The Future Weapons sci-fi sound effects series is back with our newest and most cutting edge library yet: Future Weapons 3. We made this one huge, both in size and scope. In fact, since we are concluding the Future Weapons series, we wanted to do it with a bang, so we made this one the biggest of the 3! It has over 29 weapons and categories! Future Weapons 3 was created by SoundMorph in collaboration with Nikolay Semenov and Vedran Kapetinic.
Future Weapons 3 features more than 750+ files, 1.2 GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata.
Spaceship Interiors is a collection of spaceship interior ambience, room tones and alarms. The library weighs in at 10 GB, and contains 210 soundminer and BWAV metadata embedded files – with a total playing time of over 4 hours! Perfect for your next sci-fi, horror or fantasy project.
The Glitch UI SFX library delivers a collection of user interface sounds created from mangled video files, circuit bent keyboards and dying hard drives.
Pops, clicks, glitches and transitions, all sourced from our Error Tone library but re-edited and processed specifically for sound designers with extensive Soundminer metadata.
Contains sounds which will work for all your user interface feedback needs, from retro computer interfaces to modern tablets to futuristic sci-fi UIs.
Get the sounds of a hand spinner – or fidget spinner – with this new sound effects library! Separated into 2 folders, Raw recordings and Pre-designed sound effects, you will find your spinning happiness for your projects. With the raw files you can design drones or helix sounds and more… Let your imagination take you away!
'Wobble' by Badlands Sound includes 30 high-quality unnerving wobbly drone sounds perfect for your projects. Each sound file is two minutes long with high quality 96k 24 bit including metadata.
Thermal Flux is a sound effects library formed by extreme temperature reactions. With materials ranging from -119°F to 1900°F all captured at 192kHz/24bit, it’s a fiery (and icy) collection of unique sound design source material.
In each recording, props with vast temperature differentials interact with each other… Red hot ball bearings vaporize liquids, melt ice, and destroy various household products. Extremely cold metal instantly freezes water. Molten metals and glass pour into water, groaning, chirping, and crackling, as they solidify. Dry ice causes coins to viciously chatter. Water beads bounce, whine, and buzz on blazing hot pans. White hot sand roars and erupts upon contact with water. All of this and more was recorded with mics capturing quality frequency information up to ~65kHz. This ultrasonic content allows for extreme pitch shifting without compromising fidelity.
Battle Rifles and Pistols is an extensive library collection of modern firearms, recorded and designed by Watson Wu (Assassin’s Creed, Breach & Clear, Operation Flashpoint) and Nick Dixon (Call Of Duty, Homefront: The Revolution, Need for Speed).
The collection has been mixed and designed from 10, 12 and 16 channel recording sessions. Each weapon features a full suite of ballistics, foley, casings on four surfaces and multiple firing modes where appropriate. The library includes close and distant range ballistics alongside a small selection of impulse responses for acoustic processing.
Impulse Responses Included:
• 5 Floor Apartment Stairwell
• Underground Car Park
In Residential Ambiences you will get the sounds of 15 different recordings of residential atmospheres with a duration of 10 minutes each so there’s no need to loop.
Recordings have been done during five different periods of a day. Each one includes three versions:
Recordings feature sounds such as dozens of birds singing in the early morning, dove calls in the morning as the same time traffic gets noisier, human activities in the background in the afternoon distant traffic and voices in the evening, and sirens wailing in distance at night.
Some of the birds included are: doves, sparrows, crows, a cock, woodpeckers, blackcaps, magpies, and pigeons.
Since some of the files are extremely quiet (mainly in the evening and at night), descriptive markers have been included to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper, and Soundminer. The markers are also included as .txt files in separate folder.
All files have been recorded in 96 kHz/24 bit with Soundminer and BWAV embedded metadata.
“Carpenters Tools” is a collection of sounds that come directly from the carpenter’s workplace. You will find sounds from a variety of machines and hand tools that help the carpenter form his creations. All machines are recorded in their full cycle: start, movement, part machining and stopping. This collection will fill your missing sounds from the carpenter’s workshop.
Tool recordings included:
Circular saw, small circular saw, small planer machine, table planer machine, old belt grinder, disc grinder, grinder, band saw, jigsaw, milling machine, hand drill, cordless drill, smirgell, vacuum cleaner, internal aspiration, external aspiration, saw, big size flat file, fine flat file, sandpaper
The Complete Amusement Park Sound Effects Bundle includes two sound libraries featuring various amusement rides, roller coaster pass bys with and without screaming, amusement park ambiences, and more.
Most sounds were recorded with LCR (Left, Center, Right) microphone setup with a tracking handheld mono shotgun microphone. Stereo downmixes are included for extra convenience.
If you are searching for high-quality amusement park sound effects library with a lot of useful content, this is the bundle for you.
