Home Instruments Page 6
Various musical instruments
In this library you will find a dark ambience sounds.
These sounds are perfect to use in movies, trailers, games, documentaries, etc.
These sounds were all created by me on virtual synthesizers.
After working these sounds in post-production, this library comes with 5 dark ambiences.
As a minimalist monophonic synthesizer from the 70s, the ARP AXXE is as straightforward as it gets: Single oscillator, one envelope generator, a simple low-pass filter, white noise generator, pwm… However, it still manages to achieve that delightfully gnarly ARP sound that’s so unique to everything this little New England-based synth manufacturer put together.
This pack of carefully multi-sampled AXXE patches is a tribute to this simple synth’s greatness and contains tons of musical and useful sounds that are just as relevant today as they were back when this little synth hit store shelves. From solid basses to quirky plucks, from noise crashes to surprisingly competent synth drums – this pack is sure to inspire you.
No corners were cut during the sampling process and every single patch was recorded one semitone at a time for consistent timbre and maximum authenticity. Additionally, each note was tuned individually to make sure this pack can work along all your other instruments and samples.
Recorded with Rheingold music cables and high-end Antelope Audio converters, these samples are pristine and endlessly tweakable. To make sure that this pack is useful for everyone, I’m offering you these patches in a whole load of different formats so that you can bring them into your favorite sampler. Even hardware workstations are accounted for with a full MPC Expansion and files for various KORG machines.
Bowed Mandolin Contains over 70 different bowed textures and articulations gathered from bowing a vintage Mandolin with a Cello Bow. The multiple strings on the Mandolin make for a very rich and unique sound, perfect for Horror and Thriller genres.
Bowed Mandolin contains a range of short high pitch swells and screeches, long textural movements and low deep rips recorded in Stereo (RODE NT4) at 24bit/96kHz to allow for the best manipulation and time stretching options.
Check out our other Library ‘Bowed Bass’ for the perfect dark low end accompaniment.
This sound library introduces reverberant aggressive metal rampage with just a hint of subtlety right before the enormous sound rushes to deliver a piercing brutal blow.
Featuring creeping evolving metal pressure and resonating rattle, gritty friction and massive rumble, explosive impacts and fierce slams, vicious screeches and nerve-racking squeaks.
Explore and layer meticulously edited source material or drag and drop high-end detailed sound effects designed for instant devastating damage.
With plenty of experimentation and unique processing, this library introduces a fresh sound palette for action adventure and horror genre, trailers and in-game cinematics.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“Slava is back with another aggressive and energetic sample library called Resonating Metal Force – a 680 strong collection of modern metal effects captured using various tools and high-end studio equipment. The source material was edited and processed professionally for instant use. These sounds are primed for experimentation – whether you add your unique processing, layer several WAV samples or slice and dice to your heart’s content, the sky’s the limit. This sound pack is another winner.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
The ARP OMNI is not just a synth, it’s more of a predecessor to modern day performance keyboards with its 3 distinct sound engines: Strings, Synth, and Bass. It’s string engine utilizes a divide-down tone generator that technically gives it unlimited polyphony. Its classic string sounds will be instantly recognizable to any fans of Joy Division, The Cars, or Kraftwerk. One might even say that the OMNI’s string engine played a big part in establishing the sound of New Wave. A “hollow” waveform mode gives the strings a more synth-like touch. In either mode, OMNI’s strings are lush and beautiful sounding, especially when combined with a long reverb or even a phaser (for that classic Jean Michel Jarre string sound).
The string section features Bass, Cello, Viola, and Violin registers.
Its synth is a simple single-oscillator design with a single envelope generator, a warm sounding ARP low-pass filter, and single LFO. This synth is capable of some quirky and musical sounds and serves as a great complement to the String and Bass engines. It doesn’t boast all that much low-end and its strength really sits in the middle register.
