This SFX library is a complete collection of everything ENERGY, covering Electricity, Power Ups, Shockwaves, Sparks, Force Fields, Zaps, Loops, and plenty more.
ENERGY is created in collaboration with talented French sound design duo Frederic Devanlay and Cedric Denooz, and features more than 625+ sounds and 6.4GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
• Energy Loops (start, loop, end)
• Neutrons and Particles
• Electricity sparks, zaps, impacts
• Energy Weapons / Special Powers
• Whoosh and Passbys
• Energy Foley
• Hums and Buzzes
• Lightning Elements
• Power Ups and Power Downs
• Source Tool Box – Create your own sounds from scratch!
A special sound effect library from renowned sound designer and recordist Tim Nielsen: It's captured with a VC3 recorder, which turns electromagnetic frequencies into audible tones. The collection features weird statics, data and telemetry beeps, the EMF signatures of things such as rack mount gear, LCD screens, telephones and computers. A total of 178 minutes of sounds are included.
Here are the chaotic, squealing, squelching insides of everyday electronic apparatus, such as cell phones, laptops, MiniDisc (I’m so old) players and battery drills.
Sounds that drone, sounds that buzz – sounds that go “YipYipYiiiipfffrrrszz…”. No kidding. Recorded with induction coils/telephone pickups or whatever you want to call them, these sounds are excellent sound design material.
In fact, I couldn’t help “performing” a bit when recording some of them, just to add a little extra movement.
200 sounds from no-input mixer recording sessions featuring cable & pedal noise, drones, harsh noisescapes, high frequency feedback, hum, interference, low frequency noise atmospheres, machines gone wild and a multitude of general feedback effects.
For inventive navigation tones, future technology sounds, glitch elements, horror atmospheres, corrupted audio flows and more, this original sound collection will serve as a versatile palette for sound designers/editors/artists, music producers and anyone looking for interesting audio artifacts.
All files are 24 Bit/96 kHz with embedded metadata.
This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).
If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You've found it.
Fringe Elements is an aggressive sample pack of divergent and destructive sounds designed for musicians and sound designers in need of a hard-hitting sound pallet on the periphery of normal. Each sound was built in the modular world and heavily processed through DSP algorithms to create structurally unique outcomes and ultimately highly usable samples.
Contained in this collection are 225 unique sounds designed as FX, rhythmic elements, evolving textures, noise, distortion, spectral atmospheres and other elements perfect as building blocks to new music and sound projects or to be layered into existing work to add weight, depth and dimension.
The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries. This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.
The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing. They will work well for Sci-Fi weapon layers, user interface sounds and more.
THE GLITCH sound library brings you highly twisted, glitchy, twitchy, gritty, grimy audio madness perfect for various music genres like dubstep, EDM, IDM, hardcore, darkcore, electro-industrial, hardstyle, glitch hop, downtempo, drum‘n’bass, hybrid cinematic music, but also very useful sonic tool for sound designers, editors, and pretty much anyone who likes to play and try different things with sound!
These warped and mangled glitch sounds always work great as a source of inspiration and new ideas as they tend to induce more experimental approach to music making, thus helping in achieving unexpectedly creative and original results. A must have for every producer, musician or sound designer, these glitch sound effects will instantly find a way into your production and bring some serious edge to it!
THE GLITCH sound library contains 331MB (340 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
The Glitch UI SFX library delivers a collection of user interface sounds created from mangled video files, circuit bent keyboards and dying hard drives.
Pops, clicks, glitches and transitions, all sourced from our Error Tone library but re-edited and processed specifically for sound designers with extensive Soundminer metadata.
Contains sounds which will work for all your user interface feedback needs, from retro computer interfaces to modern tablets to futuristic sci-fi UIs.
The Handheld Tranceivers library delivers walkie-talkie sound effects from no less than three models: The AEG Voxtel, the Cobra MicroTalk and the Kenwood TK-3107.
It features button sounds, beeps, squelches, feedback sounds, static and white noise sounds, garbled communications and much more. Recorded with a Nevaton MC48 microphone and a Tascam DR70d portable recorder.
High Desert Thunderstorms has the vast, beautiful crackling of Southwestern summer thunderstorms. These powerful storms travel for miles in all directions with rumbles that feel physically and emotionally immersive. Plus, you receive many types of Texan storms with rainstorms, dry thunder, echoing thunderclaps, and much more. If you need storm ambiences that ripple across barren valleys, listen to High Desert Thunderstorms.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Hand-picked sounds from over 20 summer thunderstorms
• Three-part library: Dry Thunder, Wet Thunder, and Rain and Thunderstorm Ambiences
• Thunder echoing in mountain valleys
• Unraveling explosions as close as 2,000 feet
• Sub-bass growls as far away as 20 miles
• Approaching and fading storm cells
• Descriptors: close, distant, rippling, rolling, growling, rumbling, unraveling, sonic boom, Zeus, and sub-bass
• multiple microphone perspectives for a variety of stereo images and uses
• Location: Near Marfa, Texas, summer 2016, mountain valley at an altitude of 6,000 ft.