• 5 roller coasters
• Pass by & onboard
• 10.3 gigabytes
• More details about this library
• 8 amusement rides
• Amusement park ambiences
• 5.4 gigabytes
• More details about this library
Amusement Rides & Ambiences is a unique collection of hard to access amusement park sound effects. Package includes high-quality multichannel recordings captured with a full access to the amusement rides – and a total of 8 rides are included!
Some recordings were made in an amusement park that was closed from the public. This enabled us to capture the sound effects as clean as possible without background music or people.
Ambience recordings are authentic amusement park ambiences with people and amusement rides. They include children and adults, cheering and screaming, chatter in different languages, amusement rides loading and operating, and more. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
Introducing the ultimate roller coaster sound library: Roller Coaster Sound Builder includes high-quality recordings from 5 different roller coasters, from classic steel coasters to aggressive impulse coaster. This huge collection includes clean roller coaster passbys, onboard recordings, and classic roller coaster screams.
Roller coaster pass by sounds were recorded without background noise in an amusement park that was closed to the public. A great amount of natural screams with different intensities is also included, recorded during a regular summer day in the amusement park.
This collection provides unique, hard-to-access source material in high-quality, with a large amount of takes for creative sound design. We worked hard to capture as much useful material as we could when we had full access to the rides. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.
‘Wave Break Vol.2’ is a compilation of 50 recordings (286 minutes total) capturing the natural sounds of the sea breaking on land. This library follows on from ‘Wave Break Vol.1’ but is uniquely different as it features pristine tropical water recordings from Taveuni, a tropical Island in Fiji.
This is a collection of various Northern California beaches recorded binaurally with a Neumann KU 100 Dummy Head. Recorded at Black Sand Beach, Stinson Beach, Muir Beach, and Bodega Bay.
Various handpicked and carefully recorded essential and familiar ice sounds. Recorded ice cubes and ice blocks of different sizes to make crackling, breaking, twisting, sizzling, swirling, chipping, smashing, and shaking sounds.
Several types of tools were used to chip and break the ice objects such as kitchen knives, hammers, rubber mallets, and ice picks. A hot iron was used to melt ice blocks, ice cubes were stepped on to make crushing and walking sounds, ice cubes in glass and plastic cups combined with water, plastic ice trays of freshly frozen ice that was twisted, turned, and recorded different ways.
These are just handful of examples of the many familiar sounds of ice that are included in this sound library.
The Australian bush is something very close to my heart. Most of these recordings were taken on my family's property in Molong NSW.
This collection includes a large number of natural bush ambiences recorded at all times of day. There are plenty of birds, some sheep, turkeys, bees, cicadas, crickets, dogs and chickens. As well as motor vehicles on gravel, chainsaws, campfires, generators, footsteps, and even a wall construction. There is as always some random stuff fin there as well.
Recorded with a Sound Devices 633 and Sennheiser MKH8040s. The library is 2GB and includes 126 x 24bit 48kHz .wav files. Sound Miner metadata embedded.
This library of environmental recordings is the culmination of three recording expeditions to the stunningly gorgeous Pacific Northwest. We visited a variety of locations ranging from urban Vancouver, Portland, and Seattle to the wild and untamed Olympic Peninsula. We captured dynamically disparate sounds such as a noisy Seattle shipyard and the quietest location in the continental US – deep within the primordial Hoh Rainforest. There are excellent crowd wallas, and contemplative mountain streams. From beaches to mountain tops to luxury high rises no environment was left un-recorded! This is what the Northwest sounds like!
In all, this library features 69 individual files totaling over three hours of runtime. Total un-zipped file size is over six gigabytes. All sounds have been edited to remove discernable dialog and unwanted noises. What’s left is pure, loop-able ambience suitable for no-fuss editing.
All sounds were captured on a Sound Devices 744T recorder. Microphones used include a Sanken CSS-5 stereo mic and a matched stereo pair of Sennheiser 8040s in ORTF configuration. All recordings are accompanied by a high quality photograph for reference and tagged with Pro Tools searchable metadata.
As a special incentive we will also include a bonus mini-library of ambiences from the Irish countryside that James recorded on a recent trip home! Highlights include some great mountain winds and a rare recording of a starling formation taking flight!
Recordist, Producer, Editor – Jason Strawley
Photography, Video – Andrew Garraway
Asst Producer – James Nolan
Thanks, and enjoy!
Huge Hidden Passages takes you from the depths of the jungle, to the entrance of a temple, and behind the thick walls of a castle to discover a buried pyramid – and beyond. Some of passages will be hidden to your eyes, but we offer you the sonic keys of those closed passages. The library is the final installment in the World Of Secrets series.
