The G4F SFX05 – Casual Games soundbank comprises SFX designed specifically for video games.
The library contains high-quality sounds recorded at 96 kHz/24 bit. The sounds can be used in mobile games and on other platforms, depending on your requirements.
Sound Designers : Henri-Pierre Pellegrin & Fabien Bourbigot
Construction – Destruction – Match3 – Slot – Social – Space – Sports management game – Woosh effects.
27 libraries of production elements and soundscapes suited to all forms of broadcast media. From glitched-out future computers to dark, ominous atmospheres, these libraries feature organic elements, analogue source material and extreme digital processing for a blend of the familiar and the experimental side of sound design.
Think Dystopian environments, unexplored Science Fiction spaces, unsettling horror ambiences, signals gone awry, abstract textures and harsh walls of noise.
69 human vocalizations processed to be smaller than human.
This library would be a great fit for an indie game in need of a character sound to enhance movements, actions and/or fighting.
Music is only heard on demo, downloads are high resolution and without background music.
What’s Included: 11x Crashing, Bumping, Falling / 14x Landing, Shifting, Sliding / 19x Jumping, Lifting, Pushing / 25x Punching, Kicking, Chopping / 6x Surprise / 3x Joy / 3x Haughty / 3x Angry
The G4F SFX09 – Metal soundbank is comprised entirely of metallic sounds generated by many different objects.
The soundbank contains high-quality recordings made at the Foley’Torium studio. The recordings are 96 kHz/24 bit, with a Class A setup (Sound Devices recorder with DPA and Neumann mics).
Foley: Julien Billeau
Sound Engineer: Arnaud Roy
Sound Designers: Benjamin Michenaud and Alexandre Bobe
Impacts, friction, rolling, sliding, engines/motors with metal resonators providing a very rich texture.
Articulated presents the result of several months investigation in the realm of rustling matters:
A toolkit to create presence, reality but also interesting textures and silences.
Light breeze and heavy wind gusts were recorded on many locations: in forests, near shrubs, tall grass, corn fields, and in streets. Leaves were captured fluttering on branches but also whirling and dancing on the ground.
Great amount of variations: Leaves of all shapes (needles, compound, single, broadleaf, dry, twigs, branches,…), and various materials such as plastic, paper, fabric, dirt were recorded.
All of which through various interactions such as shuffle, shake, rub, brush, hit, fiddle, whip, and whoosh.
• Windy foliage in trees
• leaves dancing on the ground
• plants interactions & movements
• shuffling, shaking, brushing, rubbing, hitting, swooshing
• all kinds of leaves shape and many types of vegetation such as grass, broadleaf branch, reeds, maple twigs, bamboos, needles, dry leaves, twigs, straws
• additional texture that can help extend the sonic palette of rustling noises such as plastics, papers, metals, glass, pebbles, dirt, fabric, leather
'Toyota Chaser' by Flysound is a comprehensive sound catalogue for this Japanese turbo monster. The suite of 168 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar-X2s, and further top quality recording equipment.
The Toyota Chaser JSX90 and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as the 2.5 litre turbo engine peels away fast, drives slow, or just cruises mid-speed. In short: Everything you'll need, all the maneuvers manifested by 280 horsepower car, here in this suite.
Our '99 model Toyota Chaser is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for a mid-sized car, capable of speed. The suite is parked here, ready to give you the exact audio you need.
The first mobile roomtone library! Parked Cars is a collection of roomtones of car interiors at different times of day, often in the same locations with both windows up and windows down.
This library covers inner city, suburb, and a little country around the Los Angeles area
This is all mastered for Ambisonic B and Stereo, but can be further decoded into various surround formats
Rummage is a collaborative sound library from SoundBits and Glitchedtones with a focus on unsystematic searches through everyday items.
Created especially for projects calling for careful, hasty or frantic rummaging, these 733 files offer up plenty of variation to cover a wide range of scenarios. Featuring searches through paper, pockets, trash, wallets, retro media, wood, tools, bags, wardrobes, metal and lots more… your movie scene, game environment or even music production in need of some Rummage, is covered, or more appropriately, uncovered!”.
'Land Rover Defender' by Flysound is a comprehensive sound catalogue for this best-of-British diesel beast. The suite of 290 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar X-2s, and further top quality recording, editing, sound design, and mixing equipment.
The 4×4 and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as this hardy off-roader peels away fast, chugs along slow, or just cruises an everyday commute. In short: Everything you'll need, all the maneuvers manifested by this 2.4 litre diesel icon, here in this suite.
The symphonic grace of a Defender in motion is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for the Land Rover Defender all-terrain vehicle. The suite is parked here, ready to give you the exact audio you need.
