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Home Drones & Moods

Drones & Moods

Atmospheric drones and ambiences – light and dark, beautiful and eerie, lively and serene

  • Mechanical Inner Ambience Play Track 60 sounds included, 85 mins total $33

    The Inner ambience sound effects library is a collection of high definition sounds recorded inside various spaces using matched stereo contact microphones.
    Each ambience has its own unique character and natural frequency modulation.

    Some of them has constant velocity like an industrial hum, power block energy field, fans and compressors, while others have weird fluctuations like road columns affected by wind and passing-by cars, bridge columns, fences, water pipes: some of the mechanical and electrical sequences were recorded as well, such as water pump, lawn mowers, automatic window rollers, pool cover mechanism and others.

    The audio files could be used, as they are – for dark, eerie, confusing atmospheres or elements in your game or film projects.

    It is a good source for further manipulation and designing new sounds as it is recorded in 24/96. In addition to the pack there are designed sounds of these recordings to give you an idea of how you can push them in a different creative way and of course use it in your projects as well.

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  • The Into Abyss sound library features 200 high quality drones sound effects perfect for creating disturbing, post-apocalyptic atmosphere for your next sci-fi movie, video game, trailer or industrial and ambient music production!

    If you’re looking for otherworldly ambient sounds, eerie horror soundscapes or industrial ambiences and textures that you can often hear in science fiction movies and games, this soundpack will provide you plenty of material to choose from.

    These dark ambient sound effects always work great as a background to enhance the anticipation and tension of sci-fi scenes and help you with the immersion of your audience into a futuristic dystopian world!

    The Into Abyss sound library contains 7.64 GB (236 minutes total) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow and separated into three categories: 1. Evolving Drones 2. Pulsating Drones 3. Constant Drones

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  • Here you find a composite collection of designed, frightening Whooshes, creepy Transitions and haunting Movements to spice up your Trailers, Cut Scenes, Games and Movies.
    From ancient fantasy to futuristic horror projects, here you’ll find the appropriate sound that brings out the goose bumps.
    Subtile haunting movent sounds, roomy squeaks, harsh disurbing noises, magical whooshes, soaking reversed horror, terryfying stingers, …
    All sounds in this bundle were created by heavy sound design, layering and automation. Using hundreds recorded sounds of impacts, scrapes, swishes and anything else that has a unique motion envelope.
    Even breaks, endings and transitions of all different kinds of music will get that extra kick with this sound library – it gets you the sounds that’ll bring out the goosebumps.

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  • Drones & Moods Kalipso Atmospheric Drones Play Track 61 + Bonus sounds included, 121 mins total $20 $10

    Kalipso Atmospheric Drones is a collection of 61 crafted ambient sounds using various recorded sources such as trains, planes, water, various metallic objects and designed sounds.

    The duration of each sample varies from a minute to almost two minutes which should give you enough room to create the needed loops if you desire so. Combine and layer provided drones to create bigger, deeper and more intense ambiences.

    Kalipso Atmospheric Drones are designed to complete any sci-fi or dark ambient setting in video games, movies or animation projects.

    Update volume 1
    Update vol. 1 brings 14 additional atmospheric drones.

    Bonus – Free whooshes:
    When you buy this library, you also get the Whooshers SFX pack for free – a collection of 150 long, medium, short and ricochet whoosh type sounds which can be used for all purposes.
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  • Your search for the one outstanding cinematic sound FX pack is complete with KRYPTON. This set of high-end FX can turn a homemade reel to a professional Hollywood cut. DARK AND LIGHT ATMOSPHERES, HITS, BRAAMS, RISERS, GLITCHES, DRONES, BOOMS, WHOOSHES and more are just a click and drag away from setting your work above the competition.

    This library was developed in cooperation with our partner VAMIFY.

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  • Drones & Moods Kyma Ambiences – vol.1 Play Track 56 sounds included, 112 mins total From: $49 From: $36.75

    Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.

    The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis.

 The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.

    The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.

    The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).

