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Home Destruction & Impact Sounds Page 4

Destruction & Impact Sounds

Destruction sound libraries, impact sounds, bomb blasts, full-on slams & smashes, metal, wood, glass and rock debris, breaking and destruction sound effects & recordings – they’re all here, for the sound of utter destruction.

  • Did you drop something? Turns out recordist Mikkel Nielsen from SonicSalute dropped a LOT of objects for you, so you don't have to! The drop sound effects are divided into 4 different recording categories: Closeup interior recordings, off-screen impacts and crashes in large halls, grainy debris in large halls, and “Next Door” room recordings. The Falling Objects library comes with 89 tracks with 1000+ falling object sounds in total.

    Closeup interior recordings (studio recordings):

    Books and Magazines • Cables • Cameras • Cardboard Boxes • Clothes • Coins • Computer Keyboard • Cutlery • DVD Cases • Handbags • Leather Cases • Pens and Pencils • Plastic Cups • Suitcases • Tin Cans • Toys

    Large Halls Impacts / Crashes / Dragging / Moving / Scraping/ Off-Screen recordings:

    Metal Bars and rails • Glass • Glass Shards debris • Porcelain • Plastic • Sand debris • A bench :D

    Next Door Room sound recordings
    – objects being dropped:

    Books • Cutlery • Plastic Toys • Empty Plastic Bottles • Pencils/Pens/Keys/Plastic

  • Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.

    Capturing Intense Metal Impacts

    After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!

    Microphone Setup Positioning 1

    Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.

    Microphone Setup Positioning 2

    Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.

    Microphone Setup Positioning 3

    The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.

  • Explosion Sound Effects Fireworks Play Track 300+ sounds included, 11+ mins total $29

    If you're after fireworks sound effects, this collection gets you more than 300 explosions, one-shot fireworks blasts as well as longer sequences and whistling sounds. Great for, well, actual fireworks sounds – but can also be used for war soundscapes, distant explosions and more.

  • FOR THE HIGHEST DEMANDS – YOUR COMPLETE SOUND LIBRARY

    Our BOOM Signature Series Basics collection gives you the essentials of the BOOM Library experience. A strong selection of sounds (about 10%) from each of our 89 full BOOM Library collections.

  • Need jackhammer sounds? This library delivers a broad selection, from wall drilling at various intensities, recordings from behind the wall, reverberant jackhammer sounds – and even otherworldly drilling recordings from an underground carpark.

  • The All Metal sound effects library features 765 sounds of metal clashing, clanging and resonating as metal pieces are rummaged through, dropped, and tossed. Create with the various distinct sonic properties of metal objects — from squeaky gates, rattley wires, ringing wrenches, warbling sheet metal, clattering swords and more.

    Each sound was pristinely recorded at 192kHz with lots of variations for more creative freedom. Uncover the sonic treasures that await as you pitch and process the squeals, squeaks and moans of the metallic debris for limitless sound design opportunities. Strengthen your projects with the distinct buzzing, scraping and reverberation of metal impacts for both literal use and creative implementation as layers for intense sound design.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 765 sound effects (2GB)
    • 24 bit/96k, 24 bit/192k broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi
  • Fire Sound Effects Fireballs Play Track 179+ sounds included, 26+ mins total $70

    Fireballs is a powerful high-definition collection of whooshing, roaring, bursting, sparking, whipping, zipping, sizzling and crackling fireballs, fire sound effects and infernos – created in collaboration with flame effects expert Cary Sparx.

    Aside from the flaming staves, rope darts, fire swords, meteors and flamethrowers that you’d hope for, you’ll also get some additional, unusual, tonal flame effects.

    The sounds are also great for more textured whooshes and swishes, or adding punch to impacts, or generally getting that extra bassy oomph out of your badass sound creations.

  • WE BROKE THEM FOR YOU!

    Add a whole other level of realism to your scene with our collection of breaking clay pots. Each file has been meticulously recorded in a well treated studio, edited and individually mastered to fulfill the quality needs of any project. This library was recorded with a matched pair of Sennheiser 8040s to a Sound Devices Mixpre 6. Besides sounding gorgeous, these microphones have a very low noise floor and are able to withstand harsh sharp transients.

  • Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.

    Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.

    Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.

