40 professionally recorded aircraft – features the Red Arrows, RAF Tornado jet fighter, Hurricane and Spitfire aircraft, and many more.
This sound effect library from JordanFehrFX gets you more than 900 button and equipment sounds, captured by Jordan Fehr. Sound effects include buttons, switches, clicks, latches, clasps, bags, zippers, wild foley, machines, ambiences, cases, and more!
It also comes with a special bonus library by game audio guru Damian Kastbauer, featuring more than 70 minutes of mono machine recordings and ambiences.
• 16 minutes of audio @ 48khz/24bit Mono
• 46 Files
• 144 MB
• 900+ performances
Variety 2 is our second bundle of popular, mixed sound clips. This collection packs 150 specific and ambient sound effects into just over 2 gigabytes of audio.
It features multiple categories of fx, ranging from alarms to horns, rain to voices, knives and fireworks. You'll find sirens and race cars, trains and thunder, and much more.
Variety 1 is a selection of our favourite, most popular sound clips. It includes 150 sound effects from babies to burps, crowds to computers, subways to switches.
It is a mix between vehicles, household, office, human sound effects and more in both specific sound effects, and lush stereo ambiences, weighing in just under 2 gigabytes of audio. Includes 18 fields of bonus Soundminer metadata.
A collection of 70 whoosh sound effects. This package includes sweeps, fly-ins, transitions, power downs, and power ups.
This sound bundle features a mix of 50 button presses, switch flicks, and dial turns. Creative takes are joined by ticks, clicks, and clacks from a variety of console, vehicle, and equipment switches. Includes designed elements, as well as natural field recordings. Includes bonus Soundminer metadata.
This collection includes 80 clips of the best of winter: chilly snow crunches, wet, sliding snow, and snow boulder drops. Brittle snow crunches are mixed with beefy snow impacts, and more. And there are no studio or Foley tracks here: these tracks are all actual field recordings of frigid, Canadian snow. Includes bonus Soundminer metadata.
Lakes, rivers, oceans and waterfalls. Whether you’re looking for a gentle lapping river, dense rapids, calm lake waves lapping on the beach, giant crashing waves, tumultuous waves rolling through rocky shores, or jungle waterfalls — we have you covered.
Explore US waterways with Soundopolis from Michigan to Virginia Beach to Hawaii, and back again!
Water is a collection covering splashes, movements, pouring, waterfalls, faucets, toilets, showers, fountains, sewage drains, drips, bubbles, boiling, water pipe smoking, and even ice cracking, impacts and scrapes. We have you covered for all of your water needs.
Sci-Fi Electric is a collection of sparks, static, drones, hums, zaps and textures! The library features 64 files with over 80 audio clips. Here you’ll find a wealth of processed sounds for your Sci Fi adventure. Source material ranges from beard scratching to lap steel pickup interference.
Through processing they end up as “alienistic” textures, sparks, static, drones, hums, zaps, ambiences, and whatever else your imagination can come up with! Other sounds include raw microphone feedback, streetlight buzz, and electrical static.
The source material ranged from beard scratching to lap steel pickup interference… This one was fun to make, and it will be even more fun for you to play with!
A collection of over 530 96k/24bit HD Gore sound effects that comes with an additional 262 48k/24bit sounds FREE! Come and get your body damage galore. Punches, bone, blood, intestines, goops, splats, flesh movement, chewing, tearing, snapping, breaking, blade sounds… It’s BLOODY CARNAGE!
Blades is a collection of 54 audio files containing a whopping 260 individual audio clips. This collection gives you sheath sounds, blade scrapes, clanks, hits, schings, and yes, even scissors snipping. Best of all, if you need 10 sword hits in the scene, you only have to import one or two tracks.
The Squelch sound library is a collection of 6 radios, walkie talkies, and CBs recorded both through the speakers and in some cases through the line outs. Each device served up a broad palette of static, beeps, clicks, squelches, and random idle chatter.
Comes with 93 recordings with hundreds of individual sounds + one Kontakt instrument (instrument requires the full version of NI Kontakt 4 or higher).