The bass engine is somewhat of a hidden gem as it pulls off a surprisingly convincing electric bass that’s both punchy and warm sounding and mixes well with the built-in synth. Sitting in the mix, this bass provides some serious low-end without being overly in-your-face. Both the 16′ and 8′ octaves can be mixed for an extra chunky octaver-style effect.
To get the cleanest possible tone out of this pristine ARP OMNI, I recorded it using a DIYRE FE2 DI Box with CineMag transformer, high-end Rheingold Music cables, and Antelope Audio converters. The instrument’s self noise has been reduced using subtle AI-assisted spectral de-noising to make sure these sounds will still sound very clean when being heavily processed. To allow for ideal sustain behavior, the string samples are looped within at least 3 full waveform cycles.
The Bullroar is a ritualistic instrument and when spun, creates huge powerful gusts, whirs, growls, flutters and buzzes. It is an incredibly unique sounds and allows for the creation of characterful winds, whooshes, vehicles, drones and much more.
This library serves as fantastic source material for sound designers in Film, TV and Video Games and is a great set of sounds to have in your arsenal.
Bullroar contains over 70 sounds recorded in Stereo 96kHz/24 bit with a variety of gestures and movements and different speeds from fast flutters to slow spins, tagged with the UCS convention.
Recorded with a Rode-NT4 Stereo Mic into a Sound Devices MixPre-6 recorder.
My first sample pack ever to stretch the boundaries of time and space. Extracted from obscure records discovered in a parallel universe while experimenting with a DIY particle accelerator. 100% royalty free in this universe and my biggest pack to date with a whopping 200 loops!
All joking aside, this pack contains 100% royalty free drum breaks that have been carefully handcrafted to sound like they’ve always been out there, just waiting to be sampled. Using sophisticated processing and pulling from over a decade worth of experience in programming uncannily realistic sounding drum grooves, these breaks are the result of years spent studying what made those memorable grooves from the 60s, 70s, and 80s so catchy.
This pack covers a wide range of genres and distinct drum sounds that can stand on their own and compliment each other.
A number of loops even stem from the days when I still ran a little studio in Germany. Every now and then I would sneak behind whatever drum kit was in the studio at the moment and record some grooves. Turns out that these recordings came in very handy!
These loops are meant to be chopped, layered, mangled, and processed into anything you can think of – no clearance necessary.
223 loops / 370 mb in total. All files come as 44.1 kHz / 24 bit WAV and are labeled with their tempo.
The DX7 is a synth of near unmatched significance to music history as it essentially defined the sound of music in the 1980s. Being the first affordable digital FM (frequency modulation) synthesizer, it quickly found its way into the arsenals of everyone from hobbyists to superstars alike. The immense potential of FM synthesis stems from its complex algorithms defining how different oscillators can interact, while being very light on computing resources. These made it possible to recreate lots of different acoustic instruments somewhat convincingly but also to create sonic tapestries and sound effects that had been unheard of at the time. Pair this with velocity sensitivity and 16 voice polyphony and you can see that the DX7 made for one seriously capable performance synth.
Throughout its life, the DX7 had several VOICE ROM cartridges released for it which gave users access to new sounds both from Yamaha and third-party sources. For this library, I sampled the VOICE ROM 3 cartridge which contains 64 recreations of band and orchestral instruments. As always, these samples have been sampled meticulously using high-end converters, several samples per octave, and multiple velocity layers where appropriate.
Few companies have shaped the role of drum machines in music quite as significantly as Roland. In the 1980s, they created a set of machines that have since become legendary and are still being used today, be it in hardware form or (most commonly) as samples. The TR-707 is just as recognizable as its siblings, the 808 and 909, and features a set of digitally sampled sounds that’ll be instantly familiar to anyone hearing them. Sonically, it sits somewhere between a LinnDrum and TR-909 with two punchy kicks, two relatively low-pitched snares with snappy transients, a 909 hi-hat and cymbals, a capable clap, nice “woody” toms, and a classic low-pitched cowbell and rim.
