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Home Environments & Ambiences Weather Sound Effects Page 4
Weather sound effects and recordings, including rain, wind, thunder, storms and lightning
Rain is 4 hours / 7.74Gb of rain on many surfaces.
113 separate files – recorded in 24bit/96kHz. All sounds are UCS-compatible.
Rain is a library of sounds collected since 2011. It features rain recorded as ambiances or beds and as specifics. For me, rain is the same as wind:
if it sounds like white noise, it isn’t interesting. Just like my wind recordings, I have recorded rain where it hits something that makes a distinctive
sound, something with a bit of character, rhythm or feeling.
Over the years, I have recorded rain in M/S, A-B stereo and mono. I have used condensers and contact mics. All of that is represented
in this collection.
Some of the recordings exist in both original M/S versions, as well as the decoded results (XY). In this way, you can get ready-to-use stereo,
or get more control of width (or just the mono signal) with M/S. A few of the sounds were only recorded in mono, and I have left them in as such. They are quite percussive and close-up anyway, so may be used as elements. You also get several seamless loops.
You will find rain on man-made materials, as well as vegetation, and even a couple of rain recordings from Sri Lanka and Tokyo. These have been released previously in their own libraries, but I thought they were both interesting and generic enough to do some good here as well.
Four types of heavy, howling, whistling wind with gusts and slowly evolving intensity. Type 4 has some otherworldly and alien character. Lots of variations with around 88 recording time of howling winds. Could be used to recreate wind gusts, hurricanes, typhoons, high altitude or winter atmospheres. To have even heavier sound try to pitch it down a bit.
Low-price. High-quality. Essential.
A collection of 100 rain sounds of various intensities and on different surfaces, including rain, hail, thunderstorms and seamless background loops!
The sounds are fully compatible with the Universal Category System (UCS) – a public domain initiative establishing a standardized category list for the classification of sound effects.
Note: All of these sounds (and more!) are included in the 96 General Library (get 3,000+ SFX for FREE!)
This library comprises ambiences recorded from inside a sea shell/conch in various settings as city streets, nature, waves, traffic, walla.
Discover distorted realities from the sea shell, the sounds are filtered, occluded by the natural shell, an organic resonator.
In addition there are few sounds that are created by blowing inside the shell and making a note, which is a traditional Inca instrument (Pututo).
WHAT’S INSIDE:
25 stereo files (15 ambiences + 10 Shell Blowing note)
Back Alley Rain is a collection of 20 rain & thunder sound effects.
Light/medium/downpour rain, aftermath, drips, muffled thunder and more
The collection consists of 20 carefully mastered and rendered rain ambiences with baked-in Soundminer’s metadata.
All sounds (with one exception – see metadata) loop seamlessly which makes them perfect for games, meditation apps etc.
All sounds have been created and processed using top tier gear in order to deliver crisp, modern, error free sound.
RECORDED WITH: Sony PCM D100
EDITED WITH: iZotope RX, Pro Tools.
Second episode of our journey to Moscow, Russia, but this time – during summer and autumn
We recorded the most interesting sonic atmospheres, such as wet and dry traffic, streets, singing birds, wind in the endless parks, fountains, construction work, yelling children, rain and thunder, suburban villages, crowds and many more.
To capture this sound palette I made another stealth recording kit, but now, using LDC (large diaphragm condenser) microphones. This has improved the sound quality and made the recordings even more detailed, to continue creating the largest sound library series about Russia.
KEY POINTS:
The Wind Foliage & Vegetation sound effects library are 23 files of wind passing and blowing through plants, trees, grass straws, and wheat fields, recorded in remote forests and fields in rural Sweden and Denmark.
Common for all files are that they are focused around capturing the more close up sounds of the vegetation moving and interacting in the wind.
Wind can be a tricky thing to capture with an audio recorder and a set of microphones. Sometimes there is just not enough wind to make the recording very exciting, sometimes, especially these days, takes are being ruined by distant traffic, planes passing by etc. Another problem with wind in foliage is that many times the constant rustle of leaves will make the recording sound like constant white noise.
By placing the microphones on the actual grass and wheat straws, much of the white noise effect is removed, because of the sound of the actual straw is more present. The same result is present when a parabolic dish and microphone is used.
These are the preferred methods used in all 23 files in this sound library.
This is a unique mini-library of useful rain loops, recorded in various settings, and with different level of intensity.
Get creative or just use them as is. These sounds are a nice companion to have when creating beds for rainy scenes. Evocative, emotional, rich and subtle.
• Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I’ve been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.
• Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you’ll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.
• Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.
• The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
Looking for sounds that make you want to grab a warm blanket and stay inside? This collection has thunder and rain recordings collected during window-shaking storms from 2012 to 2015.
Most sounds are recorded in Helsinki, where summers contain a few weeks of hot weather accompanied by dramatic thunderstorms.
It also features a hot, violent storm captured in France that lasted several hours.
With recordings that last from 13 seconds to over a half hour, you're sure to get all the drizzling and cracking thunderclaps you're looking for!
