Ambisonic Sounds – Sea Waves Loops Vol.2 – these are 16 sounds of sea waves recorded on a pebble beach at close range, 2 sounds with seagull voices, 4 sounds recorded on the beach during the beginning of a thunderstorm and 6 sounds recorded near the seashore in the early morning, in which in addition to the sound of the sea, the sounds of crickets can be heard.
Experience the vibrant soundscape of the Brazilian Pantanal, one of the world’s largest tropical wetlands.
Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.
Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.
“Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.
For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.
This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.
Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.
“Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.
Experience the sounds of the daily life in Japan, captured discreetly with a pocket recorder. A sonic journey from spring to summer across diverse cities.
All files are embedded with extensive UCS compliant metadata.
I’ve got a killer sound library here, including recordings of the electric train I hop on for my daily commute (London South Eastern) and some cool platform sounds from Charing Cross Station, complete with tannoy announcements. These real-life sounds can add a unique vibe to your projects, keeping in line with our promise to deliver top-notch audio. Let us spruce up your film’s sound with our expertly crafted soundscapes.
GEAR
Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
Zoom H1n built in mics
This audio collection offers a library of aircraft and train passes and bys (and a random helicopter) , captured over two nights in my garden which is under the London Gatwick Airport flighpath and a nearby railway line. Designed for professionals seeking authentic and high-fidelity audio, this collection provides a rich tapestry of sonic experiences.
Aircraft Recordings:
Commercial Jet Traffic: Recorded overnight under the Gatwick flight path at night to minimize extraneous noise, these recordings capture the distinct sounds of various commercial jetliners operating at approximately 5,000 feet. The collection encompasses a range of aircraft types, offering a nuanced perspective on the acoustic signatures of modern aviation.
Private and Light Aircraft: Complementing the commercial jet recordings, this mini collection also features a variety of smaller private jets and a propeller plane operating around 2,500 feet. These recordings provide valuable insight into the sonic characteristics of lighter aircraft, further diversifying the collection’s offerings.
Altitude Data: Each aircraft recording is accompanied by approx altitude data, verified by a reliable flight tracking application. This metadata adds another layer of information for sound designers and editors, enabling them to select recordings that accurately reflect specific aircraft types and flight operations.
Train Recordings:
Commuter Train Variety: Captured approximately 20 feet from the railway line, these recordings showcase the diverse soundscape of commuter rail traffic. The collection features an array of train types, each with unique sonic characteristics defined by varying speeds, weights, and configurations. This diversity ensures that sound professionals have access to a comprehensive palette of authentic train sounds. For these I used an Audio-Technica BP4025 microphone renowned for its ability to capture realistic and immersive soundscapes, these recordings transport listeners to the heart of the railway environment. The microphone placement, carefully chosen to optimize sonic clarity and detail, ensures that each recording faithfully represents the dynamic energy of passing trains.
Technical Excellence:
Professional-Grade Equipment: All recordings were captured using state-of-the-art equipment, including Zoom H2n (for the overnight recordings) and F3 recorders,
This meticulously crafted collection provides an invaluable resource for sound designers, filmmakers, game developers, and any creative professional seeking authentic and high-quality aircraft and train audio. Its diverse range of recordings, coupled with precise metadata and technical precision, makes it an indispensable tool for enriching any audio project.
GEAR
Recorded with H2n and ZoomF3 with Audio Technica BP4025
While on a family trip to the beautiful island of Crete in 2022, I couldn’t resist grabbing a bunch of recordings of the local vibe (like I always do, of course!!). These recordings wonderfully capture the lively atmosphere of Hersonissos, with its bustling roads full of energetic crowds, the serene and relaxing sounds of the waves gently hitting the shore, and the unmistakable, classic chorus of cicadas that add an authentic touch to the environment. These effects can effortlessly blend these rich, genuine, and vibrant sounds into your film, enhancing its overall sensory experience. Let Luminol Audio bring your project to life by skilfully turning your AAF files into final WAVs with incredible depth, unparalleled clarity, and vivid realism that will truly resonate with your audience.
GEAR
Zoom F3 with Audio Technica SP4025 Stereo mic
Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
Zoom H6 built in mics / Audio Technica SP4025 Stereo mic
Zoom H1n built in mics
Bowling features a wide variety of high-quality stereo sounds from the sport of 10-pin bowling, captured from multiple micing perspectives at three different bowling alleys across the United States.
