This is a special assortment of design fragments from Eiravaein Works. Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed. A welcome addition of flavor for any sound designer's archive!
A collection of sounds gathered from conceptual designs and audio experiments. While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
Vintage Film Tech Effects features Slate claps, Beeps, Bloops, Film leader tone, Static, 2 Pops, digital dropouts, record player noise and much more. We’ve collected these vintage sounds from old Hollywood dailies reels, and film stock. 206 tracks that recreate the sound of the lost art of classic Film, TV and radio production.
Vintage Telephones SFX library contains 244 sounds extracted from 10 vintage, rotary dial devices manufactured between the 1880s and 1980s. In this library, you’ll find three common ringing patterns (used in the USA, Australia, and Europe) for each telephone type, handset pickups/set downs, number dials 1-0, hook toggles, as well as single ringings with natural long ring decays to design your own ring timings according to your project needs.
As an addition to the standard telephone sounds, we have captured some experimental ones, that were generated by feeding the devices with random low frequencies, producing some really strange mechanical rattles, buzzes, glitches, and unusual bell rings.
If you want to make a rotary telephone device ring, without any landline nearby, head over to our blog here
Vinyl Record Noise is the first sound library from Oddball Audio. The library features eleven 10” blank records recorded from start to finish at 45rpm. The records were cut and pressed by Lathecuts in Arizona using a myriad of techniques to get the most surface noise, pops, crackles, and hiss for your sound design pleasure. In the cutting process they used four different lathes with varying noise floors and records made from many types of materials.
The library is perfect for use in any project that may need vinyl records to give it that vintage feel! Additionally these samples are great to use in granular processing, music, or to add subtle layers to a burning fire.
At a glance:
Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…
With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.
All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.
Generators and Compressors
• Industrial Machinery
• Radio static
• Crackles and glitches
• Ground hum and buzz
• Transportation cabin hums
• Gas leaks, air leaks and bursts
• Air conditioners
• Fans, from tiny to massive
• Force fields
• Sci-Fi Machinery
• and more…
A massive electro-acoustic drone SFX library reft from a custom designed and hand-built instrument! These drones were coaxed from a unique instrument using the power of air. No harsh picking or plucking, just assorted techniques for moving air deftly across the strings.
The guitar, Yvaine, was recorded simultaneously via two tracks (one direct and another amped and mic'd) and was set to 23 different tunings to encompass the full spectrum of her voice, character, and soul. The tunings are as follows:
All5ths | B6th | Capo12th | CassianoPereiraViana | CrossnoteF | Cuba | DADGAD | DropB | Hawaiian | Koto | OpenA | OpenC | OpenD | OpenE | OpenF | OpenG | OpenPage | Orkney | Ostrich | Pentatonic | “Spira” | Standard | TheEdge
The files range from uber clean and harmonic to gritty, crackling, and distorted. For some of the overdriven amped recordings, we even experimented with creative NR settings for the modulation of artificial harmonics…and kept some of the more colorful results! Between the two different tracks, multiple takes were made per strength, per position, per recording. Depending on which takes were best, some of the DI and amped captures matched, while others were physically different. This offers unique layering capabilities for some sets while allowing for variety in others. Some of the sets are missing particular strength recordings at specific positions. But if a capture wasn't appropriate, we didn't include it.
This is a bountiful collection of droning goodness. Use it for good.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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