Wind recorded in urban and nature environment in ambisonic audio format. See the track list for info.
tech note:
Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;
Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer included) and Sound Devices recorder. All channels matched with pink noise generator.
Stereo files rendered via Reaper/Ambeo (Sennheiser), A to B format converter (Ambix) and they are ready to use.
RAW files are 4 Ch. original Sound Devices files (A format). You can import them to Reaper and with Sennheiser Ambeo plugin
here is free download link:
https://en-us.sennheiser.com/ambeo-abconverter
you can then manipulate in 360º audio image to get sound image/source to your taste/need/application.
1h 04 mins of stereo/rendered recordings ready to use, total time 2h 13 mins, metadata tagged.
DESCRIPTION:
• Alaska: Rain has the vast, beautiful crackling of arctic thunderstorms. Hear soothing rain deep in the boreal forest. Hear massive post-rain drips plopping and the musical call of Swainson’s Thrushes singing in the rain. Hear thunderclaps that ripple across glacial valleys and the soothing noise of a million raindrops on cottonwood leaves.
• This library offers you a large collection of arctic rain. I hope you enjoy listening to the natural music of the weather as it sings through the boreal forests of Alaska.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
'Rain in the City' has 70 files and more than 3 hours of recordings of light rain and storms in the city. This collection includes both indoor and outdoor ambience recordings from the 9th floor of a city building, within a vehicle, and on the street. There are also recordings of rain drops from the roof and drip cap, as well as rare recordings of a hail shower, flowing rain water through drain pipes and storm drains, and rain onto umbrellas, a car, and metal surfaces.
Gear Used:
• Neumann 185 MT stereo matched microphone pair with Sound Devices 702 recorder
This sound library consists of more that 4 hours of forest wind quality immersive stereo recordings, around 20+ types of winds. Strong, moderate and light. Summer winds in taiga forest with leaves on trees. And non-summer winds through trees without leaves or with dry leaves. In some recordings you can hear tree squeaks or creaks, branches hitting each other or dry leaves rustle. But no birds sound, only wind. Wav 24/48kHz and 24/96kHz.
A wind collection containing exteriors with objects and foilage, interiors featuring structural stress and wind tones, various materials foley and designed winds.
Sounds from a town covered in fresh snow
I woke up on Sunday morning here in England and pulled back the curtains to see a town covered in snow. So I got my winter clothes on, grabbed my digital recorder and spent the whole day in the town, recording all the snowy wintry sounds I could find. This pack is the results. The pack consists of some general ambiences, some snowball hits, footsteps, ice in a barrel being chipped, a snowball fight, cars driving and struggling in the snow and much more.
There are WAVS and MP3s supplied.
Urban Rain is a sound library that delivers 50 city rain sounds recorded in 96 kHz/24 bit, with Soundminer and BWAV embedded metadata. The library contains various types of rain at different intensities, from very light to downpour. Several thunder claps and rumbles are present as well. Locations are as follows: a terrace, a balcony, a backyard, several streets, a rooftop, a garage, inside a car, a loft (from inside), Chelsea FC Stadium and two patios (interior). All files have been recorded at night so human activity is minimum, although you will hear a tiny bit of traffic rumble in the background.
The library also includes 8 Ambisonics files (B-Format, both in FuMa and ambiX, along with a downmix in stereo) and other sounds related to water in the citylife, such as pipes, a drain and a gutter, which are loopable. By using the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 7.1).
Descriptive markers have been added to several files to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
The total length of the library is 200 minutes.
Gear used: Zoom F8, Sennheiser Ambeo, Sony D100.
UCS compliant metadata. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, RecMedium, Microphone, Designer, Manufacturer, Keywords.
Wind ambiences is a collection of mono, stereo and surround recordings ranging from light breeze to powerful storm. Cold and tonal gusts, detailed swirling and strong buffeting wind. It’s more than 2.5 hours of material full of character with a focus on a cinematic sound avoiding birds or man-made noise. All files are carefully tagged with metadata and have thoughtful UCS-compliant file names.
Check out Interior Wind to get an indoor perspective too.
We used a double NOS setup, with Sennheiser microphones and recorded in various conditions, including choppy, gusty, whistling, howling, calm, airy, swirling, and more. The slightly wider placement in NOS compared to ORTF helps to diffuse the less tonal wind characteristics.
Most of our recordings were made during winter, when the barren trees provided a tonal quality that allowed the wind’s characteristics to stand out without being overpowered by noisy leaves. We included both very tonal and more noise-based layers in the collection, making it easy to create layers and control the ratio between them. We also added nine variations of expressive mono recordings that were captured in close proximity to sticks and other debris, creating tonal resonances that sound beautifully natural and full of character.
We have given careful consideration to the file naming and metadata of the collection, keeping filenames short and concise while providing extra information in the metadata to help narrow search criteria.