With digital memory at a premium at its release, its digital samples were stored in resolutions of 8-bit for drums and percussion, and 6-bit for cymbals. This is no doubt one of the factors contributing to this machine’s crispy sound that is remarkably clear given the limitations of digital audio at the time. A trick that Roland employed to avoid low bitrate dithering artifacts during sample decay was using analog envelope generators that attenuate the individual sounds after the 707’s D/A converters. This is why the 707’s sounds decay much more gracefully than those of some of its digital contemporaries.
With its ability to send and receive MIDI, sync external hardware, and output sounds on dedicated outputs, this drum machine had all the necessary features in place to make it mainstay in many artists’ studios. As such, it can be heard on countless records either providing all drums or often times specifically lending a song its punchy kick and snare.
Of course, I’m aware that there are many 707 sample packs already out there. What makes this pack stand out however is the sheer amount of sample varieties and the clarity of the raw samples. Having recorded a pristine 707 using Rheingold Music cables, a DIYRE Fe2 DI with CineMag transformer, and high-end Antelope Audio converters at 24-Bit / 96 kHz ensures that the raw samples are the cleanest available anywhere.
To create 707+, these samples have then been processed in numerous ways, exploring the full potential of the machine’s 15 sounds. I recorded them to 1/2″ tape using my restored Tascam 58 reel-to-reel multitrack tape machine at 15ips, 18ips, and 12ips to infuse the samples with analog warmth. I then captured these same recordings at different speeds to create the kind of clean re-pitching only tape machines can achieve.
Next, I recorded the sounds onto cassette tape using a 1965 mono tape recorder originally intended for voice memo and PA use. Needless to say, the resulting samples are super grungy yet retain a lot of punch. I captured them at different input gain levels to achieve varying amounts of distortion and saturation.
To further go down the LoFi rabbit hole, I captured the raw samples using a teenage engineering po-33 K.O! sampler that uses really punchy 8-bit A/D & D/A converters and re-pitched them yet again for that ultimate LoRes grit.
Ultimately, I didn’t want to put out this pack without putting a uniquely personal spin on these samples. That’s why I pooled together all of the above mentioned sounds and utilized some sophisticated processing and layering techniques to create a contemporary drum kit with bucketloads of punch. This kit is suitable for anything from trap to lo-fi and is unlike anything you’d expect to come out of the TR-707.
[Note: This product requires a FULL version of Native Instruments’ KONTAKT. The free Kontakt player is not sufficient, as it only runs the instrument in DEMO mode.]
The deep sonority of the Contrabass Panduri perfectly complements the twangy drones of the Tanbur. Though the two instruments come from neighboring regions, the Contrabass Panduri is so rare that this excellent pairing has perhaps never occurred. Until now.
Tanbur
The Tanbur is an ancient Middle-Eastern, long-necked lute-like instrument whose drones and picks have graced musical tradition from the Balkans, Turkey, and Arabia to Persia, India, and Central Asia. It goes by as many names as countries that claim it in their traditions, and is a definite classic instrument to add that “Eastern” sound.
Available as a DOWNLOAD
Every good laid-back groove needs a bass track that sits just right and makes your head bob.
LOW ‘n’ SLOW does exactly that.
10 original loops in 3-4 keys each and 59 one shot samples including delicious plucks, thumps, slides, and hammer-ons carefully crafted to make your beats bounce. Everything was played on a handmade FLEXX BASSES “Peter” bass with old school flat wound strings through a pristine recording chain for that authentic R’n’B sound. The loops are constructed to be infinitely choppable and stretchable so you can use them to craft your own original bass lines.
And, last but not least, the entire pack is of course ROYALTY FREE so you can use these loops and samples for any of your projects!
A collection of all the three ARK Facility Levels bundled up to make you save!
42$ instead of 53$ for all the sounds and instruments in the ARK Facility series.
The “ARK Facility” is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments.
The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes – like a drum machine – as well as for soundtrack composition and sound design in films, videogames and any other multimedia product.