  • Destruction & Impact Sounds You Me & Debris Play Track 369 sounds included, 11 mins total $25

    Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.

    These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!

    ​The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

  • There's a whole lot of rattling going on in this library – from objects on a ferry to furniture, glass, plastic, vans and some serious subwoofer shakes. Oh, and the mandatory hospital bed shake, of course.

    The 110 tracks in this library are:

    • 60 individual tracks of “Person shaking objects” (bookshelves, drawers, cabinets, boxes, metal, glass and bottles, baskets, plastic, a laptop and even a hospital bed)
    • 27 individual tracks of “Objects shaking on a subwoofer” (wood, metal, glass, toys, and porcelain)
    • 16 individual tracks of “Van on cobblestone/Bumpy road”
    • 4 individual tracks of “Ferry in high seas” (apx. 9 minutes in all)
    • 3 individual tracks of “Road roller passing house” (which, literally made everything inside the house move)
  • Ignite your projects with the punchy presence and immersive depth of pristine exterior explosion sound effects in 5.1 surround and stereo.

    Detonate is a specialty sound effects library of high-resolution explosions, blasts, bursts, and impacts curated from the personal collection of Academy Award®-winning sound editors Mark Mangini & Richard L. Anderson.

    Delivered in both 5.1 surround and stereo, these detonation recordings and designs pack a lot of punch up front with a very spacious slap from nearby mountains. Blow it up with massive boom sound effects from dynamite, artillery, and C4 – perfect for sound designing bombs, grenades, cannons and anything else that explodes. The depth, detail, sharp transients, and powerful LFE channel make these sounds perfect design elements for your projects including film, TV, trailers, games and beyond.

    “”I heavily leverage my library to find new sounds that I didn’t think of initially…You simply can’t record everything.””

    Mark Mangini
    Blade Runner 2049, Mad Max: Fury Road

    Detonate is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 42 sounds effects (2.44GB)
    • All files in 5.1 surround and stereo
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
  • The War Zone sound effects library gets you whooshes, debris, cannon shots, beeps, countdown, explosions – ready to be used as they are in your projects, or layered to create complex war ambiences. A total of 170 sound effects are included, categorized into beeps, explosions, beeping mine explosions, debris, low whooshes, whooshes, shots and whooshes + debris.

  • A collection of 206 ice tension, creaking, and breaking sounds, recorded in a dense pine tree forest in Sweden.

    Ice Tension includes:

    • Very long tension creaking sounds
    • Multiple breaking sounds
    • Ice impacts on ice
    • Ice impacts into ice water

  • If you're after the sound of construction sites, this library gets you interior and exterior recordings from construction work such as cobblestone pavers, concrete shredders, harbor cranes, forklifts, jackhammers, stonecutters, metal hammering, excavators and more. A total of more than 2 hours of construction work ambiences are included.

  • Dynamic Debris features 425 junk sounds that range from shattered glass scrapes and crashing wooden bangs to small plastic rattles and subtle twig snaps. Use the sounds as is, or take advantage of their high-resolution potential to pitch and process robust layers that are sure take your sound design to the next level.

    Expertly recorded on-site at actual junkyards, this sound library contains a vast array of rattles, crashes, clunks and scrapes that satisfy your project’s rubble and junk needs. Recorded and edited with extreme precision, Dynamic Debris is ideal for adding rich, malleable layers to your design free of artifacts or unwanted noise. With sample rates reaching 192kHz, construct your designs with these immaculate sounds to go beyond their raw potential. Pitch down metal squeaks and moans to reveal unforeseen sonic treasures.

    Each sound file is embedded with descriptive metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 425 sound effects (1.2GB)
    • 24-bit/48kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi
  • Looking to blow stuff up? The EFX EXPLOSIONs Collection features a selection of grenade explosion & blast sounds – closeups, distant and muted/muffled explosion recordings included.

  • Metal Sound Effects Steel Strained Play Track 58+ sounds included, 28 mins total $60

    Steel Strained Faunethic sound library is a unique collection of 59 sounds of large metal structure under stress and pressure.
    This library focuses on the musicality and the tonality of metal material, perfect to add tension and anxiety to your productions.

    All these sounds have been recorded and produced with high quality equipment at 24/96 kHz at very low noise floor in nice acoustics.


