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Home Instruments Synth Instruments Page 3

Synth Instruments

Musical instruments particularly suited for electronic music compositions

  • Get the last 303
    Emulation of the legendary 303 silver box has been taken to entirely new heights. Signal path was completely re-designed to achieve an unprecedented level of emulation accuracy, resulting in this new incarnation of the plug-in.

    Juice up the sound
    In the state-of-the-art FX chain, you can find a whole bunch of algorithms with acidic squeaks in mind.

    Create your riffs with ease
    New sequencer and arpeggiator makes the plug-in even more appealing. Edit patterns with ease and convenience, play them live in a loop and switch between them in whatever way you find most convenient – using a mouse, a MIDI controller or DAW MIDI notes to express your musical ideas.

  • – Pound for pound, the classic 606 sound.

    Nithonat is a fully synthesized drum machine based on the classic 606. Its unique sound has snuck its way over the years into productions spanning Electro, Hip-Hop, R n’ B and Pop. Here at D16 we re-created a legend with virtual perfection, and then expanded on it with essential features, exclusive to Nithonat.

  • – A completely synthesized emulation of the famous 808 drum machine

    Nepheton contains 17 fully synthesized modules that work together to emulate the original 808 drum machine. All the sounds and detailed nuances of the original are captured perfectly. Nepheton’s modules are equipped with additional controls for deep tone and envelope tweakability. Listen to the audio examples or just download the demo and start to beat making today!

  • – Powerful, yet Practical: an easy-to-tweak instrument that can get hit sounds in seconds, unleashing

    LUSH-101 isn’t based off of one machine. It’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: Though it may look benign at first, its modular, multilayer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable, yet devilishly versatile instruments in your arsenal.

    The multilayer architecture guarantees that both the sound design possibilities and the number of unique situations in which LUSH-101 can be used are virtually limitless. Multitimbral sounds can be quickly created by simply assigning any (or all) of the 8 layers to the same MIDI channel; this can result in anything from subtle chorusing to sonic anarchy! Assigning the layers to different keyboard zones allows you to create sophisticated splits, and an entire split-zone preset library exists to get you started. Of course, you can always assign various layers to different MIDI channels for 8-part multitimbral usage, and send out up to 11 Audio Outputs.

    With all of these splits, layers, multitimbral options and routing capabilities, there’s no end to what you can do with just a single instance of LUSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arp and a choice between 8 of the finest insert effects, LUSH-101 lets you reach “unheard of*” creativity.

    Want to get weird? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator’s MIDI output can be used as a modulation source, allowing for complex sequences and refreshingly odd progressions.
    LUSH also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, Pan and superb send effects allow you to put the finishing touches on the final output.

    LUSH can sit in any seat at the genre table. The Gate can be used instead of the VCA for instant staccato sounds for energetic Funk and rhythmic pockets. For Ambient or Chillout, drag out the attack and release times along with our smooth, rich & spacious built-in reverb to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your speed? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead your creativity with the nastiest leads*, and base your sound in the most gnarly basses* – you and your sound system will be pleasantly confused as to what hit it, so watch out! No matter what (or how) you want to play it, LUSH will get the sound.

  • Drumazon synthesis emulates all the sounds of the original 909. All the modules are coded to match their analog counterparts, down to each nuanced detail. As a virtual bonus, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation! Listen to the audio demos or tweak it yourself with the demo version :)

  • AN OCTAPHONIC ADVENTURE
    OB-E – is our take on the legendary 8-Voice. More than just an emulation, OB-E offers a unique musical experience. Sounding HUGE, it takes the iconic Synthesiser Expander Module based 8-Voice (a.k.a the EVS) into new sonic territory via a raft of enhancements and additions.

    The concept of the 8-Voice is actually very simple; based around a single Module containing two VCOs with Pulse and Sawtooth waveforms, two ADS Envelope Generators, one LFO, and a magical Multi-Mode Filter. In isolation each Module is monophonic, but in the 8-Voice, because there are eight Modules triggered by a polyphonic keyboard, you have a superb eight note polyphonic synthesiser. While simple at heart, OB-E is, to our knowledge, the first virtual instrument with complete per-voice control. This unique Octaphonic architecture offers fresh and exciting creative possibilities to music producers, composers and sound designers for the first time in the digital realm.

    [NOTE: MAC ONLY]

  • Minimonsta is an award winning, highly detailed and accurate emulation of the original instrument with heaps of attitude.

    We think of it as a mini emulation on steroids because, until the Minimonsta, numerous clones simply attempted to copy the original instrument and then add one or two features such as polyphony and another lfo, the Minimonsta takes a radically different look at this vintage masterpiece and operates on two levels. It comes with over 6000 factory patches (including many from Rick Wakeman). All original features including 3 oscillators and the famous 4-pole, 24dB/octave filter. Additional LFO & ADSR for modulation of almost every parameter making it the most programmable one.

    The original minimoog® was manufactured between 1971 and 1982 and was an instant classic thanks to its musician friendly logical layout, tactile front panel, warm oscillators and powerful 24db lowpass filter. in its time 13,000 were sold but if you want one now be prepared to pay handsomely.

  • FabFilter has put tremendous effort in creating the best cut-off filter ever. Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.
    The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.

    The oscillator and the filter can be modulated by the LFO and the EG. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The tempo can be synchronized to the host. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. Also, it has an additional Hold setting that extends the time keys are held down.

    What FabFilter One excels at is the attention to detail and fine-tuning that is visible throughout the plug-in. For example, the portamento feature doesn’t just slide from one note to another, but uses a carefully selected algorithm to make your playing livelier and give it just that little extra bit of magic.

    Smart Parameter Interpolation handles changes to any of FabFilter One’s parameters, ensuring both responsiveness and smooth transitions. There are no annoying digital clicks and zipper effects, and even MIDI controller changes are handled perfectly smooth.

    Naturally, the FabFilter One plug-in handles all parameter changes at sample accuracy and it can be used with arbitrary sample rates. All parameters are fully automatable within your favorite host and via MIDI Learn. The included help file describes all features of FabFilter One in detail, together with overviews and tutorials to create various types of sounds.

    Features

      • Aliasing-free high quality oscillator with triangle, sawtooth, and square wave forms
      • Fat and ultra-smooth self-oscillating low-pass filter
      • LFO with tempo sync, triangle and square wave forms, and adjustable wave balance
      • Fine-tuned EG with additional Hold setting
      • Frequency and filter cut-off modulation
      • Pulse width modulation
      • Filter keyboard tracking
      • Velocity sensitivity
      • 10-voice polyphony
      • White/pink noise generator
      • Smooth portamento
      • Over 100 presets
      • Undo and redo
      • MIDI learn
      • Smart Parameter Interpolation
      • Sample-accurate automation of all parameters
      • Parameter value display
      • Extensive help file

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