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Home Sound Effects

Sound Effects

  • Glitch Grains is the ultimate library for screen tearing glitches, erroneous malfunctions, and spasmodic system failures.

    Its the Phreaking best!

    We created the library using a variety of unconventional sources and techniques: No input Mixing Board, Gameboy LSDJ tracker, Raw Data, Theremin, Radio Statics, Drum Machine Sample Retriggering, Noisy Oscillators, Mic Overloads, Simulated Hacked Telephone and Electromagnetic Interference.

    Includes over 200 Designed Glitches and 1600+ source files.

  • This library of a 2010 Beta 520 RR contains multiple tracks of onboard and exterior passbys, start-stops, idle, revs, driving, various steady RPMs, arrives, departs, acceleration and deceleration ramps for use in granular synthesis tools, as well as foley.‍

    This Beta is an off-road racing motorcycle used in enduros. Lighter and more maneuverable than a classic motocross, its engine is reliable and durable to handle long-distance trials.

    Specifications : 4-Stroke, 498cc, 50Hp, 6 gears, liquid cooled.

     

    Multiple mic perspectives

    This sound pack includes 10 synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine and the exhaust perspectives. . The library also includes a custom mix of onboard mics for an easy integration, as well as foley.


    Gear used

    Sound Devices MixPre-6 II • Zoom F6 • Zoom H6 • Neumann Kmr81i • LOM MikroUsi • LOM Usi Pro • Sennheiser MKH 8040 • Sennheiser MKH30 • RODE NTG3


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

  • Foley Sound Effects Skin Play Track 31 sounds included $21

    Skin is an essential addition to your Foley collection; featuring natural, organic recordings of delicate skin-on-skin gestures and motions, performed in-house by our Audio Craftsmen.

    Raw recordings of grasps, clasps, itches, scratches, caresses, strokes, brushes, taps, flicks, finger clicks, nail filings, hands in soap – and more! – were captured with the powerful Sennheiser MKH50 and meticulously edited in post, affording realistic, detailed sounds  perfect for layering texture into your film, TV and game projects.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Explore the deep blue and inspire a sense of wonder with the Water Movements Bundle: an ultimate collection of aquatic sound effects perfect for custom underwater designs.

    Our Audio Craftsmen utilised an array of props and physical motions – captured  by the legendary MKH50 Super Cardioid microphone and Aquarian H2a Hydrophone – to produce a huge range of resonant, realistic water-based sounds.

    Build high-quality, immersive soundscapes by implementing your choice of sploshes, splashes, plunges, bubbling, passes, rinses, submersions, swilling, swirling, draining, surface slaps and more!

    Each sound has been carefully captured and meticulously edited for maximum sonic quality, enabling to you drop each sample into your projects with no need for further enhancement or modification.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata.

  • Let’s get ready to rumble!

    Geophonic Design Vol. 2 is our second collection of distinctive designed sounds whose frequencies range all the way to 10Hz.

    Featuring recordings captured with the coveted Lom Geofón, this bundle is erupting with 102+ mins (7.15 GB) worth of ambiences, cinematic impacts, movement, oneshots, glitches and speaker-shakers perfect for more ominous and mysterious film, TV and game projects.

    These complex sounds derive from the subsonic resonances of trams, trains, bridges, sand, a gramophone and more, and are intended to produce a real sense of heavy darkness in your designs.

    Our Audio Craftsmen have carefully captured and meticulously edited each sound for maximum sonic quality, enabling to you drop each sample into your projects with no need for further enhancement or modification.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • The unbeatably versatile Hydrophonic Design Bundle comprises three libraries of designed source recordings captured simultaneously with our Aquarian H2a Hydrophone and Sennheiser MKH50 microphone.

    Our Audio Craftsmen designed a wide range of hydro-recordings using dopplers, comb filters and other creative processes to produce an assortment of unique sonic textures. These include whooshes, passes, tones, movements, impacts, oneshots and ambiences suitable for layering into water environments, sci-fi and space scapes, and horror projects alike.

    Each sound has been carefully edited by our Audio Craftsmen for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • The Geophonic Instruments Bundle comprises three libraries of low, moody tones produced by the unusual interaction between musical instruments and the Lom Geofón.

    This unique process enabled the capture of each instrument’s super low frequencies – going all the way down to 10 Hz. Our Audio Craftsmen then designed these recordings to accentuate the rich, low resonances of each sound, resulting in an idiosyncratic, tonal quality.

