Home Materials & Texture Sound Effects Electricity Sound Effects Hum, Buzz & Glitch Sound Effects
Real and designed humming, buzzing, crackling, glitchy sound effects and recordings. Also check out the Electricity sound category
Want to get brand new sound material from nature? Get all the sounds from Ultrasonic Insects Volume 1, Ultrasonic Insects Volume 2 and Ultrasonic Insects Volume 3 at a special price.
Recorded over three years, Ultrasonic Insects Bundle contains more than 130 insect songs and flights, recorded with precision, patience and love. All insects were recorded in quiet environments or studio with close-miking for unparalleled quality. Each insect is identified by its scientific name.
Get the isolated song of 75 species of bush-crickets, grasshoppers, crickets, cicadas and other noisy insects. Pitch down the sounds up to 4 octaves (and even more!) and find inspiration for your next project: creatures, monsters, unreal insects or animals but also computer beeps, alarms, lasers… there are plenty of sounds to be created.
• 27 species of grasshoppers
• 21 species of bush-crickets
• 12 species of crickets
• 4 species of cicadas
• 12 species of flying insects
• Rare death’s head hawk-moth vocalisations
• 2 species of Madagascar hissing cockroaches
• 20 stereo ambiances recorded with MKH 8040
• 192 KHz/24 bit
• Metadata UCS-compliant
• Each species is identified with scientific name, common name and picture
• Solo insects recorded with Sanken CO-100K
• No insects were harmed while recording this library (except a few mosquitos!)
An incredible collection of sounds that will elevate your projects to the next level! From electric weapons and impacts to subtle and atmospheric sounds, the Electricity Sound Effects Pack has everything you need to make your project truly electrifying. This pack includes sound effects such as electrical burns, electromagnetic fields, plasma balls, radios, weapons, spells, charges, and so on. We’ve spent countless hours crafting unique and mesmerizing sounds that will give your audience a truly immersive experience.
Need electrical sounds? Electricity-Sparks N Arcs delivers more than 200 files of 12,000 volt sparking electrical arcs, industrial welders, electrical shorts, Taser gun discharges, Van Der Graph Generator and custom-made Jacob’s Ladder for those classic sci-fi lab effects… even the sounds of the electrocution of an innocent pickle.
These hard-to-find sounds of massive power and electricity are perfect for adding sizzle to video games, movie projects and multimedia.
All sounds were recorded at 96k/24 bit with multiple microphones. Embedded with metadata (Soundminer, Broadcast Wav)
Ambience Colors is a surprisingly diverse, vast collection of atmosphere tracks and sound effects. Pack of unforgettable memories collected over few years and places. Let’s go deeper into the highlights:
Herde of cows on a meadow | Inside a wasp nest | Bali hindu ceremonies with crowds, brahmins and announcers | Bali Village with dogs, roosters and crickets | Cambodia village around a marketplace and calm streets | Latin church mass catholic with a quiet crowd | Diffused city noise | Distant fireworks on New Year’s Eve| Inner courtyards of old Prague houses | City streets | Crowd indoors at film shooting locations, restaurants and celebrations | Crowd outdoors around beer gardens | Industrial indoors with a meat processing factory | Huge poultry farm | Industrial outdoors on a building site or foresters machinery | International airports with crowds and announcers | Nature day in jungle, forest, swamp, pond, lake and meadow | Nature night in Asia and Europe | Ocean waves | Rain inside a tent or behind windows | Heavy rain outdoors | Roomtones and quiet places | Trains passing by and inside | Craftsmen workshops with power and hand tools
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.
Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.
Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.
Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM UÅ¡i Pro. These sounds are included in a dedicated subfolder.
The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!
This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.
While highly abstract in nature, these sounds are a great basis for building:
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.
File Format: WAV
Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box
Processing:Â Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
Design the futuristic user interface of your electric dreams with this feature complete bundle of next-gen, forward thinking science-fiction sounds.
Inside Sci-Fi Interface Bundle you’ll find original frequency modulated content coming from a wide array of sources like complex modular synth squelches, simple sinusoidal beeps and bleeps from hardware, complex software patches generating both futuristic and retro sounds, electromagnetic recordings from a multitude of home appliances, long evolving takes of digital machine hums and other experimental soundscapes, synthetic drones, odd clanging rhythms and this is just scratching the surface.
