Weather sound effects and recordings, including rain, wind, thunder, storms and lightning
From winds rushing through empty streets to winds whistling and whipping across a marina, “Town Winds” offers a broad spectrum of wind ambiences in urban environments.
This library includes the sounds of wind blowing through flagpoles, strong wind gusts at a railway station, and wind whirling around a backyard. There are recordings of clattering masts, fluttering plastic, rattling fences, and much more.
Taken in very calm spaces, these recordings have minimal traffic bleed and are nearly bird free. Recorded with a Shoeps MK4/MK8 MS, paired with a Sound Devices 702 recorder.
Whether you’re designing a stormy scene in a city or a suburban environment, this is the library for you.
Empty streets, parking lots, railway stations, school, rural street, marina, harbor, lighthouse, athletics field, backyard, town square
Urban Rain is a sound library that delivers 50 city rain sounds recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. The library contains various types of rain at different intensities, from very light to downpour. Several thunder claps and rumbles are present as well. Locations are as follows: a terrace, a balcony, a backyard, several streets, a rooftop, a garage, inside a car, a loft (from inside), Chelsea FC Stadium and two patios (interior). All files have been recorded at night so human activity is minimum, although you will hear a tiny bit of traffic rumble in the background.
The library also includes 8 Ambisonics files (B-Format, both in FuMa and ambiX, along with a downmix in stereo) and other sounds related to water in the citylife, such as pipes, a drain and a gutter, which are loopable. By using the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 7.1).
Descriptive markers have been added to several files to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
The total length of the library is 200 minutes.
Gear used: Zoom F8, Sennheiser Ambeo, Sony D100.
Urban Rain II brings you 53 urban rain sounds captured at various indoor and outdoor locations. Recorded at night or at quiet times so it’s free of unwanted sounds, this library includes light, medium and heavy rain over different locations and surfaces.
Urban Winds is 49 minutes / 1.33 GB of medium and high-wind sounds in 38 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and construction sites, office exteriors and the port of Aarhus. You get plastic that flutters or thrashes, metal fences that clatter and vibrate, pipes and cavities resonating in the gusts. You get ambiances and specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas – and on one occasion in the aftermath of a violent storm (the kind that rips the tiles off the roofs). Had a good time standing in the relative safety of my doorway, recording stuff getting blasted down the street! All sounds were captured in Aarhus, Denmark.
• Howling, moaning, whistling wind sounds
• Wind-battered city ambiances
• X/Y Stereo and Mono sounds (decoded from M/S)
• Metadata included in CSV and ODS (OpenOffice) formats
Urban Winds II gets you 65 minutes (2 GB) of medium and high-wind sounds in 29 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones.
You get empty streets and alleys, office exteriors and a marina. You get steel wires that whistle and whip in the wind, pipes and cavities resonating in the gusts. You get ambiances and a few specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts. This collection picks off where Urban Winds left off.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas.
In some of the recordings, you will hear wind buffeting – more of the windscreen than the microphones – but there is some. In some cases, I opted to tame the most violent events, but others I left in. In many cases, wind noise reduction simply took away too much of the forcefulness, so I left it as is.
Some specifics appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Aarhus, Denmark.
Various recordings made through several inner-city winters. This collection includes a diverse range of rain recordings, ranging from light to moderate & heavy rain. All recordings were done between 3am and 5am to minimise the intrusion of traffic noise as much as possible.
All sounds were recorded using the DPA 5100 and Sound Devices 788T.
Useful Winds contains 17 decoded ms recordings of various types of wind, both interior and exterior. From a mild breeze through an Irish field to a storm gale atop of a Spanish hill, the library delivers a vast array of windy goodness. Recorded with Schoeps mk4/mk8 & SoundDevices MixPre-D.
MAFX019 Volcano is a collection of unique sounds recorded in Ethiopia’s Afar region at Erta Ale volcano. Erta Ale is one of only a handful of volcanoes with lava lakes in the world, situated in the Danakil Depression, one of the hottest and most inhospitable places in the world. The name means Smoking Mountain in the local Afarigna language and Erta Ale does not disappoint in this regard, as you can see in the video. This place is also known as the Gateway to Hell, an appropriate moniker given the 47C/117F temperatures and lots of dead fauna we encountered.
