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Real and designed humming, buzzing, crackling, glitchy sound effects and recordings. Also check out the Electricity sound category

  • 622 meticulously processed stereo electric and lightning spells sound effects recorded in 96 khz and 24 bits for high audio definition.

    The collection comes with hundreds of variations, more than 1 hour of content and many different type of spells. It also includes raw files for more flexibility for your projects.

    This collection is perfect for any films, video games or trailers.

    The library is fully focused on electric, thunder and lightning spells. You will find simple one shot electric impacts, powerful high level thunder spells, magic weapon enchantments and so on. Spells such as lightning strike, electric blast, thunderbolt, magnetic field, thunder hammer, electric sword, lightning projectile, etc. are included in this library.

    THE ARCANE ELECTRIC SPELLS

    Recorded assets: Thunder, big and small adhesive tapes, inflated balloon, styrofoam, cellophane, various clothes, baseball glove, winter gloves, metal objects, aluminum foil, oven door, etc. Analog/digital synths and ultrasonic/geophone usage for more variety.

  • Electricity Sound Effects Fridge Hums Play Track 19 sounds included, 28 mins total $8

    A selection of refrigerator hum sound effects that can add a touch of everyday life to your audio and visual projects.

  • A car or a spaceship?

    Introducing the “Cupra BORN Sound Library” – an electrifying collection of premium sound effects specifically captured to fit your project. This vehicle has a futuristic humming sound with multiple sonic layers. We recorded the audio of the car with 2 different stereo setups along with tyre noise, motor sound and interior giving you complete editing flexibility.

    The library consists of a wide variety of both onboard and exterior sounds. We recorded exterior pass-bys at various speeds, arrivals, and takeoffs. An extensive amount of onboards, driving at very slow paces with both steady and varying speeds, city driving, higher speeds, various accelerations and decelerations at various paces. The library offers over 12GB of sound in total.

    All of the takes have labelled ISO tracks and a mix for each take for your convenience. Sounds captured at 24bit/96khz and have embedded UCS-compliant metadata. Enjoy.

  • The legendary Synth that brought beloved Droids to Life.

    The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.

    Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.

    Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.

    Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.

    Infinitely tweakable Source Material with plenty of ultrasonic Content.

    The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!

    This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.

    While highly abstract in nature, these sounds are a great basis for building:

    • Futuristic weapons
    • Retro SciFi spaceship sounds
    • Droid and robot vocals
    • Otherworldly ambiences
    • Drones
    • Wavetable synth patches
    • and more.
    This library features SoundMiner, BWF, Soundly, and UCS metadata.


    Metadata: UCS file naming, SoundMiner, Soundly, BWF

    Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.

    File Format: WAV

    Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box

    Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.

    ARP 2600: Droids Blips, Drones & more | A Sound Effects Library by BØLT

     

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  • Industrial Ambiences Industrial Play Track 112 sounds included, 248 mins total $80

    This extensive collection of industrial ambiences features heavy machinery, mechanical rumbles and diffuse urbanscapes from the following locations:

    • Industrial Yards
    • Container Port Terminals & Docks
    • Bus Terminals
    • Cement & Steel Mills
    • Active & Desolate Factories
    • Loading Bays
    • Streetscapes
    • Train Terminals
    • Industrial Railways

    All sounds were recorded using the Sound Devices Mix-Pre 6 and Sennheiser MKH 8020s to capture the extensive low frequencies present within the aforementioned locations.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • Sci-Fi Sound Effects Sci-Fi FX Play Track 203 sounds included $17.40

    203 designed glitches, textures, robots, UFOs, machines and other effects. Everything from a malfunctioning robot to a shuttle launch sequence.

    Sound designed at 24-bit / 96Khz, these sound effects were designed to give flexibility to an editor looking for wild Sci-Fi sounds. These sounds can be used as they are, or treated as foundation audio for further sound design and manipulation.

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  • Here are the chaotic, squealing, squelching insides of everyday electronic apparatus, such as cell phones, laptops, MiniDisc (I’m so old) players and battery drills. All files are UCS-compliant.

