The Hum, Buzz & Glitches U.S.O. Bundle includes Unseen Noises, Transmission Apparatus, 3Dimensional Printing & ACME from Unidentified Sound Object. This multi-pack combo provides selected sound libraries at a savings of 25% off the retail price ($38.25 ex VAT).
$153. Discounted combo price $114.75 ex VAT.
Need electrical sounds? Electricity-Sparks N Arcs delivers more than 200 files of 12,000 volt sparking electrical arcs, industrial welders, electrical shorts, Taser gun discharges, Van Der Graph Generator and custom-made Jacob’s Ladder for those classic sci-fi lab effects… even the sounds of the electrocution of an innocent pickle.
These hard-to-find sounds of massive power and electricity are perfect for adding sizzle to video games, movie projects and multimedia.
All sounds were recorded at 96k/24 bit with multiple microphones. Embedded with metadata (Soundminer, Broadcast Wav)
This SFX library is a complete collection of everything ENERGY, covering Electricity, Power Ups, Shockwaves, Sparks, Force Fields, Zaps, Loops, and plenty more.
ENERGY is created in collaboration with talented French sound design duo Frederic Devanlay and Cedric Denooz, and features more than 625+ sounds and 6.4GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
• Energy Loops (start, loop, end)
• Neutrons and Particles
• Electricity sparks, zaps, impacts
• Energy Weapons / Special Powers
• Whoosh and Passbys
• Energy Foley
• Hums and Buzzes
• Lightning Elements
• Power Ups and Power Downs
• Source Tool Box – Create your own sounds from scratch!
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
Explore this varied library of electronic sounds, sourced from analog synths and digital processes. Ideal for sound design for SciFi or Electronic music.
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
Analog Days contains 390 sounds extracted from old portable cassette players, Retro WW tube radios, vintage turntable vinyl record players and retro tape machines. This is really a sound time capsule ready to send your projects back to the good old analog days and give that sense of analog imperfection that makes the sound really interesting.
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
This library features recordings of a Moog analog synthesizer. The sounds range from raw lo-fi zaps, buzzes and glitches, to more futuristic high-tech robot movements, morphs, vocalizations and drones.
Both source recordings, and designed sound effects are included for further sound manipulation.
Get the sounds of a Printrbot 3D printer – with four NEMA 14 stepper motors -, in this interesting SFX library by New Sound Lab.
The high torque motors connected to a pulley system control the X-Y-Z movements of the aluminum extruder and metal print bed. When printing three-dimensional objects, these fast and precise movements result in a unique barrage of percussive and rhythmic mechanical noise.
These sounds were captured using three different recording setups: Barcus Berry contact mics, RF coils, and combined contact mic / RF coil into a Sound Devices 702 recorder.
The resulting sounds are a mix of grainy, gritty atonal patterns, robotic percussive bleeps, glitchy digital beeps/clicks, low fidelity drones, and chaotic noise. Both raw recordings, and processed elements are included and ready for further sound manipulation.
Brand New Sci-Fi Ambiences from The Library by Empty Sea. 6+ GB, 150+ sounds, almost 3 hours of material, all 96k, all looped for easy use.
OBSCURE FREQUENCIES is a unique collection of 336 sound effects created from uncommon audio recordings of radio masts, antennas, digital meters, circuit boards, batteries, home & leisure electronics, broken electronics etc.
Deep, dark, low and evolving soundscapes, cracking, distorted whooshes, hybrid electric loops and complex one-shots, all designed using exclusively recordings done with induction coil microphones.
Obscure frequencies is a very versatile pack that can be successfully use in many projects such as sci-fi, horror, sound installations and game audio. Its unique sound comes from combining organic recordings of things that cannot be heard without a special equipment and hours of complex sound design.
All soundscapes loop seamlessly and all source/raw recordings are included.
RECORDED WITH: Sound Devices MixPre 6 + JrF Induction Coil Mic + DIY Mics
CREATED AND EDITED WITH: Pro Tools, Live 10, iZotope Iris II, NI Kontakt.
What if we’ll take a shortwave radio receiver and turn its output into to a variety of sound effects?
The result will be not only be a set of dark, dirty, noisy and distorted effects, but also subtle, deep atmospheres and even some kind of melodic sounds!
This library is extremely versatile and not focusing on individual types of sound effects.
Here you’ll find distant radio transmissions, strange modulated voices, whine and static, but also designed atmospheres that can be used as interiors of spaceships, machinery or computer rooms, whooshes, passbys, textures, transformations, alien voices, stutters, morphing effects, granular clouds, risers, UI, impacts and much more that you may need when working with trailers, music, game sound or movies.
But that’s not all, as it turned out it’s even possible to make melodic sounds out of these noisy soundscapes!
Try this library and you’ll be happy to add such a unique audio source to your SFX arsenal!
