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Home Sound Effects

Sound Effects

  • Bubbles Vol. 3 is our next underwater library featuring unique recordings captured with our dual-mic set-up. Our Audio Craftsman have used an overwater-underwater microphone configuration using the Sennheiser MKH50 for the overwater mic and the Aquarian H2a Hydrophone for the underwater recordings. With both mic options available as separate files, there are multiple options for layering up the sound effects.

    Bubbles Vol. 3 brings you our largest collection of bubble recordings: perfect for scuba diving gear, large animal bubbles and underwater movement.

    All files are named with detailed descriptions, along with the microphone that was used to capture them. All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Bundles Super Sci-Fi Pack Play Track 2193 sounds included $155

    Driving Forces (futuristic engine sounds), Lethal Energies (sci-fi weapon sounds) and Space Station (designed space station ambiences) from Digital Rain Lab are 3 hugely popular sci-fi libraries – and this bundle gives you a special opportunity to get all 3 at an extraordinary price, to supercharge your sci-fi sound design.

  • Mechanical Sound Effects Industrial Robot Play Track 500+ sounds included, 126 mins total $79

    ROBOTICS SOUND DESIGN TOOLKIT
    The Industrial Robot sound collection contains many recordings and performances of an ABB industrial robot. Robot sounds like these are perfect for designing pneumatic doors, sci-fi weapons or robots, futuristic engines and vehicles, hydraulics, spaceships and more.

    RECORDINGS OF A REAL ROBOT
    Industrial robots perform many different tasks and create, thanks to their flexible movement abilities, a lot of interesting sounds. In order to capture all these sound possibilities, the company we worked with prepared and programmed the robot especially for our recording sessions.

    THE RECORDING PROCESS
    The robot’s six axes and a sound-proof room provided us with a perfect recording base. We recorded each of the six axes at three speeds from different perspectives in mono and stereo, giving you a fundamental collection that you can use to design all sorts of robot and servo sounds. You also get more specific sounds resulting from different work performances, leading to pitch-modulated movements such as fast and slow acceleration. In addition to the robot recordings, you will receive various snapping sounds, clicks and tool handlings to round off the sound package.

    All in all this library contains 142 files with more than 500 individual sounds.

    Jon Lipman
    Sound Designer, Sony Pictures
    “I’m not sure where you found this robot but it’s just amazing for technical, sci-fi and gadget design. I’m normally pitching down household appliances or car doors to achieve these sort of sounds – thank you for going out and recording the actual thing!!”

  • Bubbles Vol. 2 is our next underwater library featuring unique recordings captured with our dual-mic set-up. Our Audio Craftsman have used an overwater-underwater microphone configuration using the Sennheiser MKH50 for the overwater mic and the Aquarian H2a Hydrophone for the underwater recordings. With both mic options available as separate files, there are multiple options for layering up each sound effect.

    Bubbles Vol. 2 brings you medium to large-sized bubbles: perfect for larger underwater movement and submerging.

    All files are named with detailed descriptions, along with the microphone that was used to capture them. All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant Metadata for ease of use.

  • Roomtones Quiet Hotels At Night Vol.2 Play Track 63 sounds included, 238 mins total $42

    “Quiet Hotels At Night Vol. 2” is the second part of our most popular library “Quiet Hotels At Night”.  Comprised of the best pieces of several years of recordings. Imagine you are in a game or a security guard who is doing his regular tour. You find yourself in different corridors, rooms, and stairwells, even in the kitchen of a restaurant late at night. Through the recordings, you can experience a wide variety of settings – from riding a hotel elevator to looking around the lobby. The idea of the library is to include a rich variety of room tones and quiet atmospheres very early in the morning, late in the evening, or at night. The atmospheres in hotels of different sizes and stages of construction are quite distinctive because of their different reverberation, density of walls, doors, etc. Most of the library is focused around silence. You can hear photo-cell lighting at times, distant faint voices at others, or just sporadic sounds coming from places such as doors or footsteps from an upper floor. The stairwells are also very interesting as you can hear the sound of moving elevators stopping on another floor or the sound of pure electricity. This library sequel also includes atmospheres from the interior of moving elevators. You will hear the sound of doors closing, traveling, and doors opening. Room tones from a handful number of bathrooms are included as well. This library has been recorded in Eastern Europe and more specifically in Bulgaria which makes the atmospheres even more diverse and intriguing.