    Sounds that drone, sounds that buzz – sounds that go “YipYipYiiiipfffrrrszz…”. No kidding. Recorded with induction coils/telephone pickups or whatever you want to call them, these sounds are excellent sound design material.

    In fact, I couldn’t help “performing” a bit when recording some of them, just to add a little extra movement.

  • Low-price. High-quality. Essential.

    A collection of 125 computer glitching sounds, with distorting and corrupting as if being hacked or a device is malfunctioning in error, as well as analog radio SFX and text-scrolling loops. 100+ sounds are seamlessly loopable!

    The sounds are fully compatible with the Universal Category System (UCS) – a public domain initiative establishing a standardized category list for the classification of sound effects.

    Note: All of these sounds (and more!) are included in the 96 General Library (get 3,000+ SFX for FREE!)

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  • This library features recordings of sounds that were dubbed to 25 year old cassette tapes and then played back using a unique cassette manipulation device. The cassette tape reels are controlled manually by hand via a turning knob, allowing for speeding up/slowing down the pitch and speed while also controlling the rhythm, much like scratching vinyl. The existing sounds recorded to tape combined with the wow and flutter of the worn out tape, and manual speed playback create unique new sounds, including glitched tones, gritty blips, scratching, and percussive hits.

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  • OBSCURE FREQUENCIES is a unique collection of 336 sound effects created from uncommon audio recordings of radio masts, antennas, digital meters, circuit boards, batteries, home & leisure electronics, broken electronics etc.

    Deep, dark, low and evolving soundscapes, cracking, distorted whooshes, hybrid electric loops and complex one-shots, all designed using exclusively recordings done with induction coil microphones.

    Obscure frequencies is a very versatile pack that can be successfully use in many projects such as sci-fi, horror, sound installations and game audio. Its unique sound comes from combining organic recordings of things that cannot be heard without a special equipment and hours of complex sound design.

    All soundscapes loop seamlessly and all source/raw recordings are included.

    RECORDED WITH: Sound Devices MixPre 6 + JrF Induction Coil Mic + DIY Mics
    CREATED AND EDITED WITH: Pro Tools, Live 10, iZotope Iris II, NI Kontakt.

     

  • Hum, Buzz & Glitch Sound Effects Modular Synth Play Track 43 sounds included, 19 mins total $15

    Modular Synth is a collection collaborated by Ross Fish and Kai Paquin, this collection represents a series of one shot sounds featuring sample and hold, granular, and FM synthesis using a custom built modular synth rack.

  • Drones & Mood Sound Effects Analog Interface Play Track 2000+ sounds included, 230 mins total $149

    Analog Interface is a powerful and diverse custom UI sound effects library made by recording, performing and manipulating outboard analog subtractive synthesizers and physical hardware. Hand crafted synthesis performances recorded at 96khz provide a rich pallet of sonic elements which are then designed further into complex, expressive and wildly useful sounds for sci-fi sound design, UI, motion graphic sound design, heads up display, text on screen and beyond. This library covers everything from the cleanest and simple UI selects to the grittiest of glitchy textures of sci-fi telemetry.

    https://vimeo.com/823119334

    https://vimeo.com/823119250

    The elements are raw yet curated analog performances and textures that provide an endless sonic playground of building blocks for sound designers to craft into original manifestations.  By design the instruments selected for this library project were mono subtractive synths of old and new to perform and collect patches in rich and simple states. Each synth selected provide their own aesthetic and character that culminate into a one of a kind sonic signature. The use of purely analog synthesis creates unique sounds that cannot be replicated exactly the same way twice. The slight variations in the components and the environment used can affect the produced sonic character, creating an intangible magic impossible to achieve with software alone. Complimenting the synths are collections of custom EMF recordings, servos and mechanical switches, breaking the third wall from within the machine to the physical world.

    The designed sounds are the combined works of four career sound designers at Dallas Audio Post. The analog elements were layered, morphed, programmed and re-contextualized in both meticulous hand crafted methods and complex parameter randomization processes. The combined results are a collection of beautiful, compelling and engaging sounds that we believe are extremely needed in the modern sound design ecosphere. 