• Quad NOS, Stereo NOS and Mono
• 96 kHz / 24 Bit
• 39 files with an average length of 4 minutes
• More than 2.5 hours of material
• Detailed metadata and file naming
DESCRIPTION:
• In Alaska: Wind, get an expansive collection of forest winds from the pristine wilderness of Alaska. Hear the power of the Alaskan Range as gusts whip down from the high mountains. Hear blustery blasts whipping through the birch and cottonwood canopy and scrappy tundra spruces straining to stay vertical.
• This library offers you a large collection of arctic wind. I hope you enjoy listening to the natural music of the wind as it sings through the boreal forests of Alaska.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
Want the sounds of urban rain storms, gutters, drains and wet traffic? Surround In the Rain features 30 HD 24bit/48khz 5.1 Surround Sound Effects with exactly that. Recorded with discrete Quad microphones, and mastered in 5.1 surround (L-C-R-Ls-Rr-Lf Embeded .WAV format). Recording locations are all from center perspective to create the widest possible sound, and a stereo version of each cue is included, as well as embedded metadata. Want a taste of what's included? Download the 5.1 Surround Demo file here and try it out on your own system! From veteran Hollywood Sound Designer Lenny Jones.
A collection of various objects moved by varying strengths of wind.
Textured and tonal friction, scrapes and squeaks, erratic rattles, knocks, taps and vibrations.
Perfect or adding background elements to eerie, deserted, abandoned environments and atmospheres.
Recorded at various locations with Sound Devices Mix Pre recorders and microphones include LOM Geofon and Usi’s / Stille and Klang Contact Mics / DPA 4060’s / Sennheiser MKH 8000 series mic’s
Files are stamped in Soundminer with detailed UCS compliant metadata.
Rain recorded in ambisonic. Check the sound list for info.
RAW files + stereo rendered files. Recordings without any dynamic manipulations (Eq, compressor, limiters). Max. peak level at -5dBFS.
tech note:
Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;
Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer included) and Sound Devices recorder. All channels matched with pink noise generator.
Stereo files rendered via Reaper/Ambeo (Sennheiser), A to B format converter (Ambix) and they are ready to use.
RAW files are 4 Ch. original Sound Devices files (A format). You can import them to Reaper and with Sennheiser Ambeo plugin
here is free download link:
https://en-us.sennheiser.com/ambeo-abconverter
you can then manipulate in 360º audio image to get sound image/source to your taste/need/application.
Do you want to add some tension with thunder sound effects? Are you looking for immersive rain? Do you need perfect loops of rain in your game?
'Rain and Thunder' is a collection of high-quality sounds recorded over a timespan of several years at different locations with a Mid-Side and XY rig. This sound pack contains variations of rain: soft, hard, under metal, under plastic, on top of plastic, and with and without thunder rumble.
This pack is guaranteed to immerse the listener with the pattering drips of water and the roaring thunder!
All sounds included are tagged with metadata (keywords and description) for use in Soundminer/Basehead, etc.
Whistling, fluttering and buffeting wind recorded indoors
Interior wind is a collection of pitched tonal howls, steady breezes and dynamic powerful gusts in stereo and surround. It’s full of whistling, fluttering and buffeting wind recorded indoors. It has more than 3 hours of indoor wind ambiences from houses, apartments, cabins, halls and a car. All files are thoroughly and carefully tagged with metadata and have UCS-compliant file naming.
The library is a great addition to Wind Ambiences.
Characterful wind without man-made sound or birds
It’s a collection of wind from an inside perspective made with years of patience waiting for the right storms to come along while finding different locations with their own character.
Pure singing wind and creaking houses
Mostly recorded at night during the cold winter, the sounds are isolated wind through cracks, crevices, wind shafts and slightly open doors or windows. Some with the structure creaking and moving, others just howling tones. Others are the powerful sound of wind pushing against the wall or roof, adding pressure and buffeting.
Great variety and many locations
One of the locations we went to was in a house placed under a 120 meter (394 feet) tall power line. The power lines would resonate with a very low and ominous howl while the pylon would emit a specific note when the wind came from the right direction. Another recording session was done in a small wooden cabin in rural Denmark with all walls moving, creaking and making cracking sounds. Others were recorded in apartments or more traditional houses in rooms and attics.
Getting control of the wind
We would look at the wind direction and open windows and doors on the other side of the house to stimulate air flow and record through the tiny cracks. This way we got some control and could play with the tones and force of the wind.
Recording techniques
The surround files were recorded with an IRT Cross in surround while the stereo files range from XY to ORTF depending on the source.
Everything was recorded with MKH50 microphones on a Sound Devices 744T.
Close, Medium and Distant recordings
The collection has variation in distance to capture both the creaks and movement in the room while others are recorded in closer proximity to isolate a detailed howl or whistle.
UCS naming and metadata
We have given careful consideration to the file naming and metadata of the collection, keeping filenames short and concise while providing extra information in the metadata to help narrow search criteria.
• Quad IRT Cross and Stereo ORTF
• 96 kHz / 24 Bit
• 42 files with an average length of 4,5 minutes
• More than 3 hours of material
• Detailed metadata and file naming
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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