OBSCURE FREQUENCIES is a unique collection of 336 sound effects created from uncommon audio recordings of radio masts, antennas, digital meters, circuit boards, batteries, home & leisure electronics, broken electronics etc.
Deep, dark, low and evolving soundscapes, cracking, distorted whooshes, hybrid electric loops and complex one-shots, all designed using exclusively recordings done with induction coil microphones.
Obscure frequencies is a very versatile pack that can be successfully use in many projects such as sci-fi, horror, sound installations and game audio. Its unique sound comes from combining organic recordings of things that cannot be heard without a special equipment and hours of complex sound design.
All soundscapes loop seamlessly and all source/raw recordings are included.
RECORDED WITH: Sound Devices MixPre 6 + JrF Induction Coil Mic + DIY Mics
CREATED AND EDITED WITH: Pro Tools, Live 10, iZotope Iris II, NI Kontakt.
Odd is a small collection of effects originally created for a project revolving around quick, organic glitched visuals. The library is divided into four categories – Reverses, Texture and Noise, Synthesized Elements and general Oddities. Odd is perfect for adding a bit of strange or weird to your design. Something like a 'what was that?' library. Go nuts.
OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
The Optical Drives sound effects library features recordings of computer optical disc drives (two internal desktop CD/DVD-R and one internal laptop slim CD/DVD-R slot-load).
Two induction coil pickups were used to record the electromagnetic fields emitted by the drives, capturing a very unique set of sounds and textures. These range from sharp percussive bleeps, glitchy static and noise, to electromechanical motor sounds, and drones. You'll find use for many applications, including UI interface design, transitions, sci-fi, robot/servo sounds, technology, and computer sound effects.
Recordings include all functions of the DVD drives, e.g. disc loading, reading, writing/burning, spin up/down, errors, and disc ejecting. Also, each drive was taken apart and manipulated to create additional sounds.
Want that sound that’s made between the Optometrist asking if a or b is better? Want to hear what it sounds like when your eyes are being scanned and tested? Hear your glasses being adjusted before you get to wear them? The optometrist equipment library has all of this ready for you to use. This small boutique library covers a range of equipment used everyday to help optometrists figure out how well we see. Whether you’re using the machine noises to cut an optometrist scene or if you want to take the many mechanical sounds and design them into something other worldly it’s all there for you.
From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.
Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We're just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer's ear, Outward Inversion is our microscope applied to the aural world.
Looking for vinyl noises, crackles, pops and buzzes? PHONO is a set of textures lovingly recorded from the blank spots of old and new vinyl records.
Comprised of various loops pops and decays, this collection spans the range of what a needle on an empty track can sound like.
108 flavors of rhythmic noise, crackles, hiss, pops, buzzes, bumps and air – packaged, looped, and ready to go. Great straight or with fx.
Process Malfunction features 40 intricate future technology glitch production elements for science fiction scenarios where computers are going way out of control. You'll hear corrupt data streams, servers overloading, user interface issues, generative, abstract rhythms and more in this detailed exploration of what the computers of tomorrow may sound like when they go wrong.
Perhaps the mainframe has been compromised from a series of lethal hacker attacks or alien communication signals are interfering with the network, maybe the CPU has just seen better days… Whatever the cause of the failure, the machines have been corrupted and they are struggling, screaming and hanging on for their last bleep…
RADIO IMAGING SELECTION is a collection of 50 stereo 24-bit 44.1Khz radio ready imaging elements for CHR and HOT AC radio Jingles, StationID, Liners and Dj Drops.
All sounds are royalty free and ready to be included in your radio productions.
What if we’ll take a shortwave radio receiver and turn its output into to a variety of sound effects?
The result will be not only a set of dark, dirty, noisy and distorted effects, but also subtle, deep atmospheres and even some kind of melodic sounds!
This library is extremely versatile and not focusing on individual types of sound effects.
Here you’ll find distant radio transmissions, strange modulated voices, whine and static, but also designed atmospheres that can be used as interiors of spaceships, machinery or computer rooms, whooshes, passbys, textures, transformations, alien voices, stutters, morphing effects, granular clouds, risers, UI, impacts and much more that you may need when working with trailers, music, game sound or movies.
But that’s not all, as it turned out it’s even possible to make melodic sounds out of these noisy soundscapes!
Try this library and you’ll be happy to add such a unique audio source to your SFX arsenal!
– 457 sound effects and ambiences made from a eurorack shortwave radio receiver
– 70 raw source files included
– 96khz/24bit quality
– A highly diverse library for various applications
– A perfect source of dark, gritty and noisy textures for SFX production
– Categorized by types of effects: Source, Ambience, Harmonic, Designed, Processed and etc
– Contains metadata for search engines
When recording and collecting sound effects, you end up with a lot of noise: Microphone hits, Plosives, Wind pops, rattles, drops. Just plain noise.
These unwanted orphan sounds often get deleted, or end up in a some forgotten folder. Then sometimes you need a sound. A timbre that you just can't name. A raw sound that though manipulation, can become new and remarkable. That's what this SFX library is: Raw, dirty, short sounds that in the right hands – your hands – have potential. Raw Noise features 40 HD 24bit/96khz compilation tracks with a large selection of Hits, pops, plosives and transient sounds, ready for manipulation.
Most of the sounds are short, a second or two. Organized into loose categories to encourage new discoveries and new possibilities. The demo track features selections of the tracks, so you can hear the sounds as they are presented.