Specs: 187 .WAV files, 1.07 GB
Recorded with: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Barcus berry contact mic
An incredible toolbox, issued from a year of recording and sound design. Versatile, dense, pitchable.
Specs: 1540 .WAV files, 10.43 GB
Recorded with: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • Sennheiser MD 441 • DPA 4060 • Barcus berry contact mic
Specs: 1727 .WAV files, 11.05 GB
Recorded with: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Sennheiser MD 441 • Barcus berry contact mic
All packs contain stereo & mono, 192 / 96 kHz, 24 bit files.
‘Coins’ by Badlands Sound includes 100+ clean and high-quality coin sounds. Everything from one coin, a few, too many coins dropping on various surfaces like wood, water, metal, and other coins. Also, includes Foley sounds of grabbing coins perfect for film and video games.
Explore a large collection of beautiful, tranquil sounds from remote desert locations across the American southwest and enjoy listening to the morning sun awaken desert wildlife. This serene collection features sounds that will make you fall in love with the harmonious desert dawn. Sounds include doves cooing, woodpeckers hammering, White-throated Swifts in swirling flocks, and much more. Featured like never before are recordings of Swainson’s hawks so close you can hear the whoosh as their powerful wings cut through the air. For the second installment of my extensive nature sounds from the heart of the American Southwest, here is High Desert Ambiences 2: Active Nature.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• This library is filled with the “Active Nature” sounds of desert mornings.
• Swainson’s Hawks – a male and female recorded near their nest in a 200-foot cliff. Recordings are from below the nest and include close, distant, circling, diving, and soaring perspectives.
• White-throated Swifts – flocks of small barn swallow-like birds circling, darting, and whooshing in front of a desert cliff.
• Other Birds/Wildlife Included: Canyon Wrens, Bewick’s Wrens, Montezuma Quail, White-winged Doves, Western Screech-Owls, Aoudad Sheep, Rufous-crowned Sparrows, Eastern Meadowlarks, and many more labeled as “songbirds” if not identified by species.
• Tracks starting with the filename “Quiet Desert” have low wildlife activity and are perfect “natural roomtones” to use as the foundation of a designed environment. If you need more “Quiet Nature” tracks check out High Desert Ambiences 3: Quiet Nature or the miniature pack of desert sounds in High Desert Ambiences 1: miNiATURE.
• Most files are 3-6 minutes in length
• Named markers included in each file to help find interesting events in an otherwise uniform waveform. Starting in Soundminer 4.5Pro_v252 you can now read text markers from within Soundminer!
• Marker text included in the Soundminer Description and BWAV description fields.
• Recording Location – Davis Mountains, Texas
• *Note – Birds were self-identified using several iOS apps and bird identification websites, so I cannot guarantee 100% accuracy of species identification.
UI SOUNDS: Futuristic, the next step of our user interface (UI) SFX series, is a collection of 400 well organized selections ranging from subtle to glitchy and vivid elements which are ready to use in any futuristic user interface environment, smart TV app, wearable device app, UI demonstration or infographic video, as well as in your games.
All sounds are spread across these 9 categories: selections, buttons, open – close – pause interfaces, holograms, alarm loops, notifications, calculations, screen errors, browse menu and delivered to you in the 3 most commonly used file formats to save you the trouble of having to create them yourself; WAV, MP3, OGG
After the presidential election of Donald Trump in 2016, many Americans have taken to the streets to express their opposition. This library features many chants from various crowd sizes including: “Black Lives Matter” “We reject the president elect!” “Show me what democracy looks like! This is what democracy looks like!” and many more. Also included are isolated crowd cheers, walla, and distant speeches.
Recordings were made on 11-12-2016 and 1-21-2017 in Los Angeles, CA, USA. Microphone used: Sennheiser MKH40+30.
100% of the profits from this library will be donated to the ACLU, Planned Parenthood, and the Natural Resources Defense Council.
Non-Profit organizations may utilize this library free of charge. Please contact Audio Shade directly to receive a copy after verification of organization credentials.
Looking for creepy ambiences? The Horrid delivers 4 dark ambient / industrial / horror compositions and their complete stem layers (22 files included – a total of more than 70 minutes of ambiences), for when you need to create a truly unsettling atmosphere.
Use a single track, or combine and remix your own variations. Rather than static tones, you will find significant, evolving themes here. Seamless loops, metadata included.
Dirt & Asphalt Volume 2 is the second addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from two motocross events and two practise sessions, with additional bonus content provided as race atmospheres.
AMCA Motocross Classes Included:
MX1/MX2/Experts/Seniors Unlimited classes
Engine Sizes Included:
All bikes have been recorded externally at a range of driving speeds performing stunts and manoeuvres in a competitive race environment. Jumps, pass bys and accelerations from groups and individual riders are all included so the content can be used to recreate a wide range of motorbike driving action!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.