The first volume (called “Level 1”) is a single instrument library with several percussion sounds and a lot of sound manipulation possibilities.
The second volume (called “Level 2”) is a collection of five different instruments with several percussion sounds and a lot of sound manipulation possibilities each.
The third volume (called “Level 3 – Organic Transients”) is a five instruments collection library with a lot of percussion sounds and several sound manipulation possibilities. The name “Organic transients” refers to the fact that all of the sounds are created with exhausted drumheads recorded with several sticks and mallets making a huge palette of kicks, snares and creative hits with an organic feel yet very “electronic”. The wide range of sonic manipulation controls allow for great flexibility and sound design freedom. With the 3 samples Round Robin switch it’s possible to give more lively feeling to a static track and with the momentary switches for the every effect you can turn on and off specific effects temporarily while performing and/or recording.
Bundle up and save big!
In this bundle you’ll find all of the libraries in the Cedar Series at 30% off!
The “Cedar” library series is a collection of libraries, comprised of four different innstruments:
Each volume is a single Kontakt instrument with a peculiar timbral personality. The entire series is created recording sounds from a luthier classical guitar. They can be used for composing and producing purposes – like an acoustic percussion setup – as well as for soundtrack composition and sound design in films, video games and any other multimedia product. “Ponticello” and “Sul Tasto” also feature a dedicated effects page that can be used to process the sounds in the library with several processors, both send and insert effects. They are “percussion oriented” sounds, while “Bizzarro” is a keyboard instrument.
Hybrid Sonic Branding Kit is a business identity & motion graphics sound effects library that delivers luxury sound design styles for big brands, sonic identities, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 480 professionally designed sound effects that are guaranteed to make your workflow faster. Let your curiosity flow with lush sequences, polished sonic branding motion and get sound types like movements, transitions, reveals, appears, disappears, title screens, cinematic’s, accents and is especially useful for audiovisual needs and productions.
A collection of horror sounds and isntruments for your next bestseller videogame, or millions views cinematic trailer or award winning feature movie!
Save 35% on Cinematic Horror Storeroom Volume 1 and 2 and Horror Sandbox!
Cinematic Horror Storeroom – Volume 1 is a collection of spooky, gnarly, gritty and screeching sounds. There is a variety of sounds in it, all scary!
Cinematic Horror Storeroom – Volume 2 is a collection of spooky, gnarly, gritty and screeching loops. There is a variety of sounds in it, all scary! It’s great for underscore, rhythmic suspense, building tension or to convey fear and anxiety.
Horror Sandbox is a collection of spooky, gnarly, gritty and screeching sounds. There is a variety of sounds in it, from chromatic instruments you can play as a keyboard to more sound design and underscore type of sounds. All scary!
A heavily processed & designed collection of highly sought after cinematic trailer sound effects. Welcome in, Annihilation Movie Trailer, a specialized boutique movie trailer sound effects library filled with all the essentials for creating destructive cinematic scenes in games and film. Designed to add modulated industry standard bombastic sonic force to your mixes and hit abstract cinematic energy within your productions. Inside you’ll hear powerful trailer hits, rising whooshes, blasting mangled impacts, and a vibrance of textures and aesthetics, all layered to perfection. Create compelling motion graphics, cinematic cutscenes, FX, trailers and epic audio dynamics.
WOODS OF THE WILD – MYSTERY UNVEILED
Illuminate the beautiful, mystical side of orchestral music with WOODS OF THE WILD, the latest expansion into the world of THE ORCHESTRA COMPLETE. This fresh, individually recorded woodwind section is obligatory for a rich and complete orchestral pallet. With triple tongues, rips, and trills, we’ve packed articulations not just for woodwinds but even for other wind instruments such as piccolo and alto flute and English horn. The library also includes mallets and other wooden drums to pound out a proper dose of savage intensity.
WOODS OF THE WILD is invoked by:
13 solo wind instruments with 5+ articulations each, plus bonus winds
4 ensemble articulations
Massive percussion sounds, including: Taiko, Tom Ensemble, Snare Drum, and more.
