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Real and designed humming, buzzing, crackling, glitchy sound effects and recordings. Also check out the Electricity sound category

  • OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.

    All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.

     

  • Sci-Fi Sound Effects Sci-fi Evolution Play Track 1700+ sounds included, 60 mins total $36

    Need futuristic sounds? Sci-fi Evolution is a massive compilation of more than 1700 audio files – and it covers a lot of ground! Check out the full selection below.

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  • SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.

    Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.

    Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.

    Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.

    Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.

  • Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…

    With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.

    All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.

    The library includes:

    Generators and Compressors
    • Industrial Machinery
    • Radio static
    • Crackles and glitches
    • Ground hum and buzz
    • Transformers
    • Transportation cabin hums
    • Gas leaks, air leaks and bursts
    • Air conditioners
    • Fans, from tiny to massive
    • Vents
    • Elevators
    • Afterburners
    • Voids
    • Rumbles
    • Force fields
    • Transmissions
    • Sci-Fi Machinery
    • and more…

  • Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.

    If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.

    Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.

    Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).

  • Mechanical Sound Effects Annihilated Hard Drives Play Track 200+ sounds included, 200 mins total $45

    This Hard Drive SFX library delivers the sounds of severely mistreated hard drives. We hit hard drives with hammers, drilled holes in them, bent them and inserted objects into them before turning them on. Power ups, shut downs, grinding, screeching, whines, and rattling are just a few of the sounds you’ll find here. Great source material for sound design and heavy processing.

    Annihilated Hard Drives – Microphones Used:
    • 1x Neumann KM130 (cardioid)
    • 1x Sennheiser MKH50 (cardioid)
    • 2x Barcus Berry contact microphone
  • Bowling is a collection of sounds recorded at a private lane, completely devoid of extraneous human and HVAC sounds.  This exclusive access allowed for recording various perspectives, including deep in the guts of the machinery, up-close to the pins, bowler’s perspective, and side perspectives.  This library includes all of the mechanical sounds, machinery ambiences, ball “pass-by’s”, ball return, gutter balls, pins resetting, and even some bowling sounds without any machinery noise at all.

  • This library was built primarily using two different modular synthesizer systems.  One based on the Korg MS-20 and the other based on the Pittsburgh Modular Lifeforms 201.  Included in this library you will find various one shots and hits alongside longer evolving textures and drones.  The library was created in a very non-musical way and as such most of what you hear is noisy, gritty and a-tonal.  The library can be used effectively for Sci-Fi Weapons, User Interfaces, Droids and Robots, Ambient Textures and many more possibilities.

  • Electricity Sound Effects Electrical Hum Play Track 25 sounds included, 39 mins total $19

    Get the hums of a big electric station, a small buzz of an electrical substation’s transformer and also synthesized sounds. All synthesized sounds were re-recorded with the “Worldizing” technique initially conceived by legendary sound designer Walter Murch.

  • GLITCHY CIRCUITS is a collection of 220 glitch sound effects.
    Glitchy risers, distorted circuit impacts, mangled & overdriven stutters, sparkly tiny one-shots and more.

    GC is an experimental sound effects library that delivers all kinds of glitch SFX:

    – Heavily distorted and mangled glitches created with a verity of guitar pedals and plugins.
    – Glitchy build-ups and risers
    – Heavy, cinematic, overdriven glitchy impacts
    – Tiny, sparkly glitch one-shots
    – Reverberating, feedback-y glitchy drones

    All source sounds have been heavily processed with guitar pedals, plugins, recorded through old tape decks
    and small speakers.
    Perfect for sound designer, gamedevs and music producers.

    All SFX have baked-in Soundminer’s meta data

    RECORDED WITH: JrF C series, JrF Coil Pickup, Sound Devices MixPre-6, Apogee Duet
    EDITED AND MASTERED WITH: Pro Tools, Ableton Live, iZotope RX, iZotope Trash 2, Guitar Pedals,
    Old Tape decks, Guitars, Synthesizers, FabFilter, ReFuse, Reaktor, Modular.

  • Electrical Awakening captures the hidden buzz, hum and EMF of everyday objects:

    From the inner workings of a car engine starting up to dopplered garden lantern hums and servo movements, this library has a unique selection of electromagnetic sounds. It's an electrical symphony of sound. These sounds were recorded with a Lom Label Elektrosluch 2 (Stereo coil pick-up) into a Sony D100 at 192kHz/24bit.

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  • THE GLITCH SFX TOOLKIT

    In this library, you will find electronic sounds that can be used on a variety of applications such as Sci-Fi projects, computer glitches, faulty equipment, robots and much more.