    Complimenting the vast UI collection are analog transitions designed for use of motion, doppler effects and signify a sample of future libraries in the making.

    The end result is a sound effects library that’s not only incredibly versatile but also highly creative.

    Enjoy!

  • ‘GEIGER COUNTER’ by Flysound is a comprehensive sound catalog for a very unique piece of kit: a Soviet era radiation measurement device.

    We have captured the different beat intensities of the machine, the strength of detection signalling, and other sounds such as on/off. We were able to capture the nozzle reacting to real radiation – minimal, but still significant enough to create great sound.

    The 96kHz/24bit synced recordings bring the sound of atomic danger into the 21st century production values category. The metadata has been written to adhere to the Universal Category System.

  • The sounds of an electric guitar being bashed about and smashed.
    Pete Townshend of The Who claimed that he first smashed a guitar out of anger when he accidentally put the head of his Rickenbacker through a low venue ceiling, damaged the guitar and decided to finish the job.
    Well, that opened the floodgates and plenty of guitar players have followed suit.
    I took a guitar and an amp and gave them hell, so that when you are making a documentary on the history of Rock music, you can get some Strat smashing feedback howling sounds for it without having to ruin your own precious axe.
    There are sounds of the guitar being hit (with varying velocity) and dropped both unamplified, amplified, feedback howls, string twangs and general mangling of the instrument.Please note, there is no audience sound effect in this pack, this is only heard in the sample.
    No (decent) guitars were harmed in the making of this pack.

  • Environments & Ambiences WARFARE AMBIENCES Play Track 60 sounds included, 142 mins total $149.99

    Plunge your audience into the battle trenches with ultra immersive WARFARE environments of the highest quality! This audio library offers you hours of different soundscapes, including DAYTIME NATURE ambiences in FORESTS or GRASSLANDS, distant GUNFIRE from BUNKERS or GARAGES, classic WARZONE BATTLEFIELD environments, prisoner of war HOLDING CELL interiors, WINDY WASTELANDS, WAR SAFE ZONE COMPOUND interiors, and much much more! Whether your project is set on the beaches of Normandy in Saving Private Ryan or set in a VietNamese jungle in Apocalypse Now, everything you’ll need to immerse your users in ambiences of gunpowder and bullets is here!

    WARFARE AMBIENCES is the perfect choice to transport your players or users to any combat environment you require!

    GET IT NOW to 100% immerse your users into perfect scenes and settings!

    EXPLORE ENTIRE WORLDS
    Whether your adventure takes place on a BATTLEFIELD, in a PRISON, on a FARM or in a VILLAGE, or outdoors in the GRASSLANDS, COUNTRYSIDE, FOREST, or JUNGLE, or on a BEACH or ISLAND, we’ve got you covered! Each ambience contains MULTIPLE VARIATIONS, ALL WEATHER CONDITIONS, and MULTIPLE INTENSITIES to cover each and every scene. This sound effects library is perfect for any setting you can imagine.

    AN ADVENTURE TO REMEMBER
    Our expert team of sound designers have meticulously crafted each ambience into CONTINUOUS, NON-REPETITIVE, DRAG AND DROP-READY LOOPS that will serve as perfect background audio for your game, film, animation, live event, or even as relaxing background audio! We have even included FULL and SIMPLIFIED MIXES, SHORT and LONG non-repetitive variants, multiple choices for INTENSITIES, and numerous other options for your convenience!

    INCREDIBLE EASE-OF-USE
    Each audio file is drag-and-drop ready, presented in high-quality MP3 and WAV formats with meticulously labeled keywords, so you can create the perfect gaming experience for your players in a matter of moments! Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 600+ games worth of experience have culminated in this extraordinary pack of ambiences.

    Look no further than blockbuster films to see how crucial incredible audio is for a truly immersive warfare experience.  With this in mind, we have meticulously designed WARFARE AMBIENCES for you to immerse your audience in maximum tension.

