Home Instruments Page 3
Various musical instruments
Get an elite cache of cinematic power and creative expression. Collision FX delivers an exceptional pallete of sound to design, compose, score, sweeten and create astonishingly impressive cinematic elements that absolutely get noticed. Built on a sonic foundation of cinematic source FX, composers, musicians, DJ’s and sound designers alike are empowered with unmatched inspiration for creating breathtaking cinematic dynamics and orchestrated elements.
Ensembles of traditional Buddhist instruments and chanting, with throat singing.
Amazonic Texture Bundle
Apito Embolo, Apito de Grilo, Apito de Mari, Bacururu Maior, Bacururu Menor, Balanco da Rede, Buzina Bambu, Buzina Motor, Buzina Tariano, Cancao, Canto da Guariba, Chocalho de Jatoba, Chocalho de Rodelas, Chua Chua, Cipo Dagua, Gaviao Real, Ocarina, Ocarina Passaros, Papagaio de Moleira, Pau de Chuva, Remo, Sapo Cururu, Sapos, Tambor de Mola, Tambor Sideral, Trototo, Trovao, Trovao de Mola, Uru, Vassourao
Explore the Vibrant Soundscape of South Africa with Our “Vuvuzela” sound effects library!
Dive into the rhythmic echoes of culture and celebration with our collection of Vuvuzela sounds, a truly iconic symbol of South African spirit. This library features an assortment of Vuvuzela recordings, captured from an array of distances and intensities, ensuring you have the perfect blast of sound for any project.
Whether you’re after the raw energy of a stadium atmosphere or a subtle hint of the bustling streets our mono and stereo recordings offer flexibility for your sound design needs.
Unlock the heartbeat of South Africa with these dynamic sounds that are sure to captivate and inspire!
Also available as part of the “South African Bundle” collection.
Introducing the Plonk Percussion Hits Collection, a UNIQUE percussion sample package with over 200 files! This collection features samples from the renowned Plonk physical modeling percussion synthesizer. These sounds are perfect for live performance, hardware samplers, or software samplers and drum plugins like Battery.
Epic Stock Media’s Game & Film Logo Transitions collection brings producers and sound designers a carefully handcrafted, versatile and wide ranging catalog of the most useful designed motion graphic sound effects for audio branding, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 400 original audio assets that will help you make polished sonic branding sound types like movements, transitions, reveals, appears, disappears, cinematic’s, and accents especially useful for audiovisual needs and productions.
800+ sounds from one of the most complex and varied sounding instruments that we’ve come across in our junk shop travels. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
This is a fretless German harp zither, which differs in quality significantly from concert zithers, which have several strings with fretted necks beneath them. This version was manufactured by Friederich Menzenhauer, the father of the zither in the US. Zithers of this kind are notoriously difficult to identify because they contain no distinguishing marks on the bodies themselves, and the only branding is on the paper label deteriorating inside the soundhole.
Our version had been worn beyond all repair through decades of age and neglect. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
We did much more than just throw a couple of mics up and pluck – this instrument was recorded with a stethoscope mic, a lav inside the cavity, overhead xy, room mics, and more. We banged, scraped, bowed, ebowed, and thumped every last noise out of this one in three separate sessions. The end result was a collection of about 5 Gb of edited stereo 24 bit 96k sound.
The Kontakt instruments are where the real magic happens with this instrument. There are presets for horror string hits, angelic and demonic pads, old creaks and more. The zither barely survived, but it gave us an array of sounds that are very different from what you’ll get from a properly tuned and maintained instrument. It is the uniqueness of the decay that gives our zither its character.
Cinematic Risers created using bells to give an eerie atmosphere
Risers perfect for Sci-Fi and Horror projects OR for Cinematic Trailers!
Recorded and exported in 24/192Khz
The charming & quirky digital sound of the OP-Z is now coming to the most popular DAWs and samplers. All 62 patches from my previous OP-Z patch dump MPC Expansions have been converted one-by-one into industry standard SoundFont files and other formats that are supported by a wide variety of samplers and DAWs.
