Atmospheric drones and ambiences – light and dark, beautiful and eerie, lively and serene
Get the sounds of the classic 1970’s era Roland Space Echo RE-201 – captured in high resolution audio.
75 samples are included in this library, featuring a wide range of sounds emitted from a mint condition RE-201. The samples are collected from the space echo self oscillation, as well the triggered delay from various sound sources. Use these samples for the classic Space Echo sound or chop up and manipulate them for new sound creation/design.
Want the sounds of a space station? Space Station is a huge collection of designed futuristic ambiances, loopable room tones, drones, and individual interior sound elements, made to provide a truly diverse sonic palette for designing spacious soundscapes for science fiction, horror, fantasy, dramas and documentaries. This pack has everything you need, all in one place.
Space Station contains a whopping 7.6 GB worth of 500+ 24bit/96kHz sounds, each embedded with Soundminer metadata.
• 120 Designed sounds: Apartments, Doors, Halls, Alarms, Engine Compartments, Gates, Spaceship Cockpit ambiences, Interior Malfunction, and many more
• Space Station Construction Kit: Air, Alarms, Boiler Room, Computations, Drones, Electricity, Engines, Field Recordings, Fire, Foley, Pneumo and Servo sounds, Steam and Water
Bonus: Also includes our popular Abstract Interior Tones pack
This collection features 200 Space Whooshes and Wind Science Fiction sound effects. These sounds have been hand-picked from the Sound Ideas HD – Space Whooshes and Winds library.
“Special Double Bass Fx” is a unique mini-library of interesting textured sounds recorded with a double-bass.
At the frontier of music and sound design, those samples are great resources for creating monsters, drones, or any special experimentation.
Spring Box is 13 minutes/453mb of shrieking, droning, scraping metallic sounds – made by bowing a steel spring bolted to an empty steel enclosure. 81 separate files – recorded in 24bit/96kHz using Primo EM172 and JrF contact microphones.
Here's a collection of eerie sounds for your next horror/sci-fi/ambient project. Everything from low rumbling and rattling, to high pitched, harmonics-laden screams; long, drawn-out sounds and short dings and twangs. Of course they sound really good when pitched down, too (the last 3 sounds in the preview are shifted down to quarter speed)!
The Spring Box is an old 19 inch rack enclosure, which I gutted and fitted with two springs from a genuine Luxo lamp (so you know it's good). I have been having fun bowing and scraping this with a cello bow, as well as striking it with various other objects. Some sounds are recorded acoustically, while others were done with contact mics.
Static Space is a collection of 155 space or Sci-Fi sound effects, focused on continuous, seamless loops. Instead of fly-by's and accelerations, you get the sounds of space ships going at cruise speeds or idling. If you need motion, just add panning, fades and doppler as you like.
Here are plenty of loops for designing alien environments, including engine rooms, general room tones, strange transmissions and more. Additionally, I have made sure to add plenty of variety; both in terms of moods, frequency content and tonality. Some of these are unmistakably space sound effects, while others are more ambiguous, and could be used for other high tech environments as well.
You will find both low- and high end sweeteners, so when ever you see the words “rumble” or “low end” in a file name; watch that master fader! Furthermore, I went for a strong, almost musical tone, in some sounds, while others are much more noise-based and abrasive.
Whether you seek eerie ambiences, mysterious chatter, or a bassy sweetener, Strange Moods has you covered. In this collection, you’ll find over an hour of perfectly-loopable, atmospheric audio. Inspired by such games as Limbo, No Man’s Sky, and Badlands, all 69 files are high-quality 96kHz/24bit WAV files and drag and drop ready.
Supernatural Ghosts provides the sounds of spirits in multiple variations, allowing you to construct entire horror scenes and suggest ghostly presence. To bring you this horrifying library, we recorded and designed human voices, abstract instruments such as the waterphone, thunder tube, harmonica all in 24Bit 96kHz allowing for further manipulation.
All of the human voices are provided with dry variations to enable you to apply your own effects to taste.
Here are the included folders:
Ghostly Breaths: This folder consists of male and female inhales, exhales and angry breaths all with a cold and ghostly performance.
Ghostly Voices: A collection of phrases by male and female ghosts, perfect for giving a voice to a supernatural being within your scene.
Ghostly Presence: This category contains haunting ambiances, sure to leave your audience with their neck hairs standing up.
Production Elements: piercing risers, booming cinematic impacts, ultrasonic and infrasonic sounds, perfect for accenting your most gruesome moments.
“SURREAL” is a collection of 100 Sound Effects for creating surreal moments in your productions and allows you to generate a bizarre experience to mess up with the listener mind.
The sounds were created using a great variety of sources such as: transverse flutes, kalimbas, thunder drums and electric guitars to give the effects a more meaningful and emotive feeling.
