Home Materials & Texture Sound Effects Electricity Sound Effects Hum, Buzz & Glitch Sound Effects Page 4
Real and designed humming, buzzing, crackling, glitchy sound effects and recordings. Also check out the Electricity sound category
‘Alarms & Warnings Designed’ is a collection of 52 alarm sounds suitable for the science fiction genre. This library includes ‘one-shot’ audio files that are ready to be placed in a sampler as well as 30 second loops of those same files. All sounds are ‘dry’ and ready to be processed.
This library goes well with ‘Fully Charged Vol.1’
Please note that my sound libraries do not go on sale (this is so prices are fair all year round), and they are sold exclusively on asoundeffect. :-)
OLD STUFF is a collection of old and worn sounds that will help you define the mood of a scene or can be used for any kind of sound design process. The library includes hums, buzzes, whirs, creaks, squeals from many different sources: doorknobs, doors, elevators, fridges, freezers, speakers, toilets, fans, and heaters. A peculiar garage soundscape is also included. Most of the sounds included are used on a daily basis.
All these different nuances and hues make this library a worthwhile tool for both film and game sound designers.
Debsound: Analog Tape Noise Sound Pack 01
“Do you remember those tapes and cassettes?
This collection takes you back to the times of those buzzing humming tape recorders”
These tape noise sounds were not created, but rather recorded from an old tape recorder. So, if you use it in your product or production, you can be certain of getting an authentic sound.
This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
videos, animation, and any other entertainment industry where a high-quality audio effect is essential.
33 Analog Tape Noise Sound effect
Authentic tape noise sounds, not generated noises.
Format: *. Wav / 44.1 kHz / 24 bit / Mono
What metadata is included: None
SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.
Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.
Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.
Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.
Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.
This library was built primarily using two different modular synthesizer systems. One based on the Korg MS-20 and the other based on the Pittsburgh Modular Lifeforms 201. Included in this library you will find various one shots and hits alongside longer evolving textures and drones. The library was created in a very non-musical way and as such most of what you hear is noisy, gritty and a-tonal. The library can be used effectively for Sci-Fi Weapons, User Interfaces, Droids and Robots, Ambient Textures and many more possibilities.
This small sound library contains all the original CPU fan and hard disk noises emitted by the following vintage Apple MACs, each with its own unique texture:
• Power Macintosh 4400
• Power Macintosh 6400
• Power Macintosh 7200
• Macintosh Classic
• Macintosh Mac G4
• Macintosh Mac LC 475
The material contains a lot of mechanical noises and different startup chimes, plus a lot of boot sequences with all the hard drives/fans spinning and whirring.
Need futuristic sounds? Sci-fi Evolution is a massive compilation of more than 1700 audio files – and it covers a lot of ground! Check out the full selection below.
With a distinct lo-fi aesthetic and edge, this unique collection of electromagnetic field recordings is perfect for environments which require disrupted communications, electrical failures, signal breakdowns, computer malfunctions or any kind of abstract glitch element.
Sourced from various everyday household electronic devices such as modems, games consoles, digital TV receivers, extractor fans, laptops, tablets and mobiles phones, there are a total of 172 raw files in this collection separated into 3 categories, Loops, Oneshots and Sequences, giving you numerous options for utilisation.
Low quality preamp experiments, faulty connections and general unexpected audio errors were exploited during the recording and editing process, adding distinctive flavours to a number of the sounds. As well as coil pickup microphones, the pickups from electric guitars and basses were used to capture the electromagnetic sound of several devices for a genuine low fidelity feel.
Whether soundtracking a system rebellion in your latest Sci-Fi epic, the technological landscape of a Dystopian society or you need to create a disturbing, noise-laden atmosphere for a paranormal Horror, this collection is well-suited to a huge number of projects and media, be it games, film, TV, art installations, podcasts, audio books or music production.
Bonus Material:
Also included are 157 processed Transition FX which were created from the raw source material. These abstract effects also serve as a Transition or User Interface toolkit, ready to be used as they are, layered to your liking or processed to the extreme for something completely new.
