Industrial sound effects and recordings – from factories, construction sites, docks and much more
The ‘Lifts and Elevators’ library contains a collection of sounds sourced from 19 different elevators. Each model bringing their own unique sonic qualities and character. From slick and smooth modern elevators to weathered old freight and goods lifts, these high-quality recordings have been carefully captured in:
• Warehouses/Industrial Units
Each elevator has been recorded in motion, opening and closing its doors (manually and mechanically), producing metallic rattles, creaks, groans and more. Additionally, Button pressing, alarm bells, buzzers and stationary room tones, have been captured in crystal clear detail.
All sounds have been recorded in high-quality 24 bit, 96 kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416 and MKH30 microphones. Each file has been also tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower stereo image whilst the ORTF provides a wider version.
We’ve spent many hours exploring London’s far corners, seeking out the darkest, dirtiest, dimly lit areas of the capital’s streets in search of evocative and truly authentic sounds.
On visiting a large range of locations across the city we embraced our surroundings to capture the city’s natural reverberation and unique sonic qualities.
London Edge is the result of our methodical and passionate search for moods, atmospheres and textures, inspired by our favourite London dramas.
All sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416, MKH30 and DPA4060 microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower more focused stereo image whilst the ORTF provides a wider version.
The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
This sound library is part of the Complete Craig Carter Collection, containing a wide range of maritime recordings.
Recorded over Craig’s 34 year career as an esteem Australian sound designer, this library consists of wind through rigging, various harbours, waves lapping, jetties and coastal ambiences.
Metal elements is a metal, iron, steel bonanza of hits, impacts, slams as well as mechanical sounds, levers, clicks, drops and drags. This library is especially suited for anyone looking to design sounds that are metallic in nature. The sounds contained in this library will also work fantastic as foley pieces to spice up fights, robot movement, crashes or any action scene for that matter.
Some of the sounds found in the library make use of a contact microphone to add to the lower end frequency that would simply not translate using just a shotgun microphone.
The Metal Scrap library was recorded at a scrapyard where they do nothing but shredding, cutting, breaking and moving metal of all sorts, all day long.
• Large metallic objects and metal debris being drooped by huge cranes, into and onto various surfaces.
• The end of the Conveyer belt, where the smaller pieces of metal junk fall onto a bigger pile af junk.
• Lots of metallic destruction and impacts, huge and small.
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
Moscow, Russia in winter and spring time
Streets, covered with melting snow; people, hurrying with their business; street, cleaning from ice; whistling wet traffic; quiet and loud residential neighborhoods; children playing in the snow; windy parks; cold nights and, then, saving spring; water, dropping from the roofs; singing birds and babbling brooks.
How to convey these things without violating their nature?
One of the ways is a stealth binaural recording using miniature microphones DPA 4060. It gave the sense of naturalness and created a presence effect, that you wouldn’t find in any other library about Russia.
MOTOR FAN household edition features both Internal & External mechanical sound from household items.
Motors and compressors found in the kitchen, ACs & outdoor units + heaters and compressors and more.
This small library contains 23 unique ambience tracks recorded in the Central Florida area. The nature ambiences range from forests to oceans in both the night time and during the day. Urban ambiences range from industrial warehouse settings, to small city parks and parking garages. One particularly unique track included is a recording from inside a home during hurricane Irma.
Overall, This collection covers a lot of ground for 23 tracks. Each track contained is fairly unique within the set.
Office Space is an extensive and the go-to collection for clean and constant office environment room tones and ambiences. The library has over 6 hours / 11.7 GB worth of material that covers a whole large modern office building from top to bottom. The length of each room tone is 3 minutes and all the room tones are calibrated to -30 LUFS.
Office Space was recorded with a custom designed very low self-noise (4.5 dB) ORTF rig that gives you only the noise of the room and minimal noise from the recording equipment itself.
The huge variety in the sounds of the room tones gives you a great palette to experiment with various sound design tools so you can create e.g. spaceship ambiences, drones and otherworldly textures.
You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Auditorium • Bunker Shelter • Cleaning Closet • Communal Kitchen • Corridor • Elevator Interior • Elevator Lobby • Gaming Area • General Open Office Area • General Open Office Printer Area • Hallway • Large Meeting Room • Large Room • Large Storage Room • Large Vestibule • Lobby • Lounge • Main Lobby • Massage Room • Meeting Room Lounge Area • Parking Garage • Printer Room • Recycling Room • Restaurant Corridor • Restaurant General Dining Area • Restaurant Kitchen • Restaurant Service Cashier Desk • Sauna • Sauna Changing Room • Sauna Lounge Area • Sauna Shower Area • Server Room • Small Cleaning Closet • Small Communal Kitchen • Small Kitchen • Small Meeting Room • Small Phone Booth Room • Small Room • Small Shower • Small Vestibule • Staircase • Storage Room • Toilet
As bonus content you will get over 20 minutes worth of recordings of an elevator and a large office printer. The bonus content was recorded in both XY and ORTF so you can easily mix and match them to your projects.
