ELS is a library that contains electromagnetic field recordings. It features source material ranging from household objects, drones, vehicles and radiology equipment.
During the recording process, the goal was to find and record sounds that mainly had a distinctive and musical profile rather than simply just noise.
All of the included content was recorded with a LOM Elektrosluch Mini City at 24bit/ 96khz. The files have only been processed and cleaned to isolate the sounds from other components.
The designed section contains few different ready to use sounds.
The Electromagnetic Field sound library features 216 stereo 96kHz recordings of more than 80 different electronic devices. The total length of the files is 6 hours and 18 minutes. Post production process was limited to EQ and compression with some noise reduction in few cases, but most of the files are ready for further processing and designing completely new sounds
Everything was recorded in stereo, and in some cases sounds are wildly flying across not only whole frequency spectrum but also pan image. Inside you’ll find a lot of different hum noises, hiss and electrical swipes and whooshes, buzzing high pitch and low pitch sounds, beeps and bleeps, servo and small engines running in a different way, data processing kind of sounds, interference and corruption effects and more. It’s a great all around library when it comes to designing various electronic machinery sound effects.
Adam Audio A5x • Alarm Clock • Apple Keyboard • Apple Magic Mouse • Apple Mac Mini • Apple MacBook Pro 13 Retina • Apple MacBook Pro 15 Retina • Apple MacBook White Unibody • Audi A4 • Blender Zelmer Nero • Broken Fluorescent Light • Canon Printer • CD Player • Cisco Router • Coffee Maker • Connect Router • Cooking Stove • Cooking Stove Electrolux • Creative Power Supply • Electric Scale • Epson Film Scanner • Fluorescent Light • Focusrite Forte • Fridge Samsung • Garage Doors • Hair Straightener Remington • Hairdryer Remington • Heater Vaillant • Heating Stove • Induction Stove • iPhone SE • Lacie Porsche • Lacie Quadra • Lacie Rugged • LCD touch screen • LED light • LED photography lamp • Light Switch • Logitech G3 mouse • Manicure Machine • Milk Frother • Modern Fusebox • Modern Mixer Zelmer • Nintendo New 3DS • Nintendo DSi • Nintendo Switch • Nintendo Wii • Nintendo Wii controller • Old Electricity Meter • Old Mixer Zelmer • Old Nokia 105 • Old Router • Phillips Sonic Toothbrush • Phillips Shaving Machine • Power Tool • Samsung Ultrabook • Sony 18-105 f4 • Sony A6300 • Sony Old Amplifier • Sony Bravia • Sony CD player • Sony DualShock 3 • Sony PCM-M10 • Sony PlayStation 3 • Sony PlayStation 4 black • Sony PlayStation 4 white • Sony Playstation TV • Sony Projector Old • Sony Tape Recorder • Sony TV remote • Sound Devices 702 • Thermomix • TP Link Router • Tracer Mouse • TV Decoder • TV Decoder Remote • TV Panasonic • Vacuum Cleaner Zelmer • Vinyl Adapter • Wacom Intuos Pro • Washing Machine • WD Passport • Xbox 360 • Xbox 360 Controller
We’re surrounded by a range of electromagnetic frequencies undetectable to the human ear. Unique whines, hums, buzzes, bleeps & drones hidden in plain site. With the help of JrF induction pick-up microphones, I’ve recorded the EMF signal generated by a numerous electronics including synthesizers, computers, dvd players, lights, hard drives, gaming consoles and other household devices.
All sounds were recorded using the Sound Devices Mix-Pre 6 and a stereo pair of JrF induction pick-up microphones.
This SFX library is a complete collection of everything ENERGY, covering Electricity, Power Ups, Shockwaves, Sparks, Force Fields, Zaps, Loops, and plenty more.
ENERGY is created in collaboration with talented French sound design duo Frederic Devanlay and Cedric Denooz, and features more than 625+ sounds and 6.4GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
• Energy Loops (start, loop, end)
• Neutrons and Particles
• Electricity sparks, zaps, impacts
• Energy Weapons / Special Powers
• Whoosh and Passbys
• Energy Foley
• Hums and Buzzes
• Lightning Elements
• Power Ups and Power Downs
• Source Tool Box – Create your own sounds from scratch!
A special sound effect library from renowned sound designer and recordist Tim Nielsen: It's captured with a VC3 recorder, which turns electromagnetic frequencies into audible tones. The collection features weird statics, data and telemetry beeps, the EMF signatures of things such as rack mount gear, LCD screens, telephones and computers. A total of 178 minutes of sounds are included.
