Home Cinematic & Trailer Sound Effects Page 4
Cinematic sound effects, recorded and designed for trailer sound work, as well as sonic impacts, transitions, braams and beyond
“The Sound of Survival” is a comprehensive sound library designed for survival games, inspired by the most iconic titles in the genre. It consists of 598 fully categorized sound effects, recorded at the highest possible quality in 24 bits, and available in two sampling frequencies, 192Khz and 96Khz. This extensive sound collection has been meticulously crafted with the needs of those who want practically all the sounds of a survival game in one package in mind, offering an immersive and realistic auditory experience for your game project.
Preview
– Youtube soon...
– Soundcloud
Sound categories include:
– Character: Encompasses a wide variety of sounds related to the actions and expressions of the playable character, from drinking and eating to exertion and attacks, adding depth and realism to the character.
– Construction: Contains sound effects related to the construction and demolition of objects in the game, such as building structures and destroying objects.
– Crafting: Includes sounds of crafting and object creation, from crafting neutral materials to creating food and items made of metal, stone, and wood.
– Environment: Offers sounds that immerse players in the game environment, from lighting a bonfire to the crash of a falling tree, creating an immersive experience in the game world.
– House: Includes sounds related to interactions in indoor spaces, such as opening/closing doors and drawers, contributing to the sense of exploration and inhabiting interior spaces.
– Inventory/Bag: Comprises sounds of manipulating the character’s inventory, from picking up items to moving tools and various items in the player’s bag.
– Tools/Items: Contains sounds related to various tools and items, such as lighting and extinguishing torches, repairing objects, and using tools in the game.
– Weapons: Includes sounds related to weapons and attacks, from the swish of a spear to the impact of arrows, adding realism to combat sequences.
– Pick-Up Materials: Encompasses sounds when picking up various materials, such as wood, stone, metal, and other essential resources for crafting and survival.
This library provides a complete range of sound effects to enhance immersion in survival games, from in-game action to the subtle sounds of the environment. With “The Sound of Survival,” game creators can take the survival experience to a new level.
More about the pack
– Sample rate available at 192khz and 96khz.
– Intuitive file naming
– All you’ll ever need regarding survival sounds [Use them again & again
– Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Explosion Fireworks is a 182-track collection of fireworks recordings captured during the local holiday “Nit de L’Alba,” located in Spain, where hundreds of thousands of fireworks are launched. It also includes 8 additional tracks, featuring explosions designed exclusively from the audios in this high-quality library.
The audios are organized with an intuitive nomenclature that allows for easy switching between different microphones, providing the flexibility to select or combine the best recording options. For this collection, high-end microphones such as the Sennheiser MKH 8050 and the Sanken CO-100K were used, along with a Zoom H6 recorder to capture stereo sound. The recordings were made at 24-bit and 192 kHz/96 kHz, ensuring exceptional clarity and depth.
This collection covers a wide variety of fireworks sounds, including firecrackers, close-up explosions, mid-range explosions, ground fireworks, ground spinners, palm tree explosions, roman candle, Whistling Rockets, and various fireworks atmosphere loops. Each audio contains multiple variations, providing the flexibility needed for any production requiring fireworks or explosion sounds.
All recordings have been meticulously edited to remove external noises such as wind, people, or background noise. Additionally, thanks to the ultrasonic microphones used, it is guaranteed that even when lowering the pitch, the richness of the frequencies will be maintained.
Ideal Applications:
– Video games: Add realism and depth to the natural environments of your games.
– Cinema and Documentaries: Enrich your audiovisual productions with authentic sounds.
– Multimedia Projects: Ideal for any project that seeks to enrich the user’s listening experience.
Technical details:
– Total Audios: 182 (907 sounds individually)
– Format: 192kHz – 96kHz/24bit
– Equipment Used: Zoom F6 recorder with Sennheiser MKH 8050, Sanken CO-100K, plus a Zoom H6 recorder for stereo sound.
– Duration: 16 minutes and 07 seconds.
Discover one of the biggest collections of bells ever recorded with nearly 6 hours of sound.
Beautiful Bells BUNDLE contains the solo ringing of 76 swinging bells and 135 stationary bells, captured in 62 bell towers, carillons, chapels, churches, cathedrals, basilicas and clock towers across France, with unprecedented quality. Most of the sounds were recorded inside bell towers.