There were only a few lava pits when the library was recorded but plenty of continuous and violent toxic gas releases. Occasionally the ground would move creating low frequency rumbles and debris falling. I had to use a long boompole in order to suspend my trusty MKH8060 over the edge and I improvised a spaced omni array by taping the MikroUsi mics to a video tripod ballhead. The expedition wasn’t 100% risk-free but it was more than worth it for these beautiful sounds.
These sounds were recorded over 3 years in southern Australia.
It comprises ambience and atmosphere recordings of beach waves, forest streams, rivers, a dripping cave system and even a sewage processing plant (The Poo Machine!!). There are also Hydrophone recordings of urban swamp insect life, jetties and water treatment systems. Many of the recordings offer multiple perspectives of the same subject from close up to distant.
They were all recorded using Sennheiser, DPA, Sanken and Soundfield Mics as well as a pair of Hydrophones. All recorded into Sound Devices 788 or 633 recorders.
The recordings were mixed to stereo with minimal post processing.
Most files are loopable. And great care was taken to record clean sounds that are useable in an edit.
I hope you enjoy and find these useful for you projects.
The Beach sounds were recorded on the Mornington Penunsula in Victoria Australia. The waves range from gentle currents lapping at the sand to heavy surf waves. Different perspectives from close to distant were recorded to give greater flexibility when editing. These were recorded using a pair of supercardioid mics.
The cave recordings were captured at the Yarrangobilly caves in the Kosciuszko National Park, they feature a continuously dripping soundscape. The entrance to one of the caves is a large cavern with part of the roof caved in. In this space birds dart around and water drips. Further into the cave there is just the continual dripping of water. These were recorded using a spaced pair of Omni mics to give a sense of space and a centre hypercardiod to pick some detailed drips.
Also captured at Kosciuszko National Park are some recordings of rain and wind gusts through trees. I was able to place the microphones and recorders into protected rock formation and leave them recording for hours on end.
A pair of hydrophones was used to explore an urban water treatment project at the Trin Warren Tam-boore (Bellbird Waterhole) The wetland has been designed to treat water from the surrounding area through natural biological processes. It provides water to irrigation systems for the Royal Park Golf Course and other sporting grounds in Royal Park.
I was able to record pumped water flow as well as a symphony of underwater insects. The insects probably included Backswimmers and Dragonfly larvae, often called ‘mudeyes’, amongst others.
The streams and rivers were recorded in both country New South Wales and Victoria. Most of these recordings were captured using Soundfield Microphones, the ST450 Mk2 as well as the SPS200. There is a variety of fast flowing, gentle, close up and distant. As well as a ’study on fishing from a tin boat’. No fish were caught.!!
And finally a machine. A sewage treatment plant gives us a great slopping, mixing sludge sound.
I hope you enjoy these sounds.
This collection features a wide selection of wet sounds recorded over many years. Including over 5 hours of high quality recordings: streams, rivers, waterfalls, hydro electric power plants, ocean waves, lake atmospheres, water scenes, boat scenes, car scenes, rain, thunder storms, hail and also dripping and trickling close perspective sounds. Locations all over Norways coast, islands and inland including a few mountains.
Torrential rains, soft trickling mountain streams, breaking waves and gushing waterfalls!
Also including unique recording of spring melt ice floating down a mountain river 1000 masl., a couple of start to stop thunderstorms, and water dripping on, listening from within, a wheelbarrow.
Bonus content: Mini Icelandic hot spring pack, including: Geysir (Strokkur) eruption, Hot bubbling water/steam and mud.
An interior wind collection is a must-have. It howls and it hoots through the recess of a door or a window.
This is your exterior wind collection, mainly recorded outside with a wind trap. You will be surrounded in your editing room by blowing, fresh air.
