Industrial sound effects and recordings – from factories, construction sites, docks and much more
HARBOR & INDUSTRIAL consists of authentic industrial ambiences, one third of which capture sites close to the water. Almost all files are loopable; every sound is ready-to-use and recorded to sit well within your mix. An accessible, yet highly flexible toolkit for you to create signature locations with ease.
This collection features a large variety of places to explore – both indoor and outdoor, busy and desolate, organic and constructed. HARBOR & INDUSTRIAL also offers a series of isolated components to assemble just the environment you envision with multiple layers and sources of sound. Especially game environments profit from the diverse palette of sounds available to give each area its own distinct character.
THE SOUND OF SIZE
In HARBOR & INDUSTRIAL you have access to massive mechanical constructs with enough body to set up huge, incredible acoustic scenes. Without sounding intrusive these metallic beasts blend smoothly into their surroundings at just the right proximity and volume.
The harvester Claas Lexion 530 Library contains all the sounds a decent harvester produces on the field in one day. We were allowed to accompany this gigantic 300+ horsepower machine on the field and document all its activities. It roars and sounds harsh and dangerous.
Whether you are looking for realistic farm sounds or want to design a futuristic vehicle. The harvester files are ready to use or very easy to manipulate as they deliver sounds across all frequencies captured with high end equipment. Both helium-3 harvesting spaceships and apocalypse scrap transporters can be produced in just a few steps.
In addition to the standard exterior recordings such as bypass, away and up, the library also includes on-board recordings from the cab, from the platform, as well as various mic positions such as directly above and beside the cutting knives, on the belt, at the unloading pipe and many more. In addition, there are selected foley sounds, as well as a few distant atmo sounds.
70% of the revenue will benefit the non-profit association “Bulldogs for Kids e.V.” and by this benefit chronical ill children.
An incredible assortment of organic, elemental and abstract source files at delivered in .WAV 192k 24Bit. The beauty of this library besides the stunning recorded quality is that it was recored with top gear like Apogee Symphony and Sennheiser MKH 416 in a professional sound studio. This is a go to pack to grab for those wanting the cleanest audio files to manipulate.
307 Abstract Source files • 264 Cinematic • 125 Clicks Hits and Buttons • 202 Cloth and Plastic • 132 Construction • 185 Household • 165 Kitchen • 54 Laundry and Bathroom • 1080 Metals • 67 Metal Chains • 177 Metal Slide • 196 Pantry Cabnets Pots • 63 Paper • 214 Plastic • 360 Tools and Machines • 1151 Bonus files (Mud, Stone, Dirt, Glass, Clicks + more)
A total of more than 4700 files in 24 bit / 192 kHz – 18 GB in total
Sound Mind Heavy Industry sound effects library is a massive collection of over 600 sound files of unique and hard to access machines and industrial ambiences, recorded both interior and exterior. To create this 45+ GB pack we went underground and climbed on constructions, we have been in both very hot and cold, humid and smelly places, wearing funky protective clothing, helmets and glasses.
You will find large, heavy machines sounds in it, industrial vehicles, as well as pneumatic, electric, diesel or even antique steam engines sounds and many metal, wooden, debris and also liquid textures.
During our searches we found many unusual sounds with great potential for sound design.
Sounds were recorded multi-mic and from different perspectives, giving large variety for designing purposes. We used microphones with extended frequency range (Schoeps CMC6XT MS kit, Sanken CO-100k) recording on 192kHz sample rate, shotgun mics (Sennheiser MKH-8060, MKH-815T, Neumann KMR81/KM120 MS kit) as well as Trance Audio Inducer stereo contact microphone (which was very useful in noisy environments and which also has very wide frequency range). We used Sound Devices 702, 744 recorders with MixPre, plus Zoom F8 and Sony PCM D-50.
Huge hydraulic lift working hard.
metall impacts / clanks / servo motor / jammed / hydraulic burst
26 Tracks / 2ch / 5 mins / 96kHz 24Bit / Metadata
This album is a recording of a huge hydraulic lift in my garage that is made to lift 4 cars with up to 8 tons of weight. Recorded with an Olympus field recorder that has a omnidirectional polar pattern center mic for more bass. ;) Except for a little bit of editing and a little bit of leveling here an there the recordings are not processed.