A lite and mixed version of this suite is also available, comprising 41 authentic stereo files, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of the Defender.
Torsion is a new dark hi-tech sound library packed with cinematic sound effects, tempo locked synths, stutter-stingers, tonal feedback, signature braams, hits, downers, low end whooshes, vocals, rise-crescendo, reverse and comes with 300+ wav samples and 86 kontakt instruments powered by The Forge engine by Audiority.
The front panel of torsion features lp-hp resonating filters, adsr stages for both filters and amplitude, dual reverb which is a combination of classic reverb and convolution. This is great to add textures and personalise your sound.
Effect section include a very aggressive distortion unit, saturation and punch stages, delay and eq.
The distortion unit is gritty and very aggressive, combining a british amplifier with a voice-level bitcrusher.
The saturation unit features the high quality algorithm of kontakt.
The punch effect is a transient shaper, a kind of compressor used to control the attack and the sustain portion of a sound and which world great for drums, percussions, impacts, guitars, pianos and other sounds with a fast attack.
On top of that you can find the advanced rhythmic programmer that can work as an arpeggiator, a polyphonic sequencer or a gater.
Another key features in Torsion is the stack mode-voicing control which increase the number of voices per note played at the same time. On a single key you can play a different number of sounds to create chords of samples for more rich and layered ensembles.
A analog emulated 4-bands parametric equalizer. Low and high are shelf type, while low mid and high mid are bell type.
The resonant delay unit combines a delay based tunable resonator and a tempo synced stereo delay.
Torsion is 100% royalty free – single user license.
Affix is a simple but powerful library. In this pack you will find 100 sounds in 29 files aimed to enhance and enrich Cinematic Impacts in your project thanks to a nice selection of movements, braams and tense and big Impact Elements.
With these Production Elements you can add deep, energy and power to your Impacts and are great for create a more dramatic and intense feeling in trailers, movies, games and music.
Also, you can use the sounds in Affix to enrich atmospheres, drones and create movements.
RADIO IMAGING SELECTION is a collection of 50 stereo 24-bit 44.1Khz radio ready imaging elements for CHR and HOT AC radio Jingles, StationID, Liners and Dj Drops.
All sounds are royalty free and ready to be included in your radio productions.
Electrify contains a wide variety of high quality electrical noises, sound effects, and ambiences. Perfect for film, game, music, and television.
Recordings taken from an enormous variety of devices and equipment, including: harddrives, motors, sockets, powertools, interfaces, amplifiers, printers, scanners, and many more.
Sounds consist of beeps, glitches, hums, fuzz, noises, processing, crackling and more.
All sounds are cut, and ready to use, for seamless integration in to your latest productions.
Frustration. You’ve spent hours on a project, only to end up with a sound scape that feels incomplete. The action scene feels empty, the weapons don’t sound heavy enough, the transitions don’t pack enough of a punch, the space ship doesn’t feel large enough and the monsters aren’t sufficiently scary.
The Augmentation Elements library has been built with this problem in mind. Due to the library’s abstract nature, the Risers, Stings, Swells and Whooshes can be molded and manipulated into adding that missing element that you’re looking for, and sweetening the whole mix.
In order to save you time and help you quickly find the sounds that you need, SoundMiner metadata has been carefully created for each individual file. There are no ‘Scream, 1’ and ‘Scream, 2’ in this library! Every single file is individually described, and the use of numbers is not employed!
Have a look at the metadata list further down the page!
Now, Your futuristic energy weapons don’t sound full enough? Try layering some of the stings and swells underneath them.
That large space ship doesn’t seem large enough? Grab some whooshes and pan them to your heart’s delight.
The alien doesn’t sound scary enough? Some of the stings sound eerily close to vocalizations. Grab them and run wild.
Are crucial transitions in your film lacking punch? Drag some of those risers into your DAW and see which one fits best!
Dock Ambiances and SFX is recorded in the industrial part of Varna port in Bulgaria. This small pack includes 16 high-quality sound effects and ambiances in 24 bit, 96/48 kHz – a total of more than 20 minutes. You will hear sounds of large cranes loading cargo ships, trucks passing by, or working in place, hits by massive iron tools, creaky elements and an old industrial barrier. You can use this pack as a background or sfx in movies, games or any other project that needs industrial atmospheres or sound effects. All files are Meta-tagged.
If you're looking for a cat sound pack that covers all the basics, look no further.
3 cats. 21 sounds. Cherry picked for their versatility and usefulness.
Meows, Growls, Hisses, Purrs, Cries and more…
Very versatile meows, cries and purrs.
Want a larger cat pack? Check this out.
