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Home Sound Effects

Sound Effects

  • Environments Coyotes Play Track 22 sounds included, 28 mins total $49 $39

    Coyotes are classic sounds of the American Wild West. A few recorded during the day, but many at dusk or deep into the night.  There are also several tracks of much closer coyotes that happened to walk near the recorder as you can hear in the samples.

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  • The Heads Up Display sound effects library is the first installment in the Robotic Creations Collection. Each library within the Robotic Creations Collection contains sound effects designed to match five different robotic personalities with their own unique sonic characteristics: Mimo, the robot buddy; Q5, the vintage robot; NGage, the exosuit; Gregory, the android; and Firewall, the mech suit.

    Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
    150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs

    Also available in a special Sound Design Toolbox version.

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  • The Heads Up Display Sound Design Toolkit is a special version of the regular Heads Up Display sound effects library: Not only does it feature the regular SFX library – it also contains a special Sound Design Toolkit version.

    Boom Box Library’s sound design toolkits allow you to create endless variations, tailoring sounds specifically to the needs of your project. All sound effects are pre-mapped to the sampler Kontakt by Native Instruments, and can be triggered with a MIDI keyboard or further manipulated with a tablet via our custom TouchOSC layouts.

    Together, these tools give you the hands on experience of performing live changes such as pitch and time alteration as well as playing back multiple layers of sounds at once. Our Toolkits take you beyond simple editorial, giving you everything you need to design your own unique take on the Boom Box Library sound.

    Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
    150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs

    Requirements:
    Third-party software & hardware are not included in this purchase and should be purchased separately: KONTAKT (version 3.5.0.025 or higher)TouchOSCApple iPad

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  • Horror Haunted House Play Track 165 sounds included, 41 mins total $90 $36

    A collection of spooky scary sounds, ideal for your video game, film, TV show, radio play or any other project. Mostly classic horror style.

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  • High-quality nature ambience of wild landscapes in eastern Oregon – with a focus on bird sounds in the high desert across times of day and seasons. These are authentic western desert sounds appropriate for use in westerns, wild west, and related games and films.

    Many tracks are quite long – several minutes or longer. Species include woodpeckers, meadowlarks, woodpeckers, distant owls, and more. Includes bonus clips of fly buzzes and a few bats. A number catch birds quite close to the recorder.

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  • Small trickles, to gentle streams, raging rivers, waterfalls, and the Pacific Ocean (in Hawaii and Oregon). Many are quite long and are a perfect long background to a water-related section of your film or project.

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  • High-quality nature ambiance of wild landscapes in both eastern and western Oregon – with a focus on different cricket sounds by day and night.

    Types range from hot desert heat to cold windy forest nights, to vibrant riversides. Many tracks are quite long – several minutes or longer.  A number catch crickets quite close to the recorder

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  • Wind, birds, the occasional chattering squirrel and more. A focus on daytime, with some sections covering the entire progression of first light through late morning in ever louder bird sounds. A variety of thrushes, jays, woodpeckers, etc in isolated clips and long ambiances of minutes or more.

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  • Recorded in Eastern Oregon’s Great Basin and High Desert Region – classic sounds of the American West, forest or desert.

    These tracks are stripped highlights from the hundreds of hours of field recordings I use to make my films. A number of them include the birds fluttering and making deep natural calls right next to the recorder – about as close as you can hope to get of birds in the wild.

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  • This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.

    Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.

    Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!

    Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.

    While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.

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  • Bodyfall is an exhaustive multi-volume sound library, designed in collaboration with prize-winning French Foley artist Florian Fabre, and recorded in the famous Hiventy foley studio.

    Each volume features 2 different falling surfaces. On each of them, sounds of different parts of the human body:

    Chest (simulated with 4 textures of distinct densities, labeled M1,M2,M3 and M4), feet, knees, and hands, have been separated.

    All recordings were made from 3 distances (close, mid, distant) with 3 strength levels (hard, medium, soft). Finally, this huge toolbox provides you with infinite combinations to make your own and unique bodyfalls.

    Bodyfall vol 1: Generic / concrete & Hard Metal:

    Files included: 972 .WAV, stereo & mono files , 24 bit / 96 kHz (416 MB)
    Bodyfall vol 2: Wood / Rustic & Metal Grid:

    Files included: 974 .WAV, stereo & mono files, 24 bit / 96 kHz (438 MB)
    Bodyfall vol 3: Dirt & Wood / Hardfloor:

    Files included: 929 .WAV, stereo & mono files, 24 bit / 96 kHz (433 MB). No distant files for Dirt soft impacts.
    Bodyfall vol 4: Metal / Composite & Wood / Parquet:

    Files included: 929 .WAV, stereo & mono files, 24 bit / 96 kHz (433 MB)
    Bodyfall Bundle:

    All files & surface variations from vol 1-4 included
  • Synthetic Sphere is a collection of spatialised synthetic pads. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.

    This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.