Here are the chaotic, squealing, squelching insides of everyday electronic apparatus, such as cell phones, laptops, MiniDisc (I’m so old) players and battery drills.
Sounds that drone, sounds that buzz – sounds that go “YipYipYiiiipfffrrrszz…”. No kidding. Recorded with induction coils/telephone pickups or whatever you want to call them, these sounds are excellent sound design material.
In fact, I couldn’t help “performing” a bit when recording some of them, just to add a little extra movement.
200 sounds from no-input mixer recording sessions featuring cable & pedal noise, drones, harsh noisescapes, high frequency feedback, hum, interference, low frequency noise atmospheres, machines gone wild and a multitude of general feedback effects.
For inventive navigation tones, future technology sounds, glitch elements, horror atmospheres, corrupted audio flows and more, this original sound collection will serve as a versatile palette for sound designers/editors/artists, music producers and anyone looking for interesting audio artefacts.
All files are 24 Bit/96 kHz with embedded metadata.
This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).
If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You've found it.
Fringe Elements is an aggressive sample pack of divergent and destructive sounds designed for musicians and sound designers in need of a hard-hitting sound pallet on the periphery of normal. Each sound was built in the modular world and heavily processed through DSP algorithms to create structurally unique outcomes and ultimately highly usable samples.
Contained in this collection are 225 unique sounds designed as FX, rhythmic elements, evolving textures, noise, distortion, spectral atmospheres and other elements perfect as building blocks to new music and sound projects or to be layered into existing work to add weight, depth and dimension.
The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries. This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.
The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing. They will work well for Sci-Fi weapon layers, user interface sounds and more.
THE GLITCH TOOLKIT
In this library, you will find electronic sounds that can be used on a variety of applications such as Sci-Fi projects, computer glitches, faulty equipment, robots and much more.
All of the files were designed from scratch – no pre-existing sounds were used – and they are sourced from actual computer errors, generating original sounds.
Included, you will find a folder called “TELEVISION_&_RADIO”. The files in that folder have an EQ applied to them to simulate the effect of the sounds coming out of those pieces of equipment. This will save you time – you don’t have to worry about processing them and can drag & drop them into your projects.
THE GLITCH sound library brings you highly twisted, glitchy, twitchy, gritty, grimy audio madness perfect for various music genres like dubstep, EDM, IDM, hardcore, darkcore, electro-industrial, hardstyle, glitch hop, downtempo, drum‘n’bass, hybrid cinematic music, but also very useful sonic tool for sound designers, editors, and pretty much anyone who likes to play and try different things with sound!
These warped and mangled glitch sounds always work great as a source of inspiration and new ideas as they tend to induce more experimental approach to music making, thus helping in achieving unexpectedly creative and original results. A must have for every producer, musician or sound designer, these glitch sound effects will instantly find a way into your production and bring some serious edge to it!
THE GLITCH sound library contains 331MB (340 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
The Glitch UI SFX library delivers a collection of user interface sounds created from mangled video files, circuit bent keyboards and dying hard drives.
Pops, clicks, glitches and transitions, all sourced from our Error Tone library but re-edited and processed specifically for sound designers with extensive Soundminer metadata.
Contains sounds which will work for all your user interface feedback needs, from retro computer interfaces to modern tablets to futuristic sci-fi UIs.
Glitches is a collection of 500 error sounds for use as communications interference, future computer malfunctions, data processing, Sci-Fi weapon elements, degraded circuits, out of control droids and any scenario which calls for the sound of equipment failure.
Sourced from analog feedback loops, electromagnetic field recordings, databent computer files and abstract tonal textures then processed with granular synthesis techniques, you’ll find all the hums, buzzes, crackles, static and noise needed to construct a convincing Glitched-out soundscape.
GLITCHY CIRCUITS is a collection of 220 glitch sound effects.
Glitchy risers, distorted circuit impacts, mangled & overdriven stutters, sparkly tiny one-shots and more.
GC is an experimental sound effects library that delivers all kinds of glitch SFX:
– Heavily distorted and mangled glitches created with a verity of guitar pedals and plugins.
– Glitchy build-ups and risers
– Heavy, cinematic, overdriven glitchy impacts
– Tiny, sparkly glitch one-shots
– Reverberating, feedback-y glitchy drones
All source sounds have been heavily processed with guitar pedals, plugins, recorded through old tape decks
and small speakers.
