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Home Destruction & Impact Sounds Page 6

Destruction & Impact Sounds

Destruction sound libraries, impact sounds, bomb blasts, full-on slams & smashes, metal, wood, glass and rock debris, breaking and destruction sound effects & recordings – they’re all here, for the sound of utter destruction.

  • Low-price. High-quality. Essential.

    A collection of 50 essential firework sound effects, including launches, crackles, whistles, close, distant and multi displays!

    The sounds are fully compatible with the Universal Category System (UCS) – a public domain initiative establishing a standardized category list for the classification of sound effects.

    Note: All of these sounds (and more!) are included in the 96 General Library.

  • Small Grain Debris Vol I contains 82 studio recorded tracks of different small texture materials being dropped on to and impacting on metal, wood, stone, cardboard and water.

    List of ingredients:
    • Coarse and fine salt
    • Sugar
    • Flour
    • Mixture of salt sugar and flour
    • Plastic bits
    • Metal lid
    • Bathtub
    • Cardboard boxes
    • Bookcase storing metal and wooden tools
    • Radiator
    • Marble Stone

    Both short and longer versions of each material falling are available in this set of sounds, making it easy to fit the needs of a specific project.
    Microphones were placed at the bottom of book cases, radiators and cardboard boxes, to capture materials like salt and plastic bits falling completely random. This made each recording unique and natural sounding.

    Microphones used: DPA4060´s, Sennheiser Mkh416, Sennheiser Mkh8020´s.
    Recorders used: Sounddevices 702 and Mixpre6
    All sounds have been mastered in Pro tools and made UCS metadata ready in Soundminer.

  • Implosion is a sound effects collection of buildings being destroyed with explosives. It features 10 unique building implosions recorded across the country.

    Each implosion was recorded with 4 to 14 channels of audio. To offer multiple perspectives, mics were placed as close as 150ft (~50m) and as far away as 2000ft (~600m) from the various explosive demolitions.

  • Cinematic & Trailer Sound Effects Rituals Play Track 550+ sounds included, 100 mins total $99

    Rituals is a new toolbox of unique sounds and production elements, organic instruments and hybrid processing, highly stylized cinematic sound design to compose epic and sinister tracks with dark and ominous mood that brings visuals to another level.

    Rituals has been produced for the modern horror trailer style and suspence score with eerie violin fragments and phrases, sinister soundscapes, dramatic benders, destructive glitch, distorted synths, heavy hitting sound design elements, clocks and much more.

    Featuring 550 cutting edge sounds and 16 categories, this is a collaboration between composer, sound designer and electronic musician Si Begg and SampleTraxx.

     

    Categories:
    01 Tortured Strings
    02 Bender
    03 Feedback Larsen
    04 Horror Hits
    05 Pulsing Sub
    06 Tonal Objects
    07 Dark Event
    08 Dark Textures
    09 Flute Swells
    10 Horror Loops
    11 Low Hits
    12 Raw Synth – Bass
    13 Swell
    14 Riser
    15 Reverse
    16 Spare Noise

  • Destruction & Impact Sounds Scrap Car Play Track 102 sounds included, 39 mins total $25

    Recorded from an old scrap Honda Accord 97 that has clocked in more than 340.000 km (211.000 mi).

    Many perspectives of the malfunctioning engine, exhaust, wheels and car body parts. Starting problem and spinning tire.

    Quad and Stereo recording. The library contains 102 files of various problematic car sounds.

    Each sound has been meticulously edited individually, all files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.

  • The Boom, Crackle and Scream library is the first in a planned series of Glitch Factory mini libraries.  This library uses sounds recorded of Fireworks ranging from large booms to small sparklers and mangles them into interesting textures in varying degrees.

    The sounds have been manipulated using analog synthesizers, custom Reaktor instruments and other types of granular processing.  They will work well for Sci-Fi weapon layers, user interface sounds and more.

  • The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.

