Get ready for your next project with this unique combo! Grab SPACE DIVERS together with DIVE DEEP, DIVE DEEP 2 and BOAT RIDE for a special price:
DIVE DEEP 2 – new genration of underwater ambiences, including “Detail”, “Space” and “Eeerie” categories.
Exclusively on A Sound Effect!
Download 3,000 Sound Effects for $299.99 within a year from a library of more than 200,000 tracks. We give you Access to a wide variety of collections from Sound Ideas and the Hollywood Edge, including categories such as ambiance, animals, comedy, cartoon, crashes, designed sounds, foley, feature film, guns, sci-fi, production elements, sports, surround sound, transportation, and the list goes on! Instead of purchasing a boutique library, choose from an extensive library ala carte. We provide you with the massive audio library without the large cost.
The sound effects are all recorded in 24bit 96khz down to 16bit 44.1khz. These sound effects have been used in many productions such as feature films, video games and all types of broadcast.
Purchasing this offer gets you a special code that lets you download 3000 sound effects from Audiohero.com within a year. The sounds you get with this purchase are covered under the Audiohero EULA.
Get an elite cache of cinematic power and creative expression. Collision FX delivers an exceptional pallete of sound to design, compose, score, sweeten and create astonishingly impressive cinematic elements that absolutely get noticed. Built on a sonic foundation of cinematic source FX, composers, musicians, DJ’s and sound designers alike are empowered with unmatched inspiration for creating breathtaking cinematic dynamics and orchestrated elements.
The whole collection of Lesser Vibes sound libraries.
Artificial Life (sci-fi, user interface, designed)
Automatic Umbrellas (foley, cloth, mechanical)
Handheld Transceivers (radio, glitch, noise)
High Tech Interface Sounds (sci-fi, user interface, designed)
Urban Russia (environments, transport, crowds)
All libraries were created by Sergey Eybog, a sound designer and music composer from Russia.
The Cars In Motion II sound library was built from 551 WAV files, with total length of 268 minutes. It features exterior sounds of cars driving at different speeds, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different sounding engines, from a small Seat Ibiza through a powerful Porsche Cayenne, up to a fast Subaru Impreza WRX. In addition to cars there are also random cars folder, that contains everything from regular cars up to trucks and buses. Here’s a list of all the cars that are part of this library:
This warfare SFX library was recorded during a three-day military exercise, using several Combat Vehicle 90s performing live firing exercises with 40mm cannons and 7.62 machine guns. The recording consists of several multichannel setups from various distances, perspectives and environments such as forest and huge fields.
The library contains huge tails in different environments, shooting at close and far distances with various occlusion, onboard firing, sonic booms, ricochets, bullet cracks, projectile tails and much more. It also has some onboard and exterior vehicle movements and maneuvers. For sounds of military operations, you can't go wrong with this collection.
The Volvo 142 drag car recording showcases the sound of a 1971 version of the Swedish car and its custom Chevrolet 427 small block V8 with a Vortech supercharger.
The Volvo 142 drag car sound library bundles 129 clips from 6 tandem takes totalling 11.15 gigabytes of field recordings. The collection showcases the sound of a 1971 version of the Swedish car and its custom Chevrolet 427 small block V8 with a Vortech supercharger.
A total of 33 channels of audio detail the sound of this custom car from both onboard and exterior perspectives. Interior (including an Ambisonic microphone), exhaust, and engine perspectives – in addition to three custom mixes – detail onboard driving at medium and fast speeds from 11 perspectives. Exterior takes on straightaways and turns share departures, passes, and arrives across 8 perspectives.
The package also provides are Reaper and Pro Tools mixing sessions as well as full professional metadata in every clip.
Get the sounds of actual industrial robots – and more – in this special sound effects library. In addition to industrial robot SFX, it delivers hydraulic and pneumatic sounds from various machines at different speeds, such as lathes, plastic molding machines, tank turrets and other sources. Various microphones have been used such as lavs, shotguns, contact and induction microphones etc.
A must-have collection for winter sounds, this library consists of many years' recordings of snow and ice, skiing, textures, ambiences, foley and so on. It contains lots of skiing, jumping, rails, freezing cold winds, ski resort ambiences, lifts, walking in snow and on ice, texture details such as snow spray, tires driving, skidding and spinning on ice and snow, drilling in ice and much more.
Who doesn't love the sounds of speed? In this library, you'll hear the fast, harsh sounds of a drift car skidding on tarmac. The library contains skidding with engine running, skidding with engine switching off, skidding on wet tarmac, roll bys on wet and dry tarmac, spinning in circles, rolling with flat tire and much more. Both onboard and exterior perspectives are covered, and several microphones were positioned at each wheel, inside the car, and along the skidding path.
Some additional material is included, such as a supercharged Chevy -57 burnout, handbrake skids from a Skoda, and more.
This library consists of two different sessions where we dropped cars from a crane onto other cars and onto the ground. The first session contains lots of windows being smashed and sounds of car body debris from two hanging cars scratching against each other. During this session, microphones were positioned inside the vehicles as they were dropped from the crane as well. The left side of the onboard recorder comes and goes, but we decided to leave it in the library since it has some very nice bits in it.