Contents:
Loops: 18 (Mono)
Oneshots: 65 (Mono)
Sequences: 89 (Mono)
Processed: 157 (Stereo)
Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…
With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.
All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.
Generators and Compressors
• Industrial Machinery
• Radio static
• Crackles and glitches
• Ground hum and buzz
• Transformers
• Transportation cabin hums
• Gas leaks, air leaks and bursts
• Air conditioners
• Fans, from tiny to massive
• Vents
• Elevators
• Afterburners
• Voids
• Rumbles
• Force fields
• Transmissions
• Sci-Fi Machinery
• and more…
This Hard Drive SFX library delivers the sounds of severely mistreated hard drives. We hit hard drives with hammers, drilled holes in them, bent them and inserted objects into them before turning them on. Power ups, shut downs, grinding, screeching, whines, and rattling are just a few of the sounds you’ll find here. Great source material for sound design and heavy processing.
Electrical Awakening captures the hidden buzz, hum and EMF of everyday objects:
From the inner workings of a car engine starting up to dopplered garden lantern hums and servo movements, this library has a unique selection of electromagnetic sounds. It's an electrical symphony of sound. These sounds were recorded with a Lom Label Elektrosluch 2 (Stereo coil pick-up) into a Sony D100 at 192kHz/24bit.
This audio library features low-frequency drones, powerful impacts, metallic scrapes, resonant vibrations, and other rare audio textures.
All sounds were recorded using the LOM Geofón, a device that captures low-frequency surface vibrations that conventional microphones cannot detect.
The recordings were made with the TASCAM Portacapture X8 at 192 kHz/32 bit, ensuring maximum detail and sound quality.
Get the hums of a big electric station, a small buzz of an electrical substation’s transformer and also synthesized sounds. All synthesized sounds were re-recorded with the “Worldizing” technique initially conceived by legendary sound designer Walter Murch.
THE GLITCH SFX TOOLKIT
In this library, you will find electronic sounds that can be used on a variety of applications such as Sci-Fi projects, computer glitches, faulty equipment, robots and much more.
All of the files were designed from scratch – no pre-existing sounds were used – and they are sourced from actual computer errors, generating original sounds.
Included, you will find a folder called “TELEVISION_&_RADIO”. The files in that folder have an EQ applied to them to simulate the effect of the sounds coming out of those pieces of equipment. This will save you time – you don’t have to worry about processing them and can drag & drop them into your projects.
GLITCHY CIRCUITS is a collection of 220 glitch sound effects.
Glitchy risers, distorted circuit impacts, mangled & overdriven stutters, sparkly tiny one-shots and more.
GC is an experimental sound effects library that delivers all kinds of glitch SFX:
– Heavily distorted and mangled glitches created with a verity of guitar pedals and plugins.
– Glitchy build-ups and risers
– Heavy, cinematic, overdriven glitchy impacts
– Tiny, sparkly glitch one-shots
– Reverberating, feedback-y glitchy drones
All source sounds have been heavily processed with guitar pedals, plugins, recorded through old tape decks
and small speakers.
Perfect for sound designer, gamedevs and music producers.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: JrF C series, JrF Coil Pickup, Sound Devices MixPre-6, Apogee Duet
EDITED AND MASTERED WITH: Pro Tools, Ableton Live, iZotope RX, iZotope Trash 2, Guitar Pedals,
Old Tape decks, Guitars, Synthesizers, FabFilter, ReFuse, Reaktor, Modular.
• In this library, get a collection of the hypnotic and meditative calls of a handmade wooden didgeridoo. These beautiful wind instruments have guttural calls that sing like wild animals. Hear overtone filled whooshes and aggressive barking attacks. Hear snarling vocalizations and gravelly growls. Hear lengthy mesmerizing drones and oscillating overtones. This library is packed full of tracks showcasing the full range of possible didgeridoo vocalizations and drones. Perfect for use as the foundation for all your designed animals and creatures.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).
