Environment recordings, ambiences and soundscapes – from all over the world, and beyond
Get a wide range of versatile electric and mechanic motors, engines, tools and toys in the “Electro-Mechanics ToolKit” Sound Effects Collection features.
The SFX library features many different grinders, drills, screwdrivers, buzz saws, sanders, kitchen tools, electric and mechanic toys, CD-drives, doors, and much more. All waiting to be cut up, layered, edited and mangled with FX to become spaceship engines, robot movements, sci fi doors, weapon mechanics and anything that moves by electricity.
This library is not meant to be a comprehensive tools library, but rather a composite toolkit to bring life to futuristic electro-mechanic machines, devices, weapons, vehicles and more.
All sounds in this pack were recorded with up to 4 mics and mixed to give a full and rich sound. All cleaned and edited for direct use in your productions.
This library has a unique selection of electromagnetic sounds, recorded and edited with the utmost care.
Includes over 600 sounds, 200 raw stereo 24Bit/192kHz recordings of more than 40 different electronic devices and industrial machines. Only the most interesting have been selected for this collection.
Perfect resource for SCI-FI sound design, weapons, spaceships and many more. Recorded with extended frequency range, which allows drastic pitch changes and offers extreme ease of handling.
Inside you’ll find different kinds of Noises, Glitches, Whooshes, Passbys, Beeps, Mechanical Movements, Hum, Buzz, Clicks, Crackles, from simple smartphone to carving machine or laser engraving machine, eco-solvent printer, cutting plotter, touch screen terminal and more.
Includes embedded Soundminer metadata.
Elements: Ice is a collection of ice sounds recorded and edited over the 2015/2016 winter by George Vlad. The library is made up of more than 1500 individual ice sounds including cracks, creaks, hits, impacts, smashes, drags, stomps, splashes and water under ice ambience. The sounds have been recorded over more than 4 months in Romania and Scotland at temperatures ranging between -25C/-13F and 5C/41F.
The library’s most obvious use is as Foley elements since it covers a wide variety of ice thicknesses and performances. As is the case with other libraries in the Elements series, these sounds can also be used for other purposes such as gore sweeteners, glass or wood cracks, bone breaks etc. Additionally, all files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
• 89 .wav files ranging from 3 seconds to 8 minutes long; more than 1500 sounds in total
• recorded and presented as 24 bit/96 kHz mono files
• 1 hour and 26 minutes total length
• 1.59 GB uncompressed size – 1.09 GB zip archive
• recorded on Sound Devices 633 with Sennheiser MKH-8040 microphones and Sony PCM D100 with on-board mics and JrF hydrophones
• comprehensive metadata compatible with Basehead and Soundminer
An library of elevators! From your standard elevator to EWP, platform elevator, large industrial lifts, one of the largest elevators in Europe and an old elevator from the early 1900s. Hear them pass by, listen to room tones, button presses, door movements and more! Everything recorded in Stereo, 96 kHz 24 Bits with Neumann KM184, DPA 4017 and Sennheiser MKH50 on a Sound Devices 633. Total 46 files in 625 Mb.
This is a selection of more than 30 different elevators, displaying a broad variety in sound. The whole library was recorded in 192 kHz (with Earthworks QTC50) as elevators often have high pitched metal sounds, squeaks and electrical hum up there, which makes great material for extreme pitch shifting. In addition to the omnis, which get you a very accurate impression of the space, a harsher, more direct pair of microphones were used in m/s on a lot of recordings. You could even build a surround version from these mics together.
The library focuses on the most important sounds for games and movies, elevators going up & down as well as doors sliding open and closing. Besides, I recorded atmos, buttons and footsteps wherever possible. I also added some studio foley takes to add a selection of rattles, squeaks, metal impacts, doors etc. to create the exact elevator sound that suits your needs.
The elevators range from a 1929 wooden paternoster, metallic freight elevators/goods lifts to a 90s futuristic Kone disc drive and 2015s all-glass cabins. Carrying a maximum of 2 people to 33 people. Recorded in universities, offices, hotels, warehouses, industry, town halls, private households, malls and many more.
The meta-data allows you to sort by year, kg, people, brand, action and of course character.
You like to hear it rattle, squeak, groan, grind, slide, clatter and hiss (yeah, lots of fan noise)? This is one for you.
