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Home Sound Effects

Sound Effects

  • Get two smart plugins by Sonible now and save 30% with the bundle.


    Features

    smart:EQ 2 – Get a perfect mix within 30 second
    smart:EQ 2 is a state-of-the-art equalizer with built-in AI engine. smart:EQ 2 brings unique AI algorithms with the latest research in psychoacoustics and decades of mixing and mastering experience together. Compared to his predecessor smart:EQ+ the feature set has been extended significantly which also called for a complete redesign of the user interface.

    smart:EQ 2 analyzes your audio material and generates a custom filter curve to create a natural sounding tonal balance. Add clarity to your mixes, more punch to single tracks or carve out the harsh parts of your vocal recordings – in seconds and with unprecedented precision. smart:EQ 2 enhances the detail, clarity, and character of your audio track after only a few tweaks. Experience a mixing workflow much faster than ever before.

    Smart:compressor – Detects & Recommends Best Compressor Settings
    smart:comp is the latest addition to the product line of A.I. powered plug-ins by sonible. This unique spectro-dynamic compressor finds the parameters for well-balanced compression results in just a few seconds. Through frequency-selective processing, smart:comp also ensures unparalleled transparency. With this multidimensional approach, compression has evolved to the next level. The plug-in is the synergy of intelligently enhanced time-domain compression and trailblazing spectral compression. Behind the user-friendly and intuitive interface runs the smart:engine – an A.I.-based, content-aware system designed on the basis of psychoacoustic principles as well as extensive hands-on mixing experience.

    The time-domain compressor recommends the most appropriate settings for threshold, ratio, attack and release with a single click, as the spectral compression dynamically keeps an eye on the tonal balance of the input signal.

    Requirements
    • PC Windows 7+
    • Mac OSX 10.7+
    • RAM at least 4 GB (recommended)
    • CPU at least intel DualCore i5 (recommended)

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  • The intelligent smart:EQ+ plug-in enhances the detail, clarity, and personality of your audio-track with a tap of the finger. What makes it special: the perfect mix is ready in a matter of seconds.

    Closer to the source
    Often enough when interviewing, the recording microphone got placed too far from the source; or the grand piano turns out muddy because too much reverb was recorded. In these situations, proximity:EQ+ lets you draw the voice significantly closer and give the muddy piano a crisper sound in postproduction.

    Add space to the mix
    Of course it is also possible that the microphones ended up getting too close to the sound source. Your mix then lacks spaciousness. proximity:EQ+ seamlessly distances the sound source without affecting its original character. This makes your entire mix more transparent and opens new ways of creating sonic depth.

    Optimal room acoustics at the touch of a button
    Even when you meticulously plan a setup and perfectly position the microphones – the acoustics of a given room simply are what they are. The sophisticated technology of proximity:EQ+ opens entirely new possibilities for amending detrimental room modes in post-production while leaving the direct sound entirely untouched.

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  • ERA De-Esser​ is an one-knob audio effect plug-in that offers precision-grade de-essing.  It’s ​a knob​rainer. Don’t let those sharp esses pierce your eardrums. 


    Harsh sibilance can be very annoying in both dialogue and vocal recordings. Getting rid of those noisy high-frequency consonants can be a complicated, time-consuming task.  This is why we developed an easy-to-use, fast and powerful tool that requires minimum effort but offers great results. 

    The ​ERA De-Esser​ is the only single-knob plugin that allows you to smooth out audio problems caused by excessive sibilance consonants (such as “s”,”t”, “z”, “ch”, “j” and  “sh”). Ease out sibilance and improve the quality of your audio with a single knob. The new De-Esser offers an improved UX with features such as: (i) a “Diff” button, (ii) a new elegant UI and (ii) a real-time processing display that allows you to visually monitor the plosive reduction in real-time.  

    When you need more control, the ​ERA De-Esser​ has three different modes that allow you to focus the plugin’s detection and processing to the problematic regions. When you have found a setting that works for your particular sibilance issue, you can use the  Intense button to get some extra processing.  There’s also a DIFF button that allows you to listen to what is being removed from your recording during processing. 