Swinging bells are struck by a hanging clapper. They have a natural pitch modulation due to the Doppler effect, and a timbre modulation due to varying orientation. They produce a deep and lively sound and are mostly used to announce masses, religious holidays, weddings and funerals.
Stationary bells are struck by external hammers. They have a steady and rich tone, with a long sustain. They are mostly used as musical instruments in carillons, to indicate the hour in clock chimes or to alert the population in tocsins.
Every bell size and pitch is represented in this library, from huge 10 ton bourdon to tiny carillon bells weighing a few kilograms. You will find bells founded from 14th to 21st century with a great variety of timbres and tunings, over a range of more than 5 octaves. The sounds are sorted by note from D2 to G7.
The library contains 2 carillons with 54 bells and 10 bells, available as sound files and virtual instruments (NI Kontakt and EXS24 with round robin).
You will also get 15 peals of multiple bells, called plenum.
By sorting the solo sounds by location, you can recreate authentic bell combinations. You also have the freedom to create any custom combination or use the sounds as instruments in musical scores.
All the sounds in this library were recorded in bell towers or as close as possible to provide great sonic precision and optimal signal-to-noise ratio.
Over 12,000 kilometers were traveled during six months to get you one of the most exhaustive swinging bell collection ever recorded.
• Contains BEAUTIFUL BELLS Vol 1 & BEAUTIFUL BELLS Vol 2
• A total of 227 sounds recorded in 62 locations
• Wide variety of bells (size, age, tuning)
• Contains the ringing of 10 bourdons
• 2 carillons virtual instruments
• Contains peals of multiple bells
• Contains a collection of 10 small ancient bells
• All notes from D2 to G7
• Metadata with detailed information about each bell
• 96KHz/24bit
• Very low noise
• Metadata UCS-compliant
• Mainly recorded with Sennheiser MKH 8040
Over 375 sounds of creaking and cracking materials, including breaking cables, ropes under tension and about to split, wires and strings under stress, metal friction causing tension. Recorded with a combination of Sanken CO100K and Nevaton microphones for full frequency sound content. Saved as 192KHz these files allow for high resolution editing. Useful for impact sounds in cinema, games or documentary, but also for cartoon sounds or even creature sounds as many of the recordings contain vowel-like screeching and scraping.
Imagine a scene where a rope is about to break over an edge, an object being torn by a huge cable, a wooden structure about to collapse under stress and so on… Our brain is triggered by those rattling sounds or spine-breaking cracks coming from little fibers being split apart, parts of the structure creaking, wires scraping over edges…
These sounds can be perceived as delicate but have a great psychological impact as we interpret these and know what is about to happen. So suspense is built with both background and close-up sounds. Useful when building tension, when creating a sense of upcoming climax, these sonic elements will work out to amplify the details that are often important but not always visible for the eye.
All the source material and recording are acoustic, there are no digital effects applied. This guarantees natural organic harmonics, even way beyond our hearing. Pitching down the 192 KHz files will let you discover another collection of sounds!
You can find the following libraries in this collection >
1400 meticulously processed stereo blades sound effects recorded in 96 khz and 24 bits for high audio definition.
The collection comes with hundreds of variations and many different weapon types. It also includes raw files for more flexibility for your projets and each asset has a version with and without reverb for more control.
This collection is perfect for any films, video games or trailers.
Recorded weapons: katana, kris knife, khukuri dagger, big and medium kitchen knife and hunting knife.
This sound library includes various type of sounds: blades scraping, single or multiple impacts, whooshes, designed and powerful sword sounds for trailer and cinematic, gore slashing and stabbing, blade sheathing and unsheathing, short and long combat sequences, background sword battle, and more.
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your nightmarish design needs.
Featuring creeping dread of bowed metal wires and strings, as well as menacing stabs and frantic hits. Double bass raw recordings and designed sound effects provide exciting opportunities for unique and twisted layering.
Explore and manipulate meticulously edited source material, drag and drop designed sound effects for instant terror or add gritty details and raw power to music compositions.