I visited a 40-lane, a 24-lane and an 8-lane alley, all at different times of day and night to capture sounds during league practice (with no music) and sounds with no one in the house besides myself and the manager. I was given fantastic access, allowing me to record from various perspectives. These include from above, behind and beside the mechanical pinsetter machines and next to the pin deck at the far end of the lanes. I also set my mics down next to the foul line, the ball return behind the approach, behind the settee area (where bowlers sit), the concourse area (where bowlers find the snack machines and bar) and halfway down the service aisle beside the first lane. I followed a robot-like lane machine as it traveled back and forth along the lanes, laying down oil at just the right spots. It works a lot like an inkjet printer putting words onto a page.
I was permitted to turn pinsetter machines off and on at the back of the house, which was pretty fun. Each one has a switch in the back. Who knew? This allowed me to record just one machine in isolation, or several working at once. I rolled (delivered is the term used by the United States Bowling Congress) a few frames down an alley with no machines running. Machine noise can mask the woosh of a ball passing by. Rolling with the machines turned off allowed me to get this delicate sound like I wanted.
So get yourself an oat soda and a limitless bowl of pretzels. Slip on a pair of two-toned suede bowling shoes, you know, those kind with their size stamped on the heel for all to see, and enjoy Bowling.
FiatPanda – 2023 – 1.0 Hybrid contains well edited and well recorded sounds for your projects! Recorded on a Sound Devices MixPre6II, a Sanken CO100K, a lom Geofon and a matched pair of lom BasicUchos. Recorded at 192/24.
Malaga Airport – Airbus Airplane A321 contains well edited and well recorded sounds for your projects! Recorded on a Sound Devices MixPre6II, a pair of SoundMan, a lom Geofon and a matched pair of lom BasicUchos. Recorded at 192/24.
Small Containers is a collection of mono impulse responses from containers like bottles, jars, small boxes of different shapes and materials.
This sound effects library captures various mousetraps going off, with an emphasis on the sharp crack the impact.
Two traps are features, one a large traditional mousetrap, and one is a smaller and made of plastic.
These can be used to express a large variety of emotions, from comedic injuries to sharp surprise.
Each sound is recorded and 96khz/24bits, and is perfect for your next film, video game, or short that requires authentic mousetrap sounds!
Classic GT Series Pass-By compiles over an hour of sports cars racing at a private event, resulting in minimal crowd conversations or unnecessary background noise. Recorded at three distinct locations, in this library, you’ll find long takes recorded at the finish line and at the tightest corner of this particular race track, resulting in plenty of engines revving and cars driving off into the distance, ideal for media scenes set in these settings, or for creative sound design purposes, as these takes were recorded only 5 meters from the vehicles themselves. Also included are recordings of the vehicles revving their engines before the competition at the pit lane.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
List of vehicles included:
Ambisonic Sounds – Sea Waves Loops Vol.1 – 27 sounds of sea waves recorded in calm weather in summer on a pebble beach at close range and 2 sounds recorded far from the sea in windier weather.
Field Recording Library presents its new sound library – Vol. 1. This collection continues the tradition of high-quality field recordings, now with even higher standards and a focus on the unique sounds of Russia, particularly St. Petersburg.
All materials were recorded using 96kHz, 24Bit parameters, meeting global standards for professional sound libraries. This ensures maximum detail and clarity, capturing every nuance and texture of the environment.
The collection is entirely dedicated to the sounds of Russia and St. Petersburg. It includes both urban and natural ambient recordings, allowing users to convey the unique atmosphere of Russian life.
Another significant addition is the longer ambient recordings, which now reach up to 20 minutes. This enables users to find the best fragments and create more complex sound combinations for their projects.
Vol. 1 was developed with feedback from the first library, Kaleidoscope, in mind. This allowed for improved structure and content, making the library even more convenient and valuable for professional use.
All recordings were made between early spring and late summer 2023, making Vol. 1 especially suited for projects set in these seasons and currently in post-production.
Additionally, the sounds from this library can be used as layers to create custom atmospheres that aren’t tied to Russia specifically. These versatile recordings are ideal for blending into various soundscapes and crafting unique audio environments.
This library is an excellent tool for creating vivid and immersive soundscapes in film, games, television, and other media formats, bringing audiences into the unique sonic world of Russia while offering the flexibility to shape your own sound environments.
Hollow Tales Music Pack is a collection of 11 original tracks that fill the air with mystery and suspense. With 43 files, including full compositions, stripped-down light versions, seamless loops, and bone-chilling stingers, this pack is crafted to turn your project into a haunting experience. Hollow Tales is the perfect soundtrack for games, films, or any project where a sense of magical darkness takes center stage. Get ready to make your project creepy in all the right ways.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.