Home Formats Ambisonic Sound Effects Page 7
Ambisonics sound effects libraries are captured with a special, full-sphere surround sound technique for 3D audio.
Superbikes Pass-By compiles nearly 50 minutes of superbikes practicing at a racetrack in the early hours of the morning, with little to no crowd conversations or unnecessary background noise. Recorded at two distinct locations, this library includes long takes at the finish line and on the tightest corner of this particular race track, capturing plenty of engine revving and vehicles driving off into the distance. These recordings are perfect for media scenes set in these settings or for creative sound design, as they were recorded just 5 meters from the vehicles themselves.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
Ambisonic – PickUp Truck interior is a small package of interior recordings performed in a Mitsubishi L200, under multiple use-cases.
The captured vehicle model is a Mitsubishi Hunter L200 2012, with a 2500cc Diesel engine.
It includes driving on asphalt and gravel at various speeds, while the windows are open or closed for each scenario. Rooftop rain was also recorded and added to this package.
The Ambisonic version can be great for creating different listening angles of an interior car scene that uses several video angles, using it as an ambient layer for interactive experiences or simply implementing it into a real-time gaming audio engine.
To create this product a Sennheiser Ambeo microphone paired with Zoom H8n was used.
Please note that the Ambisonic version also includes a stereophonic rendering of the files.
Shanghai Ambisonics is a sound effects library of 33 immersive urban ambience recordings, provided in both B-format and stereo, along with “”virtual mic”” software.
Adjust perspective of these city atmospheres in real-time with included software for utmost flexibility, realism, and creativity. Point “virtual microphones” in any direction with the polar pattern of your choice to match the specific setting of a scene.
The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond, allowing for versatile use of the library. Pre-rendered stereo versions are included as well.
Recorded in 24-bit/96kHz with a SoundField SPS200 mic by Masato Ushijima, Shanghai Ambisonics was captured at diverse locations throughout the city including Maglev & Metro Train Stations, Century Park, Nanjing Road, Huangpu River Ferry, The Shanghai IFC and more. The library contains sounds that are unique to Shanghai as well as more general purpose urban ambiences.
This library is perfect for use in immersive audio for VR and 360 video projects. Prepare your personal sound library for the future of media!
London Ambisonics is a collection of 55 immersive city ambience recordings from the streets, parks and subways of London, England. Use these versatile sounds to enliven your scenes with an authentic city atmosphere. Recorded in 24-bit/96kHz with a Sennheiser AMBEO VR mic, London Ambisonics was captured at various locations throughout London including St. Paul’s Cathedral, the Palace Theatre, the River Thames and more. Detailed metadata includes coordinates and cross streets for maximum geographic clarity.
To capture these stunning ambiences, recordist Matt Snedecor traversed London with the goal of capturing its essence. In his own words:
“London, although there’s a lot of English, just has a different feel and sound than a major US city. So I was partly looking for urban sounds, but also getting the feel of the city itself. It was definitely not as big and loud as NYC and there’s also things like different sirens and horns than we have here.”
This library includes SurroundZone2 software by TSL Products that allows you to control the Ambisonics files by pointing “virtual microphones” any direction with a wide range of polar patterns. Unparalleled flexibility lets users match backgrounds with the specific setting of any scene.
The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. In addition to giving sound editors and mixers greater flexibility and control over the recordings, these recordings are also perfect for 3D Audio applications including VR and 360º video.
Matt Snedecor
Your DAW must support Quad (4-channel) tracks in order to use SurroundZone2 plug-in.
Chicago Ambisonics is a library of B-format city ambiences with “virtual microphone” software.
Included software allows users to tweak perspective in real time for greater control and creativity. The Ambisonics format offers versatile use of the library, as the recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond. The creative possibilities are endless!
Featuring 35 high-quality urban ambiences (over 3 hours total), Chicago Ambisonics includes SurroundZone2 software by TSL Products that allows you to point “virtual microphones” any direction with a wide range of polar patterns. Unparalleled flexibility lets users match backgrounds with the specific setting of any scene.