    All of the files are carefully and thoroughly meta-tagged in UCS.

    Gear used:

    Recorders: Sound Devices 833, 664, Sony PCM D100, Zoom H6,

    Microphones: Neumann KM184 mP, Usi Pro

    Enjoy the night hotels.

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  • Bubbles Vol. 1 is the first of many unique recordings captured with our dual-mic set-up. Our Audio Craftsman have used an overwater-underwater microphone configuration comprising the Sennheiser MKH50 for the overwater mic and the Aquarian H2a Hydrophone for the underwater recordings. With both mic sources available as separate files, there are multiple options for layering up the sound effects.

    Bubbles Vol. 1 brings you predominantly smaller bubbles and fizzing: perfect for splashing, fish, and all kinds of underwater movement sounds.

    Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.

    All files are named with detailed descriptions, along with the microphone that was used to capture them. All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Save 20% by purchasing all 10 aXLsound libraries at once :

    Old House

    Old House is a collection of doors, creaky wood floors, cupboards, footsteps, surround roomtones and various actions captured in natural reverb in a 1913 French traditional rural house.
    You’ll also find creepy resonant footsteps upstairs (recorded from downstairs), distant doors, antique clocks, wooden stairs or even barn doors and windy roomtones.

    This library is the perfect match for any project taking place in places like mansions, castles, old country house, pretty much any reverberant interior with that vintage feel.

    The vast majority of the sounds were simultaneously recorded from 3 perspectives :

    • a close LCR setup of Sennheiser MKH 8040 + MKH 8050
    • a mid distant pair of Line Audio CM3 in ORTF
    • a distant AB pair of Lom Usi

    This lets you pick the best sonic perspective for each situation. From an up close / full sounding LCR array to a fully reverberated distant pair.

    During the 3 day recording session, we also captured impulse responses in many areas of the house, these could come in handy if you want to make other SFX match with our Old House natural reverb, these are delivered in a separate folder, with pre-saved Altiverb presets.

    Like all aXLsound collections, this sound library includes detailed, comprehensive, UCS compliant metadata.
    We also added markers to some of the longer files so you will quickly identify the most interesting parts.

    Lamps

    Lamps focuses on the buzzing/humming sound of light bulbs, lamps, fluorescent tubes, you name it… You can find a sound for any electricity driven device you can imagine.

    These sounds can be used as pure effects or as a layer in your ambiances/atmos tracks to create a buzzing hallway or even to add tension in a basement scene with a fluorescent tube.

    Low humming growls, aggressive and high pitched, glass resonant tubes, tiny filament lamp, fridge style hums, etc…
    This library contains 44 designed textures and about 20 source material files with full and detailed metadata embedded ( Soundminer, Basehead, iXML), all at 96kHz / 24 bits.

    1970′ Ford Mustang Mach1 v8

    Extensive recording session of a 1970 Ford Mustang ” Mach 1 ” . The Mach 1 is a performance-oriented model of the Ford Mustang, its 351 cu in (5.8 L) Cleveland V8 produces 300 HP.

    This library contains onboard ( up to 8 mics ), exterior and all the spot effects and foley you’ll need ( doors, windows, seatbelt, trunk, indicators… )

    For greater edit possibilities, the exterior tracks were recorded with various microphones setups :
    – static wide AB array
    – static Cinela LCR array ( ORTF + Center )
    – Neumann KMR81 shotgun mic following the car

    For the onboard setup, here’s what you’ll find:
    – 2 mics in the engine ( static omni + dynamic cardioïd )
    – 3 mics on the exhaust ( lavalier + static cardioïd + dynamic omni )
    – MKH 8040 ORTF + a hidden lavalier inside the cabin

    Foley and spot FX were recorded with the Neumann KMR81 and Sennheiser 80XX LCR setup

    Urban Passes-By

    Urban Passes By delivers hundreds of different vehicles passing by in an urban environment, covering all your needs for traffic scenes, especially to edit cars in the background or vehicles passing by your main character’s car during an onboard scene.