The bulk of this library is comprised of thousands of micro one-shot sound effects, all edited, mixed, cleaned up and ready to be dropped onto any science-fiction based project. Given the variety and cheer number of sounds present, you can create completely new and original content by layering and mashing these high resolution files with one another, mangle and destroy them with samplers, use complex effects chains to remodel something slick and clean onto industrial noises and make use of the Atmospheres folder and its long evolving files to generate background ambiences and computerized beeping. Your imagination is the limit.
With over 18GB of content spread through 723 minutes, you’re guaranteed to find the perfect futuristic sound effect for your UI/UX projects.
Sci-Fi Interface Bundle contains:
The Electromagnetic Design Bundle brings together three Libraries of electricity infused sound design. From the might of Power Plants to far-reaching Radio Towers and abstract glitches and ambiences, our Audio Craftsmen have shaped and curated what is truly our most energetic collection of Libraries yet.
INCLUDED LIBRARIES:
Electromagnetic Design
Electromagnetic Design Vol. 2
Electromagnetic Design Vol. 3
‘Shoot ‘em up’ has never been this exciting! From powerful laser and plasma blasts, to specialised sounds such as fire, rain and laser circles, Sci-Fi Weapons: Bullet Hell adds intensity to virtual battles. With our trusty Vaemi’s El-Ma electromagnetic field mic, we’ve captured some wild electronic shenanigans, blending them with our synthetic sounds to cook up weapon effects that’ll make your players go, “Whoa!”
Tattoo Parlour & Barbershop Bundle features field recordings of two local businesses in Manchester, England. A plethora of objects, activity and movement were captured at a tattoo parlour and barbershop, providing you with detailed and specific sounds grounded in reality.
Our Audio Craftsmen meticulously recorded and edited a multitude of in-shop sounds, including scissor snips, tattoo pen hums, creaky steps, squeaky doors, bottle sprays, item handling, room tone, clipper buzzes and much more!
Use this bundle to enliven tattooing or hairdressing scenes across Film, TV and Game projects.
The entire bundle is delivered at 24Bit 96kHz and tagged with extensive Metadata for ease of use.
A massive electro-acoustic drone SFX library reft from a custom designed and hand-built instrument! These drones were coaxed from a unique instrument using the power of air.  No harsh picking or plucking, just assorted techniques for moving air deftly across the strings.
The guitar, Yvaine, was recorded simultaneously via two tracks (one direct and another amped and mic’d) and was set to 23 different tunings to encompass the full spectrum of her voice, character, and soul. The tunings are as follows:
All5ths | B6th | Capo12th | CassianoPereiraViana | CrossnoteF | Cuba | DADGAD | DropB | Hawaiian | Koto | OpenA | OpenC | OpenD | OpenE | OpenF | OpenG | OpenPage | Orkney | Ostrich | Pentatonic | “Spira” | Standard | TheEdge
The files range from uber clean and harmonic to gritty, crackling, and distorted. For some of the overdriven amped recordings, we even experimented with creative NR settings for the modulation of artificial harmonics…and kept some of the more colorful results! Between the two different tracks, multiple takes were made per strength, per position, per recording. Depending on which takes were best, some of the DI and amped captures matched, while others were physically different. This offers unique layering capabilities for some sets while allowing for variety in others. Some of the sets are missing particular strength recordings at specific positions. But if a capture wasn’t appropriate, we didn’t include it.
This is a bountiful collection of droning goodness. Use it for good.
This library is a continuation of my first library A Fluorescent Bulb. This contains 6 more fluorescent light hums/buzzes with nice plinks and warming sounds. For each light there is at least 2 minutes up to 5 minutes of tone, and a second file with a manipulated light switch where you get multiple plinks and buzzes. The tone of this library is a bit higher pitch than the first 6 bulbs from the first library
I have recorded 6 different fluorescent bulb lamps in an industrial warehouse with two close mic'd dpa 4060 in each that I then edited into 30 stereo files (about 5 takes of each with different lengths). Excellent for all of your warehouse, slum, industrial sound and ambience needs. Check out the video, or email before buying if you feel like it! Enjoy.
From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.
Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We’re just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer’s ear, Outward Inversion is our microscope applied to the aural world.
This library was created to provide designers with drag and drop sounds for sweeps, fades, surges, swells, and other embellishments. Each of the sounds in this collection were designed to be used to heighten events, but they can be mashed, stacked, and chopped to create all sorts of eclectic designs. There are plays on musical concepts as well as thematic events, with each sound purposefully building up, culminating in a peak moment, and then dissipating in some way. They are organized into 100 families (designs) with 5 variations each, ranging wildly in topic, movement, duration, dynamics, attack, release, loudness, density, and speed. Some are natural and organic while others are completely rigid and synthetic (and some fall variably in between).
If you need to festoon the heck out of a scene or event in your project…If you need some complex SFX designs craftily layered and ready-to-go…If you need a diverse set of easy-to-tweak, overflowing sonic enrichment, then look no further. You’ve found it.
Electrical Awakening captures the hidden buzz, hum and EMF of everyday objects:
From the inner workings of a car engine starting up to dopplered garden lantern hums and servo movements, this library has a unique selection of electromagnetic sounds. It's an electrical symphony of sound. These sounds were recorded with a Lom Label Elektrosluch 2 (Stereo coil pick-up) into a Sony D100 at 192kHz/24bit.
A collection of sounds gathered from conceptual designs and audio experiments.  While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
203 designed glitches, textures, robots, UFOs, machines and other effects. Everything from a malfunctioning robot to a shuttle launch sequence.
Sound designed at 24-bit / 96Khz, these sound effects were designed to give flexibility to an editor looking for wild Sci-Fi sounds. These sounds can be used as they are, or treated as foundation audio for further sound design and manipulation.
Computer Sound FX from SoundBits features 650 computer noises, glitches, digital distortions, stutters, bleeps, signals, interfaces, buttons, loading and feedback
This library has a unique selection of electromagnetic sounds, recorded and edited with the utmost care.
Includes over 600 sounds, 200 raw stereo 24Bit/192kHz recordings of more than 40 different electronic devices and industrial machines. Only the most interesting have been selected for this collection.
Perfect resource for SCI-FI sound design, weapons, spaceships and many more. Recorded with extended frequency range, which allows drastic pitch changes and offers extreme ease of handling.
Inside you’ll find different kinds of Noises, Glitches, Whooshes, Passbys, Beeps, Mechanical Movements, Hum, Buzz, Clicks, Crackles, from simple smartphone to carving machine or laser engraving machine, eco-solvent printer, cutting plotter, touch screen terminal and more.
Includes embedded Soundminer metadata.
  Get The FREE Mini Pack Here ( 103,1 MB )
Electric Motors is a collection of 148 recordings of small and large motors performing various activities, including rotations, general movement, pulses, speed changes and more.
All sounds recorded and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.
– Glitchy and Organic Textures and Gestures
This pack contains a selection of a series of recordings we made while journeying freely through our studio, using a custom microphone we created. We chopped a bunch of single ”motions” and ”gestures” from the recordings, but the main course is the collection of long, evolving and unpredictable takes we got.
Even though everything in this pack can stand on the stage as it is, it also fits every kind of electronic application and manipulation.
In this bundle you will receive three libraries full of dark, glitchy and ambient textures. 'Glitch & Noise' brings abstract and interesting tones to your sound palette. 'Twelve Tones' has detailed industrial hums for your spaceship interiors. 'Sphere' has dark atmospheres made from bowing a metal bin, which were then processed and mangled using Twisted Tools Slayer. Whether your project is a sci-fi soundscape or a shredded atmosphere, this bundle has something for everyone.
The Glitch UI SFX library delivers a collection of user interface sounds created from mangled video files, circuit bent keyboards and dying hard drives.
Pops, clicks, glitches and transitions, all sourced from our Error Tone library but re-edited and processed specifically for sound designers with extensive Soundminer metadata.
Contains sounds which will work for all your user interface feedback needs, from retro computer interfaces to modern tablets to futuristic sci-fi UIs.
NSL – Radio & Analog Bundle is a 209 Files Sound-Pack essentially composed of Radio sounds. You will have access to many samples: Interferences, LW/FM Frequencies Swiping, Phone Tonalities, Analog Glitchs, Noises and many more…
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.