I’ve been going through the samples of the original expansions one by one, cleaning them up and finding the perfect loop points so that all of them (save for some percussive patches) now offer infinite sustain. All samples are completely free of noise, recorded at 24bit / 44.1 kHz and stored as simple WAV files which makes them easily usable outside of the pre-mapped patches.
Compatible samplers include: exs24, Ableton Sampler, NN-XT, NN-19, Bitwig Studio, UVI Falcon, Sforzando, Halion Sonic.
KING OF STRINGS is the first Octobass sample library for Ni Kontakt.
Featuring the sampling of the unique custom made “Bohr-Moneta” Octobass.
There are only 4 octobasses in the world, this instrument is the perfect way to add the power of a rare bass instrument to your music compositions, giving an organic flavor without sacrificing the natural rough sound of a string instrument.
NOTE: KING OF STRINGS is an instrument for Ni Kontakt, it requires full version of Kontakt 5.8 or highter versions
This is a sound library that contains a wide variety of sounds from bells and chimes.
Features:
So, this pack happened sort of on a whim. Armed with a new field recorder and eager to test its capabilities I recorded some sounds my bike makes. I quickly found that these little samples had a lot of potential and immediately started manipulating, layering, and mangling them into a fully fledged drum kit. This kit covers everything from seat-smacks turned 808s, spoke flicks turned snare drums, and freewheel hubs turned hi-hats.
So here it is, “SPØKES”, a super off-the wall drum kit that is 100% original, 100% bike sounds, yet 100% musical at the same time. This kit was a blast to make and I hope you’ll be having just as much fun using it in your productions.
Important: These are not the kind of bicycle sound effects you’d want if you’re looking add believable sound to a bike onscreen. This is a set of samples specifically targeted at music makers and as source for more experimental sound design.
Keepforest’s FERRUM, produced by Vladislav Martirosov and Arseni Khodzin, is a modern trailer percussion powerhouse with a huge variety of cinematic percussion from epic and massive cinematic hits, punches, anvils and doors impacts to cymbals, bells, tiny metals and metallic foley.
Compatible with Free Kontakt Player and Native Instruments Hardware.
The Full Edition includes 23 patches with a total of 550 notes, each of which has up to 16 round-robins with several mic positions as well as velocity layers resulting in thousands of unique hand-crafted samples of the highest quality.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
Introducing Devils Bane Trailer, a chilling symphony of horror encapsulated in 533 meticulously crafted sound files, ready to unleash terror upon your audience. Dive into a nightmare realm where every creak, whisper, and shriek is meticulously designed to send shivers down your spine.
Cinematic Horn – Over 100 plug-and-play cinematic horn braams and sting sound effects.
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.
Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.
Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.
Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.
The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!
This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.
While highly abstract in nature, these sounds are a great basis for building:
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.
File Format: WAV
Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box
Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
Wind Chimes is a collection of meticulously captured wind chimes purposely recorded with a pair of high-end Barcus Berry 4000 (Planar Wave Piano and Harp Pickup System) contact microphones. By using this type of mic instead of traditional ones, the attack, sustain and decay of each tube struck by its clapper are experienced in ways unheard by the naked ear. Every tinkle and plink, every clang and rattle sound a bit more removed from its environment than normal. Harmonics are heard alongside fundamental frequencies. Every recording is unique to its moment in time. Each note is as random as the wind that plays it. These chimes are anything but showroom new. Some are weathered. Some are outwardly neglected. A few sound pretty, others not so much.
Cinematic Creaks & Risers is a complete collection of cinematic risers, drones, textures, creaks, groans and wails, with a distinctive industrial metallic feel.
Imagine the visceral sensation of particles shifting and evolving, the subtle textures of organic materials swirling and twirling, and the eerie sounds of supernatural change. With “Elemental Mutation,” you’ll have access to this unique collection of SFX loops that capture these experiences in intricate detail. Inside you’ll find over 1000+ designed and organic seamlessly loop-able morphing particles, evolving textures, and organic mutations sound effects perfect for creating soundscapes, ambiences, entropy, high detail or layers in a soundtrack. This comprehensive library captures the subtle nuances of growth and evolution, as well as the uncanny and unsettling sounds of unnatural transformation.