• 95% Bird Free
• Library can be purchased in parts or as a bundle to save 20%
All the essential high voltage electricity sounds you’ll need for your sound library. Sounds include sparks, electrical fires, fruit electrocution, electric arcs, shocks, hums, overloaded circuitboards, light bulbs, capacitors and much more. Features recordings from high voltage units such as 2 power supplies, 3 microwave oven transformers, 2 neon sign transformers, a 250k volt Tesla coil, 3 Jacob’s Ladders, an arc electric welding machine and a car battery
The Hum, Buzz & Glitches U.S.O. Bundle includes Unseen Noises, Transmission Apparatus, 3Dimensional Printing & ACME from Unidentified Sound Object. This multi-pack combo provides selected sound libraries at a savings of 25% off the retail price, for a savings of $38.25 ex VAT.
$153. Discounted combo price $114.75 ex VAT.
HumBuzz is a versatile collection 113 tech-noise-sounds with a length from 7 to 27 seconds.
The files were created by capturing the electromagnetic fields of fridges, microwaves, boilers, cell phones, TVs and computers.
Buzz • Hum • Noise • Start Up • Tonal
“INACCURACY” is a collection of 152 digital glitches, errors and malfunctions. These sounds were created using a great variety of audio sources (from vocalizations to, even, designed Sci-Fi weapons) processed with extreme changes in time, velocity and pitch to obtain very direct and aggressive glitches.
The sounds in “INACCURACY” are great for any kind of Sci-Fi production (games, trailers and movies).
Using a Magnetic Coil, this library contains electro-magnetic fields of a variety of household, commercial, and industrial electronics. Hear electronics like you’ve never heard them before in the Series 1000 Induction SFX Library
INTERACT is a royalty-free SFX collection providing you with interface, menu and HUD sound effects for your game or film at an affordable price.
We have aimed to make this collection versatile enough to be used in a wide range of projects, from a heads-up display inside a mech to quick and easy sounds in a menu for your video game.
Metadata has also been included in all of the sounds in the collection to make them easier to find in your database.
This collection contains:
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
Here you go! Pick your version below:
This pack features 130+ files and 450 magic sound effects (full tracklist (PDF))
This pack features 430+ files and 2300+ magic sound effects (full tracklist (PDF))
This pack features 570+ files and 2700+ magic sound effects!
Magnetic Balls consists of 283 beautifully recorded and edited sounds, tagged with rich metadata. From whizzes and sparks, to impacts and more.
If you're after electromagnetic sounds, this library delivers: Captured with The LOM Elektrosluch 3+, a hand-built EMF sensor/microphone of which only a handful are released worldwide per year. The sounds made with this special piece of equipment are other-worldly, ghostly and sometimes scary. If you haven't managed to get your hands on one yet, or missed out while pre-orders we're hoping this library is the definitive Elektrosluch 3+ sound.
We have designed this library to be as useful and versatile as possible to be used in every application, from television, music sampling, theatre, to film. We recorded, edited and hand-picked a selection of science fiction-inspired electrical props in order to obtain the best sound sources for this library. All sounds have not been processed through special effects processors, they are simply the sounds of Electromagnetic Fields, recorded with a LOM Elektrosluch 3+.
Transformers, Televisions, Motors, Servos, Hard Drives, Vintage and New Electrical Technologies, Circuit Bent Props, Cameras, Telephones, Computers, Disk Drives, Remote Controls, Toys, Power Supply Units, Fairy Lights, and Vacuum Cleaners.
Almost 350 scratching, stuttering, and mangled, shuddering sound design glitches in over 500 megabytes.
Each clip is trimmed and carefully organized in folders and with extensive metadata.
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren't proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
Modular Synth is a collection collaborated by Ross Fish and Kai Paquin, this collection represents a series of one shot sounds featuring sample and hold, granular, and FM synthesis using a custom built modular synth rack.
*BUZZZZ* Left your phone in your pocket? On the tile floor? Under a pile of your roommate's disgusting laundry? Locate it with these 17 audio files, recorded in various locations using a customized vibration pattern.
Nature’s Fury: Rain, Wind, Thunder is a massive collection of storm sounds to help you build your environments.
Whether you need a light rain ambience all the way up to heavy rain, howling winds, and cracking and rumbling thunder blowing through your scene – we have you covered. We even isolated some low rumbling thunder to be used in your sound design.
Consider this a storm toolkit that comes with three 4-minute long 5.1 surround designed thunderstorms to get you started!
Newsreel Noises features a collection of unwanted Noises, Rumbles, Hums & Crackles – collected when digging through copies of newsreels from the the 40ies and 50ies of the last century. Whenever such a newsreel starts or ends a lot of sidenoises occur and each one plays another pattern of mysterious sounds. The library is organised into 10 categories:
* Cadenced, Crackle, Hum, Impulse, Noise, Pulsed, Rattle, Rhythmical, Shuttle, Tonal
The library delivers more than 150 WAV-files with embedded loop points. Each file has a descriptive name where the first part describes the strongest element of the sound and the second part gives additional informations about the structure of each sound.