    All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.

     

    This package includes 10 stereo samples – Total 51 minutes of content.

    The library is also available in an Ambisonic version here.

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  • Synthetic Sphere is a collection of spatialised synthetic pads, mixed in an ambisonic format for a complete 360 interactive soundtrack. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.

    This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.

    All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.

     

    This package includes 10 Samples – Total 51 minutes of content.

    Supported formats: First Order AmbiX and Stereo (Total of 20 files).

    Download a B-Format Ambix demo here: Demo

    The library is also available in a stereo only version here.

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  • A street fighter style sound pack featuring foley sounds for punching, kicking, slapping, body slamming as well as male vocal excursions for giving punches, taking punches, getting choked, powering up, victory and dying.

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  • We have recorded strange noise rhythms originating from different technology around us… Machines from everyday life, like coffee makers, washing machines, mobiles, wireless routers, shavers, TVs and more. Surrounded by technology, we are immersed in electromagnetic fields!

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  • The CyberTroops 2040 sound library features 500+ high quality sci-fi weapons sound effects perfect for video games, film and tv, but also very useful for many other applications! If you’re looking to expand your sound collection with different types of cutting edge sci-fi shots, bursts and blasts, this is the sound library for you. With this collection of futuristic sonic ammo at your disposal you’ll have a powerful audio arsenal for immersing your audience in a cybernetic combat experience!

    CyberTroops 2040 contains 520MB of high definition 24bit/96khz sounds, embedded with metadata to speed up your workflow and separated into twelve categories.

    Sci-fi Weapon sound categories included:

    1. Sniper Rifles
    2. Assault Rifles
    3. Electric Guns
    4. Plasma Guns
    5. Bio Guns
    6. Heavy Pistols
    7. Light Pistols
    8. Shotguns
    9. Machine Guns
    10. Submachine Guns
    11. Grenades
    12. Source Sound Accessories

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  • “Ice Fury by Flysound” is a sound library of ice breaking to pieces in as full a variety of ways as possible. This is a thesaurus of the various ways ice gets undone, with blasts and crashes as well as scrapes and swishes and cracks and splinters too.

    Ice Fury is recorded on two superb ultra low-noise Neumann D-01 digital mics at 96k/24bit in a fantastic foley studio. Our equipment and processing make it ideal for downpitching and other tweaking to match your project.

    The full range of 348 sounds from the ice is thanks to a spread of massive and moderate ice blocks, that have been obliterated by a variety of implements such as a kettle bell, saws, picks, bars, drills, and a bat! If your project involves the sound of frozen water, allow us to break the ice…

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  • City Life Ambiance is a small collection of ambisonic recordings performed at various locations of different cities. The recordings took place at both internal and external locations.
    This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
    All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.

    To create this product a Sennheizer Ambeo microphone paired with Zoom H8 was used.

    This package includes 24 Samples – Total 67 minutes of content.

    The library is also available in 360 Ambisonic version here.

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  • Ambisonic City Life is a small collection of ambisonic recordings performed at various locations of different cities. The recordings took place at both internal and external locations.

    This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
    All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.

    To create this product a Sennheizer Ambeo microphone paired with Zoom H8 was used.

    This package includes 24 Samples – Total 67 minutes of content.
    Supported formats: First Order AmbiX B-Format and Stereo (Total of 48 files).

    Download a B-Format Ambix demo here: Demo

    The library is also available in a stereo only version here.

     

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  • Anybody familiar with travelling on the London Underground will be aware of the distinct soundscapes beneath the streets of London; from the clatter of the ticket hall barriers to the eerie rumbles from the tunnels, waiting in anticipation for the next train to come rushing past before stopping with the squeal of the brakes.

    Each type of train on the network has its own distinct characteristics such as the moaning of the electric traction motors or the peculiar sound of the 1996 Stock used on the Jubilee Line.

    All of these sounds have been beautifully captured in 24-bit 48KHz quality- recorded both with XY stereo microphones and binaurally- creating a highly realistic experience for headphone users.

    Note to users:
    As many of you will know, like many urban transit systems, the London Underground is littered with pre-recorded public announcements.
    These recordings have been extensively edited to the highest quality to ensure that these pre-recorded announcements have been removed where possible.
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  • • In Northern Rockies: Miniature, get a mini-nature collection of ambiences from the mountains of Montana. Hear hallowed halls carved by glacial sculptors. Hear quaking Aspens and Ruffed grouse drumming on hollow logs. Hear euphoric dawn choruses, merry songbirds, sacred stillness, and stately woodpeckers knocking on forest doors. This library gives you a small collection of both “quiet” and “active” nature sounds from the continental divide of North America.
    • Only 26 glaciers (of the 150 in 1850) remain in Glacier National Park and all are predicted to melt within 30 yearsHear the sounds of this stunning natural cathedral while the glaciers remain. The ecosystem won’t sound the same when they’re gone.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
    • Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!