    Inside this bundle is a creative assortment of low frequency instrument noises, including hits, rumbles, scrapes, blowings, taps, booms, bowings and other abstract sounds – all with a foundational musical element.

    Because of its intense low frequency energy, the Geophonic Instrument Bundle is perfect for sci-fi, horror and mystery projects. It will also lend itself well to Film, TV and Game productions across a variety of genres. Add a dark, timbral edge to your projects with these unique sounds!

    All sounds included were carefully captured and meticulously edited for maximum sonic quality, enabling you to drop each sample into your projects with no need for further enhancement or modification.

    The entire bundle is delivered at 24Bit/192kHz, and tagged with extensive Metadata.

  • Oriental Charm is one of the world’s largest high-quality original collections designed for Chinese musical instruments, which can be used in Video Games or Media projects. Take your project to the next level with this beautifully crafted and comprehensive musical suite.

  • Horror Sound Effects Haunted House Screams Play Track 295 sounds included, 10 mins total $99

    From deep in the haunting season, shrieks and screams fill the night! From 24/96 Sound Effects. Haunted House Screams features 295 HD 24bit/96khz Sound Effects with a large selection of Male, Female and group screams, gasps and other reactions. Recorded over many years in a different haunted houses during Halloween. The reactions are REAL and more dramatic than recoded actors in a studio. 10 minutes of all new, original recordings. From veteran Hollywood Sound Designer Lenny Jones. A perfect addition to any sound effects library. UCS Metataged.

  • ALPHABET is the new SoundFxWizard collection of Cinematic Sounds from A to Z.

    It will be released regularly through single thematic “Letters” releases.

    Each letter is a unique sound concept featuring one or more sound design categories.

    All sounds are one-shots and totally royalty free.

  • Asphalt Paving A Road

    Asphalt Road Construction in urban environment.

    Ambiences and close perspectives of heavy duty machines.

    Clean recordings of: Road paver finisher-asphalt finisher: Vögele super 1900-3i; Asphalt roller: Hamm dv 8;

    Many sound perspectives including far, mid and close mic distance, various angles of recording etc.

    Metadata tagged with detailed description of equipment and object of recording

    Recorded in MS and NOS stereo with Sound Devices recorder, Tascam recorder, Sennheiser MKH mics, LOM usi mics. Recorded in Winter. Metadata tagged with detailed description of equipment and object of recording. No air traffic.

    RAW files, without any eq., and dynamic manipulation (compressors/limiters etc.). Maximum peak level is -5 dBFS.

     

  • PANORAMA is a collection of ambience, background sound effect, recorded using a dedicated 3 channels microphone array (INA-3), specify catered for project format where there is a centre channel.

    The library features recordings of harbours, empty city streets and diffused urban skylines where the three channel microphone array excels.

    Recording ambience in three channels (LCR) gives a solid centre image to sound stage, without relying on “Phantom Centre”. It provides more coherence between LR and Center channel. It also gives editors or mixers the ability to adjust the width of the sound stage to suit the scene.

    These recordings are perfect for background sound design in films and games.

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  • The following is a 2018 Lamborghini Huracan Performante super car single license sound effects library (with Metadata). After purchase there is a simple 2 step protocol to download the library (in .rar compressed format). There are no interior cabin sounds in this library. Please read the file names located below.

    Specification: 2018, v10, 5.2 Liter, 631 HP, 4 Wheel Drive, Paddle Shifter driven

    The Onboard recordings are in 3 channels (Engine and Exhaust 1, Exhaust 2). There are no interior cabin sounds. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recording is in stereo tracking (following) the moving vehicle.

    Definitions & FAQs:

    Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle) External: Sounds heard from bystander’s point of view.

  • Fireworks FX library recorded in Ambisonic. New Year Eve. Many different sound perspectives and variety of  explosions, whistles and other sounds.

    Metadata tagged with equipment list and info.

    4 ch (RAW) recordings and stereo rendered recordings without any dynamic manipulation (compressors/limiters), eq.; max. peak level: -5dBFS.

    tech note:

    Ambisonic recording (3D audio, VR360 audio) – Immersive Audio, Spatial audio;

    Recorded with Sennheiser Ambeo VR microphone (tripod, Rycote blimp/windjammer included) and Sound Devices recorder. All channels matched with pink noise generator.