With more productions filming in Chicago than ever before, a Chicago sound effects library is an asset for any sound editor. Chicago Ambisonics features 24-bit/96 kHz city atmospheres captured all over Chicago including recordings from from Magnificent Mile, Chinatown, the L Train, West Loop, Kennedy Expressway, O’Hare International Airport, Lake View, & Wrigley Field.
This library is also perfect for use in 3D Audio applications including VR experiences and 360º video – prepare your sound effects library for the future of immersive media! Pre-rendered stereo versions of all of the recordings are included as well.
Spatial Towns is an immersive collection of audio ambiences for cinema, VR, videogames and any audiovisual or creative purposes.
The audios provided in this library are high quality recordings with Zoom H2n recorder in propietary Spatial Audio mode, horizontal-only ambisonic alike mic layout stored in an AmbiX format. W, X, Y channels of AmbiX provide immersive audio through the horizontal plane and they allow to decode the recording into Mono, Stereo, Binaural, Quad, 5.0, 5.1, 7.1 and more layouts with dedicated Ambisonic processors. Z channel is empty.
The library comes with 5.0 and Stereo version of the AmbiX original recordings.
Now UCS Compliant!
From 24/96 Sound Effects. Immersive Crowds in Motion features 58 HD 24 Bit / 96 kHz Surround Sound Effects with a large selection of Interior and Exterior moving crowds. Train stations, conventions, sporting events and more. Recorded with a Voyage Audio 2nd Order Spatial Microphone. Recording locations were centrally located within the crowd for better immersion. Intelligible words have been reduced or removed when possible.
Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R). Most tracks are 2-3 minutes in length with embedded metadata. All-new, original recordings.
Want a taste of what’s included? Download the O2A and 7.1.2 Surround Demo files here: https://tinyurl.com/ImmersiveCrowdDemo and try it out on your own system!
This classic vehicle is drawn by two horses and produces mostly clank and rattle of wood and metal. You can also hear some leather creaks and the horses’ hooves and breaths. Occasionally the driver beatboxes some cues – clucking, smacking, monosyllables.
Some of the files contain solely the rattle of the rolling carriage but no horses – these can be used for sound designing any old vehicle on a bumpy road.
This selection of onboard sounds contains a variety of speeds, horse gaits and road surfaces. They have been recorded with the Sennheiser Ambeo VR Mic, and, simultaneously, with two stereo sets. For each recording you get 10 channels:
– ambiX B-format (4 channels)
– Stereo XY (Audio-Technica BP4025)
– Wide Stereo (DPA 4060) captured at the carriage’s chassis
– Stereo Mix of all of the above
The ambiX B-format files are ready to be encoded into all spatial sound setups: like 5.1, 7.1, 4.0, VR 360 degree experience, and more.
The library is UCS compliant.
Take to the skies with “Planes of LAX,” a sound library that thrusts you into the thunderous symphony of jet engines soaring down into and roaring up out of Los Angeles International Airport (LAX). Tailored for professionals in film, games, and immersive formats, this collection will take your jetliner flybys to the next level.
Immerse your audience in a three-dimensional auditory experience with Ambix Ambisonic recordings and decoded 7.1.2 Atmos Bed, 5.1, and Stereo versions.
Decoded and referenced in Dolby Atmos at Cheviot Sound, ensuring top-quality playback.
Along with decoded stereo files, choose from separately recorded stereo and mono recordings, adding flexibility to meet the unique demands of your projects. Stereo recordings were expertly captured using a Tascam X8 in an XY configuration, while mono recordings were taken with a Rode NTG5.
Immerse yourself in the distinctive roars, whines, and rumbles of various planes, including but not limited to:
Airbus A320, A321, A350, A380
Boeing 737-7H4, 737-823, 737-824, 737-825, 767-332ER, 777-223, 787-9 Dreamliner
Boeing C32A Airforce Two
Bombardier Challenger 605
Embraer 175LR, E175LR-04, E175LL, Phenom 300, Phenom 300-02
Mitsubishi CRJ-701ER
Decode to 5.0, 5.1, 6.0, 6.1, 7.0, 7.1 and higher immersive formats, Change orientation, and Emulate microphone polar patterns using ambisonic decoder plugins:
RODE SoundField – FREE
Harpex B Converter – PAID
Recording-
Jack Weiss
Roy Berardo
Editing-
Jack Weiss
Photos-
Jethro Tai
For many people, rain is high on their list favorite sounds to relax, study, or sleep to. For how soothing and common of a sound it is, it happens to be one of the most difficult to record – that is, if you want to still be able to use your gear afterwards.