A great add-on library for anyone looking to expand their weather sounds. A collection of recordings made during travels in Iceland, Sweden, England and France. A couple surround versions as well as stereo versions of rich and moody winds across plains and through leaves, plenty of interior winds through window gaps and chimneys, and water in several forms; rain, bubbles, geysers and more.
Empty City Rain is a collection of 12 rain & thunder sound effects.
Drippy gutters, peeling thunders, rumble, downpour, light & medium rain, puddles, rain on trees, aftermath, distant city presence and more.
Collection consists of 12 carefully mastered and rendered rain ambiences.
All audio clips loop seamlessly which makes them perfect for games, meditation apps etc.
All SFX have baked-in Soundminer’s meta data
Download includes additional 44.1kHz 16Bit version for Unreal Engine.
RECORDED WITH: Sony PCM D100
EDITED WITH: iZotope RX, Pro Tools.
From a large hotel, with lobby, halls, hallways, parking, bedroom
Originally recorded Quad Surround, here is the stereo version of it
Need the sounds of a deserted school? This library delivers a range of room tones from empty corridors, cellars, staircases, toilets and dining halls – featuring ventilation sounds and heaters humming in empty halls during the Christmas holidays.
This library gets you 130 minutes of stereo recordings from an intense off-road motorcycle racing event, captured on a late autumn day with ideal weather conditions.
Two-stroke and four-stroke engines compete together. The race track is about seven kilometers long with a high difference in elevation. The library features sounds such as race starts, test laps, roaring passbys, struggling engines as the bikes go up and down the hills, single bikes and groups + lots more sounds from the event.
150,000 people protesting the importance of climate change.
This library includes general walla, crowd reactions, applause, angry reactions & chants.
All sounds were recorded using the DPA 5100 and Sound Devices 788T. This library is available in stereo or 5.0 (5.0 package contains stereo mix downs as well).
Welcome to the Essential Stadium Crowd sound effects library: All the crowds, back room ambience and practice tracks were recorded at the Phoenix Cardinals Stadium, pre/during and post game. I had the opportunity to have a press pass and free reign in the stadium.
Some of the recordings were recorded way up high in the upper bleachers, and some behind the end zones, as well as other interesting places. There are significant differences in the locations and the ‘thickness’ of the crowds. With this library, you should be able to fill out any sort of large sports arena ambience, as I’ve edited out most of the PA Announcer to give more of a general stadium feel that could be anywhere, and any major arena sporting event. The PA that is left in can easily be edited out.
All the sounds were mastered in Pro Tools, with very transparent processing going on. My signal chain consisted of a C4 Compressor, DMG Equality EQ, and a L1 Limiter. All reverb is natural.
Get the sounds of New York City, as captured by sound designer and recordist Rusty Dunn. The Essential New York City library includes recordings from locations like Manhattan, Coney Island, Brooklyn and more – and it packs recordings like ambiences from Times Square, Playgrounds, Central Park, the Subway, Sidewalks and streets around NYC and more. More than 2 hours of recordings are included.
In this sound pack I’ve included an in-depth selection of active ambiences. This library is focused more on the natural ambience of both busy main streets and calmer side streets.
Most sounds were captured below 110 St. and prominently in the Lower East and West Village. There are a multitude of police and firetruck sirens at varying distances as well as some not so common areas like the Intrepid Pier and the Hudson River Heliport ambience.
I’ve also included some extensive subway rides. All boring bits were edited out for a strong final product. There are multiple train rides with various levels of walla and PA announcements.
One thing that is very common in NYC during the summer months are the rain and thunderstorms. I’ve included a number of wet traffic, distant thunderstorms and heavy rains.
All in all this is a good representation of New York's streets and subway systems.
This library was compiled over the course of 5 years with 3 different recorders (Sony D50, Zoom H6 and Roland R07). The Roland was used in stealthy situations because of its size.
This collection of tracks depict the sound of traffic, both near and far, with the (seemingly) constant hum of the Los Angeles helicopter. There are plenty of those in these recordings, as well as a good variety of locations and situations. I believe this library represents the actual sound of Los Angeles in a general sense.
All tracks have been mastered in Pro Tools, with light compression to even out the bumps, and use EQ here and there to hide the rumble and calm the hiss. All bumps and unwanted noise has been edited out for the best result.
I hope you appreciate this collection, as I’ve used all the tracks myself. In most cases, these sounds have been bolstered and mastered for a fuller, more interesting sound.
All tracks have full metadata implemented for a clear and concise explanation of each track.
