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Home Destruction & Impact Sounds Page 10

Destruction & Impact Sounds

Destruction sound libraries, impact sounds, bomb blasts, full-on slams & smashes, metal, wood, glass and rock debris, breaking and destruction sound effects & recordings – they’re all here, for the sound of utter destruction.

  • Add energy and power to your projects with more than 320 destructive glass, wood, and metal glass bursts, collapses, drops, cracks, and crash sound clips.

  • ‘Transitions & Swooshes’ by Cinematic Sound Design delivers this unique collection of transition & impact sounds, hand-crafted & ready to be used within your media project.

    Suitable for Cartoon, Film, Advertisement, Presentations, Logos and more, these sounds will serve well a wide-range of scenarios for your media project. Inside you will find everything from braams, massive cinematic sweeps, downers, ghostly transitions, debris impacts, whooshes, swooshes and more.

    These sounds have been carefully recorded, designed & hand-crafted and available now in high resolution.

    All sounds come 100% Royalty-Free, so you don’t have to worry about having to pay for any additional clearances. This pack is a must-have addition to any cinematic project, that requires unique transitions sounds to complement the scene.

    Product Details:

    • 111 Transitions, Impacts, Swooshes
    • 100% Royalty-Free
    • 24-Bit/96kHz

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  • Tortured Metal Cabinet is a collection of disturbing metal scrapes, low groans, cinematic booms, menacing drones, ear piercing squeals, spooky stingers etc… all performed on and with an old storage metal cabinet.

    This library is a nice addition to your library if you need to add tension, suspense or weirdness to any project, not restricted to horror.

    Various exciters were used to create friction and make the cabinet sing such as glasses of different sizes, large pieces of metal, hangers, spoons, my hands, etc…

    The sounds were recorded with a pretty cool and unconventional setup that gave me a lot of flexibility during the mastering process :

    • a LCR setup of Sennheiser MKH 8040 + MKH 8050 (because let’s be honest they sound amazing + extended frequency response)
    • a pair of Lom Usi Pro (different perspective and polar pattern + also nice ultrasonic response)
    • an AKG C 411 PP contact microphone (nice proximity and low/mid response)

    For more convenience, I’ve premixed the different mics and sonic perspectives into 26 long ” raw ” files, both in Stereo and 5.1 Surround.

    These Source files were mastered in a way (minimal EQ / dynamic processing / ultrasonic denoise on the MKH 8000 mics) that will let you manipulate them extensively and create your own designed sounds with them.

    You also get 41 stereo designed files / 300+ individual sounds that are ready to use in your project.

    These designed assets have been creatively processed to give you an idea of what type of sounds you can create from the source material, the possibilities are pretty much endless… I’ve paid attention not to over compress the sounds and keep some of the natural dynamics of the raw recordings, because who like overly crushed and loud sounds that blast your ears when browsing through your library ?

    In addition to the source and designed folders, you’ll find 16 Radium Presets ready to use in Soundminer Radium sampler, these presets basically let you create an infinite amount of random new sounds different than the ones in the library itself. (thanks to Kai Paquin for the help with the presets)

    Like all aXLsound collections, this sound library includes detailed, comprehensive, UCS compliant metadata. (see below)

  • Fireworks FX library recorded in Ambisonic. New Year Eve. Many different sound perspectives and variety of  explosions, whistles and other sounds.

    Metadata tagged with equipment list and info.

    4 ch (RAW) recordings and stereo rendered recordings without any dynamic manipulation (compressors/limiters), eq.; max. peak level: -5dBFS.

    tech note:

    Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;

    Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer included) and Sound Devices recorder. All channels matched with pink noise generator.

    Stereo files rendered via Reaper/Ambeo (Sennheiser), A to B format converter (Ambix) and they are ready to use.

    RAW files are 4 Ch. original Sound Devices files (A format). You can import them to Reaper and with Sennheiser Ambeo plugin

    here is free download link:

    https://en-us.sennheiser.com/ambeo-abconverter

    you can then manipulate in 360º audio image to get sound image/source to your taste/need/application. Mic position: upright.

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  • Cloth Rip 1: Clothing is a collection of almost 400 cloth rip sound effects, using 7 different types of standard clothing and materials, recorded, edited, and delivered as 96k/24bit audio.  As usual with Soundopolis SFX libraries, there is a plethora of variation, including fast, slow, short and long rips.