Industrial Ambiences – perfect for industrial settings, subtle intricate backgrounds, eerie man-made areas and horror ambiences. Features long, four minute files for extended scenes.
• 53 Tracks Total (25 Day time Tracks, 28 Night time Tracks)
• High Resolution Photographs of Recording Locations Included
• Thorough metadata included in all files
• All tracks recorded and edited at 24bit, 96kHz
• Each Track around 4 Minutes in Length
• 5 GB compressed download, 7.1 GB uncompressed
This library contains a large variety of ambiences and drones that stylized as industrial or science fiction. All of these files are derived from on location recording sites and carefully edited and crafted to create a large variety of unique sonic textures. Source material ranges from large industrial buildings, parking garages, utility rooms, air condition unites, fans, buzzing electrical components, analog synthesizers etc.
Ambient recordings from various industrial sites, including the port of Aarhus with its bulk cargo and container terminals. Most of the sounds are quite generic though, and could be used in many different contexts. Some recordings are teeming with activity, while others feature deserted, yet humming and droning, industrial landscapes. Lots of HVAC with fans and pumps. Containers are moved, gravel is unloaded, engines are running. Very little wind, and hardly any legible speech. A few of the sounds are cut as seamless loops.
Most of the sounds were originally recorded with a Sennheiser MKH60/30 M/S setup. A few sounds appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. 4 of the sounds were recorded with a quasi binaural setup . All sounds were captured in Aarhus, Denmark.
INDUSTRIAL TERROR – Hits & Transitions is a second installment of Industrial Terror series.
It is a collection of dark, distorted, ear-piercing, industrial hits, impacts, crashes and transitions.
IT Hits & Transitions is an expansion pack that focuses in single, sharp hits and transitions rather than evolving, textural impacts and whooshes (as heard in Industrial Terror).
Collection consists of 145 carefully designed and rendered sound effects.
Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy. This collection is a perfect choice for any kind of horror genre.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4, Modular
This library features recordings of a turbine warehouse specializing in refining gasoline. In these recordings you will hear metal lathes, compressors, soldering, and other mechanical movement. This library was recorded at 3 different perspectives.
All sounds in this collection are in stereo 24bit 192khz Broadcast Wave format. Files are in a zip file, which includes a PDF with detailed metadata.
Inland Port is an authentic collection of industrial port recordings, focused on the distinct sounds of giant cranes, alarms, trucks, and the ambience of the container terminal. These were captured at Duisburg, Germany, the largest inland port in Europe, which is normally closed to the public.
Taken in wintertime, these recordings are nearly bird-free. Using Schoeps MK4/MK8 MS microphones and paired with a Sound Devices 702 recorder, the files are also embedded with detailed Soundminer Metadata.
Container crane, container terminal ambiences, crane alarms, container impacts, reach stackers, straddle carrier, trucks, cargo trains, shipyard ambiences, distant terminal atmosphere & more
Here’s 144 minutes of composite German construction site ambiences. It comes with all the hammering, sawing, digging, drilling, some yelling workers, squeaky crawling excavators and loud jack hammers you’d expect. All edited, cleaned, mixed and packed with metadata.
The ambiences were mostly recorded with a Sound Devices 744t and a Sound Devices Mix-PreD through a Beyerdynamic MC930 ORTF setup and RODE NTG-4 microphone, and some ambiences were tweaked to seamless loop from end to start. All sounds were recorded over weeks at several different construction site around Stuttgart / Germany – from very small sites recorded close up to huge construction sites with lots different typical working sounds.
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Lamps focuses on the buzzing/humming sound of light bulbs, lamps, fluorescent tubes, you name it… You can find a sound for any electricity driven device you can imagine.
These sounds can be used as pure effects or as a layer in your ambiances/atmos tracks to create a buzzing hallway or even to add tension in a basement scene with a fluorescent tube.
Low humming growls, aggressive and high pitched, glass resonant tubes, tiny filament lamp, fridge style hums,etc…
This library contains 44 designed textures and about 20 source material files with full and detailed metadata embedded ( Soundminer, Basehead, iXML ) , all at 96kHz / 24 bits.