If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You’ve found it.
Brand New Sci-Fi Ambiences from The Library by Empty Sea. 6+ GB, 150+ sounds, almost 3 hours of material, all 96k, all looped for easy use.
Design the futuristic user interface of your electric dreams with this feature complete bundle of next-gen, forward thinking science-fiction sounds.
Inside Sci-Fi Interface Bundle you’ll find original frequency modulated content coming from a wide array of sources like complex modular synth squelches, simple sinusoidal beeps and bleeps from hardware, complex software patches generating both futuristic and retro sounds, electromagnetic recordings from a multitude of home appliances, long evolving takes of digital machine hums and other experimental soundscapes, synthetic drones, odd clanging rhythms and this is just scratching the surface.
The bulk of this library is comprised of thousands of micro one-shot sound effects, all edited, mixed, cleaned up and ready to be dropped onto any science-fiction based project. Given the variety and cheer number of sounds present, you can create completely new and original content by layering and mashing these high resolution files with one another, mangle and destroy them with samplers, use complex effects chains to remodel something slick and clean onto industrial noises and make use of the Atmospheres folder and its long evolving files to generate background ambiences and computerized beeping. Your imagination is the limit.
With over 18GB of content spread through 723 minutes, you’re guaranteed to find the perfect futuristic sound effect for your UI/UX projects.
Sci-Fi Interface Bundle contains:
The sound of the future is bursting with energy.
This sound library presents carefully crafted high-tech sound effects that vary from pleasant and musical to unpredicted and glitchy designs.
Great for futuristic user interface, virtual reality hacking and memory extraction, corrupted alien technology and evil cyber-intelligence, AI powered weaponry, scanning objects in a digital world and high-tech cybernetic settings.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“Each sound was carefully designed and captured using various high end tools and studio instruments. To be able to come up with these sounds one must layer and heavily process the raw files. Slava did just that. The sounds are static, yet bursting with energy. You won’t be disappointed, especially if you create music for trailers, game, TV, films and commercials.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Electric Arcs and Energy is essentially two separate collections of sounds. The first, Electrical Arcs are more raw. These arc sounds can be manipulated and mangled to be used as design elements in your project. They are highly flexible and can easily be pitch-shifted -48 semitones or more. They remain remarkably useful and clean giving each sound multiple “dimensions”.
The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups. Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.
This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds. The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz. All processing and design was then performed at 192kHz.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries. This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.
The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing. They will work well for Sci-Fi weapon layers, user interface sounds and more.
The sound library that you didn’t know you needed, a collection of electromagnetic sounds presented in Ultra-HD 24-bit 192k resolution. First a little science lesson: All Electric devices produce a magnetic field. Usually, you don’t hear this field. And you can’t record it with a normal microphone. You need to use an induction coil pickup. These pickups are commonly used to record telephone conversations. But, hold them up to an electric device and all sorts of chaos ensues.
This library features various motors recorded with an induction coil pickup, as well as TVs, mobile phones, car ignitions, light bulbs, you name it. Many items that you use everyday give off amazing magnetic fields and we happily recorded as many as we could. The second half of this library is all synth sounds that, at times, sound even more electric than the real stuff.
Transmission apparatus is a construction kit designed to create a broad range of communication sounds, from real to “alien” broadcasting signals.
The library contains more than 2 GB of data, delivered in 373 files of unique sound material. It’s catalogued in five elements: AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches).
The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.
The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.
Transmission Apparatus is available in two versions:
96 kHz .WAV version• Audio Format: Broadcast Wave Files (.wav)
• Bit Depth: 24-bit Size: 2.49 GB
• Download size is 1.82 GB (compressed .rar archive)
Native Instruments Kontakt 5 version• Audio Format: NI Instruments File (.nki)
• Sample Rate: 96 kHz
• Bit Depth: 24-bit Size: 1.66 GB
• Download size is 1.64 GB (compressed .rar archive)
• Full version of NI Kontakt 5 required
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.