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Home Materials & Texture Electricity Hum, Buzz & Glitches

Hum, Buzz & Glitches

Real and designed humming, buzzing, crackling, glitchy sound effects and recordings. Also check out the Electricity sound category

  • Articulated presents here a careful collection of 100 Electric Fans, HVAC, AHU, and Mechanical Drones. After months of capture, we recorded, selected, and edited this unique library featuring rich, varied, and useful assets ready-to-use for any game or movie project.

    These sounds can serve to inspire life inside environments, provide industrial tones, domestic houses, or back alleys, setting moods or atmospheres. They can also serve as elements to design mechanical machine or engine sounds.

    The sonic quality extends a large spectrum from clean, modern, to old and rusty, on rooftop, indoor, flush ceiling-mounted, Bathroom extractor, or floor stand; along with many flavours like metal, plastic, smooth or raspy rattles with gurgling wobbles. Some of the Sounds have useful varied point of perspectives (Close-up, distance), and most of them are ‘loopable’.

    WHAT’S INSIDE:
    124 stereo files
    Highly focused and meticulously edited sounds
    Wide variety
    Different perspectives are included as well

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  • Get the sounds of a Printrbot 3D printer – with four NEMA 14 stepper motors -, in this interesting SFX library by New Sound Lab.

    The high torque motors connected to a pulley system control the X-Y-Z movements of the aluminum extruder and metal print bed. When printing three-dimensional objects, these fast and precise movements result in a unique barrage of percussive and rhythmic mechanical noise.

    These sounds were captured using three different recording setups: Barcus Berry contact mics, RF coils, and combined contact mic / RF coil into a Sound Devices 702 recorder.

    The resulting sounds are a mix of grainy, gritty atonal patterns, robotic percussive bleeps, glitchy digital beeps/clicks, low fidelity drones, and chaotic noise. Both raw recordings, and processed elements are included and ready for further sound manipulation.

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  • 3Dimensional Printing is the multicolored result of different recording sessions of a couple of 3D printers (the Sharebot NG – Next Generation and the DeltaWASP 20 40) at Fabb and at FabLab Milan between 2014 and 2015.
    All the sounds were recorded directly as uncompressed .wav files through both a RME Fireface UCX and a Zoom H6 Portable Recorder.
    Duration ranges vary from 1 to 5 minutes, with the most sonically interesting excerpts from full printing cycles. Lots of pattern and sequences are available for selection and transformation.
    Five different transducers were chosen to capture all the sonic details of these mechanisms:
    – C-SERIES pro contact microphones, hand-made by Jez Riley French;
    – Barcus Berry 4000 Planar Wave System (Piezo crystal sensor+4000XL Piezo Preamp);
    – Piezo Film Tab Contact Microphones by Cold Gold Audio;
    – Custom Induction Coil Pick-up (also used to create the Unseen Noises collection);
    Zoom MSH-6 MS Capsule (the stereo image of the Mid-Side recordings is rendered as balanced stereo LR files).

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  • I have recorded 6 different fluorescent bulb lamps in an industrial warehouse with two close mic'd dpa 4060 in each that I then edited into 30 stereo files (about 5 takes of each with different lengths). Excellent for all of your warehouse, slum, industrial sound and ambience needs. Check out the video, or email before buying if you feel like it! Enjoy.

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  • In this bundle you will receive three libraries full of dark, glitchy and ambient textures. 'Glitch & Noise' brings abstract and interesting tones to your sound palette. 'Twelve Tones' has detailed industrial hums for your spaceship interiors. 'Sphere' has dark atmospheres made from bowing a metal bin, which were then processed and mangled using Twisted Tools Slayer. Whether your project is a sci-fi soundscape or a shredded atmosphere, this bundle has something for everyone.

    Glitch & Noise:
    • 97 Glitch & Noise single sounds
    • 13 Texture loops
    • 35 UI clicks
    • 17 Impact sounds
    • 53 Musical loops (at 120 bpm)
    • 48 KHz, 24 bit
    • Embedded metadata
     

    Twelve Tones:
    • Twelve 96 kHz, 24-bit tones.
    • Two minutes each with 9 second bleed.
    • 851 MB (uncompressed).
    • Embedded metadata.
    • Description for each file inside the excel spread sheet.
     