In early spring of 2023, a little rain recording experiment on the fire escape leading to my somewhat sheltered backyard revealed that little to no city noise would actually make it onto the recording. Surprised by how clean these recordings came out, and by how wet of a summer we’ve been having this year, I proceeded to record in the backyard of my apartment almost every time it rained.
Over a period of 6 months, I recorded hundreds of gigabytes of rain and ultimately narrowed it down to the 3 hours contained in this library. If you are looking for rain recordings that are clean and work well for layering while still clearly anchoring your soundscape in suburban spaces, this is the library for you! Also included are two long thunderstorms that can be heard moving into the distance.
These recordings contain no distinct car sounds, people, or sirens, and have been minimally processed to make them flexible for use in films, games, and video productions.
As an added bonus, this library contains immersive, Ambisonic (AmbiX) recordings of rain captured from the inside of a tin shed. To convert these recordings to binaural or surround formats I recommend downloaded the free SoundField by RØDE plug-in.
Total number of Files: 19
Total Duration: 3hrs 2min 33sec
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 96 kHz
Channel Formats: Stereo, AmbiX (Ambisonics B-Format)
File Format: WAV
Size: 7.3 GB
Gear used: LOM Uši Pro Mics, RØDE NT-SF1 Ambisonic Mic, Zoom F3, Zoom F6, Zoom H1n
Processing: Level adjustment, Crossfades, Low-Shelf Filtering where necessary.
Natural soundscapes in Ambisonic recorded in Winter, early Spring and Spring. Forests, meadows, lake, river, streams ambiences. Long recordings. Birds, wind, background wind in trees, branches, dead grass… Winter (quiet) ambiences. Spring ambiences with intense birds song. Immersive recordings.
Recorded with Sennheiser Ambeo VR mic (Rycote blimps) and Sound Devices recorder
(all ch. matched with noise generator). Metadata tagged with info. Mic position is upright.
RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).
Check the sound list for add. info.
Spatial Shores is an immersive collection of audio ambiences for cinema, VR, videogames and any audiovisual or creative purposes.
The audios provided in this library are high quality recordings with Zoom H2n recorder in propietary Spatial Audio mode, horizontal-only ambisonic alike mic layout stored in an AmbiX format. W, X, Y channels of AmbiX provide immersive audio through the horizontal plane and they allow to decode the recording into Mono, Stereo, Binaural, Quad, 5.0, 5.1, 7.1 and more layouts with dedicated Ambisonic processors. Z channel is empty.
The library comes with 5.0 and Stereo version of the AmbiX original recordings.
Now UCS Compliant!
The library is the collection of atmosphere recordings in the city of Belgrade during the winter months. It’s a gathering of 29 ambisonic atmospheres recorded at many different places in Belgrade. There are atmospheres from famous places in Belgrade, parks, busy streets, traffic, underground passages, pedestrian streets, atmospheres on Ada Isle, below and on the Ada bridge, Ada Lake, two rivers Sava and Danube.
All atmospheres are recorded at 96kHz/24Bit with condenser ambisonic microphone Rode NTSF1 and Zoom F8, in FuMa format.
You can convert ambisonic FuMa format in real time with free SoundField plugin to stereo, 5.1, 7.1, 7.1.4, or any other surround format. You can also change the panoramic view of the sound because they are 360 degrees recordings, as well as automate the panoramic perspective.
All recordings have metadata.
A full library of recordings from a 2009 Ford Fusion Plus with a 1.6 litre Duratec petrol engine. Includes door opens and closes, windows up and down, seatbelts, switches, buttons, engine turn key, start and idle, revs and more. Recordings made using Sennheiser MKH416, 8050 and Rode NT5 mics into a Zoom F8 and F4, plus some additional recordings using a JRF contact mic.