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  • Peak & Loudness Metering Plug-in

    PPMulator is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). This plugin provides a precisely calibrated workspace for recording, editing, mixing and mastering.

    The plug-in is available in two versions: PPMulator+ and PPMulatorXL; the latter offers additional features such as EBU R128 loudness metering and batch audio file processing.


    Key Features

    • Customizable and resizable layouts and channel labeling
    • Automated peak logging with export
    • Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
    • Phase correlation meter & Goniometer
    • Reference tone generator for meter alignment and calibration
    • Multi-channel support up to six channels

    Supported Standards:

    • IEC 268-10 Type I: Nordic N9
    • IEC 268-10 Type I: DIN 45406
    • IEC 268-10 Type IIa: BBC scale
    • IEC 268-10 Type IIb: EBU scale
    • ITU-R BS.1770-2: True Peak Meter

    Technical Specifications

    • Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
    • Min. system CPU: 1GHz
    • OS: Mac OS min 10.6
    • Windows min. XP
    • Host: Pro Tools >= V9
    • Plugin format: RTAS, AAX, AU, VST + Standalone application

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  • ERA De-Clipper​ is an easy to use ​audio effect plug-in ​that automatically detects and restores any clipped part of your audio, without compromising audio quality.


    Audio clipping (or saturation) is the distortion that occurs when you set your input signal level far too high. It happens when your analog or digital recording equipment reaches its limits and your system cannot handle the dynamics of your input signal.  Clipping results from over-saturation and usually sounds like a harsh distortion. When you look at the loud parts of your input waveform, you can see clippings as blocks of audio that are chopped off. 

    It’s always preferable to avoid clipping. But when you cannot re-record, the ​ERA  De-Clipper​ will be your life-saver. The ​ERA De-Clipper​ restores saturated audio segments and improves the overall signal quality.  Unlike any other De-Clipping software, the ​ERA De-Clipper​ is completely automatic. It detects and repairs the over-saturated audio segments. You just have to select between  Mode 1 (for standard use) and Mode 2 (for trickier cases). Repair your clipped audio in seconds with the new ​ERA De-Clippe​r. 

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  • Microphone leakage suppression tool for multichannel drum recordings.   


    Drumatom is the world’s first microphone leakage suppression tool for multichannel drum recordings.​ Fix poorly recorded drums, control hi-hat bleed on your snare and free up headroom for the rest of your mix. Drumatom enables engineers to reduce or completely eliminate  cross-microphone bleed from recorded drum kits, in a way that no other hardware or software can do. 

    Drumatom even reduces microphone bleed from simultaneous drum hits, rather than just the tail.  That’s possible because it filters out bleed based on tonal content, rather than just amplitude. That means the program can retain necessary low-level signals—such as snare drum ghost notes—while significantly reducing microphone bleed from other drum tracks.

    ​The user has two separate software tools at his/her disposal: drumatom (the standalone application) and drumatom player (the plugin).  The standalone application is the functional core, performing all necessary analysis of audio information and file handling.​Sophisticated Drum Mixing, Simply.

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  • Recording of a German Panther Ausf A. tank built in 1943 or 1944,  with a V-12 petrol Maybach HL230 P30 engine.


    The German Panther Ausf A. tank sound collection shares 252 clips in 19.93 gigabytes of field recordings. Also known as a Sd.Kfz. 171 or Panzerkampfwagen V Panther and built in 1943 or 1944, this medium tank is outfitted with a V-12 petrol Maybach HL230 P30 (690 hp, 515 kW) engine.

    A total of 25 synchronized channels capture the tank from both onboard and exterior perspectives in 10 takes. The 15 onboard perspectives feature microphones mounted at the engine, exhaust, cannon barrel, interior, and tracks. The 10 exterior perspectives arrange microphones at 5 positions to provide driving at slow, medium, and fast speeds as it departs, passes by, arrives, and reverses. Also included are 5 custom mixes of the onboard perspectives.

