Twisted universe gets you a multitude of designed sounds: impacts, whooshes, loops, soundscapes, alarms, tension layers, zaps and much more. These sounds are all designed with synths and raw materials and processed with distortion, fuzz or deconstruction gears. You can use them dry or as layers to add a crispy effect to your sound, and they are perfect for radio effects, electric elements or music productions.
In High Desert Ambiences 1: Miniature, get a mini-nature collection of desolately beautiful sounds of the American southwest as the sun brings to life the songs of desert wildlife. This collection features sounds that will make you fall in love with the desert with the trickling of distant rivers, smooth cricket chirps, echoey caws from ravens so close you can hear the details in their wings flaps, snorts from a cautious yet curious mule deer, choruses of birds at dawn, and much more. Most recordings are well over 4 minutes, with one half-hour night-time track that will make you want to take out your tent immediately. For a mini-nature collection of lush, peaceful nature sounds from the heart of the American Southwest, here’s High Desert Ambiences 1: Miniature.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Sounds in this library are NOT included in High Desert Ambiences 2 and 3.
• This library contains a small selection of both “active” and “quiet” nature sounds from the high deserts of West Texas.
• If you need more “active” or “quiet” nature sounds check out: High Desert Ambiences 2: Active Nature or High Desert Ambiences 3: Quiet Nature.
• Featured on Designing Sound: “Our Favorite Sounds of 2016”
• Desert dawn and evening choruses
• Distant flowing river, songbirds, and insects
• Ravens soaring and squawking in a stark and resonant valley
• Lengthy night-time cricket chorus
• Partially audible and ultrasonic bat clicks up to 70kHz
• Ghostly distant animal calls
• Mule deer warning snorts and jumping movement
• Files ranging from 31 seconds to 30 minutes
• Rio Grande dawn chorus along the Texas/Mexico river border
• Locations: Near Marfa, Texas (in a mountain valley at an altitude of 6,000 ft) and Big Bend National Park along the Rio Grande River, Texas/Mexico border.
• These desert ambiences are extremely quiet, so I have included descriptive markers to signal interesting events in an otherwise featureless waveform. These markers can be read in programs such as RX, Reaper, and Soundminer. The markers are also included as .txt files in the sound files folder.
Explosion Sound Pack contains 37 high quality, professionally designed explosion sounds.
This pack also includes a variety of 150 bonus sounds effects from our full library Pro Sound Collection. ALL sounds from Explosion Sound Pack are included Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
Fun Casual Sounds contains over 600 professionally designed sound effects!
A perfect collection of fun sounds suitable for all types of sound designers, video editors, game developers or anyone who needs a large range of high quality fun sound effects ready to use out-of-the-box. Great for both quickly prototyping and the finished product. Designed specifically for games, video and other media by award winning sound designers.
This pack also includes a variety of 150 bonus sounds effects from our full library Pro Sound Collection. ALL sounds from Fun Casual Sounds are included Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
Singing Bowl features a variety of sounds captured directly from a small Tibetan singing bowl.
The library was meticulously recorded in stereo using a mixture of contact microphones and a Sony PCM D100 recorder. Strikes in a variety of styles, from wood, rubber, fingering, plastic, and metal were recorded, as well as rotation resonances, drops and scrapes. In addition to allowing the bowl to fully ring out, the recordings also include dampened hits.
Also included are a unique set of designed sounds. Utilising a variety of sound processing techniques, the results include user interface effects, abstract drones and moving tones. This sound set was also produced dry so that you can apply your own reverb to taste if required.
Edward Ultimate SUITE is the Next Level of our live playable Foley Artist Instrument. It supports the free NI Kontakt 5 Player.
This means you don't need to own a full version of Kontakt to run this instrument!
The Edward Ultimate SUITE includes the complete contents of both Edward Ultimate and Clothes & Props.