The RE-201 Space Echo. Introduced in 1973 is Roland’s most notable outboard FX unit, its sound is both utility and musical. The Space Echo carves its place in music history with its sweeping echoes and infinite oscillations. Its warm and pleasant sound has been heard a million times in a million different ways in both score and album. Hear its soothing oscillations, its creaking pleather case, switches, knobs, and vintage science fiction expressive UI and emotive aural gestures.
We have designed this library to be as useful as possible while offering an insight into every sound the RE-201 Space Echo offers. This means both the internal, and external sound sources from the whirls and vibrations of its motor, to the clicks, snaps, and clunks of its switches and into the world of its echoes, spring reverb, and oscillations of its processed sound.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Scene Switch: Transitions & Textures features 64 sound elements ready to bring an extra dimension to your cutaways, wipes, time shifts or any kind of motion change.
From subtle swooshes and smooth synth tones to glitched-out, abstract phrases and dramatic noise rushes, as well as serving as a ready-to-go sonic toolkit, this highly malleable bag of tricks is also useful for sound designers looking for inspiring source material to mangle.
With a raw, dark and edgy feel to a lot of the sounds, they are particularly well-suited to Science Fiction, Horror and Dystopian projects. If you're looking for quick fix scene stitch sounds, this one is handy to have around!
This library is a collection of 60 Sci-Fi atmospheres, all loop seamlessly, which can be used to represent alien worlds, drones ambiences, spacecrafts, futuristic engines, nuclear facilities, celestial spaces, generators, dark elements and from outer space. Mainly inspired by the Alien saga.
Each file has a duration of one minute with subtle changes over time. Ideal sounds to use as a layer in your sound design or for those project where music and sound design are pretty close.
Files have been designed on the basis of two different TVs buzzing, making a total of 32 buzz files, which have also been included in the collection. Calibrated to -24 LUFS. You can experiment with them to create more sounds, or use them as what they are, a TV buzz.
All files come in 96 kHz/24 bit, with a very descriptive metadata, based on what the sounds represent and which kind of feeling and mood they suggest to the listener.
Soundcloud preview includes all the designed sounds.
Sci-Fi Electric is a collection of sparks, static, drones, hums, zaps and textures! The library features 64 files with over 80 audio clips. Here you’ll find a wealth of processed sounds for your Sci Fi adventure. Source material ranges from beard scratching to lap steel pickup interference.
Through processing they end up as “alienistic” textures, sparks, static, drones, hums, zaps, ambiences, and whatever else your imagination can come up with! Other sounds include raw microphone feedback, streetlight buzz, and electrical static.
The source material ranged from beard scratching to lap steel pickup interference… This one was fun to make, and it will be even more fun for you to play with!
Need futuristic sounds? Sci-fi Evolution is a massive compilation of more than 1700 audio files – and it covers a lot of ground! Check out the full selection below.
203 designed glitches, textures, robots, UFOs, machines and other effects. Everything from a malfunctioning robot to a shuttle launch sequence.
Sound designed at 24-bit / 96Khz, these sound effects were designed to give flexibility to an editor looking for wild Sci-Fi sounds. These sounds can be used as they are, or treated as foundation audio for further sound design and manipulation.
Sci-Fi SFX features 546 creative sci-fi sound effects, alien textures, ambiences, drones, space cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts, abstract user interface sounds, transitions, and more.
Created with synth equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects.
Sci-Fi SFX is an experimental collaboration between Gregor Quendel and ARC Noise.
Professional metadata provided and edited by Kai Paquin.
27 libraries of production elements and soundscapes suited to all forms of broadcast media. From glitched-out future computers to dark, ominous atmospheres, these libraries feature organic elements, analogue source material and extreme digital processing for a blend of the familiar and the experimental side of sound design.
Think Dystopian environments, unexplored Science Fiction spaces, unsettling horror ambiences, signals gone awry, abstract textures and harsh walls of noise.
SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.
Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.
Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.
Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.
Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.
Create state of the art seat jumper and modern glitches, delivers a fully immersive cinematic experience with a complete set of disturbing sound effects to enhance the action on screen and make spectacular experience for your audience.
Shockwave offers rich and powerful digital glitch, dirty blast, heavy ping, electric shock, flash, buzz, stutters and source recordings ready to be dragged in your favorite DAW or sampler.
For modern movie trailer, soundtrack, cutting edge electronic music, and audiovisual installation.
A total of 150+ WAV Samples in 24 bit / 48 kHz.
Signal Interference contains 40 feedback loops generated from a no-input mixer, each running for 1 minute for a total of 40 minutes of audio corruption. These unique sonic textures feature crackles, hums, buzzes and glitches to suit a wide array of multimedia projects which require the sounds of malfunctioning machinery, twisted signals and future tech gone wrong.
All files are 24 Bit/96 kHz with embedded metadata.
Signal Interferences sound library features 224 sound effects including various glitch sound effects, radio and transmission-like sounds, evolving and static noises, malfunctions, long signal interferences as well as short bursts for use in movies, games and other applications!
All sounds are created with synthesizers, sound generators and samplers in order to offer you more diverse range of interferences sounds than those generated with telephone pickup coils and similar devices.
If you’re looking to expand your sound collection with various distorted glitchy sounds and electromagnetic-like buzzing, humming and crackling sound effects this sound library will provide you with plethora of sounds to choose from!
Signal Interferences sound library contains 2.2GB of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
Signal Return is a performable Kontakt instrument and soundset designed to create a wide variety of interesting and textured sounds.
All of the source material comes from recordings of various devices feeding back into themselves either electrically or acoustically. No software based speaker emulators or distortions were used in the creation of these sounds. Comes with 250 .wav files – more than 2 hours of recordings + 22 Kontakt instruments (these require the full version of NI Kontakt 5.0 or higher).
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.