Also includes three 7+ minute continuous driving interior ambisonics (Ambix B format) recordings with synced mono engine bay recordings. Covering turn key and start, driving through the countryside up to 60mph on dual carriageway, into the city and stopping. Made with Sennheiser Ambeo and ME2 mics.
If you need a no-nonsense, great quality library of an ordinary car, not a fancy flashy sports car as I often do, then this is the library for you! Everything is delivered in 24 Bit / 192 kHz making it useful for sound design purposes too. Need a massive metal impact? Pitch down one of those doors!
All files contain extensive metadata in both Soundminer and BWAV formats.
Natural soundscapes in Ambisonic recorded in early Spring, Spring and early Summer. Forests, meadows, river, streams ambiences. Birds, crickets, insects sounds and backgrounds.
Recorded with Sennheiser Ambeo VR mic (Rycote blimp) and Sound Devices recorder (all ch. matched with noise generator). Metadata tagged with info. Mic position is upright.
RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).
Check the sound list for add. info.
This Nomade series collection features recordings made on two sailboats navigating the North Atlantic Ocean.
Beneteau 15-meter monohull between Puerto Rico and Montreal, via New York, the Hudson River and Lake Champlain.
Fontaine Pajot Aura 15.5-meter catamaran from Fort Lauderdale, Florida to Halifax, Nova Scotia, then up the St. Lawrence River to Montreal.
Enjoy the many indoor and outdoor perspectives, with or without the diesel engine, in different wind and sea conditions, as well as winch handling, rigging noises, anchor drop…
In this collection you’ll find high quality audio recordings in ambisonic Ambix format with references pictures, detailed track sheet and GPS location on from both boat conveyance.
We used a Sounddevice MixPre6 field Recorder and Ambeo 1st order Ambisonic mics.
Introducing Immersive Wallas on Set vol.2 – the ultimate resource for filmmakers and sound designers. This collection of high-quality ambisonic recordings from various film and TV shows sets is designed to immerse your audience in the heart of the action.
At Blacktone Studio, we understand the vital role sound plays in storytelling. Wallas, the ambient background chatter found in diverse locations, provides the foundation for creating realistic atmospheres in film and television. As always, we’ve taken our commitment to authenticity a step further by recording in ambisonic format.
Our team meticulously captured the essence of real-life film sets, from the energetic buzz of big scenes to the subtle whispers on quiet studio lots. These recordings are a testament to our industry knowledge and commitment to delivering high-quality audio content.
Whether you’re working on a feature film, a documentary, or a video game, our Immersive Wallas on Set vol.2 provides the versatility you need to enhance your project. Easily searchable and expertly categorized, this collection ensures you find the perfect background atmosphere effortlessly.
Immersive Wallas on Set vol.2 is the ultimate solution for elevating your audio ambience creation. It’s a valuable asset for filmmakers and sound designers, allowing you to create immersive soundscapes that transport your audience into the heart of your story. With the authenticity and flexibility of Ambisonic Atmospheres and Wallas, your creative projects will reach new heights.
All the recordings include metadata in English and Spanish, and they are compatible with software of sound library management like Soundminnner.
We have decoded all the First Order Ambisonic recordings with HarpeX plugin into 7.1.2 Dolby ATMOS bed configuration, using the top channel to create totally outstanding ambiences tracks ready to use!
All our libraries are UCS compliant (universalcategorysystem.com). In this new category system all files contain extensive metadata like file description, Category & Subcategory. Metadata can be read and processed by the most common audio libraries management tools . Starting with Full support from Soundminer and more audio tools adopting this system, we are adopting metadata UCS system in our files!
In the Nomade series we’ve captured a wide variety of locations and soundscapes in remote, hard-to-reach wilderness during a six-month, 3,000-km thru hike trek across New Zealand following the Te Ararora trail ,
You’ll hear unique exotic birds and be immersed in soundscapes between the Tasman Sea and the Pacific Ocean, in the heart of primeval jungle, in the lost alpine mountains of the Richmond Range and the many Scottish-like pastures.