    KEY FEATURES:

    • Huge variety of quiet and loud dynamics, background and foreground, simplified or fully-layered, all with different length and intensity variants
    • Ready to use – requires no editing, labelling or splicing
    • Categorized, organized and individually labeled files for maximum use efficiency
    • All files are included in Hi-Rez WAV, SD WAV and HQ MP3 formats
    • FREE Updates to higher versions, FOREVE

     

    DOWNLOAD NOW TO INSTANTLY TURN YOUR PROJECT INTO A TRUE MASTERPIECE!

     

     

    modern warfare sound effects library bundle WARFARE AMBIENCES Army Combat Battlefield Weapon War Background Environment

    MASSIVE SAVINGS: The Modern Warfare Sound Effects Bundle brings together crucial military sounds—weapons, explosions, vehicles (across air, water, and land), battlefield ambiences, and soldier voiceovers—into one all-encompassing package. Purchase the bundle and achieve significant savings over buying individual packs. Click here to discover the bundle and maximize your savings!

     

  • VHS Glitch captures the nostalgic yet futuristic sounds of a vintage VCR and VHS tape, recorded with stereo condenser and electromagnetic mics to capture the playback mechanics. Each function—play, rewind, fast forward, and pause—has been captured, then transformed through granular effects plugins to create a unique blend of glitchy static, hums, and electro-mechanical textures. The result is a library rich in lo-fi, distorted, and otherworldly sounds, perfect for projects needing a retro-tech vibe or sci-fi edge.

  • This library features 145 sound recordings of assorted small electric motors, sourced from appliances like vacuum cleaners, power drills, air dusters, and other DC motors.

    We also harnessed the Koma Elektronik Field Kit system which gives the ability to fine control the speed of the motors, allowing for a one-of-a-kind sonic palette. These sounds range from glitchy static noise and hums to electromechanical motor sounds.

    All content was captured with induction coil pickups and contact mics, into the Elektronik Field Kit and finally into a Sound Devices 702 recorder.

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  • This sound effects library is full of enough energy-zapping and electricity sizzling to complement anything you make, from complete sci-fi movies to minimal techy puzzle games.

    Energy and Force Fields - Stock Library Demo

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  • Electricity Sound Effects Welding Play Track 600+ sounds included, 35 mins total $40

    I’m glad to present another sound library, which includes a variety of electric welding sounds. The recording was made at various locations (garage, basement, workshop).

    All sounds were recorded in high-resolution 24bit/96kHz, both at close range and on distance.

    Files have meta-tags, that describe everything in more detail (UCS). This collection can also be used as a construction kit to create general atmospheres, electricity design, sci-fi, etc

  • City Life Sound Effects Urban Underground Play Track 111+ sounds included, 190 mins total $34.40

    Urban Underground consists of 111 files that will help you recreate the soundscape of an underground area in an urban environment. Quiet room tones, muffled noises, distant impacts, water through pipes, hums, buzzes, HVACs, fans, elevators and many more sounds are included.

    • 41 underground ambiences, featuring empty basements and garages, with more or less activity; as well as different rooms located in a basement, such as bathrooms, kitchens, boiler rooms, meter rooms or even a gym.
    • 70 recordings focused on that machinery that we commonly find in an underground location: HVACs, fluorescent lights, fans, water pumps, engines, elevators, etc.
    • Usable both for industrial locations and household environments.
    • Recordings are completely clear and free from any birds, people, traffic and unwanted noises in the background, unless it’s specified in the file name.
    • Gear used: Sound Devices MixPre 6-II, Zoom F8, Sennheiser MKH 8040s in ORTF, Sennheiser MKH 8040/8050 + MKH 30 in M/S, LOM Geofon, Sennheiser Ambeo and Sony D100.
    • All files are in 96 kHz / 24 bit and come with exhaustive embedded Soundminer metadata.
    • UCS compliant metadata. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, RecMedium, Microphone, Designer, Manufacturer, Keywords.
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  • Environments & Ambiences Ambience Colors Play Track 309+ sounds included, 984 mins total $61.60