    The library downloads with Pro Tools and Reaper mixing sessions, 19+ fields of Soundminer, BWAV, and MacOS Finder metadata, and metadata keywords translations in 7 languages.

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  • Professional Peak and Loudness Metering

    PPMulatorXL is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). PPMulatorXL has also included a EBU R.128 compliant loudness metering and a amazingly fast offline metering for audio files in standalone mode.
    By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace – something which is often impossible to do when working in a non-studio environment.

    PPMulatorXL is designed to closely-follow the ballistics of mono, stereo, mid-side (MS) and surround (5.1) PPM meters (conforming to IEC 268-10/DIN 45406) and has a number of built-in additional features, including various display style options and a highly-useful Peak Logging process which logs all peaks/overloads against the time code in the host application where they occurred.


    Key Features:

    • Customizable and resizable layouts and channel labeling
    • Audio file batch processing (PPMulatorXL only)
    • Automated peak logging with export
    • Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
    • Phase correlation meter & Goniometer
    • Reference tone generator for meter alignment and calibration
    • Multi-channel support up to six channels

    Supported Standards:

    • IEC 268-10 Type I: Nordic N9
    • IEC 268-10 Type I: DIN 45406
    • IEC 268-10 Type IIa: BBC scale
    • IEC 268-10 Type IIb: EBU scale
    • ITU-R BS.1770-2: True Peak Meter
    • EBU R128 (2011): Loudness Meter (PPMulatorXL only)

    Technical Specifications:

    • Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
    • Min. system CPU: 1GHz
    • OS: Mac OS min 10.6
    • Windows min. XP
    • Host: Pro Tools >= V9
    • Plugin format: RTAS, AAX, AU, VST + Standalone application

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  • Get your Phase problems fixed in seconds
    faTimeAlign is a reliable workhorse, proven to work with any kind of multi microphone source material. Time Alignment is a delicate and often time consuming task, so you want nothing less than the best possible solution. Easily adjust your tracks, relative to the other tracks, with positive or negative delays and make A/B comparisons to absolutely nail the correct setting.

    But that’s not all! You can also arrange your tracks into different sub-groups and delay them relative to each other to align different instruments or instrument groups.

    Easy to use and flexible
    One of many great reasons you will love faTimeAlign is its unique user interface. The range of the delay knob can be set to any value narrow or wide, which lets you easily sweep through different delay spans. Furthermore, the feature that allows you to enter values in feet, samples, meters or milliseconds gives you all the flexibility you’ll ever need.

    DOWNLOAD faTimeAlign DEMO HERE:
    MAC | WINDOWS

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  • Loudness Batch Processing
    ppmBatch allows you to analyze and normalize your audio files according to various broadcasting loudness standards. It batch processes files in multiple real time and provides intuitive user feedback about each file’s compliance status and processing progress. Measurement results are displayed in a clearly arranged, customizable user interface.

    ppmBatch comes with presets for the most common broadcasting standards. It enables you to modify these presets and to setup your own profiles. You can create summary report files for a selection of audio files, as well as more detailed reports for each individual file.

    ppmBatch is the perfect tool for post production, archive converting and automatic normalizing of every-day broadcast reports.


    Key Features

    • fast scan & normalize of multiple files
    • support for multi-channel and multi-mono files
    • default loudness presets for EBU R 128, ATSC A/85, ITU-R BS.1770, ARIB TR-B32, FreeTV OP-59
    • drag and drop
    • support for broadcast wav audio
    • single and overall status reports

    Technical Specifications

    • supported input formats: wav, aif, mp3, ogg, wma, flac
    • Min. system CPU: 2GHz
    • OSX min. 10.8, Windows min. 7
    • AAX native, AU, Mac, VST, Win

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  • faGuitarAlign – Automatic Phase Alignment
    faGuitarAlign will radically reduce your workload when recording electric guitars, basses and basically everything with strings attached to it! Its revolutionary X/Y Pad lets you quickly find the right sweet spot between the correct phase and the mix of your different tracks, resulting in a perfect blend of both! To make this task progress even more smoothly there is also an automatic alignment feature, which accurately finds the right phase offset for you! With this reliable tool you’ll be able to save a huge amount of your valuable recording and mixing time, which you can then spend with much more exciting tasks!