Wind Elements – Interior is 75 minutes/2.43 Gb of howling, blasting and fluttering wind, recorded from inside various buildings. 90 separate files – recorded in 24bit/96kHz using Sennheiser MKH & Primo EM172 microphones, and mastered in X/Y stereo.
This collection is the bigger, badder sequel to bestseller Howling Winds – Interior, with more of everything: fresh recordings, more types of wind, more locations and just more variation.
Everything from violent blasting and howling, to gentle, caressing wind. Some with sleet and rain, cracking and creaking of window frames and roof materials, others with faint sound of rustling leaves or urban buzz.
You get both long ambiances from various locations, as well as plenty of short files to sweeten up your mix.
Some sounds have been eq'ed aggressively to enhance the feeling of being indoors, but very little processing has been applied otherwise. You'll hear a bit of hiss here and there; I left it in because I felt noise reduction would take away too much character in those specific cases.
• In Wind Harp, get an expansive collection of musical winds from the mountains of the American Southwest. Hear singing wires brought to life by 30 mph gusts and desert winds meshing perfectly with musical drones. Hear blustery blasts whipping through mountain valleys and scrappy desert foliage rustling frantically. Hear dancing grasses strike fretboard strings, pinging rich melodies with each swaying stalk.
• To record this library an acoustic guitar was transformed into an aeolian harp. I hope this library gives you a chance to hear the wind in a way you haven’t heard it before. Enjoy listening to the natural music of the wind as it sings on long thin wires
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
Wind In Broadleaf Trees is a collection of recordings focusing on wind through broadleaf trees. Recorded in a Swedish forest in October it is representative of the most common broadleaf trees in Europe and other areas with a temperate climate.
In this collection I wanted to capture evocative and emotional wind sounds, from the soothing and relaxing soft winds, tense moderate winds, dramatic strong winds and the transitions between the different emotions or speeds of wind.
The collection was recorded at 24 bits 96Khz with an A-B stereo setup. It contains both longer files, with two minutes and more in length and shorter files edited to be a seamless loop. The files also come with embedded metadata.
Here are ambient and specific recordings of rustling leaves, fluttering twigs and creaking trunks. Pine and Fir trees, Beechwood hedgerows and leafless Oak trees, along tall grass and reeds. All in all, a collection representative of the cultured landscape in Denmark, as well as much of northern Europe. I was lucky enough to record a storm during the last days of 2016, and those sounds are of course included here. No human voices or man-made sounds, but a few of the sounds have bird vocalizations in them.
The focus is rather narrow, going for many nuances of the same flavor – rather than many flavors. If you need sounds of a storm or gale in northern European vegetation, then this should fit the bill. Note that there is audible buffeting in several files. I opted to leave it in there, as it might suit some purposes, and let me keep the most violent passages. You can try your luck with noise reduction, but since wind is mostly broadband noise anyway, it might not turn out well. YMMV.
A few sounds appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Denmark between October and January.
Wind Textures features blowy and breezy ambiences, both in urban and rural areas as well as outdoor and indoor perspectives.
This is the windmills sound effects archive from Morten Green Sound FX
27 soundfiles of totally 62 minutes of sound in 96 kHz 24 bit.
The windmills recorded in this archive are 6 old 45 metre tall windmills, generating electricity on the coast of the small Danish island Orø. They are rather old and worn out, so they generate a lot of interesting noises, especially when you get very close to them.
The structures are from metal, bolted into a concrete foundation with small openings, so you can actually get the microphones underneath the reverberant structure itself, for sounds from inside the windmills. The blades are made from glass fibre and pretty worn, so they give a lot of nice whistling noises.
There are recordings from many different distances to the windmills, ranging from 150 m to right underneath the windmill structure.
Most of the sound files are more than 2 minutes in length.
A larger focus on wind – with trees, brush, crickets, and other sounds often included. There are also plain wind sounds recorded on exceptionally quiet wilderness winter nights that can be layered over most every project for several minutes or longer. Additionally includes some branches breaking in high winds and rain patter.
Many years of trekking in the Dovre mountains (Dovrefjell) at heights from 900 to 1200 masl. and temperatures reaching down to -20°C, has led to many unique recordings.