    Stereo files rendered via Reaper/Ambeo (Sennheiser), A to B format converter (Ambix) and they are ready to use.

    RAW files are 4 Ch. original Sound Devices files (A format). You can import them to Reaper and with Sennheiser Ambeo plugin

    here is free download link:

    https://en-us.sennheiser.com/ambeo-abconverter

    you can then manipulate in 360º audio image to get sound image/source to your taste/need/application. Mic position: upright.

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  • Roomtones Ambisonics – Roomtones II Play Track 7 sounds included, 54 mins total From: $7

    Aimed at complementing Ambisonics – Roomtones, this library compiles additional content for intimate VR experiences. This volume focuses on busier soundscapes,including the heavy hum from a fridge in a kitchen facing a street with sporadic vehicles and conversations, quiet living room takes with distant voices and a dog snoring, persistent machine sound from a pump, porch recordings on a rainy night and a busy morning with varied traffic passing-by.

    These audio files are perfect for both quiet and languid roomtone soundscapes, conveying multiple moods for any desired VR experience.

    This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.

  • A sound effects library geared toward game development, film, and other interactive media. Authentic 96kHz snow footstep sound effects. I look forward to seeing what you create with them!

  • Featuring:

    • Backboard Hits
    • Combination Shots
    • Swishes
    • Dribbling
    • Ball Handling
    • Foot Scuffles
    • Ring Hits

    All sounds were recorded using the Schoeps CCM8/CCM4 mid-side microphone and Sound Devices Mix-Pre 6.

    Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • This unique library of a classic 1962 Eicher tractor with a very mechanical and intricate sounding engine, contains multiple tracks of onboard and exterior passbys, start-stops, idle, revs, constant loops at various RPM, acceleration and deceleration ramps for use in granular synthesis tools, as well as foley.

    Specifications : 1962 Eicher Tiger II EM 235, Air-cooled 3-Cylinder, 32 HP.

     

    Multiple mic perspectives

    This sound pack includes 9 synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine, the exhaust and an ambiant perspective. The library also includes a custom mix of onboard mics for an easy integration.


    Gear used

    Sound Devices MixPre-6 II • Zoom F6 • Sound Devices 722 • Neumann Kmr81i • LOM Usi Pro • Sennheiser MKH 8040 • Sennheiser MKH30 • Oktava MK012 • Shure SM57


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

  • The KTM 1290 Super Duke R with its powerful sounding V-twin engine really shows the speed and torque this amazing bike brings. If a muscle car were a bike, it would sound like this KTM. It can reach a top speed of  290 km/h and can go from 0 to 100 km/h in 2.92 seconds.

    Our sound pack contains multiple tracks of onboard and exterior recordings of passbys, start-stops, idle, revs, driving, constant loops at various RPM and acceleration and deceleration ramps for use in granular synthesis tools.

    Specifications : 75° V-twin, 4-stroke, 1301cc, 177 HP, 6-speed.

     

    Multiple mic perspectives

    This sound pack includes 12 synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine and the exhaust perspectives. The library also includes a custom mix of onboard mics for an easy integration.


    Gear used

    Sound Devices MixPre-6 II • Zoom F6 • Zoom H6 • Neumann Kmr81i • LOM MikroUsi • LOM Usi Pro • Sennheiser MKH 8040 • Sennheiser MKH30 • Oktava MK012 • Shure SM57


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

  • Our sound library of the famous Mercedes Unimog 4×4 truck, in its military ambulance configuration, with a diesel inline 6 turbocharged engine really brings across the sheer power and presence of this legendary german utility truck.

    This soundpack contains multiple tracks of interior and exterior recordings of passbys, start-stops, idle, revs, driving, various constant RPM, departs, arrives, acceleration and deceleration ramps for use in granular synthesis tools, as well as foley.

    Specifications : 6-cylinder, turbocharged, 240 HP, 4X4, 8-speed manual

     

    Multiple mic perspectives

    This sound pack includes 9 synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine, the exhaust and the cabin perspective. The library also includes a custom mix of onboard mics for an easy integration.