    SPHERE:
    • 230 sound effects.
    • 126 designed sound effects. With reverb, fast delay and tremolo/stutter.
    • 124 twisted (original recordings mixed and played forwards and backwards) source files.
    • Embedded metadata.
    • Recorded and designed at 48 kHz and 24 bit.
     

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  • Abstract Sound Design is a budget-friendly collection of unique audio material sourced from digital feedback loop experiments and granular processing sessions. Featuring 25 abstract atmospheres and 35 abstract FX, this library is perfect for those moments when creativity may be running dry, serving as an inspiring starting point for some serious sound sculpting. Of course, they may just fit your needs as they are, too!

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  • This small sound library contains all the original CPU fan and hard disk noises emitted by the following vintage Apple MACs, each with its own unique texture:

    • Power Macintosh 4400
    • Power Macintosh 6400
    • Power Macintosh 7200
    • Macintosh Classic
    • Macintosh Mac G4
    • Macintosh Mac LC 475

    The material contains a lot of mechanical noises and different startup chimes, plus a lot of boot sequences with all the hard drives/fans spinning and whirring.

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  • ‘Alarms & Warnings Designed’ is a collection of 52 alarm sounds suitable for the science fiction genre. This library includes ‘one-shot’ audio files that are ready to be placed in a sampler as well as 30 second loops of those same files. All sounds are ‘dry’ and ready to be processed.

    This library goes well with 'Fully Charged Vol.1'

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  • Synthetic Sphere is a collection of spatialised synthetic pads, mixed in an ambisonic format for a complete 360 interactive soundtrack. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.

    This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.

    All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.

     

    This package includes 10 Samples – Total 51 minutes of content.

    Supported formats: First Order AmbiX and Stereo (Total of 20 files).

    Download a B-Format Ambix demo here: Demo

    The library is also available in a stereo only version here.

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  • Analog Days contains 390 sounds extracted from old portable cassette players, Retro WW tube radios, vintage turntable vinyl record players and retro tape machines. This is really a sound time capsule ready to send your projects back to the good old analog days and give that sense of analog imperfection that makes the sound really interesting.

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  • A sound library of the organic electronic world of inherent signal noise created from analog sources.

    Sounds include hum, buzz, hiss, static, distortion & overdriving, feedback loops, signal malfunction, dropouts, crackling, fuzz, and glitch.

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  • This library features recordings of a Moog analog synthesizer. The sounds range from raw lo-fi zaps, buzzes and glitches, to more futuristic high-tech robot movements, morphs, vocalizations and drones.

    Both source recordings, and designed sound effects are included for further sound manipulation.

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  • This library was built primarily using two different modular synthesizer systems.  One based on the Korg MS-20 and the other based on the Pittsburgh Modular Lifeforms 201.  Included in this library you will find various one shots and hits alongside longer evolving textures and drones.  The library was created in a very non-musical way and as such most of what you hear is noisy, gritty and a-tonal.  The library can be used effectively for Sci-Fi Weapons, User Interfaces, Droids and Robots, Ambient Textures and many more possibilities.

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  • Hum, Buzz & Glitches Analog TV Play Track 99 sounds included, 50 mins total From: $19

    Analog TV gets you 99 recordings from the Tele Star 4004 TV, built in the 80s in Leningrad/Russia. The collection features everything from a range of noises, frequency glitches, short pulses, and long frequency sweeps in the VHF and UHF bands. It also comes with a good collection of different static noises and really weird stuff that could – and just might – come from outer space.

  • This Hard Drive SFX library delivers the sounds of severely mistreated hard drives. We hit hard drives with hammers, drilled holes in them, bent them and inserted objects into them before turning them on. Power ups, shut downs, grinding, screeching, whines, and rattling are just a few of the sounds you’ll find here. Great source material for sound design and heavy processing.

    Annihilated Hard Drives – Microphones Used:
    • 1x Neumann KM130 (cardioid)
    • 1x Sennheiser MKH50 (cardioid)
    • 2x Barcus Berry contact microphone
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  • Binary Code interface sound library features high quality, futuristic interface sound effects perfect for video games, movies, trailers, videos, apps, and many other applications! This collection of sci-fi computer interface sound effects will give the project that you’re working on that futuristic, hi-tech vibe that you’re after. With the vast selection of beeps, readouts/calculations, and typing UI sound effects, you’ll easily find the type of sound that you’re looking for in order to create that sought-after, sci-fi, distant future ‘feel’ for your next project!