  • This library features recordings created using a “Knas Ekdahl Moisturizer”, a boutique spring reverb effects unit where three reverb springs are exposed, allowing them to be hit, played, and manipulated in real time.

    The unit also includes a multi-mode analog filter, and when combined with the playability of the springs, opens up many sound creation options.

    The result is a unique sound effect library of massive metallic hits, clangs, scrapes, plucks, bounces, and rattles. The springs were played like a percussion instrument, using a collection of found objects, such as hammers, mallets, allen wrenches, forks, and plastic / metal rods. The springs were also stretched to alter the pitch, and objects were placed on the springs, much like a prepared piano, to alter the sound.

    No other effects were applied other than the built-in multimode filter (high pass, low pass, band pass, and resonance) on certain sounds. These include sub-sonic hits, sweeping filtered metallic scrapes, and drones that round out the collection.

  • Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.

    Capturing Intense Metal Impacts

    After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!

    Microphone Setup Positioning 1

    Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.

    Microphone Setup Positioning 2

    Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.

    Microphone Setup Positioning 3

    The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.

  • Assorted firework recordings, ranging from individual explosions to multiple fireworks going off at the same time.

    This collection has lots of nice sharp bangs, and includes a variety of firework sounds recorded close up and from a distance.

  • Destruction & Impact Sounds IMPACTUS Play Track 423 sounds included $17.40

    A massive collection of 423 impacts, smashes, hits and explosions.

    24-bit impacts, recorded and designed with ice, glass, metal, water, wood and other sources. Clean and processed, from small wood knocks to massive designed bomb blasts and deep pulses.

    All sounds were recorded or designed at 24-bit 96kHz, with embedded meta data.

    40 %
    OFF
  • A collection of bullet sounds, which includes individual bullet drops onto various surfaces (concrete, metal, wood etc), bullet impacts into various surfaces / materials and individual shotgun shell drops onto various surfaces (all with multiple variations).

    230 files, 48,000Hz 16-bit stereo (Bullet Impacts are mono).

  • This bundle includes these libraries from the popular Just Impact series:

    Just Impacts – Simple
    Just Impacts – Processed
    Just Impacts – Designed
    Just Impacts – Extension I
    Just Impacts – Extension II

    – at a great discount!

  • Firearms Sound Effects Designed Weapons Play Track 216 sounds included, 8 mins total $40

    'Designed Weapons' by Cinematic Sound Design features a selection of designed weapons, weapon loadings, re-programmings, interface sounds & cinematic backgrounds. Designed specifically for 'First Person Shooter' games and any game & media project, where guns, sci-fi elements are essential, this unique product delivers a massive palette of sounds for your production library.

    Product Details:

    • 86 Designed Weapons: Bursts & One Shots
    • 30 Cinematic Atmospheres & Drones
    • 97 Sci-Fi Re-programmings & Weapon Loadings
    • 3 Distant Explosions
    • 216 files in total

  • Paper Sound Effects Paperlife Play Track 1300+ sounds included, 110 mins total $70

    Paperlife contains a huge variety of different paper and cardboard sound effects. We folded, ripped, rustled, crackled, swished, whooshed, flapped, turned, threw, sizzled paper and cardbord to create this library.

    Beside the massive amount of unusual sounds we also took care about usability and created “every day” paper sound effects and handling noises for out-of-the-box use.

    As always, all files come with burned in metadata in open standards.

  • Destruction & Impact Sounds Fireworks from Paris Play Track 138+ sounds included, 18 mins total $18

    'Fireworks From Paris' is a sound library, recorded as Paris was celebrating the Bastille Day on July 14th 2016. The firework recordings are divided into categories such as tiny explosions, middle explosions, and powerful explosions. The library features both solo explosions, as well as multiple blasts. It comes with 2×138 recordings, in stereo as well as UPMIX 5.1.

  • Construction/Demolition is a collection of standard tools as well as a TON of hospital demolition and home demolition ambiences.