Main features:- 457 sound effects and ambiences made from a eurorack shortwave radio receiver
– 70 raw source files included
– 96khz/24bit quality
– A highly diverse library for various applications
– A perfect source of dark, gritty and noisy textures for SFX production
– Categorized by types of effects: Source, Ambience, Harmonic, Designed, Processed and etc
– Contains metadata for search engines
Electrical Awakening captures the hidden buzz, hum and EMF of everyday objects:
From the inner workings of a car engine starting up to dopplered garden lantern hums and servo movements, this library has a unique selection of electromagnetic sounds. It's an electrical symphony of sound. These sounds were recorded with a Lom Label Elektrosluch 2 (Stereo coil pick-up) into a Sony D100 at 192kHz/24bit.
Sci-Fi Explorations – Vol I features 546 creative sci-fi sound effects, alien textures, ambiences, drones, space cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts, abstract user interface sounds, transitions, and more.
Created with synth equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects.
Sci-Fi Explorations – Vol I is an experimental collaboration between Gregor Quendel and ARC Noise.
Professional metadata provided and edited by Kai Paquin.
GLITCHY CIRCUITS is a collection of 220 glitch sound effects.
Glitchy risers, distorted circuit impacts, mangled & overdriven stutters, sparkly tiny one-shots and more.
GC is an experimental sound effects library that delivers all kinds of glitch SFX:
– Heavily distorted and mangled glitches created with a verity of guitar pedals and plugins.
– Glitchy build-ups and risers
– Heavy, cinematic, overdriven glitchy impacts
– Tiny, sparkly glitch one-shots
– Reverberating, feedback-y glitchy drones
All source sounds have been heavily processed with guitar pedals, plugins, recorded through old tape decks
and small speakers.
Perfect for sound designer, gamedevs and music producers.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: JrF C series, JrF Coil Pickup, Sound Devices MixPre-6, Apogee Duet
EDITED AND MASTERED WITH: Pro Tools, Ableton Live, iZotope RX, iZotope Trash 2, Guitar Pedals,
Old Tape decks, Guitars, Synthesizers, FabFilter, ReFuse, Reaktor, Modular.
Synthetic Sphere is a collection of spatialised synthetic pads, mixed in an ambisonic format for a complete 360 interactive soundtrack. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.
This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.
This package includes 10 Samples – Total 51 minutes of content.
Supported formats: First Order AmbiX and Stereo (Total of 20 files).
Download a B-Format Ambix demo here: Demo
The library is also available in a stereo only version here.
This library was built primarily using two different modular synthesizer systems. One based on the Korg MS-20 and the other based on the Pittsburgh Modular Lifeforms 201. Included in this library you will find various one shots and hits alongside longer evolving textures and drones. The library was created in a very non-musical way and as such most of what you hear is noisy, gritty and a-tonal. The library can be used effectively for Sci-Fi Weapons, User Interfaces, Droids and Robots, Ambient Textures and many more possibilities.
The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries. This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.
The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing. They will work well for Sci-Fi weapon layers, user interface sounds and more.
*BUZZZZ* Left your phone in your pocket? On the tile floor? Under a pile of your roommate's disgusting laundry? Locate it with these 17 audio files, recorded in various locations using a customized vibration pattern.
“INACCURACY” is a collection of 152 digital glitches, errors and malfunctions. These sounds were created using a great variety of audio sources (from vocalizations to, even, designed Sci-Fi weapons) processed with extreme changes in time, velocity and pitch to obtain very direct and aggressive glitches.
The sounds in “INACCURACY” are great for any kind of Sci-Fi production (games, trailers and movies).
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
Get the hums of a big electric station, a small buzz of an electrical substation’s transformer and also synthesized sounds. All synthesized sounds were re-recorded with the “Worldizing” technique initially conceived by legendary sound designer Walter Murch.
Torsion is a new dark hi-tech sound library packed with cinematic sound effects, tempo locked synths, stutter-stingers, tonal feedback, signature braams, hits, downers, low end whooshes, vocals, rise-crescendo, reverse and comes with 300+ wav samples and 86 kontakt instruments powered by The Forge engine by Audiority.
The front panel of torsion features lp-hp resonating filters, adsr stages for both filters and amplitude, dual reverb which is a combination of classic reverb and convolution. This is great to add textures and personalise your sound.
Effect section include a very aggressive distortion unit, saturation and punch stages, delay and eq.
The distortion unit is gritty and very aggressive, combining a british amplifier with a voice-level bitcrusher.
The saturation unit features the high quality algorithm of kontakt.
The punch effect is a transient shaper, a kind of compressor used to control the attack and the sustain portion of a sound and which world great for drums, percussions, impacts, guitars, pianos and other sounds with a fast attack.
On top of that you can find the advanced rhythmic programmer that can work as an arpeggiator, a polyphonic sequencer or a gater.
Another key features in Torsion is the stack mode-voicing control which increase the number of voices per note played at the same time. On a single key you can play a different number of sounds to create chords of samples for more rich and layered ensembles.