But if you are looking sounds to induce tension and suspense, this library is great for you too.
Crazy atmospheres • Drones • Detuned piano: Atmosphere, rarities and reverses • Atmospheric guitars • Atmospheric kalimbas • Glitches • Whooshes • And much more
The sounds are great for any kind of production (games, trailers, movies).
Make the first step into the terrifying, creepy and mind mangling sonic experience of “Surrounding Horror“, with weird and abstract sounds from all around you.
You get 22 Horror Ambiences/Soundscapes created and mixed in 5.1 Surround (Film Channel Order) to give an instant horrifying setting for your productions. Additionally, you get Stereo Downmixes of the surround versions.
This library is a Halloween Special and is only available until end of October!
Synthesized Moods is a collection of 18 soundscapes, drones and textures produced by sound designer Giorgio Riolo using Native Instrument’s Massive plug-in.
All moods are “Synthesized”, imaginary and abstract.
They’ll add a bizarre layer to your ambiences sound effects and sometimes they’ll give a musical taste with a sci-fi, dark and sinister accent to your project .
Synthesized Moods is available in two versions:
Created using only a 1975 Fender Telecaster through a 1975 Fender Princeton Reverb (and some effect wizardry), Telepathy is SkewSound’s first drone/mood library.
Creator Steve Pardo paints an ethereal soundscape in this collection of eleven unique pieces. Telepathy will set an ominous, otherworldly mood to whatever you are creating, and we’ve included stems to some of the tracks so you can re-work to your heart’s content. It’s up to you with SkewSound’s Telepathy library.
Tension is a collection of atmospheres, drones, musical sound design, darkness, noise, and distortion for creating moments of anxiety, ominous soundscapes, or musical foreboding highlights. Created by Charles Maynes (sound designer) and Jason Payne (musical composer) Tension creates a balance where both sound design and musical undertones collide. Tension gets you 430+ sounds and 7.5GB of 24bit/96khz files, all meticulously embedded with Soundminer & Basehead metadata.
PROMO: Get this library for FREE when buying “Affright” until the end of the month.
Need to create suspense, tension, action and mystery in your production? “The Case” is great for you.
Like my library “UNSOLVED“ this pack is Inspired by crime/investigation movies and series, and contains 185 sounds (Wav, 24 Bit / 48 kHz) aimed to enhance the tension and drama of movies, games, series, trailers and musical compositions.
You will find deep Bass Loops, powerful Percussive Loops (kick, hi-hat, hits, metal), Cinematic Melodies and notes (synth, clean electric guitar, percussive piano) and Fx (soundscapes, atmospheric elements, drops, hits and impacts).
You will get:
• 37 bass loops
• 37 cinematic melodies
• 67 percussive elements
• 44 Fx
This library has a nice mixture of sound design and music. It can be used to create moments of suspense and tension from a sound designe perspective or from a musical perspective thanks to the bass/percussion loops and melodies.
The Complete Collection contains 1373+ sound effects from every sound library that we have released so far. It features Sci-Fi, Fire, Ice, Mecha, Rocks, and Plastic sound effects, including ambiences, drones, textures, swooshes / wooshes, impacts, glitches, sequences, and more. Royalty-free.
Looking for creepy ambiences? The Horrid delivers 4 dark ambient / industrial / horror compositions and their complete stem layers (22 files included – a total of more than 70 minutes of ambiences), for when you need to create a truly unsettling atmosphere.
Use a single track, or combine and remix your own variations. Rather than static tones, you will find significant, evolving themes here. Seamless loops, metadata included.
The Keyless Piano Body is a Kontakt Patch library that features an abandoned upright piano without keyboard.
The library encompasses the results of three extensive recording sessions and features the wonderful and reverberant sound of these piano remains.
For session 1 and 2 the body was brought to a studio and literally laid back so that various things like plastic balls, felt balls, glasses and much more could be thrown in to excite the strings. At the end of both sessions tons of samples were ready to edit. They now form 13 Kontakt instruments that encompass several precisely tuned pianos plus many prepared piano sets.
Session 3 was kind of a field recording gig as the piano remains were meanwhile moved to a rural garden area. The nightly recordings were done 6-channel so that several sample sets from 2 acoustic mics and 4 contact pick ups could be created. Again, the Kontakt instruments from this session feature the sounds of a rotten piano that is lovely and impressive at the same time. In a second pass the piano strings were treated with a stell jazz brush to bring up 3 multi-channel sets with prepared piano-like sounds.
Please see the Patch List here or below to learn more about the individual instruments. Also note that The Keyless Piano Body requires Kontakt 4 or higher.
The Rush is a collection of massive rushing sounds that are perfect for use in timelapses, swirls, swarms, and any other massive movement situation. It features 319 sound rushed files that were generated from 30 lovingly curated sources and carefully rendered in Sound Particles.