    No need to search through your numerous traffic recordings to find the one “pass by”, we gathered hundreds of them from very slow to fast, dry cobblestones to very wet asphalt.
    This library aims to help sound editors quickly find the whooshin’ vehicles they need, it includes passes by of cars, motorcycles, mopeds, trucks, etc…

    All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadatas for improved search results, including a detailed description, surface type, microphone setup, etc…
    Metadata compatible with Soundminer, Basehead, etc…

    The “Source” folder contains 337 files corresponding to 183 different recordings with various microphones setups :
    – AB
    – Cinela LCR array ( ORTF + Center )
    – Some sounds are simultaneously recorded from inside and outside a car, giving you extra edit possibilities

    The “ Designed” folder contains 59 stereo files with processed sounds such as :
    – Interior “whoosh” passes
    – Isolated wet asphalt textures
    – Resonant bass vehicle textures

    Metal Sweeteners – Gun HyperRealism

    We recorded tons of different metallic objects like wrenches, cameras, stands, microphones,etc… to create different hits and textures for the Source Material kit, everything was recorded at 192 kHz with the famous Sennheiser MKH 8040/8050 microphones in order to capture all the harmonics up to 50-60 kHz.  Then we layered/edited/pitched, crushed them to create the sounds in the Designed folder.

    The “Source” folder contains 91 files and hundreds individual sounds divided into these categories:
    – Hit
    – Scrape
    – Screw
    – Rattle
    – Mech
    – Click
    – Slide

    The “Designed” folder contains 20 files and many more individual sounds, all created from the “Source Material”:
    – Silenced/Suppressed shots
    – Reload
    – Bullets
    – Mechanics
    – Ejections

    The “Synced” folder contains multiple groups of 8 layers + 3 silencers/suppressor, all sync’ed on some of the most common guns rate of fire :
    – Ak 47
    – M16
    – Uzi
    – MP5
    – M60
    – M4

    All the sounds are 192 kHz / 24 bits, giving you all the process flexibility you need. Most importantly the files are embedded with exhaustive metadata compatible with Soundminer, Basehead, etc…

    This library is perfect to spice up “boring” real-life recordings, create a whole new futuristic weapon or just to give that ” Hyper Realistic ” feel to the project you’re working on.

    Scottish Highlands

    This ambiences pack is the result of a short field recording trip/road trip I made in October 2019 around the beautiful land/soundscapes of the Scottish Highlands.

    I decided to go with a LCR + AB setup, as while testing different options I found it to be very versatile and relatively light and small. All mics were mounted inside the Cinela Albert basket for more convenience, allowing me to capture multichannel ambiences ( virtually 5.0 surround ) with a single thing to set up, and perfectly sheltered from the wind.

    I came across rivers, streams, lochs, waterfalls, lochs, harbors, lochs, quiet forests, reindeers slabs and more lochs.

    This ” Mini Ambience Pack ” contains 24 sounds /72 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).

    Tortured Metal Cabinet

    Tortured Metal Cabinet is a collection of disturbing metal scrapes, low groans, cinematic booms, menacing drones, ear piercing squeals, spooky stingers etc… all performed on and with an old storage metal cabinet.

    This library is a nice addition to your library if you need to add tension, suspense or weirdness to any project, not restricted to horror.

    Various exciters were used to create friction and make the cabinet sing such as glasses of different sizes, large pieces of metal, hangers, spoons, my hands, etc…

    The sounds were recorded with a pretty cool and unconventional setup that gave me a lot of flexibility during the mastering process :

    • a LCR setup of Sennheiser MKH 8040 + MKH 8050 (because let’s be honest they sound amazing + extended frequency response)
    • a pair of Lom Usi Pro (different perspective and polar pattern + also nice ultrasonic response)
    • an AKG C 411 PP contact microphone (nice proximity and low/mid response)

    For more convenience, I’ve premixed the different mics and sonic perspectives into 26 long ” raw ” files, both in Stereo and 5.1 Surround.

    These Source files were mastered in a way (minimal EQ / dynamic processing / ultrasonic denoise on the MKH 8000 mics) that will let you manipulate them extensively and create your own designed sounds with them.

    You also get 41 stereo designed files / 300+ individual sounds that are ready to use in your project.

    These designed assets have been creatively processed to give you an idea of what type of sounds you can create from the source material, the possibilities are pretty much endless… I’ve paid attention not to over compress the sounds and keep some of the natural dynamics of the raw recordings, because who like overly crushed and loud sounds that blast your ears when browsing through your library ?