  • This is Part 01 of the “GlitchFX Percussion Sounds 01” Sample collection It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.
    Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
    Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.

    • 102 x Claps & Snares
    • 80 x Kicks
    • 45 x Hats & Noise
    • 104 x Percussions
    • 180 Glitch, Dirty & SFX
  • The ultimate metal sound toolbox with all the sounds you need for your metallic cravings!

    METAL PHYSICS IMPACTS & MOVEMENT DESIGNED contains 2306 sounds in 104 categories weighing in at 3.74 GB!
    This library includes impacts with 3 velocity layers, drops, slides, rolls, tumbles, with multiple speeds (all looping).
    These sounds are mixed, mastered and ready to use immediately in any type of media production.
    The sounds were created from the source version of this library.

    All sounds are tagged with metadata

  • Destruction & Impact Sounds You Me & Debris Play Track 369 sounds included, 11 mins total $25

    Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.

    These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!

    ​The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

  • Box Abuse II is a sequel collection to the original Box Abuse sound pack, with even more aggressive cuts, punches, kicks and drops, inflicted on a whole new batch of cardboard boxes.

    And yes, multiple boxes were harmed during the recording of this project!

    The collection is divided into 9 folders, according to the type of abuse:
    – Crush: 30
    – Cut: 4
    – Drop: 7
    – Fold: 2
    – Handling: 15
    – Hit: 18
    – Rip: 20
    – Saw: 4
    – Stab: 19

    All sounds recorded and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.

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  • KLAP Sound took a piano and tortured it, dismembered it and finally destroyed it—and recorded the whole process. For the making of this library, they used several tools such as hammers, screwdrivers, knives, and saws, as well as props like dirt, send, gravel, forks and other sharp objects. The results are raw sounds of foley with musical rings, harmonic tails and creepy vibes that are dry yet barely edited for your own enjoyment.

  • Great sweeteners to toughen up your explosions, glass debris, and even armor moves.

    Features smashes, breaks, impacts, debris, shatters, pieces, moves, shakes – stock flower pot/mug breaks, eat your heart out!

    All recordings are clean, and contain no reflections, for the widest use for all designs.

  • The Push & Pull Heavy Weight Low Frequency Movements Library contains acoustic recordings that will fit the need for huge doors, large gates, heavy loads, massive objects, sliding tombstones, shifting masses and so on… All sounds are clean with no effects added for easy use and editing. Recorded at 192 KHz with Nevaton and Sanken CO100K microphone, the full spectrum allows for quality source material.

    You will find variations of trembling, rattling, shoving, scraping, bouncy objects and materials being pushed or pulled.

    This sound FX library is part of a series of recordings available:

    Creaking – Ropes, Cables, Wires
    Creaking Ropes, Cables, Wires

    Screeching, Squeaking, Scraping Old Objects
    Screeching, Squeaking, Scraping Old Objects

  • Over 375 sounds of creaking materials, including breaking cables, ropes under tension and about to split, wires and strings under stress, metal friction causing tension. Recorded with a combination of Sanken CO100K and Nevaton microphones for full frequency sound content. Saved as 192KHz these files allow for high resolution editing. Useful for impact sounds in cinema, games or documentary, but also for cartoon sounds or even creature sounds as many of the recordings contain vowel-like screeching and scraping.

    Imagine a scene where a rope is about to break over an edge, an object being torn by a huge cable, a wooden structure about to collapse under stress and so on… Our brain is triggered by those rattling sounds or spine-breaking cracks coming from little fibers being split apart, parts of the structure creaking, wires scraping over edges…

    These sounds can be perceived as delicate but have a great psychological impact as we interpret these and know what is about to happen. So suspense is built with both background and close-up sounds. Useful when building tension, when creating a sense of upcoming climax, these sonic elements will work out to amplify the details that are often important but not always visible for the eye.

    All the source material and recording are acoustic, there are no digital effects applied. This guarantees natural organic harmonics, even way beyond our hearing. Pitching down the 192 KHz files will let you discover another collection of sounds!

    You can find the following libraries in this collection >

    Push & Pull, Heavy Weight, Acoustic Low Frequency Movements
    Push Pull Heavy Weight

    Screeching, Squeaking, Scraping Old Objects
    Screeching, Squeaking, Scraping Old Objects

  • Beautiful football foley impacts recorded as they should be: outside.