In this collection you’ll find rare high quality audio recordings in ambisonic Ambix format with references pictures, detailed track sheet and GPS location on both North and South Island.
The third installment of the Roomtones series features over 100 minutes of immersive Ambisonic soundscapes recorded during a holiday at a beach house. These soundscapes feature distant birds chirping, barking dogs, chatty neighbors, moderate to low traffic, intense fridge hum, and upstairs bumps. Additionally, quiet and neutral takes are provided to be filled later with additional content. Each division includes two different takes with open and closed windows (where applied), adding an extra dimension to these long and evolving sound files. They are perfect for creating both quiet and languid roomtone soundscapes, conveying multiple moods for any desired VR experience.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
A cutting-edge sound library meticulously captured and curated to give you the power to deliver the true aesthetic of powerful machinery and captivate your audience through the gritty sounds of mechanical technology and tooling.
According to the Spanish National Forest Inventory, 51 % of the Spanish total surface is covered by forestlands. This collection of sounds is the biggest nature recording project we have done in Surround Sound LAB.
Sound editors and designers Oscar de Avila and Barto Alcaine, among with Surround Sound LAB main recordist, Alvaro de Iscar are the main recordists of this Library. We have covered Asturias, Leon and Segovia Forests.
This large compilation of registers is designed to perform real nature sounds in your films and postproduction projects.
All our libraries are UCS compliant (universalcategorysystem.com). In this new category system all files contain extensive metadata like file description, Category & Subcategory. Metadata can be read and processed by the most common audio libraries management tools . Starting with Full support from Soundminer and more audio tools adopting this system, we are adopting metadata UCS system in our files!
A collection of sea waves from far to close-ups to enrich your sonic coastlines sound design or simply listen to them for relaxing and be transported back there.
The Soundcloud preview contains only some examples of the full library.
The library contains two different sets of recordings: stereo and/or Ambisonics 3rd Order.
This will cover any needs. If you need mono, you will just need to get only track 1 of the Ambisonics files. If you need different formats, you just need to convert them from the Ambisonics files, which contain all the 360º spherical information. There are plenty of tools out there to use.
Different sets of microphones and recorders have been used to create this library, according to what was best to get the recordings.
Recorders:
Sound Devices 788T
Zoom F8
Zoom F6
Brahma-in-Zoom
Microphones:
Reynolds custom 4Type
Sennheiser MKH 8060
DPA 4060
All microphones were fully protected with Rycote windshields.
Strengthen your productions with characteristic, intimate and authentic European city ambiences including:
Daytimes & Seasons • Historical Places • Cultural Sites • Transportation & Traffic • People • Industrial • Abstract • Commercial • Natural Environments • Location Perspectives
Enjoy Europe with its rich variety of sound palettes throughout all different countries from city to city.
The sounds come without much action in the foreground to provide a very clear and detailed acoustic image of each environment, giving you the perfect background noise layer to break the silence in your post production project.
The recorded locations vary from streets and restaurants over squares, harbors, markets, commercial areas, parks, and busy shopping areas to industrial zones and construction sites. This library can easily be used in stereo productions as well. Either choose the listening angle yourself or use the stereo version (included in 3D SURROUND).
What’s inside
Tokyo Ambisonics is a sound effects library of 46 high-quality urban atmospheres in B-format with “”virtual mic”” software.
Included software lets users adjust perspective of the city ambiences in real-time for greater flexibility, realism, and creativity. Point “virtual microphones” in any direction with various polar patterns to match the specific setting of a scene!
The Ambisonics recordings can be decoded to mono, stereo, 5.1, 7.1 and beyond, allowing for versatile use of the library. Pre-rendered stereo versions are included as well.
Recorded in 24-bit/96kHz with a SoundField SPS200 mic by Masato Ushijima, Tokyo Ambisonics was captured at diverse locations throughout the city including the Yamanote Line railway, Shuto Expressway, Keihin Industrial Region, Daiba Bayside Park & more. The library contains sounds that are unique to Tokyo in addition to some more general-purpose urban ambiences.
This library is also ideal for use in VR audio and 360 video projects. Equip your personal library for the future of immersive media!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.