    In addition to the source and designed folders, you’ll find 16 Radium Presets ready to use in Soundminer Radium sampler, these presets basically let you create an infinite amount of random new sounds different than the ones in the library itself. (thanks to Kai Paquin for the help with the presets)

    Planes -Takeoffs and Landings

    This library is quite self explanatory, ” Planes – Takeoffs & Landings ”  is a collection of various commercial jets taking off and landing on a runway.

    We recorded as close as possible to the airport fences with a multi microphones setup giving you different sonic perspectives.

    The “Source” folder contains 130 files corresponding to 34 different recordings :
    – AB stereo (LOM Usi)
    – Cinela LCR array (Sennheiser MKH8040 ORTF + MKH8050 Center)
    – a shotgun mic following the plane (Neumann KMR81)

    The “ Designed” folder contains 46 files / 28 processed sounds such as fast jet fly by or sonic boom.

    All the files are 96kHz /24bits and embedded with rich metadata ( Soundminer, Basehead, iXML ) .

    Urban Air

    Urban Air is a collection of long duration / ready to use / surround urban backgrounds.

    This is aXLsound’s first surround ambience library, it has been recorded across different cities with various microphones setup ( LCR ORTF / QUAD / 5.0 ) and then carefully collected and edited into 5.0 surround tracks.

    You’ll find various moods and sonic characteristics including: downtown, suburban, industrial, small towns, quiet, loud and annoying traffic beds, wet city, side streets, parks, wide city squares, diffuse and distant urban elements, clean air tones or dirty gritty city noise …

    The duration of the tracks varies between 02m 30s for the shortest and more than 08 minutes with the vast majority lasting around 04-05 minutes, so long scenes shouldn’t be a problem. Also, some sounds include markers highlighting (un)interesting sounds and events.

    For more convenience, 2 versions are available for this library : 

     –  C / LR / LsRs : the 5.0 sounds are delivered “splitted” in three separate files :  ( 1 mono + 2 stereo files ) , this way you can easily use the stereo files if you don’t need surround.

    – .C / .L / .R / Ls / .Rs : multiple mono files

    This ambience pack contains 33 sounds / 99 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).

  • Keepforest’s FERRUM, produced by Vladislav Martirosov and Arseni Khodzin, is a modern trailer percussion powerhouse with a huge variety of cinematic percussion from epic and massive cinematic hits, punches, anvils and doors impacts to cymbals, bells, tiny metals and metallic foley.

    Compatible with Free Kontakt Player and Native Instruments Hardware.

    Features included:
      1. Built-in Step Sequencer to make creating complex rhythms easier than ever;
      2. Quick Stage Placement module which can work independently for each note;
      3. Multiple Playback Modes including Doubling and Ensemble;
      4. Convenient Effects Rack for quick sound processing inside the instrument;
      5. Dozens of Snapshots to unleash the full creative potential.

    The Full Edition includes 23 patches with a total of 550 notes, each of which has up to 16 round-robins with several mic positions as well as velocity layers resulting in thousands of unique hand-crafted samples of the highest quality.

  • The future is now – Encounter ELYSION 2!
    We started a journey into the future of sound – and we arrived! Encounter ELYSION 2 – our massive and incredibly fast scoring tool. Play simple chords and instantly create overwhelming sound worlds. Move your modwheel and distort time and space. Let the famous ensemble engine animate your music. #ScoreTheFuture with ELYSION 2.

    • ELYSION 2 is a powerful synth built on handcrafted processed and synthetic sounds, treated like acoustic instruments
    • ELYSION 2 sets a new level of hybrid composing: incredibly simple and outrageously beautiful
    • ELYSION 2 forms the massive hybrid twin to THE ORCHESTRA
    • ELYSION 2 – THE ENCOUNTER extends the ELYSION ambient synth with aggressive and powerful new instruments, presets, themes and effects
    • 207 playable instruments // over 400 complex animated themes
    Upgrade/Crossgrade options:


    You already own Elysion 1?

    UPGRADE AT A REDUCED PRICE


    You already own a product from THE ORCHESTRA FAMILY?

    CROSSGRADE AT A REDUCED PRICE


  • – All D16 has plug-ins ever made

    Gathers all D16 has plug-ins ever made; vintage Roland’s classic emulations, SilverLines effects, Sigmund and Repeater quality delay units and their flagship syntesizer; the LuSH-101

    Spacerek
    Compact and intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    Syntorus 2
    Syntorus represents evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line in triple delay line Chorus unit.