Elevator Door Open Close (Interior and Lobby perspectives) • Elevator Interior Move Up Down Ground Floor to 4th Floor • Office Printer Paper Tray Open Close • Office Printer Print Start Loop End • Office Printer Scan Glass Start Loop End • Office Printer Scan Paper Holder Start Loop End • Office Printer Wake Up From Sleep Mode
Old Soviet Factory – industrial sounds from rusty old mining factory – INT and EXT:
Get a rare opportunity to get into a working oil shale factory from early 20th century. Most of the building and technology has remained unchanged and is still working. This sound library contains high quality recordings from both inside the factory and exterior industrial and mining soundscapes. As a bonus there are lots of open field oil shale mining sounds, with heavy machinery.
All the files have been recorded 96kHz/24bit with industry standard equipment – stereo (Sennheiser MKH 8020) plus mono for details (DPA 4017) Sound Devices Mixpre10T, and have added metadata.
Get the sounds of gas and water running through massive and tiny pipes, at three processing sites closed to the public.
This library delivers the sounds of a gas control station, a sewage plant and a waterworks. We recorded the hissing of gas, low drones of water rushing through massive pipes, and the sounds of various stages of sewage processing, recorded indoors and outdoors in multiple locations and rooms throughout the three facilities. The library includes close-up sound effects, indoor and outdoor ambiences, and features ambiences and stereo contact mic recordings of active gas and water pipes, capturing the various resonating pipes in isolation.
Total play time of all recordings is just under 2 hours.
Places Ambience Library supplies you with 111 common or familiar locations from Airport to Zoo. Placing focus on locations with human involved or created environments such as public spaces, event gatherings, and public service infrastructures. Ambiences last from 1-2 minutes in length for use in any place to create a setting or local. 44k/24bit Soundminer enabled. What’s in the Pack? 111 Field Recordings Restaurants Schools Sports Traffic Underwater Hospital Subways Parks and many more…
Boilers, turbines, recycle pumps! Desulphurisation flues, electrostatic precipitators, and solar photovoltaic arrays! We don’t entirely know what these things do – but we know for certain they sound amazing!
Last year we were granted access to one of the UK’s largest coal-fuelled power stations. With hard hats, steel toes, and a swag of mics we recorded every space and machine we could. The result is a highly comprehensive collection of industrial recordings that describe heavy 20th century industry.
We’re talking about the archetypal power station too, not something dumbed down for 2020. This place was the real deal! Great big looming cooling towers, massive halls of turbine engines, coal mills, rumbling underground passages, rooms full of electrical gadgets, pumps of all types, oh and a coal train unloading a 100 ton hopper. It’s a hell of a library.
We recorded in a quad setup using a pair of Sanken CO-100ks, a pair of Sennheiser 8020s. We also had a Schoeps CMXY nearby getting an independent perspective. The recordings are versatile, pitch like crazy, and are useful for hundreds of applications.
These power stations won’t be around much longer – so we’re glad we got a chance to record this beast of industry while we could.
“There’s a lot of great stuff in here. A nice variety of steadies for sci-fi and industrial use. There’s also tracks with just the right amount of activity (not TOO busy). Authentic scale is hard to fake so this is a great pack of sounds to have for large mechanical spaces. Great steam/air releases too, and a large servo motor startup that is a real gem.” -Dave Farmer
“It is always a handy to have a library from these guys. Well recorded and full of interest, Power Station is a great library and full of never before heard sounds. It’s sometimes difficult to visualise a space from a recording, but definitely not with this collection. They’re huge and real. Most of the time drones and tones can feel synthetic, but they have really managed to capture a true real industrial soundscape. They are definitely colossal.” – Ben Meechan
Print Shop is a SFX & Ambiance pack containing a lot of great material from a big industrial print shop. The Soundcatcher recorded 4 different printing machines, Print Shop Ambiances in ORTF and a lot of really nice subsonic stuff with two contact microphones. As always, all sounds are tagged with Soundminer friendly metadata and the pack comes in 4 different sizes and qualities.
Lacking clean constant room tones for post production work? This library delivers more than 4 hours of professionally recorded room tones from empty office rooms, basements, staircases, corridors to more exotic locations such as a sauna.
Recordings are 5 minutes long, clean and do not include any environmental details and can be used in wide range of productions.
A perfect addition for post production company or freelance sound designer sound effect library.
Attic • Bathroom • Boiler Room • Bomb Shelter • Central Heating Room • Changing Room • Cocktail Bar • Cold Room • Conference room • Drying Room • Electrical Room • Factory • Hydraulic Elevator • Kitchen • Lobby • Monitoring Room • Network Room • Office Corridor • Office Room • Office Stairway • Parking Garage • Power Supply Center • Server Room • Small Kitchen • Small Shower • Small Winter Storage Room • Staircase • Stairwell • Storage Room • Toilet
ROOM TONES – Industrial Building delivers hugely atmospheric ambience recordings gathered in an '80s Industrial Building in the east of Dresden, Germany.