Perfect for sound designer, gamedevs and music producers.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: JrF C series, JrF Coil Pickup, Sound Devices MixPre-6, Apogee Duet
EDITED AND MASTERED WITH: Pro Tools, Ableton Live, iZotope RX, iZotope Trash 2, Guitar Pedals,
Old Tape decks, Guitars, Synthesizers, FabFilter, ReFuse, Reaktor, Modular.
The Handheld Tranceivers library delivers walkie-talkie sound effects from no less than three models: The AEG Voxtel, the Cobra MicroTalk and the Kenwood TK-3107.
It features button sounds, beeps, squelches, feedback sounds, static and white noise sounds, garbled communications and much more. Recorded with a Nevaton MC48 microphone and a Tascam DR70d portable recorder.
Harsh Noise is a collection of analog feedback loop manipulations where traditional audio equipment is pushed to extremes and sent spiralling out of control.
Featuring glitched-out signal malfunctions, huge walls of noise and piercing high-frequency tones, these sounds will really set the mood for any abstract scenes, unsettling moments or technological nightmare situations in your productions, particularly if working to a horror, science fiction, dystopian or experimental theme.
With each file coming in at 1 minute in length and recorded at a high resolution of 24/96, you are invited to go beyond the source material and explore your own sonic territory by way of editing, filtering and processing to suit your needs.
All the essential high voltage electricity sounds you’ll need for your sound library. Sounds include sparks, electrical fires, fruit electrocution, electric arcs, shocks, hums, overloaded circuitboards, light bulbs, capacitors and much more. Features recordings from high voltage units such as 2 power supplies, 3 microwave oven transformers, 2 neon sign transformers, a 250k volt Tesla coil, 3 Jacob’s Ladders, an arc electric welding machine and a car battery
The Hum, Buzz & Glitches U.S.O. Bundle includes Unseen Noises, Transmission Apparatus, 3Dimensional Printing & ACME from Unidentified Sound Object. This multi-pack combo provides selected sound libraries at a savings of 25% off the retail price ($38.25 ex VAT).
$153. Discounted combo price $114.75 ex VAT.
HumBuzz is a versatile collection 113 tech-noise-sounds with a length from 7 to 27 seconds.
The files were created by capturing the electromagnetic fields of fridges, microwaves, boilers, cell phones, TVs and computers.
Buzz • Hum • Noise • Start Up • Tonal
“INACCURACY” is a collection of 152 digital glitches, errors and malfunctions. These sounds were created using a great variety of audio sources (from vocalizations to, even, designed Sci-Fi weapons) processed with extreme changes in time, velocity and pitch to obtain very direct and aggressive glitches.
The sounds in “INACCURACY” are great for any kind of Sci-Fi production (games, trailers and movies).
Using a Magnetic Coil, this library contains electro-magnetic fields of a variety of household, commercial, and industrial electronics. Hear electronics like you’ve never heard them before in the Series 1000 Induction SFX Library
This extensive collection of industrial ambiences features heavy machinery, mechanical rumbles and diffuse urbanscapes from the following locations:
All sounds were recorded using the Sound Devices Mix-Pre 6 and Sennheiser MKH 8020s to capture the extensive low frequencies present within the aforementioned locations.
More than two years after the release of Binary Code sound library, Sound Response brings you massive (1.5GB in size) second installment – Binary Code 2, with a total of 1000 professionally designed, high quality, futuristic interface and sci-fi computer UI sound effects!
Binary Code 2 is a diverse collection of HUD and UI sound effects separated in eight different categories, that features vast selection of neutral interface hi-tech beeps, bleeps, and button sci-fi sound effects, confirmed (access granted) and negative (access denied) interface sounds, subtle sweeps and smooth futuristic hi-tech hologram sound effects, data processing and readouts, various glitch sound effects, those chirpy 8-bit retro game sounds, and typing sci-fi sound effects! With this large and versatile interface sound effects collection at your disposal you’ll be able to create that sought-after, sophisticated, futuristic sound for your next game, movie, trailer, video, app, music track, or any other project that you’re working on!
Creation of Binary Code 2 sound library involved two months of extensive sound synthesis with synthesizers and usage of noise generators in order to create the necessary source sounds, followed afterwards by hours upon hours of mangling, processing, meticulous editing and fine-tuning.
Binary Code 2 sound library contains 1.57GB (1000 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into eight categories.
1. Neutral • 2. Confirmed (Access Granted) • 3. Denied (Access Denied) • 4. Subtle (Holograms) • 5. Data Processing • 6. Typing • 7. 8-Bit Retro • 8. Glitches
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.