More wood-based percussion, such as: Marimba, Vibraphone, Crotales, Celeste, and more.
A MIDI-export feature
34 voicings for the powerful new Ensemble Engine
Pure Performance Legato – Makes legato instruments more intuitive to play
WOODS OF THE WILD works as a stand-alone instrument. It is also included in THE ORCHESTRA COMPLETE 3.
a Best Service by SonuScore product
THE ORCHESTRA COMPLETE 3 is the brand-new version of our flagship “The Orchestra” product family, combining the powerful orchestration features that have made THE ORCHESTRA renowned in the world of composition with new articulations and the most powerful new features ever. It has never been easier to compose more individually, more freely and faster.
Containing all three THE ORCHESTRA expansions, this third release is brimming with exciting possibility and power. Included are HORNS OF HELL, with its diabolic “evil brass” section, STRINGS OF WINTER, with a 41-piece string orchestra that captures the untamed spirit of nature, and WOODS OF THE WILD which re-invigorates the woodwinds to capture all that is evocative in their breath.
On top of these expansions comes the all-in-one package of the base orchestra, a top-quality-recorded 80-piece orchestra with a massive array of articulations and a groundbreaking ensemble engine that has been rebuilt and expanded upon. Never has it been easier to convert your ideas into music.
Immediately playable. Completely customizable. Surprisingly simple.
Already own The Orchestra? – UPGRADE AT A REDUCED PRICE
Already own The Orchestra Complete 1? – UPGRADE AT A REDUCED PRICE
Already own Strings Of Winter, Horns Of Hell or Woods of the Wild? – UPGRADE AT A REDUCED PRICE
“Veloce” is the result of a collaboration between Visionary Robots Industries and Marianna D’Ama.
“Veloce” is a Farfisa Fast 3 toy-organ carefully and chromatically sampled to give you the best experience in reviving the iconic itlian toy-organs tone and feel.
There are 3 sets of instruments:
– Standard: is the original Fast 3 organ faithfully recreated
– Custom I & II: a set of preset sounds created at the Industries
– Signature I & II: a set of preset sounds by Marianna D’Ama.
Marianna’s most iconic and personal sounds have been sampled with love and passion. Marianna’s work with vintage keyboards and pedal effects is unique. A personal world of sounds that are part of her creative personality and are at the core of her sound.
Hellscrape is our modern horror offering. Everything you need to create eerie tension sound beds and compelling horror tracks. Drag and drop our horror signature sounds and watch your music transform into a visceral cinematic experience.
Includes twisted signature sounds, unsettling drones, scary strings, brooding impacts, and more!
Black Saturnalia is our all rounder sample pack for trailer SFX. Released initially as our Black Friday and Christmas packs, Black Saturnalia is a combination of those two products.Includes Risers, Impacts, Sub Booms, Blasts, Drones, Signature sounds, and much more!
Includes 65 AIF files all recorded at 24 bit / 48 KHz
Cinematic Horror Storeroom – Volume 2 is a collection of spooky, gnarly, gritty and screeching loops. There is a variety of sounds in it, all scary! It’s great for underscore, rhythmic suspense, building tension or to convey fear and anxiety.
The library’s interface is made up of three sections:
We carefully sampled one of the most iconic string machines from italian manufacturer Elka. The instrument is quite simple, since it has only two sounds that can be eventually combined to create a third one. And that’s it. But it’s more than enough to make your music iconic!
The recordings were made at 48KHz and 24 bit resolution, so you’re good to go with cinematic projects too.
We sampled each note chromatically, so every single note from the original instrument is there, no pitch shifting. We also sampled the sounds combination, so the third sound it’s sampled as it comes out the original keyboard.
The interface on the original instrument is extremely simple and basic, but all the controls are implemented in “Cellotron 1976”. We added two effects for added flexibility and sonic possibilities, but we tried to keep the simple controls wise, to fit in the spirit of the original instrument.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.