The Kontakt instrument is a unique performable radio device designed for experimentation and discovery of the broad palette of sounds. It also includes a classic spring reverb unit with a custom interface created from a Pioneer SR202W. See the Kontakt interface here.
These authentic radio recordings are useful in sound design/film applications and can be twisted out into musical and sound design effects.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
Whether you are designing a traffic jam or just another day in New York City, get the correct horn for the correct car with Modern Car Horns, by Frontier Sound FX.
Modern Car Horns is a comprehensive compilation of long and short horn blasts from common American cars, recorded at 16bit/44.1k. Each vehicle is logged with the year, make and model, to ensure the proper fit when matching recordings to image. List of vehicles include:
• 1993 Buick Park Avenue
• 2000 Ford Taurus
• 2000 Jeep Wrangler Custom
• 2004 Pontiac Grand Am
• 2004 Toyota Carolla
• 2004 Toyota Rav 4
• 2005 Ford Focus
• 2006 Hyundai Sonata
• 2007 Hyundai Tiburon
• 2007 Nissan Versa
• 2008 Scion TC
• 2009 Chevy Malibu
The Solar Sky library features a diverse set of state-of-the-art spaceship sounds. Designed for use in any modern sci-fi production, Solar Sky is an essential addition to add to your workflow.
Designing sound for spaceships can be quite time consuming, and Solar Sky gives you a great set of sounds to get started.
Solar Sky features more than 2.2GB of 350 24bit/96kHz files, all embedded with Soundminer and Basehead metadata.
• Ship ambiances and drones
• 120+ Ship passbys, both large and small
• Ship power ups
• Ship power downs
• Ship door opens and closes
• Wave Warped passbys
HumBuzz is a versatile collection 113 tech-noise-sounds with a length from 7 to 27 seconds.
The files were created by capturing the electromagnetic fields of fridges, microwaves, boilers, cell phones, TVs and computers.
Buzz • Hum • Noise • Start Up • Tonal
Computer Noises is based on a wide palette of noises that computers emit when booting, reading from their CD-ROM drives, or accessing a hard disk.
The library contains several complete boot sequences of 10 different laptop and desktop computers ranging from an old ATARI PC-2, going over to Pentium I and III, Celerons and Core Duo machines.
Each booting sequence was recorded from different positions within the computer casings.
Additionally, all included components are available as separate takes so that each computer is entirely featured with its hard disks, power- and CPU fans plus all those other strange noises that occurred. As bonus, 25 extra sounds from external hard disks and blowers of all kind are included in this library.
Ranging from a small raindrop to the powerful surf of the ocean, this library shows up as an inspiring toolbox for creative sound design, film scoring or art installations. Features lots of flowing, dripping and frozen water.
The library includes 90 scenes in 7 categories: Bridge and Tube, Creek, Drops and Rain, Indoor, Melting Ice Flows, Ocean and Sea, River
For maximum flexibility each file has carefully adjusted loop points that are recognized by numerous audio editing and DAW applications.
Newsreel Noises features a collection of unwanted Noises, Rumbles, Hums & Crackles – collected when digging through copies of newsreels from the the 40ies and 50ies of the last century. Whenever such a newsreel starts or ends a lot of sidenoises occur and each one plays another pattern of mysterious sounds. The library is organised into 10 categories:
* Cadenced, Crackle, Hum, Impulse, Noise, Pulsed, Rattle, Rhythmical, Shuttle, Tonal
The library delivers more than 150 WAV-files with embedded loop points. Each file has a descriptive name where the first part describes the strongest element of the sound and the second part gives additional informations about the structure of each sound.
This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.
In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.
There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.
This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.
Great sweeteners to toughen up your explosions, glass debris, and even armor moves.
Features smashes, breaks, impacts, debris, shatters, pieces, moves, shakes – stock flower pot/mug breaks, eat your heart out!
All recordings are clean, and contain no reflections, for the widest use for all designs.
Los Angeles is well-known for having some of the largest and most traveled freeways in the United States.
The L.A. Freeways sound effects library captures the traffic ambience on the massive freeways that run through the Greater L.A. area – 3 hours of recordings in total!