Recorded throughout 4 parts of Italy (Rome, Naples, Positano, Tivoli Gardens), the 3 hours and 45min of material gives you a large variety of sound to choose from.
Every city/town has signature sound of its own. The constant hum or “Din” of a city varies. Rome is known for its many scooters, motorbikes, and church-bells.
This library is made up of various location Dins, and small side-street ambience.
Of the 60 tracks, a majority are over 4 mins. and some are 5 min in length. There are sections that rival others, but overall there is a large selection to pick and choose from.
Of course I've edited out all the rough areas, and material of no consequence (the boring bits) to tighten and heighten the clips, and make them sound interesting.
The processing used is minimal. DMG EQ, C4 Compressor, and a little noise reduction in some cases. Mostly very transparent processing. There may be a moment or two where there is a wind bluster, but because of the nature of the track, I chose to minimize instead of chop out.
Ethiopia is a unique collection of 62 sounds recorded through central and northern part of Ethiopia during a period of holly festivities.
All these sounds has been recorded and produced with high quality equipment.
This library provides authentic and interesting sounds, recorded with DPA, MBHO and Neumann mics powered by an Aeta 4minX.
All Faunethic tracks includes metadata carefully edited, compatible with Soundminer, Soundly and Basehead.
The Eurasian Cranes sound effects library gets you the sound of almost 1500 Eurasian Cranes (Common Cranes) singing their song at the same time. It features 13 stereo wav files and nearly 70 minutes of these unique recordings.
Take a sonic journey through Amsterdam, Paris, Rome, London, Stockholm and Berlin with this characteristic collection of immersive atmospheres. European Capitals is an exclusive specialty library featuring nearly 20 hours of authentic city ambience recordings for an array of scenes in European life.
Recorded by award-winning sound designer Ken Skoglund (The Duel, Fire With Fire), with the assistance of Anna Bertmark and Eric Eklund, the European Capitals library pristinely captures the essence of six major cities. Each surround ambience transports your audience to iconic and everyday locations – from the Louvre museum in Paris to a small pub in Amsterdam and beyond. This library delivers walla sound effects in various languages, public places, train announcements, boats and dock ambience, traffic, birds, and many more location-specific sonic indicators.
Sounds for each city are delivered in both 5.1 Surround and Stereo. Each sound file is embedded with descriptive metadata including a photo from the exact recording location for your reference. Grab the whole collection, or select a specific city to drop straight into your project.
Ken Skoglund: Recordist (Berlin, Rome, Amsterdam, Stockholm, Paris)
Anna Bertmark: Recordist (London)
Eric Eklund: Recordist and photographer (Stockholm)
Arno Verstappen: Assistant Editor
Ronnie Lundquist: Photographer (Berlin, Amsterdam, Stockholm)
Anton Söderhäll: Photographer (Rome)
Odd Hagel: Photographer (Paris)
Joss Albert: Photographer (London)
European mountain forest: animals and soundscapes – sound library with more than 4 h 56 mins of recordings. In total 8,97 GB, 193 files of high-quality recordings. Ambiances and textures of woodlands, meadows, bush-lands, mountain slopes, etc. Animal sounds/vocalization, individual clean recordings (see tracklist) with scientific names included in the metadata description chunk. All recordings are captured in pristine nature in: morning, daytime, night time and all year round. Recordings are free of noise pollution and air traffic, ready to use in your project. This library may be interesting to sound designers working in the game industry for making more realistic worlds or even for those working in nature history documentary production. Here you can find ambiances and other possible sounds missing from original footage (often the case with telephoto lens shooting). Among nature soundscapes, dawn choruses, nocturnal recordings here you can find sounds of European gray wolf (Canis lupus), Brown bear (Ursus arctos), Red fox (Vulpes vulpes), Red deer (Cervus elaphus) and many other woodland mammals.
Black grouse (Lyrurus tetrix) , Western capercaillie (Tetrao urogallus), Woodpeckers, Nightjars, Owls and many other woodland birds are included too.
There is an essential guide where to use sounds regarding habitat (in metadata description and tracklist). Especially for video if you are not sure where specific birds or other sounds belong.
The maximum peak level on all recordings is -5 dBFS (for great dynamic range, great headroom).
Want the sound of the real Paris? This library gets you the authentic sounds and ambiences of Paris, captured by Parisian natives Frederic Devanlay and Cedric Denooz. From the charms of the Quais de Seine, the quietness of its parks, the liveness of its courtyards, the frenzy ballet of its boulevards, and the warmness of its markets, the library captures the colors and shades of the French capital.