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  • Kyma Ambiences vol.2 follows the traces of the original collection dated back 2013, but this time it’s bigger and immersive. It contains 100 abstract and evolving ambiences created with our beloved Kyma sound design workstation. Due to the increasing demand of spatialized content for game and VR/AR project, this inspiring collection has been entirely designed as a spherical representation of sound natively in 3rd Order Ambisonics by generating all the Sounds in Kyma and mastering them in Pro Tools through a custom analog setup (Looptrotter Sa2Rate+Elysia xfilter 500+TK Audio BC501).

    Ambisonics is a multi-channel technology that lets you spherically capture the sound arriving from all directions, at a single point in space. I used state of the art tools to forge these modern and cinematic soundscapes by blending many encoders to inject different colours into the design process. Each virtual 3D sound environment has been carefully constructed by layering and placing Kyma Sounds at different locations in a virtual three dimensional field using the Audio Ease 360 pan suite. I captured real spatial sound with the AMBEO VR Mic to be encoded-transformed-decoded using Kyma Ambisonic Tookit (1st Order) and then up-mixed to 3rd Order with Harpex-X and PerfectSurround Penteo 16 Pro to extract the maximum amount of spatial information.
    – Matteo

    “Kyma Ambiences – vol.2” is available in three variants:Stereo Edition:
    2 channels interleaved files (100 items)
    Size: 3.48 GB

    1OA (first-order) B-Format AmbiX:
    ACN channel order & SN3D weighting/normalisation: W/Y/Z/X
    4 channels interleaved files – ready to use stereo versions are included as well (100 items)
    Size: 6.94 GB

    3OA (third-order) B-Format AmbiX:
    ACN channel order & SN3D weighting/normalisation: W/Y/Z/X/V/T/R/S/U/Q/O/M/K/L/N/P
    16 channels interleaved files – ready to use stereo versions are included as well (100 items)
    Size: 27.82 GB

    If you want to use the 1OA b-format file directly in your VR/AR project, simply keep only the first 4 channels (WYZX) dropping the other ones (TRSUQOMKLNP)

    Audio Format: Interleaved Broadcast Wave Files (.wav)
    Sample Rate: 96 kHz
    Bit Depth: 24-bit

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  • Listen to the balance of melodic tones and atmospheric drones. Features rhythmic, mystical, eerie, and angelic atmospheres. Also includes resonant ambiences, shimmering tones, ghostly drones, buzzing atmospheres, and swirling beds. Includes over 15 fields of metadata in three formats, including Soundminer.

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  • The LiquidMetal – Waterphone SFX pack contains a lot of great material for your next deep impact horror project, when you need eerie, suspenseful and deep sounds that bring the fear out in you and your audience.

    We hit, rattled, bowed, snaped and swashed the real Waterphone – a unique instrument – for really formidable sounds.

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  • Low Frequency Elements is a sound effects library that layers seamlessly into your tracklay, reinforcing your mix with thunderous low end.

    Layer with impacts, design ambiences, music or a full mix to strengthen your sound.

    We sourced and designed sounds from analogue & digital synthesizers, contact microphones, coil pickups, field recordings.

    Find more of our sound effects in the store: 344audio.com/store

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  • Machine Emanation is a contact microphone and drone sound effects library focused on machines. It contains multiple recordings and designed drones sourced from band saw to ceiling fan; table saw to dishwasher, thickness planer to paper shredder; bench grinder to refrigerator. Machines were recorded turning on and off, running, and at any available speeds.

    Also included are drones designed from each machine. Power tools and appliances are re-imagined as dark rumbling drones and unique atmospheres. A small glimpse of what can be created with Machine Emanation.

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  • ‘Magic Elements’ is a detailed collection of designed & source sounds of organic elements, actions, characters, items, spells & atmospheres in the realm of Magic.


    DESIGNED:
    In the designed section you will find 326 carefully crafted sounds.
    Volume 1 of this magic saga is comprehensively focused on 6 elements:
    Earth, Ice, Fire, Air, Black, and Generic.

