI Kontakt.
Odd is a small collection of effects originally created for a project revolving around quick, organic glitched visuals. The library is divided into four categories – Reverses, Texture and Noise, Synthesized Elements and general Oddities. Odd is perfect for adding a bit of strange or weird to your design. Something like a 'what was that?' library. Go nuts.
OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
The Optical Drives sound effects library features recordings of computer optical disc drives (two internal desktop CD/DVD-R and one internal laptop slim CD/DVD-R slot-load).
Two induction coil pickups were used to record the electromagnetic fields emitted by the drives, capturing a very unique set of sounds and textures. These range from sharp percussive bleeps, glitchy static and noise, to electromechanical motor sounds, and drones. You'll find use for many applications, including UI interface design, transitions, sci-fi, robot/servo sounds, technology, and computer sound effects.
Recordings include all functions of the DVD drives, e.g. disc loading, reading, writing/burning, spin up/down, errors, and disc ejecting. Also, each drive was taken apart and manipulated to create additional sounds.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.