    All of the files were designed from scratch – no pre-existing sounds were used – and they are sourced from actual computer errors, generating original sounds.

    Included, you will find a folder called “TELEVISION_&_RADIO”. The files in that folder have an EQ applied to them to simulate the effect of the sounds coming out of those pieces of equipment. This will save you time – you don’t have to worry about processing them and can drag & drop them into your projects.

  • Electric Arcs and Energy is essentially two separate collections of sounds.  The first, Electrical Arcs are more raw.  These arc sounds can be manipulated and mangled to be used as design elements in your project.  They are highly flexible and can easily be pitch-shifted -48 semitones or more.  They remain remarkably useful and clean giving each sound multiple “dimensions”.

    The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups.  Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.

    Recording and Editing

    This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds.  The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz.  All processing and design was then performed at 192kHz.

    Bonus – Forge Sound Design Tool Sample Map

    If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map.  The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.

     

  • The sound library that you didn’t know you needed, a collection of electromagnetic sounds presented in Ultra-HD 24-bit 192k resolution. First a little science lesson: All Electric devices produce a magnetic field. Usually, you don’t hear this field. And you can’t record it with a normal microphone. You need to use an induction coil pickup. These pickups are commonly used to record telephone conversations. But, hold them up to an electric device and all sorts of chaos ensues.

    This library features various motors recorded with an induction coil pickup, as well as TVs, mobile phones, car ignitions, light bulbs, you name it. Many items that you use everyday give off amazing magnetic fields and we happily recorded as many as we could. The second half of this library is all synth sounds that, at times, sound even more electric than the real stuff.

  • Whoosh Sound Effects Flourish Play Track 500 sounds included, 54 mins total $28

    This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).

    If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You’ve found it.

  • Drones & Mood Sound Effects Dronos Play Track 154 sounds included, 154 mins total $30

    Brand New Sci-Fi Ambiences from The Library by Empty Sea. 6+ GB, 150+ sounds, almost 3 hours of material, all 96k, all looped for easy use.

  • The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries.  This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.

    The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing.  They will work well for Sci-Fi weapon layers, user interface sounds and more.

  • Drones & Mood Sound Effects Didgeridoo Play Track 775+ sounds included, 70 mins total $65

    • In this library, get a collection of the hypnotic and meditative calls of a handmade wooden didgeridoo. These beautiful wind instruments have guttural calls that sing like wild animals. Hear overtone filled whooshes and aggressive barking attacks. Hear snarling vocalizations and gravelly growls. Hear lengthy mesmerizing drones and oscillating overtones. This library is packed full of tracks showcasing the full range of possible didgeridoo vocalizations and drones. Perfect for use as the foundation for all your designed animals and creatures.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    KEY FEATURES:
    • Hypnotic and meditative drones
    • Oscillating overtones
    • Gravelly growls
    • Guttural attacks
    • Singing vocalizations
    • Buzzing and humming drones
    • Whooshing drones
    • These recordings were not made using circular breathing, so each drone ranges from approximately one to 30 seconds in length.
    • Multiple similar sounds are grouped into single audio files with silence and fade ins/outs between each sound.
    • 645+ drones and attacks
    • 130+ whooshes
    • 775+ total sounds
    • Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Didgeridoo does NOT include pitch shifted sounds, only mastered field recordings.

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in files with multiple variations!
    • Marker text included in the Soundminer description and BWAV description fields.

    FILE LIST & METADATA:
    • View in Browser or Download CSV

    GEAR USED:
    • Sennheiser MKH 50 and 30 in MS
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Sound Devices 702
    • Rycote ORTF Blimp
    • Rycote MS Blimp

  • Feedback is a collection of well… feedback sound effects! Created by digitally misrouting various audio signals in numerous ways to create truly wild sound effects:

    • Speaker ringing feedback to thunderous rumbles
    • Grating tinnitus effects to pleasant tones
    • Rhythmic pulses to chaotic digital noise and much more

    Feedback combines the binary precision of digital audio with the unpredictable quality of signal feedback to create a treasure trove of ultrasonic rich sound design material. Use Feedback to flavor your next sci-fi project, bring dramatic tension to a scene, simulate head-aching tinnitus, and so much more!

  • Transmission apparatus is a construction kit designed to create a broad range of communication sounds, from real to “alien” broadcasting signals.

    The library contains more than 2 GB of data, delivered in 373 files of unique sound material. It’s catalogued in five elements: AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches).

    The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.

    The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.