    Each element comes with a variety of spells, actions/movements such as whoosh, impacts, atmospheres, projectiles, along with many variations in intensity and speed.

    All these sounds are carefully designed, edited and meta-tagged.

    The ‘generic’ category contains handy neutral go-to sounds that are useful for any project.

    SOURCE:
    The source folder is packed with 444 useful sounds that cover a large spectrum; thoroughly edited and meta-tagged. They will support your creativity with materials such as choirs, dissonant metal, creatures, papers, debris, drones, cracks, textures, friction, LFE sub sweeteners,…

    What’s inside:

    • Impacts, Whoosh, Air Swirls,
    • Fireball, Deflagration, Flame Thrower, Deep Sub Whoosh
    • Aura, Energy Stone, Old Grimoire, Healing,
    • Earthquake, Constant Debris, Falling Rocks, Ground Friction,
    • Haunted Books,Laboratory, Magic Box, Potion
    • Huge Ground Opening, Eerie Drones,
    • Dark Choir, Ominous Creatures, Dark Dissonant Metal Scrape,
    • Iceberg Destruction, Ice Scrapes, LFE Sub Sweeteners,


    Choose how you want your sounds!
    2 DOWNLOAD OPTIONS INCLUDED:

    • GLUED (Multiple variations of the same sound glued in one file)

    • SEPARATED (Each variations of sound are separated in different files)

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  • With Magic Spells & Sorcery sound library Sound Response brings you nine different categories of high quality magic sound effects to choose from! Whether you need those sparkling and shimmering magical spells, buffs, bursts, whooshes and casts sound effects, or the sounds of massive fireballs, flames and swirls, earth, water, air, ice, powerful electric bursts, chimes, or drones, this sound FX collection will provide you with sonic arsenal that will instantly find a way into your production!

    Magic Spells & Sorcery soundpack is a result of months of stage and field recording with high-end recorders and microphones, and meticulous sound design process afterwards. Perfect for video games, movies, trailers, videos, but also very useful for music producers, and pretty much anyone who’d like to expand sound collection with various exotic whooshes, transitions and bursts sound effects!

    Magic Spells & Sorcery sound library contains 1.48 GB (318 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into nine categories: 1.Spells 2.Fire 3.Earth 4.Air 5.Water 6.Ice 7.Electricity 8.Chimes 9.Drones

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  • Materials & Texture Metal Atmosphere Play Track 29 sounds included, 120 mins total $75 $60

    Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.

    The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.

    Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.

    The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.

    In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.

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  • Metal Hits, Scrapes & Squeaks + Metal Souls + Metal Forge Reaktor Ensemble

    This bundle includes our popular Metal source material library and ALL future derived sound design libraries from Metal Hits, Scrapes & Squeaks. The first derived library is Metal Souls.

    Bonus Reaktor Ensemble

    The Metal Forge ensemble included is a simplified version of our Forge ensemble. It comes pre-loaded with various Metal samples for the ability to quickly create new sounds from the provided material.

    Metal Souls

    I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.

    Metal Hits, Scrapes & Squeaks

    Props include objects such as sheet metal, sledgehammers, paint cans, metal buckets, metal grating, metal marbles, cups, pots and pans, dry ice (contributing squeaks and squeals), metal bars, metal stands, chains and more.

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  • Metal Metal Resonances Play Track 77+ sounds included, 83 mins total $50

    Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.

    The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.

    The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.

    The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.

    Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10

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  • Metal Metal Souls Play Track 100 sounds included, 30 mins total $29.99

    Vocalizations / Transitions / Ambiences / Drones

    This library was derived entirely from material collected in the Metal Hits, Scrapes and Squeaks library. Each sound was meticulously crafted by hours of experimenting with different processing techniques. I created this library for fun and to in part showcase the flexibility of my metal recordings.

    I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.

    I believe this library will provide excellent source material for a wide variety of applications. Both as stand-alone effects or layered in with other libraries/sounds to help create a dark/spooky aesthetic.

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  • Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.

    Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.

    Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.

    Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.