    Suited for a wide range of recording situations
    Whether you want to make your phase alignment by ear or automatically, the integrated Phase Density Scope gives you reliable visual feedback in every conceivable situation. This exciting concept is derived from a Vectorscope, which would be used in a stereo tool, and carefully optimized and enhanced for phase alignment purposes. This tool is unrivalled by any other Plug-in on the market.

    Inspire your creativity
    faGuitarAlign is carefully optimized for every kind of recording, whether it involves one sound source and multiple microphones and/or DI tracks. There are a lot of people who use it creatively for recordings with the fiddle, cello, double bass, piano or even choir tracks. Its creative design will inspire you to go beyond the known possibilities of any other alignment tool.

    DOWNLOAD faGuitarAlign DEMO:
    MAC | WINDOWS

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  • Recording of a Soviet SU-76 self-propelled gun from 1943 with two 6 cylinder, gasoline, 4 gear 14 ton engines.


    The SU-76 self-propelled gun sound collection shares 282 clips in 25.08 gigabytes of field recordings. The bundle depicts the engine sounds of a 1943 Soviet artillery gun on tracks and its two 3500cm3, 6 cylinder, gasoline, 4 gear 14 ton engines.

    A total of 9 synchronized tracks combine both onboard and exterior perspectives. The 14 onboard perspectives present recordings from the exhaust, engine, interior, tracks, and chassis. The 16 exterior perspectives arrange microphones at 8 positions to capture departures, passes by, and arrivals at slow, medium, and fast speeds. Also included are custom mixes of the interior perspectives, Altiverb and Waves impulse responses, and performed effects of levers, pedals, doors, and more.

    The package downloads with Pro Tools and Reaper mixing sessions, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, and metadata import files for keywords in seven languages: English, Chinese, French, German, Japanese, Korean, and Spanish.

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  • All files are recorded 24bit, 96 kHz, with Rode NTG1 and Shure VP88 microphones. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.

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  • In this large bustling European city, transportation means are plentiful, with tramways, metro, bus, trains, boats, bicycles, … Emergency workers have to be heard distinctively above the city’s clamor.

    Recorded from the 5th floor of a traditional building, but also at ground level in actual street of Budapest. Hear the natural acoustic of these famous street.

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  • Iconic military truck recorded from all sides and at various distances. There are slow, medium and fast drive-bys, departures and arrivals. The interior was recorded quadraphonically. The exhaust system was taped, as was the engine from under the hood. Microphones used were the Neumann U87, Sennheiser MKH 70, Sennheiser MKH 416, Violet Design’s ‘Amethyst’, and the Schoeps CMC MK4. Also recorded were the doors, gas pedal, wipers, gearbox and ventilation system of this general-purpose off-road beast.

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  • Recording of a 1984 American Pontiac Firebird Trans Am with a 5 litre V8 engine in a variety of maneuvers.


    The American Pontiac Firebird Trans Am sound fx library includes 486 clips in 32.8 gigabytes of sound. It presents the sound of a 1984 5 litre V8 (305cu) engine in a variety of maneuvers.

    The bundle includes 46 synchronized channels of exterior and onboard recordings. The 13 onboard perspectives include recordings from the interior (including an Ambisonic perspective), exhaust, and engine while driving with steady RPMs, ramps, and gearshifts, with 3 extra stereo mixes of the onboard perspectives. 16 exterior perspectives share driving at fast, medium, and slow speeds while departing, arriving, and passing by, with an Ambisonic microphone at the starting position. There are also impulse responses of the interior cabin, as well as performed effects of doors, dashboard instruments, and more.

    The collection downloads with Reaper and Pro Tools mixing sessions, full professional metadata, and metadata keyword import files in 7 languages.

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  • The Drag Boat sound collection  showcases the sound of a muscle boat powered by a 1970 Chevy 454 big block V8 engine mounted to a 1975 hull.