With plenty of experimentation and unique processing, this library introduces a fresh sound palette for horror sound design and music.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“‘Evil Strings Tortured Wires’ is an all-scary affair with plenty of really good, nightmarish, imaginative sounds from authentic materials, like double bass, dulcimer strings and metal wires. Sound-wise, this sample pack is clean and carefully recorded. The editing and processing of sounds is top notch, with sound design techniques applied very professionally. Overall, very gritty and not for the faint of heart.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Cinematic Waves is a collection of big wave crashes captured along the southern coast of Sri Lanka.
Huge waves crashing on the shore and into rocks were captured then carefully edited and enhanced to create a useful small sound pack to add punch and power to any ocean themed projects.
This collection contains a number of ‘one shot’ designed waves plus a few longer wave ambience bed tracks where you can truly feel the force of the ocean tides.
Sounds recorded in Stereo 24bit/48kHz and UCS compatible.
Analog Tape Transitions contains dozens of genuine vari-fi effects created with a restored Akai 4000DS MK-II 1/4 inch tape recorder.
Get plenty of tape stops, rewinds, fast-forwards with 7 different tapes containing music, voice and noise.
Tired of using the same digital rewind sound again and again? Experience the variety and the smoothness of reel-to-reel analog sound.
• Vari-fi, rewinds, fast-forwards
• Mechanical tape recorder sounds included
• Ultrasonic content up to 48 000 Hz for easy pitch adjustment
• 96 KHz/24 bit
• Metadata UCS-compliant
• Recorded with AKAI 4000DS MK-II and Sennheiser 8040
Vintage, cinematic, mechanical trailer loops featuring evil ticking clocks, dramatic timing clicks, suspenseful bomb ticks, intense chronometers, mysterious clockworks, old timepieces, scary watch timers, and very dark and creepy alarm clocks.
Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.
Capturing Intense Metal Impacts
After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!
Microphone Setup Positioning 1
Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.
Microphone Setup Positioning 2
Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.
Microphone Setup Positioning 3
The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.
Build the suspense or sense of wonder with this pack of high-quality drones and pads. The sounds come in a large variety of styles, from DARK, mysterious metallic ringing or whirling vacuous spaces and mid-range NEUTRAL sounds like evolving hums and shimmering resonances to light, ethereal ahs and cosmic-inspired reverberations from outer space. The soundtrack of your production isn’t complete without these awe-inspiring soundscapes.
Bowed Bass features over 30 drones and swells created from the sound of a bowed Electric Fender Jazz Bass, which was then sent through various hardware reverbs, delays and distortion all aiding to create a catalogue of developing rich textural sounds. If you’re caught short and what you really need to do is create a powerful sense of dread, bowed bass has the answer.
From chaotic scratchy swells to deep rumbling murmurs this collection of twisted bowed bass sounds is a fantastic selection to add to your sonic palette.
Bowed Bass contains 887MB (over 20 minutes total) of high quality 24bit/96kHZ Stereo WAV files, labelled in UCS format and metadata embedded.
Your search for the one outstanding cinematic sound FX pack is complete with KRYPTON. This set of high-end FX can turn a homemade reel to a professional Hollywood cut. DARK AND LIGHT ATMOSPHERES, HITS, BRAAMS, RISERS, GLITCHES, DRONES, BOOMS, WHOOSHES and more are just a click and drag away from setting your work above the competition.
This library was developed in cooperation with our partner VAMIFY.
Metal Core Alliance is a library created to bring colossal machines, futuristic metallic environments, and large-scale robots to life. Ideal for video games, film, or any project requiring high-impact mechanical sound design.
In this collection, you’ll find 613 high-resolution (192 kHz / 24-bit) sounds carefully designed and organized into categories for easy creative use:
🔹Auto Deployment Unit
🔹Biotitan
🔹Bionic Spike Rotator
🔹Brutal Metal Assembly
🔹Malfunctioning Unit
🔹Mech (robots, mechas, and more)
🔹Mechanical Shrinking Gear
🔹Mechanical Shrinking Pillar
🔹Sci-Fi Doors (locks, heavy, sliding…)
🔹Turrets
🔹 Whoosh (cyber, mech, robotic…)
🔹Bonus 🎁
Each category was created with those gigantic mechanisms we see in so many science fiction movies and video games in mind. To achieve this, we used real recordings of heavy machinery, metals, and industrial textures that add authenticity and power.