A analog emulated 4-bands parametric equalizer. Low and high are shelf type, while low mid and high mid are bell type.
The resonant delay unit combines a delay based tunable resonator and a tempo synced stereo delay.
Torsion is 100% royalty free – single user license.
Articulated presents here a careful collection of 100 Electric Fans, HVAC, AHU, and Mechanical Drones. After months of capture, we recorded, selected, and edited this unique library featuring rich, varied, and useful assets ready-to-use for any game or movie project.
These sounds can serve to inspire life inside environments, provide industrial tones, domestic houses, or back alleys, setting moods or atmospheres. They can also serve as elements to design mechanical machine or engine sounds.
The sonic quality extends a large spectrum from clean, modern, to old and rusty, on rooftop, indoor, flush ceiling-mounted, Bathroom extractor, or floor stand; along with many flavours like metal, plastic, smooth or raspy rattles with gurgling wobbles. Some of the Sounds have useful varied point of perspectives (Close-up, distance), and most of them are ‘loopable’.
124 stereo files
Highly focused and meticulously edited sounds
Different perspectives are included as well
Transmission apparatus is a construction kit designed to create a broad range of communication sounds, from real to “alien” broadcasting signals.
The library contains more than 2 GB of data, delivered in 373 files of unique sound material. It’s catalogued in five elements: AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches).
The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.
The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.
Transmission Apparatus is available in two versions:
96 kHz .WAV version• Audio Format: Broadcast Wave Files (.wav)
• Bit Depth: 24-bit Size: 2.49 GB
• Download size is 1.82 GB (compressed .rar archive)
Native Instruments Kontakt 5 version• Audio Format: NI Instruments File (.nki)
• Sample Rate: 96 kHz
• Bit Depth: 24-bit Size: 1.66 GB
• Download size is 1.64 GB (compressed .rar archive)
• Full version of NI Kontakt 5 required
This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).
If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You've found it.
You lost em', we found em. Introducing Beeps, Sweeps and Creeps, an electromagnetic library cataloging household electronics, video game consoles, arcade cabinets and more. Whether you're creating sci-fi interfaces or needing some extra grit for your devices, Beeps Sweeps and Creeps has everything you need to add that extra layer to your project.
3Dimensional Printing is the multicolored result of different recording sessions of a couple of 3D printers (the Sharebot NG – Next Generation and the DeltaWASP 20 40) at Fabb and at FabLab Milan between 2014 and 2015.
All the sounds were recorded directly as uncompressed .wav files through both a RME Fireface UCX and a Zoom H6 Portable Recorder.
Duration ranges vary from 1 to 5 minutes, with the most sonically interesting excerpts from full printing cycles. Lots of pattern and sequences are available for selection and transformation.
Five different transducers were chosen to capture all the sonic details of these mechanisms:
– C-SERIES pro contact microphones, hand-made by Jez Riley French;
– Barcus Berry 4000 Planar Wave System (Piezo crystal sensor+4000XL Piezo Preamp);
– Piezo Film Tab Contact Microphones by Cold Gold Audio;
– Custom Induction Coil Pick-up (also used to create the Unseen Noises collection);
– Zoom MSH-6 MS Capsule (the stereo image of the Mid-Side recordings is rendered as balanced stereo LR files).
Modular Synth is a collection collaborated by Ross Fish and Kai Paquin, this collection represents a series of one shot sounds featuring sample and hold, granular, and FM synthesis using a custom built modular synth rack.
Newsreel Noises features a collection of unwanted Noises, Rumbles, Hums & Crackles – collected when digging through copies of newsreels from the the 40ies and 50ies of the last century. Whenever such a newsreel starts or ends a lot of sidenoises occur and each one plays another pattern of mysterious sounds. The library is organised into 10 categories:
* Cadenced, Crackle, Hum, Impulse, Noise, Pulsed, Rattle, Rhythmical, Shuttle, Tonal
The library delivers more than 150 WAV-files with embedded loop points. Each file has a descriptive name where the first part describes the strongest element of the sound and the second part gives additional informations about the structure of each sound.
Looking for vinyl noises, crackles, pops and buzzes? PHONO is a set of textures lovingly recorded from the blank spots of old and new vinyl records.
Comprised of various loops pops and decays, this collection spans the range of what a needle on an empty track can sound like.
108 flavors of rhythmic noise, crackles, hiss, pops, buzzes, bumps and air – packaged, looped, and ready to go. Great straight or with fx.
20 libraries of production elements and soundscapes suited to all forms of broadcast media. From glitched-out future computers to dark, ominous atmospheres, these libraries feature organic elements, analogue source material and extreme digital processing for a blend of the familiar and the experimental side of sound design.
Think Dystopian environments, unexplored Science Fiction spaces, unsettling horror ambiences, signals gone awry, abstract textures and harsh walls of noise.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.