An incredible assortment of organic, elemental and abstract source files at delivered in .WAV 192k 24Bit. The beauty of this library besides the stunning recorded quality is that it was recored with top gear like Apogee Symphony and Sennheiser MKH 416 in a professional sound studio. This is a go to pack to grab for those wanting the cleanest audio files to manipulate.
307 Abstract Source files • 264 Cinematic • 125 Clicks Hits and Buttons • 202 Cloth and Plastic • 132 Construction • 185 Household • 165 Kitchen • 54 Laundry and Bathroom • 1080 Metals • 67 Metal Chains • 177 Metal Slide • 196 Pantry Cabnets Pots • 63 Paper • 214 Plastic • 360 Tools and Machines • 1151 Bonus files (Mud, Stone, Dirt, Glass, Clicks + more)
A total of more than 4700 files in 24 bit / 192 kHz – 18 GB in total
Get the sounds of a Sea Doo RXT 260 RS jet-ski with a four stroke four cylinder Rotax engine. It consists of six channels, two engine, one exhaust, one engine air-filter and left and right passenger back. It contains engine start ups and stops on land and in water, steady rpms, blips, slow and fast take offs, ramps and reckless driving. The recording length is 16 min 1 s.
Get the sounds of a Yamaha 24MX 125 cc dirtbike – featuring onboard and exterior recordings.
The recording consists of 11 channels, two exhaust, driver back, chain, two engine, intake and 4 synced exterior channels, left, right, surround and following shotgun. It contains several start, stop, idle, blips, revving at constant rpms without gear, various accelerations and decelerations, driving while braking to get even rpms etc.
Driver back channel is missing for the first startup, and chain channel suffers from bad contact last startup, but we decided to keep those in since they still contain many useful parts. The recording length is 19 min 3 s.
Very in-depth recordings of this 4-wheel drive with an inline six cylinder engine.
The first part consists of eight onboard microphones, two interior, three engine and three on exhausts. The exhaust on this vehicle has been modified and has a really rich sound. The second part is 8 channels of external microphones in surround. The total recording time is about 48 minutes (internal 42 min, external 6min).
It consists of real traffic driving, startup, idle, blips, shutdown, steady rpm:s without gear, steady rpms driving with load, accel/deceleration ramps at different speeds and even horn, switches and doorslams recorded.
Pro Tools session and cue list included. The recording length is 47 min 54 s.
Recording of the Pulse Jet Snowmobile. Powered by a 50 Hz Pulse ethanol/water jet engine the same used by a WW2 V-2 rocket.
The Pulse Jet Snowmobile sound collection shares 28 clips of field recordings in 1.42 gigabytes of audio. Powered by a 50 Hz Pulse ethanol/water jet engine the same used by a WW2 V-2 rocket, this bundle presents the snowmobile racing at extreme speeds for a mix of perspectives.
Both onboard and exterior perspectives are shared in two takes. The exterior perspectives arrange microphones at a mix of distances at the beginning, end, and middle of the racing strip. The onboard microphones were positioned onboard the body and at the jet engine to portray steady fast driving, with bonus custom mixes of the onboard and exhaust tracks.
The sound library includes iXML, Soundminer, BWAV, and MacOS Finder embedded metadata, metadata keyword import files for 7 languages, and Pro Tools and Reaper mixing sessions.
A recording of a fantastic Koenigsegg Agera with a 4.7 litres twin supercharged V8 and about 900 hps. It consists of seven channels, exhaust left and right, three different engine channels and interior left and right. The recording contains start, stop, idle, blips, revving at constant rpms, door slam, accelerations, decelerations, driving and a surround drive by. The recording length is 32 min 33 s.
This library features a Soviet tank BMP-1 with a 6 cylinder water cooled diesel engine. The recordings consist of 13 channels, 7 interior (front and rear), 2 exhaust, 1 track, 1 air intake and 2 from the turret pointing forward. It contains startups, stops, idling, blips, driving, as well as exterior surround drive aways, approaching and more. Add a little history to your sound design with this Eurasian AFV.
Recordings of a heavily modded Nissan GT-R with a turbocharged 3.8 litres V6 and 500 hp. The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo.
It contains startup, idle, blips, revving at constant rpms without gear, engine stop, horn, door slams, accelerating and decelerating at different speeds, driving and a eight channel surround drive by. The recording length is 22 min.
Recording of the 1996 AvtoVAZ Lada Niva VAZ-21214 with a 1.8 Liter, 4 cylinder inline engine.
The 1996 AvtoVAZ Lada Niva VAZ-21214 sound bundle includes 245 sound fx in 21.95 gigabytes of audio. The Niva was known by many names: Lada 4×4, Lada Sport, Lada Talga, Bognor Diva, and Lada Cossack. The collection shares the sound of the Soviet off road vehicle performing a variety of maneuvers with its 1.8 Liter, 4 cylinder inline engine.