All sounds have been recorded and edited at 192 kHz – 96 kHz / 32-24 bits, and are delivered in 192 kHz / 24 bits, allowing them to be stretched, distorted, slowed down, or manipulated without losing quality or detail.
Metal Core Alliance is not just a library: it’s a versatile, creative, and brutally powerful sound design kit, designed to shape mechanical worlds with their own unique personality.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding Robots, Machines, Gears, etc…[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 613 sounds
– Number of Audio Waves: 613
– Format: 192KHz / 24 bits
– Do Sound FX loop: Yes
– Win/Mac: Yes
– Minutes of audio provided: 25 minutes
RPG INTERFACE ESSENTIALS – CHARACTER & HUB
RPG INTERFACE ESSENTIALS – INVENTORY & DIALOG
RPG INTERFACE ESSENTIALS – MAP & PRINCIPAL MENU
This is the fourth and final installment in our sound library series, “RPG Interface Essentials – Pop-Ups“, an essential collection of interface libraries designed especially for RPG or MMORPG games. With a total of 135 sounds carefully distributed in various categories, this installment will immerse you in a unique sound experience.
You will find these nine types of Pop-ups:
– Enter Or Discover New Territory Pop-Up
– Experience Popup
– Insufficient Resources Popup
– Neutral Pop Up
– Item Received Popup
– Journal Updated Pop Up
– Mission Or Quest Complete Pop Up
– Overwrite Saved And Save Game Pop Up
– Special Event Complete Pop Up
Exceptional Audio Quality:
With 135 sounds presented in 192 kHz and 24-bit, enjoy exceptional quality and clarity in every detail, immersing players in a captivating audio experience.
Designed for versatility:
This versatile sound set is ready to enhance any gaming project, whether it’s a classic RPG or a unique adventure.
More about the package
– Intuitive file naming.
– Use sound effects over and over again, in any of your projects or productions, forever with no additional fees or royalties. Use these SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need it, as much as you want.
– Full mono compatibility.
– All sounds have several variations.
– Use your imagination and feel free to use any sound in an action other than the one described, remember that the world of sound is totally subjective.
Technical details:
– 135 RPG interface sounds
– Number of audio waves: 135
– Format: 192kHz/24bit
– Sound Effects Loop: No
– Total duration: 6 minutes and 38 seconds
With astonishing clarity and thundering intensity, BOOM Library presents this new collection of transitions, slow and fast whooshes, zaps, and particle sounds for any number of movements flashing by. The collection features 7.7 GB of .wav files, bringing you a new dimension of excitement for your trailer or other project.
What’s inside
This sound library introduces reverberant aggressive metal rampage with just a hint of subtlety right before the enormous sound rushes to deliver a piercing brutal blow.
Featuring creeping evolving metal pressure and resonating rattle, gritty friction and massive rumble, explosive impacts and fierce slams, vicious screeches and nerve-racking squeaks.
Explore and layer meticulously edited source material or drag and drop high-end detailed sound effects designed for instant devastating damage.
With plenty of experimentation and unique processing, this library introduces a fresh sound palette for action adventure and horror genre, trailers and in-game cinematics.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“Slava is back with another aggressive and energetic sample library called Resonating Metal Force – a 680 strong collection of modern metal effects captured using various tools and high-end studio equipment. The source material was edited and processed professionally for instant use. These sounds are primed for experimentation – whether you add your unique processing, layer several WAV samples or slice and dice to your heart’s content, the sky’s the limit. This sound pack is another winner.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
All the blood-pressure-raising, tension & suspense-filled sound effects you could ever want. Creepy Game is an immersive, out-of-the-ordinary & designed mystery horror game sound effects library bridging the gap between musical elements & game-ready audio assets.
With Creepy Game, you get the best of both worlds, a frightfully versatile selection of intense musical cues, loops, trailer SFX as well as all the game audio essentials needed to build compelling stories, & in-game experiences.
'Horror Cinema Transitions & Impacts' by Cinematic Sound Design delivers a unique hand-crafted selection of sound effects, designed for Horror films, games, apps, music productions, company logos and more.