    The Binary Code soundpack contains 616MB of high definition 24bit/96khz sounds, embedded with metadata to speed up your workflow and separated into three main categories: 1. Beeps 2. Readouts/Calculations 3. Typing.

    With Binary Code sound library you also get 200 BONUS Sound Effects! These sound effects are examples of what you can expect from other interface sound libraries by Sound Response. You get 130 sound effects from Binary Code 2 sound library that features whopping 1000 high quality interface sound effects! You get 55 sound effects from The Future is Now sound library that features 700 UI sound effects, and you also get 15 sound effects from our DATA soundpack that features 170 data processing sound effects!

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  • The BINAURAL ORCHESTRA SOUND EFFECTS library delivers 1340 unique orchestral sounds from 13 different instruments – including violin, cello, tuba, double bass, contrabassoon, trombone, trumpet, musical saw, flute, piccolo, clarinet, marimba,  and a wind machine.

    All instruments recorded in musician perspective with an binaural microphone, in listener perspective with an dummy head microphone and mono. Each instrument plays different notes of the harmonic series with three variations of each fundamental frequency. Furthermore plays each instrument three glissando or transposition variations. The recordings took place in a great-sounding concert hall.

    The library is perfectly suited for sound designers, composers and musicians. All sounds are in WAV, 24 bit & 48 kHz and include metadata.

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  • You lost em', we found em. Introducing Beeps, Sweeps and Creeps, an electromagnetic library cataloging household electronics, video game consoles, arcade cabinets and more. Whether you're creating sci-fi interfaces or needing some extra grit for your devices, Beeps Sweeps and Creeps has everything you need to add that extra layer to your project.

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  • Bowling is a collection of sounds recorded at a private lane, completely devoid of extraneous human and HVAC sounds.  This exclusive access allowed for recording various perspectives, including deep in the guts of the machinery, up-close to the pins, bowler’s perspective, and side perspectives.  This library includes all of the mechanical sounds, machinery ambiences, ball “pass-by’s”, ball return, gutter balls, pins resetting, and even some bowling sounds without any machinery noise at all.

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  • This library is a small “utility” collection of sounds great for use as Robot/Machines but also great for UI and Weapon design elements.  Servos, various metal objects and analog synths were recorded as source material to create this library.  The library includes raw servo recordings and meticulously performed or designed robotic/machine-like sounds.

    Bonus – Forge Sound Design Tool Sample Map

    If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map.  The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.

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  • CB Radio is a small collection of static produced by different channels on a 40-channel CB Transducer.

    I found a pair of “Realistic TRC-222 40-channel Citizens Band Transceivers” at a second hand store, but only one works.

    Here are the sounds the surviving “walkie-talkie” produces: 54 individual sounds for a total of around 15 minutes of static and warble + button sounds and antenna extension and contraction sounds

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  • A collection of fine bleeps and bloops from two vintage toy synthesizers, a Major Morgan and a Stylophone.

    Both synths were modified to coax some more unusual/interesting sounds out of them and the library includes some bonus designed sounds to give some inspiration to designers for the direction these sounds could be pushed in.

    All sounds contain extensive metadata in both soundminer proprietary format and broadcast wave format to make finding these sounds and getting them into your project as easy as possible!

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  • We’ve dug deep into the circuit paths of electronic equipment using signal tracers to scan and record electronic noise and electromagnetic fields (EMF) emanating from electronic equipment.

    This first in a series of three sound libraries focus on the feel of clocking, ticking, pulses, crystal oscillator timing and other cyclic repetition to provide a rhythmic element to the sound effect. Includes sounds of data flow with beeps, tones, glitch, pops, snaps, crackles, static noise & interference. Be careful with your ears, some of these are nasty sounding.

    61 sound effects created as 10-second files that can be used to create an environment, whooshes or looped and layered to make atmospheres. Recordings were left as raw as possible keeping all the bits intact for designing new creations. Great for technology, data transmission & communication, computer circuits, control systems & Sci-Fi

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  • Drones & Moods Circuits Play Track 30 sounds included, 27 mins total $39 $26.13

    A collection of textural recordings of electric and electronic sound sources.

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