    The Drag Boat sound collection features 183 clips in 20.64 gigabytes of audio. It showcases the sound of a muscle boat powered by a 1970 Chevy 454 big block V8 engine mounted to a 1975 hull.

    The bundle gathers both onboard and exterior perspectives. 10 onboard perspectives present recordings from microphones arranged around the exhaust, engine, as well as onboard at the front of the hull as the race boat drives with ramps as well as regular driving. The 5 exterior perspectives capture recordings from three locations on the shoreline as the boat travels at slow, medium, and fast speeds departing, arriving, and passing by.

    The package includes three stereo mixes of the onboard perspectives, Pro Tools and Reaper mixing sessions, full professional metadata, and metadata translations in 7 languages.

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  • Surround The Complete Collection | CCC Play Track 10,000+ sounds included, 3000+ mins total $800 $640

    The Complete Craig Carter Collection comprises of the major sound libraries in addition to a wide range of additional, specialised sound libraries.

    • Apes, Chimpanzees & Gorrillas
    • Australia
    • Prisons
    • Wind
    • Hospitals
    • Insects
    • Industrial
    • Schools
    • Maritime
    • Trains
    20 %
    OFF
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  • Bowling is a collection of sounds recorded at a private lane, completely devoid of extraneous human and HVAC sounds.  This exclusive access allowed for recording various perspectives, including deep in the guts of the machinery, up-close to the pins, bowler’s perspective, and side perspectives.  This library includes all of the mechanical sounds, machinery ambiences, ball “pass-by’s”, ball return, gutter balls, pins resetting, and even some bowling sounds without any machinery noise at all.

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  • This library contains 130 high resolution 24 bits / 96 kHz elements perfect for radio imaging / radio production and much more.

    Those abstract but powerful sound effects give you infinite possibilities by using them forward or backward or by cutting and combining themselves together.

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  • “The macaw” is a small library with close mic recordings of this majestic bird. All the sounds where recorded in South Mexico.

    Even though the library just contains 9  Macaw vocal sounds. These sounds are very specific but not limited to processing them for fictional creatures.

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  • Bicycles Bicycle Essentials Play Track 37 sounds included, 10 mins total $25

    Field recording captures the sounds that are hard to get in the studio. “Bicycle essentials” SFX library was designed to record the essential sounds of a bicycle while riding in the city, suburbs and, the field.

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  • Environments Command Center II Play Track 35 sounds included, 36+ mins total $24.95 $14.95

    Fresh on the heels of our successful Command Center 1 sound-set, we are releasing another imaginative environment from our Star Cruiser Environments Anthology Collection… Orbital Emitter is proud to present, Command Center 2!! – a comprehensive sci-fi sound-set featuring a rich arsenal of futuristic environment sounds for use in any multimedia project! Inside you will find rumbling room tones, futuristic system displays, stellar scans, trans navigational sequences, tactical perimeter displays, isolated processing sounds, an alert klaxon and much much more! And like the rest of our growing library, this environment sound-set can be customized to your liking allowing the creation of multiple environments -all from this one sound-set!

    40 %
    OFF
    Ends 1590962399
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  • The Sci-Fi Interface series returns once again with yet another packed library filled with fresh frequency modulated content, achieved with newly found techniques and approaches.

    Aimed at complementing Vol. I of this series, Vol. II shifted its focus towards more unconventional sounds, on the noisier spectrum of science fiction User Interfaces. You’ll find a lot of robotic conversations, raspy glitches, insectoid clicking, amongst other oddities, created with experimental software pieces and semi-modular synthesizers. All of these sounds have been finely cut, edited and mixed, created with little to no use of external effects, ready to be dropped onto any given audiovisual project.

    165 minutes of varied atmospheres and textures are also present, ranging from simple resonant ambiences, to digital sounding engines, to just plain harsh data processing sounds. Combined with over 900 one-shot sound effects, you’ll quickly settle behind the joysticks of your newly built space-ship, ready for an intergalactic journey beyond the sonic realms.

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