My main goal when on Dovrefjell was to capture the “sound” of the harsh climate that dominates up there. Subsequently it was hard to avoid the ever restless wind. But it can be quite tricky to capture the sound of wind (or rather the sound of wind on or through objects) and there are only some “sweet spots”, in this vast high altitude climate scattered with rocks and tiny trees, that will generate a good recording.
These recordings were done crouching behind rocks, on cliff sides, on top of summits, behind weathered shelters, old mountain farms and bushes. Partially freezing my hands of, operating recording equipment.
ROARING, GUSTING, WHISTLING, HOWLING AND MORE – THE ULTIMATE WIND SOUNDS LIBRARY
WINDS OF NATURE is the second SFX library from our series of absolutely stunning nature recordings by Emmy-winner and nature recording genius Gordon Hempton covering a vast variety of wind sounds. Hempton has searched the globe for more than three decades to record nature at its most pristine. We are proud to be the exclusive distributor besides Gordon’s very own company QUIET PLANET.
TRUE WIND SOUNDS – NO ARTIFICIAL SOURCES
This collection of 130 carefully recorded wind sounds captures a full range of intensities from zephyr to raging storm in natural settings and built environments. These recordings sound different than those in other sound libraries which use artificial sources. We offer a nuanced collection of true winds with details like the rustling of leaves, the whistling hiss of pine needles and the deep roar of expansive deserts.
CATALOGUED IN DETAIL FOR YOUR CONVENIENCE
These details facilitate richer, subtler and more intimate and evocative sound design, thus more compelling listening experiences. Metadata include: Type of substrate, geographic location, intensity, plus suggestions on using particular sounds to achieve the best results.
This Library is also part of The Complete Quiet Planet Bundle.Libraries from Quiet Planet are covered by a special EULA - read it here.
Windy forest is a collection of forest ambiences with wind ranging from soft to strong. We spent two stormy days out in the deep forests of Norway and managed to capture a wide variety of wind sounds. The recordings are nearly 100% bird free so they are very usable internationally.
49 unique winter sounds with over 55 minutes of playtime – including sounds such as footsteps, wind, winter sports and many other like glacier sounds or flowing stream in the snow. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.
Ahoy Mateys! Step aboard the finest sailing ship sound effects library in the land.
Whether you’re working on an exciting Pirates of the Caribbean style video game or a relaxing sea-faring romance, the hours of exceptional background loops and additional cutting edge ship sounds contained within this sound pack will set your project on a course to excellence!
EXPLORE AN ENTIRE SHIP
Whether your adventure takes place in the MAIN DECK, CABIN, BELOW DECK, atop the CROWS NEST, in a MEDIEVAL PORT, or on a DISTANT SHIP in the HIGH SEAS we’ve got you covered! Each ambience contains MULTIPLE VARIATIONS, ALL-WEATHER CONDITIONS, and MULTIPLE INTENSITIES to cover every part of the ship, on the rough and calm seas, this sound effects library is perfect for every situation you need.
A JOURNEY TO REMEMBER
Our expert team of sound designers has meticulously crafted each ambience into CONTINUOUS, NON-REPETITIVE, DRAG AND DROP-READY LOOPS that will serve as perfect background audio for your game, film, animation, live event, or even as relaxing background audio! We have even included FULL and SIMPLIFIED MIXES, ISOLATED WEATHER, OCEAN and WOOD CRACKING versions, SHORT and LONG non-repetitive variants, and numerous other options for your convenience!
With FREE UPDATES, FOREVER! and FREE BONUS AMBIENCES: MEDIEVAL PORT and isolated, SEA, SAILS, and FLAG FLAPPING, Ship’s BELL RINGING, WEATHER, and WOOD CRACKING SOUNDS, all supplied in industry-standard Hi-Rez WAV and Hi-Quality MP3 formats, there’s no better time to set sail on the high seas with this ONE OF A KIND sound pack!
So what are you waiting for? Take command of this UNIQUE library and begin your journey on the high seas today!
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