    These ambiences are chalk full of heavy equipment sounds, grinding, gears, i-beams being chopped in half by 8-foot long demolition scissors, rubble falling, roofs caving in… It’s … AWESOME!

  • AN UNRIVALED WORLD WAR II FIREARMS LIBRARY

    Bring your World War II-themed games and movies to the next level with this biggest-ever World War II firearms library. Recorded at an extraordinarily high quality with the most modern techniques, it includes weapons from all sides of the infamous conflict.

    Containing 25 renowned World War II firearms, from the first assault rifle to pistols with designs still in use, this pack has the most important weapons of the Second World War period. With both shots and mechanical sounds, it is an absolute must for any sound design for movies and interactive media focused on mid-20th century combat.

    WORLD WAR II FIREARMS | Sound Effects | Trailer

    What’s inside

    Included sounds – keywords

    action, assault, automatic, bipod, blowback, bolt, brit, buckshot, bullet, bursts, close, collar, drop, gas, gauge, gun, handheld, machine, magazine, mechanical, muzzle, pistol, rattle, recoil, rifle, semiautomatic, shotgun, submachine, war, weapons, WWII

  • Ignite your projects with the punchy presence and immersive depth of pristine exterior explosion sound effects in 5.1 surround and stereo.

    Detonate is a specialty sound effects library of high-resolution explosions, blasts, bursts, and impacts curated from the personal collection of Academy Award®-winning sound editors Mark Mangini & Richard L. Anderson.

    Delivered in both 5.1 surround and stereo, these detonation recordings and designs pack a lot of punch up front with a very spacious slap from nearby mountains. Blow it up with massive boom sound effects from dynamite, artillery, and C4 – perfect for sound designing bombs, grenades, cannons and anything else that explodes. The depth, detail, sharp transients, and powerful LFE channel make these sounds perfect design elements for your projects including film, TV, trailers, games and beyond.

    “”I heavily leverage my library to find new sounds that I didn’t think of initially…You simply can’t record everything.””

    Mark Mangini
    Blade Runner 2049, Mad Max: Fury Road

    Detonate is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 42 sounds effects (2.44GB)
    • All files in 5.1 surround and stereo
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
  • This collection encompasses the foundations of a blacksmith audio library.  Hits, grinds, machinery, tools, and squelches are all included.

  • One hour or various metal objects tortured with feedback resonance recording technique. Groaning, moaning, stressed and resonating metal. Large and massive low end rumble or high end squeaks and mid-freq screeches. In this edition there are raw unprocessed files and pitched down sounds with deep low end energy and massiveness.

  • The All Metal sound effects library features 765 sounds of metal clashing, clanging and resonating as metal pieces are rummaged through, dropped, and tossed. Create with the various distinct sonic properties of metal objects — from squeaky gates, rattley wires, ringing wrenches, warbling sheet metal, clattering swords and more.

    Each sound was pristinely recorded at 192kHz with lots of variations for more creative freedom. Uncover the sonic treasures that await as you pitch and process the squeals, squeaks and moans of the metallic debris for limitless sound design opportunities. Strengthen your projects with the distinct buzzing, scraping and reverberation of metal impacts for both literal use and creative implementation as layers for intense sound design.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 765 sound effects (2GB)
    • 24 bit/96k, 24 bit/192k broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi
  • Rock / Stone Sound Effects Rock Brick and Dirt 3 Play Track 500+ sounds included, 17 mins total $27

    Rock, Brick and Dirt 3 is the third of the series! This bundle includes all remastered sounds from RBD 1 and 2. With more than 100 new files recorded and designed. It’s a package of impact, Smash, Crumbling, Scratching, Landfall and more rock debris sounds. The library contains 333 files of various recording texture and perspective.

    A good package to add a dirty texture to your production.

    Each sound has been meticulously edited individually, All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure fast and easy workflow.

  • Need high-quality volcanic audio from a film featured by National Geographic? You can hear it pop and snap, and occasionally rocks forming, shearing, and breaking apart. Thankfully – I didn’t melt the recorder!

     

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