Sound sources range from trains and race cars to vinyl, metal and paper frictions to gore, motorcycles and helicopters. Parameters are tweaked to yield textured and interesting results with detailed heads and tails that rush in and gently dissolve out.
Each rush has a different number of particles running, so you get every level from sparse detailed movement to overwhelming waterfalls of sound per sample set. Check it out today!
Tibetan Singing Bowls – The ancient brain entrainment methodology for healing and meditation. Tibetan Singing Bowls have been used for centuries for healing and meditation purposes. They create a range of sounds to restore the normal vibratory frequencies of diseased and out-of-harmony parts of the body, mind and soul. They are also used for sound baths, which is when participants lay on the floor and let the waves of sound from the Tibetan Singing Bowls wash over them.
9 total bowls were recorded. Notes C, D, D#, E, F, G, A, A one octave up and B. A variety of bowl sizes were used from 8 to 12 inches.
30 ear piercing samples created from organic recordings which were then stretched and manipulated using various professional plugins.
Recorded using the Sennheiser MKH 8020 Stereo Pair and Sound Devices Mix-Pre 6, this library is delivered to you at 24bit/96khz for all your sound design needs.
Sounds of a tortured, tormented and ultimately destroyed vintage piano.
Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.
Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.
Over 500 sound design broadcast, interruption, noise, buzz, and hum sound clips in almost 2 GB of audio. Includes tones, drones, and accents crafted to simulate transmissions and interference for science fiction and terrestrial projects.
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
Twisted Reality – Drones & Other Worlds, brings you 50 dark, twisted, ominous and magical drones / underscores for all your sound design needs. Perfect to create that unworldly atmosphere in your theatre show, film or game. Made from original field recordings and twisted into something quite different, the styles vary from monotone drone to full soundscape. All styles covered from, the condemned man’s last walk, to the Snow Queen’s, Ice Palace, and with most of the files over 3 mins, there should be plenty there to cover your scene.
Twisted Zither features recordings of an old zither being plucked, scraped, hit, and shaken. The library includes string hits, wood hits, tones, and different resonant sounds using a number of props such as mallets, african shakers, keys, coins, a metal beam, and fingers.
If you're looking for organic, wooden – and eerie – sounds, this one's not to be missed.
UnEarthy Ambience features 74 designed ambiences ranging from eerie organic textures, thick industrial machine rooms, and futuristic sci-fi atmospheres.
Add a polished layer of subtle tension, evolving textures, otherworldly roomtones, complex soundscapes or natural environments twisted into new spaces. UnEarthy Ambience gets you 2.8 GB of dark, futuristic, organic, designed drones and soundscapes from original field recordings and modular synth sampling in total.
This sound collection contains 119 abstract ambiences, most of them as seamless loopable files. Their moods range from deep mysterious over science-fiction to chaotic glitches and weird noise.
Additionally, the Shepard Ambiences' 2×44 files are included.
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
Need to create suspense, tension and mystery in your production? “UNSOLVED” is great for you.
Inspired by crime/investigation movies and series, this pack contains 141 Sound Effects (Wav, 24 Bit / 96 kHz) aimed to enhance the tension and drama of movies, games, series and trailers.
You will find atmospheric and musical elements with a powerful cinematic feel that can be used in musical context too, making this library a great addition to your collection.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
TH Studio Production presents VANDRIA, an epic cinematic vocal library, featuring the voice of the singer Megi Angelova.
Born in Bulgaria, Megi Angelova is a singer/songwriter based in London, UK. Coming from a background of musicians and artists she always has been fascinated by art and music which inspires her to look beyond the frames and to experiment with different styles of music, vocals, lyrics, musical instruments and sound effects .
The library includes a version for the full Kontakt 5.8.1+, and a .wav version:17 Kontakt 5 instruments:
• 2 Types Vocal Legato
• 2 Types Vocal Legato Portamento
• 2 Types Vocal Legato Sustain
• Vocal Music Phrases : Cm , C#m, G#m, Hm .
• Vocal Whispers Phrases
• Vandria Pad
+ WAV version
Contact microphones allow us to record vibrations and resonances in solid objects
The resulting spectrum is rich in low-end and has impressive dynamics. This could easily expand your sound toolkit with a great number of interesting elements and textures for any kind of SFX production: Movies, TV, trailers, game audio, electronic music and so on.
I picked up lots of wood, metal, plastic and many other objects (including bats on old attic) to record this library, which is divided into categories, like: bow, brush, debris, hit, hum, metal, ratchet, scrape, spin, water and etc.
All recordings were made at 96 kHz sample rate for further manipulation, and they’re categorized by source objects and contain metadata.
If you are looking for nice addition to your SFX production arsenal – this library is for you!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.