The library sounds were captured with a 4 channel 60 cm IRT cross and 4 Sennheiser MKH8020 omnis mounted. The recordings took place on a stormy and rainy Sunday. Due to the blank surfaces inside the building, thin single-glass windows and large air shafts, the weather elements got massively amplified by walls and floors.
Additionally the rain water pipes are placed inside the building which caused a constant sound of flowing water. Also the sound of the central heating was clearly perceptible along the floors.
The library contains 19 scenes recorded in 4-channel IRT surround. Each scene consists of 2 complementing stereo tracks and is more than 3 minutes long.
Our second entry of our brand-new sound effect series 3D SURROUND is here: ROOM TONES EUROPE. This library offers an enormous variety of different room ambiences. From busy transportation areas, malls and warehouses over congress centers and green houses to swimming pools and public libraries. ROOM TONES EUROPE covers all different scenarios you could possibly need, delivered fully surround with unprecedented precision, spatial impression and clarity. Undoubtedly, this can be easily used in stereo productions as well. Either chose the angle yourself or use the stereo version (included in 3D SURROUND).
CLEAN AND PRODUCTION READY
ROOM TONES EUROPE is a highly versatile ambience library that smoothly adapts to virtually any application.
It offers a large selection of generic ambiences to blend into many different contexts as well as specifically recognizable locations delivered with maximum authenticity.
FRAME YOUR SCENE
Ambiences are an excellent tool to establish the mood of a scene, level, or location. With ROOM TONES EUROPE, this becomes a simple and rewarding task: Choose from the over 98GB large pool of well categorized ambiences available.
From ultra-silent to lively, confined to wide open, dry and close to reverberant – everything delivered in an immersive 3D audio format that’s also backward compatible.
To increase your mileage with the library even further, the average sound is 3-7 minutes long.
INCLUDING STEREO VERSION
In addition to the ORTF-3D files, the 3D SURROUND edition also contains all files in 2.0 stereo for your convenience to save time on unnecessary conversions. Instead, you can instantly use these great new sounds for all your projects that don’t require surround sound.
Files: 119 • Size: 19+ GB • Format: WAV – 24bit – 96kHz
125 pristine roomtones from locations including offices, universities, schools, apartments, hotels, laboratories, bathrooms, stairwells & garages. Unwanted background sounds have been removed through the use of Izotope Spectral Repair, resulting in a wide variety of refined roomtones. All sounds were recorded using the Sound Devices Mix-Pre 6 and a stereo pair of Sennheiser 8020s.
This library is a collection of 60 Sci-Fi atmospheres, all loop seamlessly, which can be used to represent alien worlds, drones ambiences, spacecrafts, futuristic engines, nuclear facilities, celestial spaces, generators, dark elements and from outer space. Mainly inspired by the Alien saga.
Each file has a duration of one minute with subtle changes over time. Ideal sounds to use as a layer in your sound design or for those project where music and sound design are pretty close.
Files have been designed on the basis of two different TVs buzzing, making a total of 32 buzz files, which have also been included in the collection. Calibrated to -24 LUFS. You can experiment with them to create more sounds, or use them as what they are, a TV buzz.
All files come in 96 kHz/24 bit, with a very descriptive metadata, based on what the sounds represent and which kind of feeling and mood they suggest to the listener.
Soundcloud preview includes all the designed sounds.
Sci-Fi SFX features 546 creative sci-fi sound effects, alien textures, ambiences, drones, space cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts, abstract user interface sounds, transitions, and more.
Created with synth equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects.
Sci-Fi SFX is an experimental collaboration between Gregor Quendel and ARC Noise.
Professional metadata provided and edited by Kai Paquin.
Shenzhen is the first ever sound library of the Silicon Valley of China. Jzoo Sound invites you on the first ever audiological journey to the unique locations in Shenzhen that only locals know.
This is a unique collection of sounds captured of various atmospheres at different times of the day. From energetic local farmer’s market, to howling subway tubes, to local middle school performance day, to old alleyways of a forgotten part of town.
The library also contains many rhythmic elements, such as meat chopping, construction hammering, and ominous beeps. Not to mention the echoing Chinese announcements between two schools, and the cacophony of crying and construction in a forgotten alley. I hope this library will even meet your sound design needs, and ultimately show you a local and unique side of China.
All recorded in 24 bit/96 kHz. Some recordings contain detail information above 20khz. The library is passionately described emotive words, and all the recordings are fully tagged with metadatas compatible with Soundminer, Basehead and Soundly.
Gear Used: Roland R26, four channel built-in microphones (OMNI and XY), four channels merged down to a stereo file.
Any questions? Shoot me an email here
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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