Few companies have shaped the role of drum machines in music quite as significantly as Roland. In the 1980s, they created a set of machines that have since become legendary and are still being used today, be it in hardware form or (most commonly) as samples. The TR-707 is just as recognizable as its siblings, the 808 and 909, and features a set of digitally sampled sounds that’ll be instantly familiar to anyone hearing them. Sonically, it sits somewhere between a LinnDrum and TR-909 with two punchy kicks, two relatively low-pitched snares with snappy transients, a 909 hi-hat and cymbals, a capable clap, nice “woody” toms, and a classic low-pitched cowbell and rim.
With digital memory at a premium at its release, its digital samples were stored in resolutions of 8-bit for drums and percussion, and 6-bit for cymbals. This is no doubt one of the factors contributing to this machine’s crispy sound that is remarkably clear given the limitations of digital audio at the time. A trick that Roland employed to avoid low bitrate dithering artifacts during sample decay was using analog envelope generators that attenuate the individual sounds after the 707’s D/A converters. This is why the 707’s sounds decay much more gracefully than those of some of its digital contemporaries.
With its ability to send and receive MIDI, sync external hardware, and output sounds on dedicated outputs, this drum machine had all the necessary features in place to make it mainstay in many artists’ studios. As such, it can be heard on countless records either providing all drums or often times specifically lending a song its punchy kick and snare.
Of course, I’m aware that there are many 707 sample packs already out there. What makes this pack stand out however is the sheer amount of sample varieties and the clarity of the raw samples. Having recorded a pristine 707 using Rheingold Music cables, a DIYRE Fe2 DI with CineMag transformer, and high-end Antelope Audio converters at 24-Bit / 96 kHz ensures that the raw samples are the cleanest available anywhere.
To create 707+, these samples have then been processed in numerous ways, exploring the full potential of the machine’s 15 sounds. I recorded them to 1/2″ tape using my restored Tascam 58 reel-to-reel multitrack tape machine at 15ips, 18ips, and 12ips to infuse the samples with analog warmth. I then captured these same recordings at different speeds to create the kind of clean re-pitching only tape machines can achieve.
Next, I recorded the sounds onto cassette tape using a 1965 mono tape recorder originally intended for voice memo and PA use. Needless to say, the resulting samples are super grungy yet retain a lot of punch. I captured them at different input gain levels to achieve varying amounts of distortion and saturation.
To further go down the LoFi rabbit hole, I captured the raw samples using a teenage engineering po-33 K.O! sampler that uses really punchy 8-bit A/D & D/A converters and re-pitched them yet again for that ultimate LoRes grit.
Ultimately, I didn’t want to put out this pack without putting a uniquely personal spin on these samples. That’s why I pooled together all of the above mentioned sounds and utilized some sophisticated processing and layering techniques to create a contemporary drum kit with bucketloads of punch. This kit is suitable for anything from trap to lo-fi and is unlike anything you’d expect to come out of the TR-707.
Hybrid Sonic Branding Kit is a business identity & motion graphics sound effects library that delivers luxury sound design styles for big brands, sonic identities, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 480 professionally designed sound effects that are guaranteed to make your workflow faster. Let your curiosity flow with lush sequences, polished sonic branding motion and get sound types like movements, transitions, reveals, appears, disappears, title screens, cinematic’s, accents and is especially useful for audiovisual needs and productions.
In this library you will find recordings of various analog objects such as VHS, Discman, Walkman, Radio, among others.
Sounds include actions such as pressing buttons, rewinding tapes and frequency noises.
These sounds are perfect for sound design in movies, games, documentaries, etc.
These sounds were all recorded with microphone shotgun Rode NTG 5.
After working these sounds in post production, this library comes with 79 incredible analog objects sfx sounds.
This soundlibrary arises from recordings in the city with the LOM Géofon microphone on metals such as traffic lights, signs, road separators, mailboxes, among others.
After working these sounds in post production, this library comes with 40 incredible drone sounds that will bring your vídeo, trailer or movie to life.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.