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  • Destruction & Impact Metamorphosis Play Track 2328 sounds included $190

    Metamorphosis is a huge collection of recorded source, synthesized material and hybrid sounds. The library was created to cover a wide range of themes, with rich textures, aggressive impacts and a large selection of pass bys, bass drops, pyrotechnics and many more types of material.

    All of the Recorded Section was captured at 384KHz with microphones capable of recording up to 200KHz among with more conventional mics. The resulting assets are sounds that can be stretched to new extremes for greater sound design opportunities.
    In many cases I took the liberty to slow down the assets while editing the sounds to deliver what I thought was the most useful version of a given recording though in most cases I have also included other takes at the original 384KHz sample rate to get the best of both worlds.

    All of the Synthesized Content was created in Serum while the Hybrid Section was created by manipulating the Recorded and Synthesized sounds.

    Techniques such as morphing were used to blur the lines in between the nature of the two sources, making for ambiguous yet extremely versatile material that can be employed on both realistic and abstract designs.

    Bonus: Two extra libraries included for free:
    This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
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  • Microbes is 76 minutes/2.12 Gb of microscopic life forms skittering and scurrying about in their strange world. 326 separate files – recorded in 24bit/96kHz using various microphones.

    A construction kit of the sounds you need to design organisms on the microscopic level. Whether you're making a medical animation, a nature documentary or something entirely fictional, Microbes delivers in skittering, fluttering and slithering sounds. Anything from single-cell organisms to complex insects is possible. Sounds are grouped in a variety of creature “species”, allowing you to create different voices with a good amount of nuance in performance. You also get a range of bubbling and swarming sounds, as well as wet and slimy elements. To complete your microscopic universe, there are a number of abstract and otherworldly ambiances.

    Sounds were created using various physical instruments and props, such as a hardware modular synth, bowed metal springs, a cactus and good fashioned old voice acting. No actual microbes were harmed (or even consulted) during production. You can read more about the creation of Microbes here.

    You get:
    •Designed sounds of microscopic life
    •Slither, skittering and fluttering creatures
    •Several distinct species
    •Searchable file names
    •BWF Metadata embedded – with more included in CSV and ODS (OpenOffice) formats.
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  • Drones & Moods Minacious Play Track 369 sounds included, 42 mins total $30

    “Minacious” is a collection of 369 sounds suited for horror/paranormal productions.

    If you need to induce tension, fear and oppression in your game, movie or trailer and evoke the sensation that someone or something is hiding and watching you ready to scare or kill, this library full of textures and atmospheric elements is great for you.

    The library consist of 50 WAV files at 24 Bit / 96 kHz with 6 variations in each file. You will get metallic movements, abnormal textures, dark pianos and guitars, dark vocals, atmospheric elements, reverses, noises and glitches.

    Also you will get the sources used to create the pack. 69 WAV files at 24 Bit / 96 kHz. Pianos, vocal effects, guitar noises and metallic cups are some of the things you will encounter in the sources section.

    The sounds in this pack can be used to add rare textures to musical compositions too.

    If you liked my library “DARE“, you are gonna love this one.

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  • This is a unique mini-library of useful rain loops, recorded in various settings, and with different level of intensity.

    Get creative or just use them as is. These sounds are a nice companion to have when creating beds for rainy scenes. Evocative, emotional, rich and subtle.

    WHAT’S INSIDE:
    20 loops of 1 min from which:
    10 recorded in real life from around the world
    10 designed,
    Highly focused and meticulously edited sounds
    Perfectly loopeable
    Easy and Ready to use in any projects
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  • Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.

    The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.

    We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.

    Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.

    Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
     

    Motion Textures features

    • 92 unique original samples
    • 92 smoothed samples
    • 25 Kontakt unlocked design .nki files
    • 22 Kontakt unlocked raw texture .nki files
    • .nki files require full version of NI Kontakt 4 or higher

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

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  • Moving Soundscapes is a collection of abstract and layered textures focusing on the Sci-Fi and Space age genre. Each drone comes in multiple pitches at full 192khz WAV quality.

    Perfect for anything and everything in the Sci-Fi realm.

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