Paris locations recorded include:Alboni Street • Bercy Village • Dasnier Street • Daumesnil Market • Durban Street • Gare De Lyon • Lekain Street • Montmatre • Mouffetard Street • Nadeau Street • Notre Dame • Oberkampf Street • Pere Lachaise • Place Contrescarpe • Place Menilmontant • Place Tu Tertre • Porte De Vincennes • Quays of the Seine river • Robineau Street • Sacre Ceur • Saint Maur Street • Saint Mandé Station • Trocadero Park – and many more!
The whole collection of Lesser Vibes sound libraries.
Artificial Life (sci-fi, user interface, designed)
Automatic Umbrellas (foley, cloth, mechanical)
Handheld Transceivers (radio, glitch, noise)
High Tech Interface Sounds (sci-fi, user interface, designed)
Urban Russia (environments, transport, crowds)
All libraries were created by Sergey Eybog, a sound designer and music composer from Russia.
Entire PMSFX catalog in one bundle.
Thousands of high quality sound effects (48-192kHz 24Bit) recorded with top tier gear (Sennheiser, DPA, Sound Devices, Ambient, Sony etc) and processed with some of the best plugins and outboard on the market.
All SFX have baked-in Soundminer’s meta data.
FORGOTTEN NEONS (96KHZ 24BIT | 1.1GB | 415 FILES | META DATA)
LOFI TERMINAL (96KHZ 24BIT | 157.7MB | 195 FILES | STEREO | META DATA)
BLURRY DREAMS (96KHZ 24BIT | 616.3MB | 203 FILES | STEREO | META DATA)
OBSCURE FREQUENCIES (96KHZ 24BIT | 3.4GB | 336 FILES | STEREO + MONO | META DATA)
CineDrop (96KHZ 24BIT | 414.5MB | 57 FILES | STEREO | META DATA)
Cinescapes II (96KHZ 24BIT | 962.75MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinescapes (96KHZ 24BIT | 741.5MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinenergy (96KHZ 24BIT | 550.4MB | 130 FILES | STEREO | META DATA)
FOUNDATION SERIES: SCI-FI (96KHZ 24BIT | 739.8MB | 164 FILES | META DATA)
SCIFI ATMOS (96KHZ 24BIT | 1.32GB | 30 FILES | 38MIN | STEREO | META DATA)
Industrial Terror – Hits & Transitions (96KHZ 24BIT | 804.5MB | 145 FILES | STEREO | META DATA)
Industrial Terror – Textures (96KHZ 24BIT | 731.1MB | 66 FILES | STEREO | LOOPS SEAMLESSLY | META DATA)
Industrial Terror (96KHZ 24BIT | 690MB | 210 FILES | STEREO | META DATA)
DARKSCAPES (96KHZ 24BIT | 1.24GB | 30 FILES | 35MIN | STEREO | META DATA)
MicroBots (96-192KHZ 24BIT | 187.7MB | 293 FILES | STEREO + MONO | META DATA)
IN MOTION (96KHZ 24BIT | 1.59GB | 40 FILES | META DATA)
CYBERSPHERE (96KHZ 24BIT | 1.14GB | 340 FILES | META DATA)
BLOODBATH (96-192KHZ 24BIT | 959.9MB | 360 FILES | META DATA)
GHOSTLY AIR (96KHZ 24BIT | 311.9MB | 33 FILES | STEREO | META DATA)
SCI-FI MECHANICS (96KHZ 24BIT | 636.6MB | 301 FILES | META DATA)
SYNTHASSAULT (96KHZ 24BIT | 1.18GB | 320 FILES | META DATA)
BONE BREAKS (192KHZ 24BIT | 56.1MB | 57 FILES | META DATA)
HI-TECH ELEMENTS (96KHZ 24BIT | 25.2MB |35 FILES | META DATA)
MONSTRUM (96KHZ 24BIT | 38.1MB | 38 FILES | MONO | META DATA)
RESOSCAPES (48KHZ24BIT | 235.5MB | 10 FILES | 13M30S | META DATA | LOOPS SEAMLESSLY)
EERIE LFE PULSE (48KHZ 24BIT | 47.71MB | 5 FILES | META DATA | LOOPS SEAMLESSLY)