    Godfazer
    Godfazer is a combination of few modulation effects in single device; chorus, phasing, filtering, rotary speaker emulation and much more.

    Redoptor 2
    Distortion with an exact emulation of a tube’s circuits.

    Fazortan 2
    Phaser created with the most advanced analog modelling techniques.

    Toraverb 2
    Concept algorithm reverb. It allows the user to create practically ANY type of reverb.

    Tekturon
    Tekturon is a tap-delay effect with 16 independent high quality delay lines, where the taps are arranged in a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer.

    Repeater
    The delay, which add space, depth, and excitement to your music. A dual delay powerhouse that features 23 unique authentically modeled devices.

    PunchBOX
    PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds including vast and exquisite factory content delivered by industry-standard sound designers Sounds of Revolution and CFA-Sound.

    Lush-101
    Synthesizer, which basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential

    Nepheton
    Emulates the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better.

    Decimort 2
    Premium grade bit crusher with complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter.

    Drumazon
    Emulates the famous 909 drum machine. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls.

    Devastor 2
    Remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our famous Phoscyon synthesizer.

    Nithonat
    Fully synthesized drum machine which emulates classic 606 box. This perfect emulation is enhanced with extra functionality taking the little pocket drum machine to the new dimension.

    Phoscyon
    Taking the classic analogue sound of the legendary 303 silver box into the future. It offers an unmatched sound together with many advanced features.

    Antresol
    An iconic stomp box flanger resurrected with exquisite attention to sonic detail and so much more!

    SigMund
    Far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom.

  • The Squish Splat Ooze Library contains a wide variety of gelatinous liquid sound effect recordings. These include drops, slaps, impacts, squeezes, steady movements, and more recorded with a variety of thick viscous liquids. For a list of all sound files included, see the PDF sound file list below.

  • Geophonic Instruments Vol. 2 is our latest entry in the popular Geophonic line of sound effects libraries.

    This library contains an assortment of interesting and unique sounds, which have been designed from raw recordings captured with the Lom Geofon. Our audio craftsman made use of a hand drum and violin for this library, recording a range of content including Hits, bangs, booms, scrapes, bowings and abstract sounds.

    These sounds include super low frequencies, going down as low as 10Hz allowing you bring some intense low frequency energy into your projects

    Geophonic Instruments Vol. 2 is perfect for sci-fi, horror and mystery projects, and will also lend itself well to Film, TV and Game productions across a variety of genres.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Car Sound Effects Toyota GT86 Aero Play Track 90+ sounds included, 186 mins total $149

    Flysound presents… TOYOTA GT86 AERO!

    A sound library of speed and attitude, capturing all sorts of screeching and roaring, starting, stopping and maneuvering of this beast, specifically, a 2015 Aero 2.0 Petrol 4 cylinder 16-valve DOHC model. In layman’s terms this means a symphony of factors ideal for the sound of a chase scene.

    Rigged with our Neumann U87s, we present 15 takes, assembled into 90 files (4.7 GB and 186 min total) which are crystal clear, fast, and furious.

  • DR-1 Bad Grounds is a sample based synthesizer for Kontakt 6.2.2, built upon mains hum sounds. Although it was originally designed to create drones and soundscapes, it has also more general sound design capabilities like a real synthesizer.

    The main controls of the instrument resemble those of a classic subtractive synthesizer: a multimode filter, volume envelope, filter envelope, 2 LFOs for volume and filter modulation, insert and send effects. Moreover, some additional advanced features are included, which take advantage of the Kontakt built-in granular engine for sample playback, for deeper sound manipulation.
    There are 6 main instruments available, 3 for each sample used. In addition, several preset patches are provided with each instrument.