    Transmission Apparatus is available in two versions:

    96 kHz .WAV version• Audio Format: Broadcast Wave Files (.wav)
    • Bit Depth: 24-bit Size: 2.49 GB
    • Download size is 1.82 GB (compressed .rar archive)

    Native Instruments Kontakt 5 version• Audio Format: NI Instruments File (.nki)
    • Sample Rate: 96 kHz
    • Bit Depth: 24-bit Size: 1.66 GB
    • Download size is 1.64 GB (compressed .rar archive)
    • Full version of NI Kontakt 5 required

  • Debsound: Analog Tape Noise Sound Pack 01

    “Do you remember those tapes and cassettes?
    This collection takes you back to the times of those buzzing humming tape recorders”

    These tape noise sounds were not created, but rather recorded from an old tape recorder. So, if you use it in your product or production, you can be certain of getting an authentic sound.

    This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
    videos, animation, and any other entertainment industry where a high-quality audio effect is essential.

    33 Analog Tape Noise Sound effect
    Authentic tape noise sounds, not generated noises.

    Format: *. Wav / 44.1 kHz / 24 bit / Mono
    What metadata is included: None

  • More than two years after the release of Binary Code sound library, Sound Response brings you massive (1.5GB in size) second installment – Binary Code 2, with a total of 1000 professionally designed, high quality, futuristic interface and sci-fi computer UI sound effects!

    Binary Code 2 is a diverse collection of HUD and UI sound effects separated in eight different categories, that features vast selection of neutral interface hi-tech beeps, bleeps, and button sci-fi sound effects, confirmed (access granted) and negative (access denied) interface sounds, subtle sweeps and smooth futuristic hi-tech hologram sound effects, data processing and readouts, various glitch sound effects, those chirpy 8-bit retro game sounds, and typing sci-fi sound effects! With this large and versatile interface sound effects collection at your disposal you’ll be able to create that sought-after, sophisticated, futuristic sound for your next game, movie, trailer, video, app, music track, or any other project that you’re working on!

    Creation of Binary Code 2 sound library involved two months of extensive sound synthesis with synthesizers and usage of noise generators in order to create the necessary source sounds, followed afterwards by hours upon hours of mangling, processing, meticulous editing and fine-tuning.

    Binary Code 2 sound library contains 1.57GB (1000 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into eight categories.

    Categories included:

    1. Neutral • 2. Confirmed (Access Granted) • 3. Denied (Access Denied) • 4. Subtle (Holograms) • 5. Data Processing • 6. Typing • 7. 8-Bit Retro • 8. Glitches

    If you like the sound of Binary Code 2 be sure to check out the most massive and the most diverse interface sound library from Sound Response to this date – Binary Code 3 – Interface Multiverse! The third installment features 1300 (2.3GB) professionally designed, brand new HUD & UI sound effects separated into 10 different categories and it contains everything from neutral beeps & buttons, confirmed (access granted) and negative (access denied) UI sounds, sophisticated holograms & subtle transitions, various glitches, typing sounds, and much more!

  • Sci-Fi Sound Effects Sci-Fi Atmospheres Play Track 92 sounds included, 92 mins total $18

    This library is a collection of 60 Sci-Fi atmospheres, all loop seamlessly, which can be used to represent alien worlds, drones ambiences, spacecrafts, futuristic engines, nuclear facilities, celestial spaces, generators, dark elements and from outer space. Mainly inspired by the Alien saga.

    Each file has a duration of one minute with subtle changes over time. Ideal sounds to use as a layer in your sound design or for those project where music and sound design are pretty close.

    Files have been designed on the basis of two different TVs buzzing, making a total of 32 buzz files, which have also been included in the collection. Calibrated to -24 LUFS. You can experiment with them to create more sounds, or use them as what they are, a TV buzz.

    All files come in 96 kHz/24 bit, with a very descriptive metadata, based on what the sounds represent and which kind of feeling and mood they suggest to the listener.

    Soundcloud preview includes all the designed sounds.

  • Sci-Fi Electric is a collection of sparks, static, drones, hums, zaps and textures! The library features 64 files with over 80 audio clips. Here you’ll find a wealth of processed sounds for your Sci Fi adventure. Source material ranges from beard scratching to lap steel pickup interference.

    Through processing they end up as “alienistic” textures, sparks, static, drones, hums, zaps, ambiences, and whatever else your imagination can come up with! Other sounds include raw microphone feedback, streetlight buzz, and electrical static.

    The source material ranged from beard scratching to lap steel pickup interference… This one was fun to make, and it will be even more fun for you to play with!

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