Haunted Doors [DESIGNED & SOURCE] (96-192KHZ 24BIT | 420MB | 209 FILES | MONO&STEREO | META DATA)
Books Alive (192KHZ 24BIT | 488.4MB | 434 FILES | MONO | META DATA)
Point and Shoot (96KHZ 24BIT | 94.3MB | 200 FILES | MONO | META DATA)
Kitchen Foley (96KHZ 24BIT | 240MB | 241 FILES | MONO | META DATA)
Mediterránia (96KHZ 24BIT | 2.18GB | 30 FILES | 62 MINUTES | META DATA)
Tactical Backpack (96KHZ 24BIT | 42.4MB | 72 FILES | MONO | META DATA)
Back Alley Rain (192KHZ 24BIT | 1.1GB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Just Coins (192KHZ 24BIT | 289.2MB | 287 FILES | MONO | META DATA)
Old Drawers (192KHZ 24BIT | 209.35MB | 151 FILES | MONO | META DATA)
Along The Grid (48KHZ 24BIT | 321MB | 8 THEMES | 54 LOOPS | META DATA | LOOPS SEAMLESSLY)
SynthRunner (96KHZ 24BIT | 107.5MB | 3 FILES 1 MIN EACH | META DATA | LOOPS SEAMLESSLY)
DIGITAL ILLUSIONS (48KHZ 24BIT | 313MB | 5 THEMES | 35 FILES | META DATA | LOOPS SEAMLESSLY)
INFECTED (48KHZ 24BIT | 44.1MB | 1 THEMES | 10 LOOPS 14s EACH | META DATA | LOOPS SEAMLESSLY)
STEPS: Dirt & Gravel (96KHZ 24BIT | 120.5MB | 96 FILES | MONO + STEREO | META DATA)
WASHER (96KHZ 24BIT | 2GB | 121 FILES | MONO + STEREO | 56m 35s | META DATA)
Empty City Rain (96KHZ 24BIT | 437MB | 12 FILES | STEREO | META DATA)
Costal Spain (96KHZ 24BIT | 2.57GB | 21 FILES | STEREO | 74m 04s | META DATA)
Point and Shoot Fuji Cam (192KHZ 24BIT | 357MB | 346 FILES | META DATA)
Abstract Guns (96KHZ 24BIT | 86MB | 165 FILES | META DATA)
Shattering Bricks (192KHZ 24BIT | 647MB | 232FILES | META DATA)
Rocky Impacts (192KHZ 24BIT | 647MB | 262FILES | META DATA)
Glitchy Circuits (96KHZ 24BIT | 613MB | 220FILES | META DATA)
STEPS: Dry Grass & Shrubs (192KHZ 24BIT | 202MB | 226FILES | META DATA)
Ancient Sea Ruins (192KHZ 24BIT | 3.7GB | 10FILES | META DATA)
Foundation Series SCI-FI 2 (96KHZ 24BIT | 1.1GB | 627FILES | META DATA)
Mini Printer (192KHZ 24BIT | 328MB | 178FILES | META DATA)
NanoTech (96KHZ 24BIT | 180MB | 226FILES | META DATA)
Back Alley Rain II (192KHZ 24BIT | 1.1GB | 12FILES | META DATA)
Phone Foley (192KHZ 24BIT | 85MB | 76FILES | META DATA)
Windy Hill (192KHZ 24BIT | 1.7GB | 8FILES | META DATA)
Magic Metal (96KHZ 24BIT | 1.1GB | 160FILES | META DATA)
Lethal Blow (96-192KHZ 24BIT | 0.5GB | 983FILES | META DATA)
Rain Designer (96-192KHZ 24BIT | 7GB | 396FILES | META DATA)
Sci-fi Gunnery (96KHZ 24BIT | 404MB | 580FILES | META DATA)
Bullet Bys & Impacts (96KHZ 24BIT | 3.7GB | 130FILES | META DATA)
Timeless SLR’s (192KHZ 24BIT | 2.12GB | 1392FILES | META DATA)
Mechanical Morphs & Mutationss (96KHZ 24BIT | 1GB | 336FILES | META DATA)
SCIFI PASS BY [DESIGNER SRIES] (96KHZ 24BIT | 6.8GB | 742FILES | META DATA)
To set an exotic scene, or to illustrate a different and luxuriant nature, exotic birdsong is a great asset. Even if it is very difficult to identify each of them, the bird’s songs of this collection will bring you far from home. Feel surrounded by those songs recorded in Brasil, Thailand, Maldives and France.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.