    Gear used

    Sound Devices MixPre-6 II • Zoom F6 • Neumann Kmr81i • LOM MikroUsi • LOM Usi Pro • Sennheiser MKH 8040 • Sennheiser MKH30 • Oktava MK012 • Shure SM57


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

  • This library of a 2001 Aprilia Falco with a very smooth yet fast sounding 4-stroke engine, contains multiple tracks of onboard and exterior passbys, start-stops, idle, revs, driving, various steady RPMs, arrives, departs, acceleration and deceleration ramps for use in granular synthesis tools, as well as foley.

    The Falco is a sport-touring machine produced by Aprilia between 2001 and 2005. It can reach a top speed of  246 km/h and can go from 0 to 100 km/h in 3.2 seconds.

    Specifications : 60° V-twin, Four stroke, 997cc, 118 HP, 6 gears, Custom LeoVince exhaust pipe.

     

    Multiple mic perspectives

    This sound pack includes 14 synchronized channels of exterior and onboard perspectives. The exterior recordings are mono and stereo, while the onboard microphones capture the engine, the exhaust and an ambiant perspective. The library also includes a custom mix of onboard mics for an easy integration.


    Gear used

    Sound Devices MixPre-6 II • Zoom F6 • Zoom H6 • Sound Devices 722 • Neumann Kmr81i • LOM MikroUsi • LOM Usi Pro • Sennheiser MKH 8040 • Sennheiser MKH30 • Oktava MK012 • RODE NTG1 • RODE NTG3 • RODE NTG5 • Shure SM57


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundly, Soundminer and Basehead.

  • World Sounds Greece Ambience Play Track 63 sounds included, 157 mins total $40

    Over 2.5 hours of varied ambience from Greece – from the bustling Athens rush hour to peaceful olive groves and the gentle lapping waves of the Ionian Sea. This collection captures daily life and quintessentially Greek ambience from various locations on the islands and mainland, including Athens, Delphi, Ithaca and the Peloponnese. Expect lots of city life, rural villages, church bells, countryside, harbour and seaside ambience.

    All files are UCS compliant, 24 bit/ 96k and metadata is included (via soundminer), with keywords and detailed markers embedded to quickly locate specific sounds/ regions. Recorded with Usi Pro, Sony PCM-D100 and Wildtronics Stereo microphones.

  • IMPACTO contains a wide variety of sound types, ranging from trailer impacts and granular clouds to drones and full-fledged melodic tracks, which can be used as music stems in movies or games.

    Most of source sounds were recorded using Sanken CO-100K ultrasonic microphone, which can capture frequencies up to 100 kHz, to get the most interesting sound foundation.

    For this purpose I recorded various objects and textures (metal, glass, wood), as well as traditional acoustic instruments, strings, large gongs, singing bowls, didgeridoo, percussion, female vocals, chanting and etc. These sounds were further heavily processed with plug-ins, custom Max/MSP patches and external effects to get strange and unusual results.

    The library also contains Source folder with recordings that are almost not processed (apart from pitch shift).

    As a bonus, all sounds are integrated into Kontakt instruments with user-friendly interface and several effects (LP filter with resonance, AR envelope, three-band equalizer, reverb, delay and chorus).

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  • Lights, Camera… Action! 

    Film Crew is loaded with a vast range of authentic film crew and film production sound effects. Our team of skilled audio craftsmen recorded these sounds directly from a working film set, immersing themselves within the crew top bring you sounds as they happened on set.

    This diverse collection of sounds are some of the only sound effects recorded at a working film set, making these sounds very unique and highly sought-after addition to an audio professionals sound library.

    Inside this product, you will find a wide selection of genuine recordings that cover various stages of production, exterior and interior locations, on-set conversations between different crew departments, Director and 1st AD calling action, cut etc, equipment being set up, and film set ambiences at various levels of busy-ness.

    Sounds have been separated into the following categories:

    Ambiences – Exterior Atmos recordings taken from unique filming locations such as the Humber Bridge in Hull.

    Exterior – Sounds captured from exterior shoots, Crew setting up outdoors, Crowd effects, Vehicles, Light traffic, On-set ambiences.

    Interior – Sounds captured from interior, Crew setting up lighting and camera etc, Crew conversations, Director and 1st AD talking with actors and extras etc.

    Extras – Crowd effects from extras on set, Crowds clapping and cheering, Crowd celebrating at a wedding scene.

    Vintage Car Props – Sound effects captured from a genuine vintage car that featured heavily in the production where we recorded these effects.

    All sounds were recorded in 24Bit 96kHz, and have been tagged with extensive UCS metadata for ease of use.

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