The library gathers 12 synchronized takes of onboard and exterior driving. The exterior perspectives depict slow, medium, and fast driving from 2 positions as the car idles, departs, arrives, and passes by. Microphones were mounted at the exhaust, in the engine, and the interior (including an Ambisonic perspective) to record driving at various speeds and with ramps. The collection also shares performed effects of doors, seatbelts, and other effects, along with custom mixes of the onboard perspectives.
The collection also provides Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.
A large collection of authentic B-25 flybys, takeoffs, landings, taxis, startups, and shutdowns with both internal and external perspectives – for a total of 71 minutes of recordings.
This library was over 8 years in the making, and is the refined result of more than 30 field recording expeditions, including one recorded aboard a B-25 during flight. All sounds have been extensively quantified with metadata (action, event length, relative speed, perspective, microphone pattern, and much more) which will make it an ideal resource for those working in audio post production.
Get ready for your next project with this unique combo! Grab SPACE DIVERS together with DIVE DEEP – 1057+ sounds in total – at a very special price:
Exclusively on A Sound Effect!
This bundle was built with 5 different sound libraries.
Experience the sound of the honey bees‘ hive. All files were recorded outside the town, far away from the roads to capture the clean sound of hard working bees. 14 stereo files were recorded with Sound Devices 702, Sony PCM-M10 recorder, two DPA 4061 microphones hidden inside a hive and two Sennheiser MKH 8040 to capture the ambient in front of the hive. Every stereo AB interior recording can be split to mono to isolate the single buzzes. Recording those sounds was one of my dreams as a field recordist. I always wanted to hear the interior sound of a hive. This session wasn’t the easy one, because of my strong allergic reaction to bees, but thanks to a proper clothes and suit, I was able to walk through the bees for 2 hours without any harm. My main goal was to capture different sounds, not only the ambients but also some close ones, like the sound of the bees landing on their landing zone or just the interior sound of the hive. The overall character of the sound really depends on the time of the year and time of the day. I had a chance to record those insects before the feeding time. They were hungry and really active. The total length of recorded files is 44 minutes.
The Cat – Meow Library features 130 files ( 51 192kHz, 79 96kHz ) recorded with Sennheiser 8040 / Rode NTG3 and Sony PCM-D100. This small bundle contains different sound effects made by two very vocal cats. From subtle squeaks and digging in litter box, through eating and purrs to loud meows.
The Cormorants sound library was recorded during 4 recording sessions spread through the course of two months. As you can hear in the preview file, the sounds of cormorants are really detailed, because of the super close perspective. In some cases, cormorants were literally walking on my DPA microphones. All files were recorded in 96kHz and 24bits with equipment like: Sound Devices 702, Sony PCM-M10, Rode NTG3, two Oktavas MK012 with different adapters and capsules and two DPA 4061. When it comes to the usability of this library, I think that it’s a great source material for designing sound for different creatures. The textures of nestling recordings are perfect to start designing sounds of small out of the world animals. Some of the files also contain seagulls, which unfortunately are a part of cormorants colonies. The amount of those ‘unwanted’ sound effects in my files is really low though, and some of them were left on purpose. Even though it’s all about cormorants, the single squeaks those seagulls can make are really great. This library contains 32 files with total length of 119 minutes.
The Eurasian Cranes sound library was so far the hardest to record. Eurasian cranes, also called common cranes are beautiful and really easy to scare big birds. This library features the sound of more than 1000 birds singing their song at the same time. If you’r not familiar with those birds, here’s a link to wikipedia. I finally got a chance to record them. It wasn’t my first attempt. More than one year ago I’ve tried to do the same thing, but because of the lack of experience, I’ve ended up with bad recordings. I did not wanted to repeat my mistakes, so I’ve spent the whole night in the wild, testing my gear and patience, got bit by mosquitoes to record those animals. You can hear the results in the preview. All sounds have HPF set to cut out anything below 100Hz, because of the trains passing by from time to time somewhere in the distance. It doesn’t affect the sound of the cranes since there’s no informations in the lows. When it comes to recording wild animals, you have to accept and take whatever you’ve been given. It was impossible for me to come closer to those birds, or avoid the sound of wind going through the reed, because few more steps would scare the birds. All the files were recorded with Sound Devices 702 and two Oktavas MK012 set into ORTF. All the hardware was set in the reed in deep mud, and cranes were standing about 40m away.
The Roaring Stags contains 45 files recorded with Sound Devices 702, two Oktavas MK012 set in XY pattern, and Rode NTG3. All files sounds different, because I was recording everything in the middle of the forest during different times of the day. Recording wild animals is not something you can plan, and I had to record whatever I could, no matter what was happening around. About 90% of the files were deleted, and this 65 minutes of audio is 10% I got left with. In this sound library you’ll find reverberant sounds and ones that has less of the reverb. The distance between me and stags was changing, and that’s the reason of different amount of reverb. Also the animals were constantly moving, and sometimes they turned in completely opposite direction, so roars sounded more distant. Sometimes between roars you’ll hear subtle sounds of me moving close to microphones. I left those sounds so anyone can make cuts in desired places, but those subtle sounds happens very rarely.
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