Foley Artist: Lara Dale
Foley Recordist: Josh Reinhardt
• 72.600 real Foley sounds in high quality @ 24Bit, 48 kHz
• 90 combinations of shoes and surfaces
• 30 setups of clothes and props
• Kontakt Player Compatible
• Full NKS support
• One-Window Mixing (Use the Mod Wheel to mix/add or switch any two patches)
• Pitch Wheel Performance (Use the Pitch Wheel to change key commands on the fly)
• EdV3rb IRs inside the instrument
• Lock-Mode (Select and lock the type of randomization)
Asphalt • Carpet1 • Carpet2 • Concrete • Creak1 • Creak2 • Diamond • Dirt • Grass • Grate • Gravel • Rectangle Wood • Creaky Wood • Parquet • Cut Wood • Swiss Dock • Boat Wood • Linoleum • Marble • Puddle • Snow • Tile • Metal • Rocks • Water • Deep Water
Sneaker • Boot • Dress • Heel • Flat
Rifle • Hand Gun • Army Gear • Backpack School • Backpack Leather • Heavy Chains • Dog tags • Duffle Bag • Paper Bags • Plastic Bags • Keys • Purse • Purse Cloth
Heavy Coat • Coat Wool • Denim • Heavy Denim • Fringe Suade • Fringe • Leather Heavy • Leather Crunch • Leather Biker • Sequin • Shirt • Shirt Light • Shirt Heavy • Silk • Tutu • Wind Breaker
Extremely Slow Walk • Medium Slow Walk • Walk • Jog • Run • Stairs Slow • Stairs Fast • Stomp • Land • Scuff • Scrape 1 • Scrape 2 • Scrape 3
Sennheiser MKH 416
Neumann KMR 81i
• Send a message here with info about what version you currently have for a special upgrade price
More than 120 room tones in 5.1 surround sound (7 GB)
• Living room, bath, kitchen, office, heating, fans, clocks
• Cleaning, working, natural noise, humming, buzz, soundscapes and more
• Recorded with INA 5 surround microphone array – no plug-in needed, just drag the 5 tracks into your DAW
• Compatible with ITU-R BS.775 recommendation
• Realistic room impression and sound location, true to original sound color, no Ambisonics
• Perfect balanced surround sounds for drag and drop integration in Cinematics, games, radio plays
• 24 Bit / 96 kHz / low noise recording
• Interleaved surround sound file (L/R/C/LFE/LS/RS)
• EBU/BWF and WAV-Metadata made with Soundminer for use in any DAW
• Equipment: INA 5 surround microphone array, RME UCX, RME Quadmic 2
This sound library delivers a composite and very versatile collections of sounds of all kinds of things that can be opened and/or closed.
Obviously there are several doors, hatches and drawers but also lots of other opening and closing sound effects that will come in handy in your everydays sound design work, especially for Cartoon productions and Game Audio. You will also find, Roller Shutters, Boiling Pot Lids, Umbrellas, Water Boilers, Boxes – most with several variations.
You can use the sounds as they are or use them for intense sound design.
Open & Close is available in three versions:
The Massey-Ferguson 3060E Tractor Sound Effects Library delivers 33 files (External, Foley, OnBoard) with over 30 minutes of driving time on the road. There are two main driving speeds (gears): medium and high – plus one additional external, really slow one.
All sounds were captured at 24-bit, 96 kHz samplerate. Passbys and approach are stereo wave files. Foleys are in mono. OnBoard recordings include 4 different channels: Engine1, Engine2, Exhaust and Backside. You can layer and mix all 4 channels of OnBoard sounds, they will line up nicely in your DAW or audio editor.
The Cement Factory sound effects pack was recorded in a giant cement processing and rock crushing factory. It features perfectly looping ambiences that'll be sure to set a dark, industrial mood on anything that it's used on. Recorded with a Oktava MK 012 in MS Configuration.
The pack was recorded inside, outside and around various large machinery which gives you a lot of options when designing sounds with this pack. The sounds are also characteristically tonal and drone based and the ambiences are uninterrupted.
• Conveyor Belt Midrange Rattle (1 loop)
• Drone Bass (4 loops)
• Drone Bright (6 loops)
• Drone High Mid (2 loops)
• Drone Low Mid & Machine Clanking in Background (2 loops)
• Drone Midrange (19 loops)
• Drone Engine (8 loops)
• Drone Machines (14 loops)
• Rattle (4 loops)
This library is all about picking stuff up and putting it down, whilst you rub your beard, pop pills and type with your toes. It's a collection of foley sounds that we always seem to need, but often can't find. Each track includes multiple movements of the object in question. The recordings are mono and unprocessed, so they sound natural and can be easily placed in your stereo field.
All tracks recorded with a Sennheiser 416 microphone, through a Buzz Audio – Elixer preamp.
This library contains an eclectic collection of sounds sourced on a recent trip to Japan. It's an auditory sampler of the beauty and stillness as well as the chaos and busyness of Japan, from elevator rides to fish markets, temples, busy streets and mountain streams.
All tracks were record with a stereo pair of Sennheiser MKH 8040's and a Sound Devices 633.
In this bundle you will receive three libraries full of dark, glitchy and ambient textures. 'Glitch & Noise' brings abstract and interesting tones to your sound palette. 'Twelve Tones' has detailed industrial hums for your spaceship interiors. 'Sphere' has dark atmospheres made from bowing a metal bin, which were then processed and mangled using Twisted Tools Slayer. Whether your project is a sci-fi soundscape or a shredded atmosphere, this bundle has something for everyone.
This library gets you atmospheric ambiences from all over the world; from the UK, Greece, Spain, Morocco to Germany and America – and includes cities like Jerusalem, Las Vegas and many more. The recordings have been captured on land, at sea and in the air – and with over 6 hours of ambiences in total, 101 Ambiences offers a wealth of material for your projects.