Multiple perspectives were recorded, from close vehicle pass bys to distant traffic ambience captured from city parks, surrounding hillsides, tunnels and underpasses. Traffic types range from fast pass bys, to slow and congested traffic.
• US-101 (Hollywood Freeway)
• I-405 (San Diego Freeway)
• I-5 (Golden State Freeway)
• I-10 (Santa Monica Freeway)
• I-110 (Harbor Freeway)
• SR-134 (Ventura Freeway)
• (Glendale Freeway)
The Hard Drives sound effects library features recordings of four hard disk drives (3.5 inch – 5400 & 7200 RPM). All essential hard drive sounds are included (boot up, read/write/copy/delete, power down) that will work great for general computer sounds and ambience.
Each hard drive was opened up, manipulated, and ultimately destroyed to create a collection of raw, abstract and unique sounds. Found materials such as metal, cardboard, plastic, and tools were used to control the hard drive's motor, platter, and head actuator. These sounds work especially well for creating the sounds of mechanical robot movements, electric motors, and futuristic machinery.
A killer antique accordion full of paper crinkles, key clacks, sick sounding wheezes and old wood creaks. The antique accordion was rescued from a local antique shop. It has a hole in the bellows that creates a distinct wheezing sound, and it is loaded up with strange squeaks, pops and paper textures.
We rolled on this instrument for about an hour, and did everything from flicking the keys to dropping and pounding it. The accordion took some abuse, but in the end what it gave back was a wealth of old sounding textures you can’t fake.
This instrument was recorded at 24 bit 96k, in dual mono – with an AT4050 for a wide perspective and a Schoeps CMC6.MK4 for a close perspective. Comes with 57 .wav files and 19 Kontakt .nki files (the .nki files require the full retail version of NI Kontakt 4.2.3 or later)
3 mic perspectives give full coverage on an antique typewriter in good working condition. The typewriter had a loose front plate and we clacked, hit and dropped it for a wide range of cool typewritery sounds. The Kontakt instrument presets requires the full version of NI Kontakt 4.2.3 or later.
This library features recordings of different objects ripped and torn apart, making for lots and lots of interesting material for you to design anything you want. Features a total of 445 audio files in 17 different categories.
Note: This is an updated and remastered version of Rips and Tears – it also features more and better metadata.
Cardboard • Coupon Paper • Craft Paper • Denim • Duct Tape • Foam Board • Food • Large Envelope • Paper Bag • Paper Box • Poster Board • Randoms • Regular Paper • Sock • T-Shirt • Velcro
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
Hologram Room [USO001] is the first bundle of the abstract Sound Design Collection produced by Matteo Milani.
These two gigabytes of “ready to use” original sound elements are designed to help you sweetening and enhancing your sound production. The whole library is organized in eight main folders: Active Drones, Alarms, Blips, Buttons, Communications, Ignitions, Telemetries, Transitions. It provides a selection of out of this world drones and ambiences, futuristic sound effects and electronic tools.
800+ sounds from one of the most complex and varied sounding instruments that we’ve come across in our junk shop travels. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
This is a fretless German harp zither, which differs in quality significantly from concert zithers, which have several strings with fretted necks beneath them. This version was manufactured by Friederich Menzenhauer, the father of the zither in the US. Zithers of this kind are notoriously difficult to identify because they contain no distinguishing marks on the bodies themselves, and the only branding is on the paper label deteriorating inside the soundhole.
Our version had been worn beyond all repair through decades of age and neglect. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
We did much more than just throw a couple of mics up and pluck – this instrument was recorded with a stethoscope mic, a lav inside the cavity, overhead xy, room mics, and more. We banged, scraped, bowed, ebowed, and thumped every last noise out of this one in three separate sessions. The end result was a collection of about 5 Gb of edited stereo 24 bit 96k sound.
The Kontakt instruments are where the real magic happens with this instrument. There are presets for horror string hits, angelic and demonic pads, old creaks and more. The zither barely survived, but it gave us an array of sounds that are very different from what you’ll get from a properly tuned and maintained instrument. It is the uniqueness of the decay that gives our zither its character.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.