    KEY FEATURES:
    • Sounds in this library are NOT included in other Northern Rockies Series libraries.
    • A mini-nature collection of both “quiet” and “active” nature ambiences from Glacier National Park in the Northern Rockies.
    • Active – euphoric dawn choruses
    • Quiet – soothing afternoons and nights
    • A 42-minute evolving dawn chorus (with 2 Loon wails)
    • Ruffed Grouse – drumming on hollow logs
    • If you need more “active” or “quiet” nature sounds check out: NR: Quiet NatureNR: Common Loons, and NR: Active Nature.


    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
    • Marker text included in the Soundminer description and BWAV description fields.

    FILE LIST & METADATA:
    • View in browser or Download CSV
    • Flora (plants) and Fauna (animals) are described in these terms:
    • stillness – close to absolute silence
    • fauna sparse
    • fauna constant
    • flora sparse
    • flora constant
    • flora and fauna sparse
    • flora and fauna constant
    • Included Wildlife: Common Raven, Cassin’s Vireo, Chipping Sparrow, Dark-eyed Junco, Fox Sparrow, Townsend’s Warbler, Ruby-crowned Kinglet, Red-breasted Nuthatch, Western Tanager, angry Chipmunks, and bats up to 90 kHz. *Bonus – two Common Loon wail calls within an extended 45-minute dawn chorus.


    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Sound Devices 702
    • Rycote ORTF Blimp

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  • This collection contains a wide variety of buttons and switches. We pushed, flicked, turned and twisted all the buttons, knobs and switches we could find to make sure you have everything for your sound design needs. To give you as many options as possible, we recorded everything at a high sample rate with several microphones. Every sound was recorded with at least a contact microphone, a large diaphragm microphone and a small diaphragm microphone. In addition, most of the sounds were recorded with two small diaphragm microphones with different pickup patterns (omni and cardioid).

    The high sample rate and multiple microphone setup makes this collection excellent for sound design and heavy processing. We have also included all sounds in 96 kHz and 48 kHz in case 196 kHz is not required for your projects.

    The following microphones were used:

    1x Barcus Berry (contact microphone)
    1x Neumann U87 A1 or Brauner Phantom Classic (large diaphragm)
    1x Sanken CU31 (small diaphragm, cardioid)
    1x DPA 4041 (small diaphragm, omni)

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  • • In Northern Rockies: Quiet Nature, get a collection of the most serene ambiences from the mountains of Montana. Hear the massive sparseness of glacial valleys and still water. Hear majestic swaying of old growth forest and naked trunks left by wildfire. Hear Lodgepole pines creaking and Douglas fir slamming to the forest floor. This library is packed full of “quiet nature” tracks from the continental divide of North America, the crown of the continent where glacial meltwaters flow all the way to the Pacific, the Gulf of Mexico, and to the Hudson Bay. Perfect for use as the foundation of your designed environment, some stretches of rare natural silence are up to 35 minutes!
    • Only 26 glaciers (of the 150 in 1850) remain in Glacier National Park and all are predicted to melt within 30 yearsHear the sounds of this stunning natural cathedral while the glaciers remain. The ecosystem won’t sound the same when they’re gone.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
    • Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!

    KEY FEATURES:
    • Quiet Nature recordings from the coniferous forests of the northern Rocky Mountains.
    • If you need more “active” or “quiet” nature sounds check out: NR: Common Loons and NR: miNiATURE
    • Desolate ambiences with no wildlife.
    • Serene ambiences with minimal or distant flora and fauna.
    • Large glacial and small shallow lakes
    • Ruffed grouse “drumming” can be heard as distant bass thumps. Read more about how males create this sound by beating their wings on hollow logs – here.
    • Close perspective meltwater was not the focus of this library, but water is unavoidable during summertime in the Rockies. Water was always recorded at a distant as, for example, “distant soothing river” as part of flora and fauna ambiences.

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
    • Marker text included in the Soundminer description and BWAV description fields.

    FILE LIST & METADATA:
    • View in Browser or Download CSV
    • Flora (plants) and Fauna (animals) are described in these terms:
    • stillness – close to absolute silence
    • fauna sparse
    • fauna constant
    • flora sparse
    • flora constant
    • flora and fauna sparse
    • flora and fauna constant
    • Included wildlife: Swainson’s Thrush, Wilson’s Snipe, Common Raven, Chipping Sparrow, Dark-eyed Junco, White-crowned Sparrow, Townsend’s Solitaire, American Redstart, Northern Waterthrush, Yellow Warbler, Ruby-crowned Kinglet, Red-naped Sapsucker, Western Tanager, Warbling Vireo, Tree Swallows, territorial beaver tail slaps, angry Chipmunks, and bats up to 90 kHz.

    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Sound Devices 702
    • Rycote ORTF Blimp

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  • From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.

    Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We're just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer's ear, Outward Inversion is our microscope applied to the aural world.

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