These are no ordinary zombies, they’re not your mindless, shuffling, flesh craving human husks. An evil runs through what remains of these creatures’ bodies. Flesh has all but decayed from their bones and whatever humanity they had in life has long since departed.
This library is dedicated to the chilling vocal sounds of the zombie. It is ideal for films and games, TV or trailers and includes 102 bespokely designed zombie vocal assets, including breaths, idle grunts and groans, attacks, pains, death, war cries and more.
Whilst this library caters primarily for the more aggressive variant of the undead, it wouldn’t sound out of place when used on other terrifying abominations.
All assets are delivered in 96kHz, 24-bit stereo files and include full Soundminer metadata.
Get over 350 splashes and complimentary water movements/textures with the “Cannonball!” water splash/movement SFX library. There’s dives, lunges, emerges, swishes, and drips.
Then there’s some more unique elements like these really cool percussive splashes using axes and hammers, water whooshes and sweeps recorded in quad, all to give you more than just your typical splash. Except for one session in the foley studio, all of this material was recorded outside which means no tub reflections.
A toolbox of sounds that you will come back to over and over.
Tanks and jet was recorded during a real military drill in Sweden featuring a variety of tanks, and a JAS 39 Gripen.
From the creaking and clanking of the tanks to the glorious and soaring JAS, and all the way to the brutal tank cannon and machine guns. This pack contains all ingredients for nasty machine warfare. All of the files were recorded during a military drill performed in front of a live audience.
All files are meta-data tagged with keywords and a description.
• Tank Driving (18 files, 18:22 in duration)
• Tank Battle (7 files, 04:27 in duration)
• Jas Gripen Flyover (7 files, 12:09 in duration)
This library delivers a diverse collection of waves on rugged beaches; crashes on boulders, churns in stone basins, sizzles on pebbles, gentle laps in coves, and trickles in tidepools.
Welcome to the Essential Stadium Crowd sound effects library: All the crowds, back room ambience and practice tracks were recorded at the Phoenix Cardinals Stadium, pre/during and post game. I had the opportunity to have a press pass and free reign in the stadium.
Some of the recordings were recorded way up high in the upper bleachers, and some behind the end zones, as well as other interesting places. There are significant differences in the locations and the ‘thickness’ of the crowds. With this library, you should be able to fill out any sort of large sports arena ambience, as I’ve edited out most of the PA Announcer to give more of a general stadium feel that could be anywhere, and any major arena sporting event. The PA that is left in can easily be edited out.
All the sounds were mastered in Pro Tools, with very transparent processing going on. My signal chain consisted of a C4 Compressor, DMG Equality EQ, and a L1 Limiter. All reverb is natural.
Brazillian Airports & Plane Journeys is a comprehensive collection of various ambiences and environments. All of the main areas of the airports are covered, including check-in, baggage check, food halls and departure gates. In addition to this, all of the major interior plane phenomena such as coasting, take off, landing and in flight are also included.
The majority of sound files in the library are over ten minutes in length, giving you a huge pool to source your audio from.
With Brazilian Airports & Plane Journeys you will never be left wanting for airport or passenger ambiences again.
The Water Volumes SFX library gets you over 300 sounds of natural hot-springs, bubbles, and liquids of various densities boiling under the effect of dry ice.
A large amount of content was recorded during two weeks spent in the city of Furnas, Azores, where volcanic hot-springs of all kinds are active. Other recordings were gathered with the use of dry ice.
Most recordings will contain energy up to 96 KHz as they were recorded with a Sanken CO-100K at a 192KHz sample rate. Others were gathered with the use of an Acquarian H2A, Sennheiser MKH8040, 416, a Sony D100 and a Tascam DR-05.
The collection was recorded over a trip to Sao Miguel, Azores, and several other recording sessions in the UK.
Basketball Game Ultra is a huge sound effects library for, well, basketball. It includes both an international match field recording (with over 5,000 people attending the game) and isolated sounds of backboard hoops, basket swish nets, metal bars, shoe squeaks and dribbles on various hard surfaces, as well as other related sounds – all performed by a professional basketball player in indoor and outdoor courts as well as inside the studio.
Οur aim with this collection is to give you choices to:
The Inner ambience sound effects library is a collection of high definition sounds recorded inside various spaces using matched stereo contact microphones.
Each ambience has its own unique character and natural frequency modulation.
Some of them has constant velocity like an industrial hum, power block energy field, fans and compressors, while others have weird fluctuations like road columns affected by wind and passing-by cars, bridge columns, fences, water pipes: some of the mechanical and electrical sequences were recorded as well, such as water pump, lawn mowers, automatic window rollers, pool cover mechanism and others.
The audio files could be used, as they are – for dark, eerie, confusing atmospheres or elements in your game or film projects.
It is a good source for further manipulation and designing new sounds as it is recorded in 24/96. In addition to the pack there are designed sounds of these recordings to give you an idea of how you can push them in a different creative way and of course use it in your projects as well.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.