  • The Master Gun Ithica Model 37 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.

  • Bundles MASTERGUN – Glock 17 Play Track 451 sounds included From: $20

    The Master Gun Glock 17 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.

  • Experience the true heartbeat of combat with “Combat Hits – Hand To Hand Fighting SFX.” This thoughtfully curated sound effects library transforms your game’s combat sequences into pulse-pounding experiences, immersing players in the visceral intensity of every jab, smack, and bone-crushing impact. Explore an expansive array of hand-to-hand combat sounds, including punches, kicks, slaps, whooshes and more, all captured in exquisite detail. This comprehensive collection also features subtle nuances like cloth rustles and airy swings, giving you all the layers, textures & elements needed to elevate your audio design.

    • 335 files / 47 glued files
    • 332 MB of meticulously crafted game audio assets
    • Formats: 96k 24bit .wav, Glued, 44.1k & 96k .wav
    • Over 9 minutes of captivating audio
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  • Hit – Break – Crunch – Crash – Scrape – Creak – Rattle – Door – and a lot of Debris ..

  • Fireworks is a collection of small, consumer fireworks fountains with all the fizz, zip, zap, pop, and crackling that you would expect. There are also 2x 6-minute ambience tracks from 4th of July 2014 in Ann Arbor, Michigan, as people set off fireworks all around the city. You can hear fairly close, and very distant explosions from both municipal and residential displays. These two tracks were edited down from much longer recordings to remove any long pauses in the action. It was a beautifully quiet night, except for the fireworks!

  • Smashing plates, bowls, mugs and vases!

    We’ve all needed sounds of smashing ceramics and glass, but you can’t always convince someone to let you smash things in their basement!

    So I’ve done that part for you!

    Variety of smash sounds recorded and exported in 24 / 192Khz perfect for extra impact in any project, whether your game character is smashing pots, or you have an angry character in your film throwing plates at someone!

  • A short and to the point library of over the top designed sounds that go boom, bang and smack. UCS Compliant.


    Here’s a short and to the point library of over the top designed sounds that go boom, bang and smack. Preference was given to style over “realism” and each sound effect includes five variations to make design and implementation for game audio easier. All sounds are designed and stylized, but room was left in the mix for the sounds to be used as components in your own work. Included are fight impacts, stone and metal impacts, explosions and the splat of a skull crushing. This library comes with full metadata and is UCS Compliant.

  • This kit has been meticulously recorded and curated to be your number one kit for creating dynamic impact and destruction effects. The sounds contained are only lightly processed to give you the material you need for crafting your own custom impacts, regardless of size. These sounds are also perfect for Foley or audio post.

    Sound highlights include: smashing a variety of interesting junk into a huge industrial dumpster, as well as a camper-van that was dismantled and lovingly destroyed on site. There are a wide range of other original sources to choose from — from the disturbingly heavy to the ultra light — to make layering huge and complex sounds as easy as possible.

  • Cloth Rip 2: Household is a collection of over 500 ripping, tearing, and shredding sound effects.  While the title is “Cloth Rip”, the materials range from common household cloths like curtains and towels to common household sheet-plastic, such as tarp and a heavy duty plastic garment bags used for storing clothes in a closet or attic.  But wait!  There’s more!  In addition to the rip sounds, we have included some plastic movement sounds for both the tarp and garment bag.

  • Dynamic Debris features 425 junk sounds that range from shattered glass scrapes and crashing wooden bangs to small plastic rattles and subtle twig snaps. Use the sounds as is, or take advantage of their high-resolution potential to pitch and process robust layers that are sure take your sound design to the next level.

    Expertly recorded on-site at actual junkyards, this sound library contains a vast array of rattles, crashes, clunks and scrapes that satisfy your project’s rubble and junk needs. Recorded and edited with extreme precision, Dynamic Debris is ideal for adding rich, malleable layers to your design free of artifacts or unwanted noise. With sample rates reaching 192kHz, construct your designs with these immaculate sounds to go beyond their raw potential. Pitch down metal squeaks and moans to reveal unforeseen sonic treasures.

    Each sound file is embedded with descriptive metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 425 sound effects (1.2GB)
    • 24-bit/48kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi

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