    Ambience Colors is a surprisingly diverse, vast collection of atmosphere tracks and sound effects. Pack of unforgettable memories collected over few years and places. Let’s go deeper into the highlights:

    Herde of cows on a meadow | Inside a wasp nest | Bali hindu ceremonies with crowds, brahmins and announcers | Bali Village with dogs, roosters and crickets | Cambodia village around a marketplace and calm streets | Latin church mass catholic with a quiet crowd | Diffused city noise | Distant fireworks on New Year’s Eve| Inner courtyards of old Prague houses | City streets | Crowd indoors at film shooting locations, restaurants and celebrations | Crowd outdoors around beer gardens | Industrial indoors with a meat processing factory | Huge poultry farm | Industrial outdoors on a building site or foresters machinery | International airports with crowds and announcers | Nature day in jungle, forest, swamp, pond, lake and meadow | Nature night in Asia and Europe | Ocean waves | Rain inside a tent or behind windows | Heavy rain outdoors | Roomtones and quiet places | Trains passing by and inside | Craftsmen workshops with power and hand tools

    • 22 sub-libraries with 319 files inside!
    • Over 3 years of work, over 16 hours of content!
    • High quality equipment used, recorded mostly on Sanken CO100K+Sennheiser MKH30+Sound Devices Pre6/Zoom F8 or Sony PCMD100
    • 96 or 192 kHz
    • 45 GB unpacked!
    • LR stereo, with Train Pass Bys AMBIX bonus
    • Rain Season ambiences bonus
    • UCS compliant, longer descriptive filenames
    • Basic metatags in Soundly

     

     

     

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  • Recorded and designed by legendary film sound pioneers Ann Kroeber and Alan Splet, Industrial Sounds with Soul is a sound effects library featuring unique recordings of roaring factory ambience, hypnotic oscillating rhythmic machinery, metallic clanks, clicks, ticks and more.

    Following the Cinematic Winds library, Industrial Sounds with Soul is the second exclusive release by Pro Sound Effects curated from Sound Mountain: Kroeber and Splet’s renowned private recording collection created over decades of film sound work with major directors like David Lynch, Carroll Ballard, and Peter Weir. Kroeber has since worked on or supplied sounds for film, television, and games – including 6 movies that won an Academy Award® in sound, and 7 additional nominations.

    Immerse your audience in the industrial setting of your current project. Create subconscious tension and artfully steer narrative with subtle, emotive recordings of ominous mechanical humming, gurgling percolators, and hissing steam pipes.

    The variety, quality, and deep character captured in this small boutique sound library is sure to spark creative inspiration for sound professionals in film, television, game audio, music production and beyond. Take your sonic creation to the next level by dragging and dropping the artful work of Kroeber and Splet into your production.

    Rich embedded metadata helps you find the exact sound you need with descriptions that go beyond the literal to detail the emotional power of the recordings. The sound effects are grouped within five main categories:

    • Machines: Rhythmic, roaring, whirling, banging
    • Mechanical: Gears, rotors, clicking, squeaking, rattling
    • Ambiences: Rumbling, droning, dense, ominous
    • Power Tools: Revving, idling, pumping, pounding
    • Voices – Beasts: Intense, warped, reverberant, giant

    Industrial Sounds With Soul is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 42 sound effects (638MB)
    • 24-bit/48kHz broadcast WAV files
    • Descriptive embedded metadata
    • 100% Royalty-Free for use in any project
  • This library contains 130 high resolution 24 bits / 96 kHz elements perfect for radio imaging / radio production and much more.

    Those abstract but powerful sound effects give you infinite possibilities by using them forward or backward or by cutting and combining themselves together.

  • ELS is a library that contains electromagnetic field recordings. It features source material ranging from household objects, drones, vehicles and radiology equipment.

    During the recording process, the goal was to find and record sounds that mainly had a distinctive and musical profile rather than simply just noise.

    All of the included content was recorded with a LOM Elektrosluch Mini City at 24bit/ 96khz. The files have only been processed and cleaned to isolate the sounds from other components.

    The designed section contains few different ready to use sounds. 

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