    Specifications:

    • 6 main instruments
    • 71 presets (snapshots/single instruments)
    • 3 playback engines
      • DTD
      • Time Machine
      • Tone Machine
    • 2 samples
    • 1 multimode filter (7 types)
    • 1 volume envelope
    • 1 filter envelope
    • 2 LFOs for volume/filter (5 types)
    • 1 vibratrate
    • 7 insert effects
      • Bitcrusher
      • Distortion
      • Overdrive
      • Resonator (Flair)
      • Phaser
      • Flanger
      • Limiter
    • 2 send effects:
      • Delay
      • Replika
  • Phase Plant is a multi-award-winning, semi-modular softsynth developed for music producers and sound designers. With a unique combination of top-quality processing, creative freedom, and an intuitive workflow you will be creating amazing patches in no time. Explore limitless combinations of generators, modulators, and effects to discover and refine your own original sound. Imagine the possibilities…

  • Hear there be DRAGONS!!

    Bring a sense of power to your dragons (and monsters) with these fearsome vocals.

    Including

    Growls and roars

    Eating and fire breathing

     

    Recorded and exported in 24 192Khz to make it easy to edit and  manipulate

  • Geophonic Instruments is the latest entry in our popular Geophonic line of sound effects libraries.

    Contained within this product are a range of inspiring and characterful sounds, which have been designed from raw recordings captured with the Lom Geofon. Our audio craftsman made use of a guitar and violin for this library, recording a variety of different sounds including plucks, scratches, bounces, bowings and impacts. These sounds include super low frequencies, going down as low as 10Hz allowing you to inject some weighty low frequency energy into your work.

    Geophonic Instruments is perfect for sci-fi, horror and mystery projects, and will also lend itself well to Film, TV and Game productions across a variety of genres.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Industrial Ambiences Construction Site Play Track 33 sounds included, 74 mins total $40

    ‘Construction Site’ is a collection of recordings caught on an active building site located close to the city centre of Manchester, UK. Within the 33 sounds (74+ Minutes) you will find 15 ambiences, captured with both Stereo and Mid Side Microphones. Along with individual recordings of a range of tools, vehicles and machinery found on sites in England, such as Diggers (Large & Small), Trucks, Drills, Saws and more

    Also Included in the 42 files are 9 MS-RAW recordings to allow you to create the stereo image your projects desire. Furthermore all tracks are delivered in 24bit/96kHz for the best quality, and tagged with extensive USC compliant metadata.

  • The Expanded Construction SFX Library contains all of the essential sound effect recordings of manual and power tools as well as construction site ambiences included in the standard edition plus 369 additional recordings. These additional sound effects give you a greater variety of choices while editing.

    The library includes sound effects of items such as a circular saw, cordless drill, chainsaw, shop light, nail gun, hammer, hand saw, toolbox foley, large and small construction site ambiences, and more.

    This highly curated and easy-to-use library is perfect for a video editor or sound effects editor working on a project involving tools or construction. For a .pdf listing all sound files included, see the sound file list below.

  • Coll Anderson ‘s famed Battle Crowds library is the world’s largest collection of battle crowd sound effects, covering huge crowds as they’re deep in battle, celebrating and cheering, screaming, yelling, protesting, begging, crying and much more, as well as troop movements and marching through fields, forests, and around buildings, individual call-outs, marching and more. If you’re looking for the ultimate collection of battle crowd sounds for huge clashes, civil unrest and protests, or smaller skirmishes – captured from multiple perspectives – this is it!

    This special version brings you both the Battle Crowds Core and Add-On libraries in one powerful bundle.

  • Covering the essential aspects of sound design, our critically acclaimed audio plug-ins feature outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.
    Power Suite 6 plug-ins run within most MacOS (AU/VST3/AAX) or Windows (VST3/AAX) based music production or audio editing application.

    Power Suite 6 consists of the following plug-ins:
    TrackPlug 6 – The ultimate channel strip plug-in
    FinalPlug 6 – Professional peak limiter and volume maximizer
    MasterVerb 6 – Silky smooth multi-algorithm reverb
    Panorama 6 – Go beyond the limitations of conventional stereo, without using a surround system!
    MultiDynamics 6 – Powerful multi-band dynamics control

  • – Voice and Speech Post Production Tool

    Dialog 2 combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.
    Dialog 2 includes brickwall filters, de-hum, and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.
    The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar-sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.

  • FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

    Vintage filters and creative effects
    The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.

    Easy drag-and-drop modulation
    Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

  • Ethereal Risers!

    Recorded using a contact mic, an electric guitar string, AND a pair of very blunt scissors!

    Perfect for Sci-Fi and Horror projects OR for Cinematic Trailers!

    Recorded and exported in 24/192Khz

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