Get the drifting, breaking, screaming, skidding and acceleration sounds of a race car – from both interior and exterior perspectives.
Features the roaring engines of a Nissan 240SFX s13 and the BMW E46 giving it everything they've got on a racetrack. Includes microphone positions such as cabin, body, exhaust and engine, and also includes selected ambiences from the race track, captured at a distance. Includes nearly 3.5 hours of recordings.
Cats are remarkably expressive creatures. And capturing their voices can be a daunting task. Not anymore…
The “Meow” sound library provides all the core cat vocalizations you'll need in a single package.
Using 11 different cats cherry picked for their characters, this library provides over 272 vocalizations for your productions.
From sweet mewls, to longing cries, or vicious shrieks, this library has got you covered.
This library also includes the Sonic Worlds “CAT” sound pack.
A lunatic Calico. A treasure trove of enraged vocalizations.
AFORI & FANGS
Sweet natured Russian Blues for that soft gentle character.
A nasty mean tomcat, hence his name. A Tabby with a rich growl.
Deep threatening growls and hisses. A Ginger in a foul mood.
GINGY & LUCIFER
Whiny sounding Ginger cats. For those hungry begging cries.
Classic meows that work like a charm.
A sad sounding Tabby cat. For those longing mewls that will break your heart.
An absolute sweetheart black cat. Purry meows galore.
You won't find any well-oiled, wind-tunnel-tested, aerodynamically perfect sounding bicycles in this library!
This pack of sounds has been recorded to capture the extreme creaks and those “old, busted bike” kinds of sounds.
3 bicycles, all with a special sonical personality to them, were recorded:
2 SCO gentlemen's bicycles, from 1970-1980, and 1 home trainer, a little younger than the others.
Recorded inside a studio with the bikes either being on a dynamo or suspended from the ceiling, all bikes had lavalier microphones mounted front and back, and a microphone overhead of the rider. Some takes has a contact microphone track to add to the misery.
• Long rides, multiple tempos
• Gears spinning
• Extreme creaks from saddle and frame
• Chain and chain guard noises
• Pedal spins
• Shaking and kicking bicycle frame
• Hometrainer riding
This library presents a vintage Gordini race car from 1947, recorded on a private race track.
We captured a full lap and a half with three onboards microphones and a Schoeps MS for the exterior pass bys.
Why a lap and a half ? Because the car broke down mid track, which made for several fantastic engine failure sounds.
Witness the powerful loud (LOUD) sound of this vintage beauty and its trumpeting exhaust from hell.
Recording setup:Onboards microphones routed to a MixPre6 :
Engine – Shure SM11
Exhaust – Shure SM11
Cockpit – DPA4061
Exterior passes recorded with a Schoeps MK4/MK8 to a Cooper CS104.
‘Household Water’ by Badlands Sound includes 86 high-quality water sounds found throughout the home that will be great for your projects. Hear the flowing sounds of water from kitchen and bathroom sinks, bathtubs, small and large fountains, drains, and much more.
This library was recorded by Sound Devices 702t with a RODE NTG3 microphone in 96k / 24bit.
Need the sound of items being dropped?
This library gets you the sounds of ballpoint pens, cables, cake servers, cans, candy, cardboard boxes, empty and full plastic bottles, lighters, magazines, oranges, plastic caps, plastic pieces, remote controls, scissors, slippers, small glass bottles, small packages, small plastic boxes, plastic bottles, smartphones, teaspoons, wooden board and wooden logs being dropped onto various surfaces (such as concrete, thick carpet, carpeted floor, laminate, tiles).
2 versions are included:
• Combined Version: versions of a sound are combined into one file (24 files total)
• Split Version: versions of a sound appear as individual files (311 files total)
Wooden planks Action offers high quality and high resolution recordings of all kinds of wooden action including impacts, splintering, breaks, creaks, rummages. Recorded with a Sennheiser MKH 416 @ 24 Bits and 192 KHz.
The Dot Matrix sound effects library is made up of two parts: A full 3-minute recording of an Epson LQ 570 dot matrix printer at work and 511 short files meticulously edited to isolate each movement that the device makes whilst printing. These movements have been categorised into 5 different folders:
1) Short bursts, with 295 different variations
2) Double bursts, with 25 different variations
3) Triple bursts, with 98 different variations
4) Long bursts, with 45 different variations
5) Servo sounds, with 48 different variations
The recordings have not been manipulated in any way other than being edited into smaller files, as to not limit your options when using the sounds creatively.
In total, you will receive 512 .wav files, each containing SoundMiner metadata, recorded at 96k/24bit in order to allow for a high level of manipulation.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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