The sounds within this pack have been meticulously designed using both synthesis & recording techniques. In addition to a range of outboard synthesizers, a huge selection of foley sound effects were recorded using Sound Devices 702 field recorder and a pair of Neumann KM184 microphones. All sounds have been put together & processed later through an Apogee Symphony AD/DA.
CINEMATIC HITS DESIGNED
READY-TO-USE CINEMATIC HIT SOUND EFFECTS
Pre-designed for super-fast and professional results – simply drag them into your project. Those sounds really are something very unique as this collection is going to be your new quality source for absolutely stunning, innovative and breathtaking hits & impacts. Instantly boost your project to the next level by applying these royalty free and ready-to-use sound effects.
DESIGNED BY PROFESSIONALS FOR PROFESSIONALS
Hand-picked and thoroughly produced by our team of sound designers, we give you a powerful toolset of heavy cinematic hits that will drive your audience’s speakers and subwoofers to the maximum. Get ready for ground-shaking and absolutely phenomenal designs.
WHOOSHES FOR EDITORS BY EDITORS!
WHOOSHES for EDITORS Vol 1 is a must-have arsenal of cinematic transition sound effects designed to add dimension and movement to any editorial project!
This special collection contains 60 hand picked dynamic transitions culled from literally hundreds of our cinematic sounds. -There’s no filler here. This streamlined sound-set gives editors and sound mixers a concise assortment of easy to use sounds. And every sound in this set has a purpose waiting to fit your creative!
Owner & lead designer for Orbital Emitter, Charlie Eisenhardt thinks WHOOSHES for EDITORS Vol 1 should be your go-to source for transition sounds -and with good reason, Charlie is an award winning editor in NYC who created this sound-set for editors!
“…After we made all these transition sounds, I gave them to my post production peers for feedback… And after speaking with editors and post sound-mixers alike, we narrowed it all down to this 60 file sound-set, agreeing that these 60 files (which translates to 113 individual sounds,) covered a multitude of styles and moods to help editors up the production value of their projects with cinematic transition sounds!…”
“WHOOSHES for EDITORS Vol 1 is an all-in-one powerhouse of transition sounds that you’ll find yourself going back to over and over again because the sounds run the gamut from short to long, simple to complex, dramatic to muted… ”
But what if you’re concerned there won’t be sounds you can use in this sound-set?
We assure you this set has something for every editor and for any project…
And as a secret bonus, we include esoteric and complex punctuation sounds like Stingers, Attackers and Cues- all to enhance your creative however you wish.
So whether you’re a beginner or a seasoned professional, we guarantee that you will find our transition sounds to be fun and easy to use in all your creative projects!
Click the sound list below to view the sounds included in this sound-set!
HITS, BUILD UPS, EXPLOSIONS, DRONES, RUMBLES, WHOOSH & TRANSITIONS, DROPS, ANTICIPATION RISING sounds, IMPACT sounds like SLAMS, BURSTS, and SHATTERS with elements covering METAL, WOOD, ELECTRICITY, SYNTH, PLASTIC, FIRE, and more are all in this concise set of 225 cinematic sound effects! Each sound has been carefully designed to cover all shapes and sizes you’ll ever need for any media project that needs epic cinematic sounds of the highest industry standard quality!
ADDITIONAL FEATURES:
GET THE MOST EPIC TRAILER SOUND EFFECTS NOW!
SampleTraxx is proud to introduce “DEADBOW,” the newest addition to our organic sound effects series. DEADBOW is a premium sound collection entirely created from raw, live string recordings by sound designer Alessandro Romeo for SampleTraxx.
Featuring 400+ premium WAV sounds from smooth and delicate to aggressive and extreme string mutation including bowed cello hard and soft, cello and violin phrases and reverse, crescendos, tick tocks, designed violin stutters, screeches, plucks, jetèz and a raw source folder with files at 96/24 resolution, for an ultra realistic yet mangled horror strings collection.
The Kontakt instruments featured in DEADBOW turn into a powerful sound design instrument with a straightforward, easy-to-use engine, including 27 Instruments and 10 Multis to combine and create unique horror sound design elements in seconds, from classic sounds to abrasive and gritty sonic signature.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.