Laundry Mangles is a library full of sounds from vintage machines that once where used in many public washhouses. In some locations they are in use even today.
Basically, the weight of a huge box filled with stones was used to press big pieces of linen, bed sheets or towels wound on rollers below. Early models were operated by hand which was very exhausting and soon the machines were equipped with electric motors and belt drives.
This library delivers sounds from 5 different models of various ages that are operated with a crank shaft or electrical belt drive. All machines have been extensively recorded so that any imaginable perspective and operational state is covered. This includes full runs with belt drive and crank shaft, protective grating handlings, idling motors and much more.
Learning Space is the go-to collection for clean and constant school environment room tones and ambiences.
Learning Space has over 1 hour / 2.2 GB worth of material that covers a whole large air-conditioned modern school building and also a small air-conditionless old abandoned school building. The length of the room tones are around 3 minutes and all the room tones are calibrated to -30 LUFS.
The whole library was recorded with a custom designed very low self-noise (4.5 dB) ORTF rig that gives you only the noise of the room and minimal noise from the recording equipment itself.
The variety in the sounds of the room tones gives you a great palette to experiment with various sound design tools so you can create e.g. spaceship ambiences, drones and otherworldly textures.
You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Abandoned School Hallway • Abandoned School Kitchen • Abandoned School Large Classroom • Abandoned School Small Classroom • Boiler Room • Cleaning Closet • Gym Hall • Hallway • Kitchen • Large Classroom • Lobby • Locker Room • Small Classroom • Small Gym Storage Room • Small Storage Room • Teacher Lounge Toilet • Teacher Lounge • Toilet • Vestibule
The ‘Lifts and Elevators’ library contains a collection of sounds sourced from 19 different elevators. Each model bringing their own unique sonic qualities and character. From slick and smooth modern elevators to weathered old freight and goods lifts, these high-quality recordings have been carefully captured in:
• Warehouses/Industrial Units
Each elevator has been recorded in motion, opening and closing its doors (manually and mechanically), producing metallic rattles, creaks, groans and more. Additionally, Button pressing, alarm bells, buzzers and stationary room tones, have been captured in crystal clear detail.
All sounds have been recorded in high-quality 24 bit, 96 kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416 and MKH30 microphones. Each file has been also tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower stereo image whilst the ORTF provides a wider version.
We’ve spent many hours exploring London’s far corners, seeking out the darkest, dirtiest, dimly lit areas of the capital’s streets in search of evocative and truly authentic sounds.
On visiting a large range of locations across the city we embraced our surroundings to capture the city’s natural reverberation and unique sonic qualities.
London Edge is the result of our methodical and passionate search for moods, atmospheres and textures, inspired by our favourite London dramas.
All sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416, MKH30 and DPA4060 microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower more focused stereo image whilst the ORTF provides a wider version.
The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
Metal elements is a metal, iron, steel bonanza of hits, impacts, slams as well as mechanical sounds, levers, clicks, drops and drags. This library is especially suited for anyone looking to design sounds that are metallic in nature. The sounds contained in this library will also work fantastic as foley pieces to spice up fights, robot movement, crashes or any action scene for that matter.
Some of the sounds found in the library make use of a contact microphone to add to the lower end frequency that would simply not translate using just a shotgun microphone.
The Metal Scrap library was recorded at a scrapyard where they do nothing but shredding, cutting, breaking and moving metal of all sorts, all day long.
• Large metallic objects and metal debris being drooped by huge cranes, into and onto various surfaces.
• The end of the Conveyer belt, where the smaller pieces of metal junk fall onto a bigger pile af junk.
• Lots of metallic destruction and impacts, huge and small.
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
Moscow, Russia in winter and spring time
Streets, covered with melting snow; people, hurrying with their business; street, cleaning from ice; whistling wet traffic; quiet and loud residential neighborhoods; children playing in the snow; windy parks; cold nights and, then, saving spring; water, dropping from the roofs; singing birds and babbling brooks.
How to convey these things without violating their nature?
One of the ways is a stealth binaural recording using miniature microphones DPA 4060. It gave the sense of naturalness and created a presence effect, that you wouldn’t find in any other library about Russia.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.