    This sound library offers original audio textures ready to use or to design:

    -Metal resonances and vibrations.
    -Metal stress, groan and scrape.
    -Metal shake.
    -Spring rattling and hit.
    -Hit and low impact.
    -Designed files.

    This collection comes in two sections:
    -Raw material: construction kit to create and design your own effects. Most of the sounds come with many variations.
    -Designed: ready to use sound effects, tonal, scifi, bassy, saturated and modulated.

    This library provides authentic and interesting sounds, recorded with Neumann, MBHO and DPA mics powered by an Aeta 4minX.

    Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds.

    All Faunethic tracks include metadata tags carefully edited, compatible with Soundminer, Soundly and Basehead.

  • The Metal Scrap library was recorded at a scrapyard where they do nothing but shredding, cutting, breaking and moving metal of all sorts, all day long.

    Metal Scrap includes:

    • Large metallic objects and metal debris being drooped by huge cranes, into and onto various surfaces.
    • The end of the Conveyer belt, where the smaller pieces of metal junk fall onto a bigger pile af junk.
    • Lots of metallic destruction and impacts, huge and small.

  • The Sonomar Collection: Blacksmith sound effects library features 155 recordings from a blacksmith’s workshop that are sure to strengthen your scenes with an authentic, ironclad edge. Use the pristine sounds of metal clanks, sizzles, and scrapes as building blocks for creative sound design or as a backdrop for industrial or medieval settings.

    Ringing clanks of hammers striking anvils. Sharp sizzles of hot iron submerged in water. Subtle scrapes of shoveling metal files and coal. This collection is sure to supply your project with the detailed, high-quality smithing sounds you require. With a sample rate of 96kHz, utilize this diverse selection of impacts and hisses for creative pitching and processing. In addition to isolated actions, Blacksmith contains a number of Ambience recordings that can be used to add a hardy backdrop to your scenes for period pieces and beyond. This library was recorded using three different microphones, including the Sennheiser MKH 8040, which records up to 50kHz and allows for more sound design options.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 155 sound effects (6.6GB)
    • 24-bit/96kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • This Sound-Pack features a diversity of 51 Samples including Gore and Flesh Sounds, Squish, Blood. Everything you need to become a Vampire Yourself !

  • Firearms Sound Effects Bullet Impacts Play Track 320 sounds included $35

    Prepare for impact! This EFX Bullet Impact collection features a huge number of impacts into cars, metal, walls, water, body impacts, as well as passbys, ricochets and underwater passbys.

    A must-have for for actual bullet and combat sounds – and for adding oomph to many other types of impact sounds too!

  • Get 100+ sound effects of chain mail, plate armor, leather armor getting impacted in three different intensity layers (glancing, weak, hard) – ready for implementaion. It also includes shield impacts in two variants (weak, hard), as well as weapon parry and gory weapon impacts.

    This pack also includes footsteps and movement sounds/rustles of chain mail, leather armor and plate armor.

    The Medieval Armor Impacts and Movement SFX library includes:
    Shield – Impacts (weak, hard).
    Chain Mail – Footsteps, impacts (glancing, weak, hard), rustles/movement.
    Leather Armor – Footsteps, impacts (glancing, weak, hard), rustles/movement.
    Plate Armor – Footsteps, impacts (glancing, weak, hard), rustles/movement.
    Weapon Impact – Gory hit, parry.
  • What is the difference in sound is between a clink with two wine glasses vs. a wine glass and a martini glass?  How about two different size wine glasses?

    It can get meticulous, but attention to detail is everything in foley work… enter Glassware Foley, by Frontier Sound FX.

    Glasware Foley is a comprehensive compilation of glassware and plate foley effects, recorded at 24bit/96k in a sound isolated recording studio with a stereo AKG c414 setup.  

    Sound effects include:

    Clinks • Stirs • Set downs • Pick ups • Rattles • Crashes & Smashes
     

    Features the following combinations of glassware:

    Large-Rimmed Wine Glass • Small-Rimmed Wine Glass • Tall Wine Glass • Glass Coffee Mug • Martini Glass • Glass Plate

    Perfect for foley work in party, kitchen, and dining room scenes. Get the meticulous recording in foley over with, and without the mess!

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