Noise Elements: Electrical & Interference is a sound effects library featuring 36 noise production elements of imagined electricity and interference particularly well-suited to Dystopian, Science Fiction or Horror scenarios.
Think cameras on the blink in found-footage horror, industrial alien atmospheres or glitched-out, distorted communications, the potential applications for these sounds are vast and only limited by your imagination.
With sounds useful as electrical glitches, harsh static, hub drones, transmitter crackles, radio noise, broken circuits, and abstract planetary ambiences – further shaping, layering and processing only adds to this already versatile collection.
Noise Elements: Electrical & Interference comes with a selection of bonus interference sounds from the following libraries:Data Disruption • Drones • Feedback Loop FX & Atmospheres • Signal Interference
OBSCURE FREQUENCIES is a unique collection of 336 sound effects created from uncommon audio recordings of radio masts, antennas, digital meters, circuit boards, batteries, home & leisure electronics, broken electronics etc.
Deep, dark, low and evolving soundscapes, cracking, distorted whooshes, hybrid electric loops and complex one-shots, all designed using exclusively recordings done with induction coil microphones.
Obscure frequencies is a very versatile pack that can be successfully use in many projects such as sci-fi, horror, sound installations and game audio. Its unique sound comes from combining organic recordings of things that cannot be heard without a special equipment and hours of complex sound design.
All soundscapes loop seamlessly and all source/raw recordings are included.
RECORDED WITH: Sound Devices MixPre 6 + JrF Induction Coil Mic + DIY Mics
CREATED AND EDITED WITH: Pro Tools, Live 10, iZotope Iris II, NI Kontakt.
OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
The Optical Drives sound effects library features recordings of computer optical disc drives (two internal desktop CD/DVD-R and one internal laptop slim CD/DVD-R slot-load).
Two induction coil pickups were used to record the electromagnetic fields emitted by the drives, capturing a very unique set of sounds and textures. These range from sharp percussive bleeps, glitchy static and noise, to electromechanical motor sounds, and drones. You'll find use for many applications, including UI interface design, transitions, sci-fi, robot/servo sounds, technology, and computer sound effects.
Recordings include all functions of the DVD drives, e.g. disc loading, reading, writing/burning, spin up/down, errors, and disc ejecting. Also, each drive was taken apart and manipulated to create additional sounds.
From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.
Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We're just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer's ear, Outward Inversion is our microscope applied to the aural world.
Looking for vinyl noises, crackles, pops and buzzes? PHONO is a set of textures lovingly recorded from the blank spots of old and new vinyl records.
Comprised of various loops pops and decays, this collection spans the range of what a needle on an empty track can sound like.
108 flavors of rhythmic noise, crackles, hiss, pops, buzzes, bumps and air – packaged, looped, and ready to go. Great straight or with fx.
Polarity delivers more than 950 sounds of electricity, science and technology – captured in several locations around the world, from electricity museums to science labs. About 50% of the library is all about electricity, with various types of Jacob’s Ladders, Tesla Coils, Ruhmkorff lamp and all sorts of impactful bursts of energy.
Then we go through welders, plasma spheres, 3D printers, starting to cover a more broad technology theme – like old phones, telegraphs, dynamo wheels, rotary dials, whirling watchers, alarm, lab centrifuges, something scientists call a roller and a rocker, servo sounds, neon lights, a wimshurst machine and sparklers.
Many sounds in this section were captured from vintage equipment, from a 1928’s tram to old telephone switchboards, high voltage levers and control surfaces.
All content was recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser 8040 and a Neumann 81i, translating into final assets that have plenty of ultrasonic content, ready for the most extreme manipulation.
Process Malfunction features 40 intricate future technology glitch production elements for science fiction scenarios where computers are going way out of control. You'll hear corrupt data streams, servers overloading, user interface issues, generative, abstract rhythms and more in this detailed exploration of what the computers of tomorrow may sound like when they go wrong.
Perhaps the mainframe has been compromised from a series of lethal hacker attacks or alien communication signals are interfering with the network, maybe the CPU has just seen better days… Whatever the cause of the failure, the machines have been corrupted and they are struggling, screaming and hanging on for their last bleep…
RADIO IMAGING SELECTION is a collection of 50 stereo 24-bit 44.1Khz radio ready imaging elements for CHR and HOT AC radio Jingles, StationID, Liners and Dj Drops.
All sounds are royalty free and ready to be included in your radio productions.
Do you want to add some tension with thunder sound effects? Are you looking for immersive rain? Do you need perfect loops of rain in your game?
'Rain and Thunder' is a collection of high-quality sounds recorded over a timespan of several years at different locations with a Mid-Side and XY rig. This sound pack contains variations of rain: soft, hard, under metal, under plastic, on top of plastic, and with and without thunder rumble.
This pack is guaranteed to immerse the listener with the pattering drips of water and the roaring thunder!
All sounds included are tagged with metadata (keywords and description) for use in Soundminer/Basehead, etc.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.