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Home Sound Effects

Sound Effects

  • Remington Rand is an early American typewriter and adding machine manufacturer formed in 1927. The last Remington Rand branded business machine rolled off the line in 1958. The adding machine that we acquired was an electric version in good working condition. Remington Rand also manufactured things like shavers, pistols and calculators.

    Our adding machine has a big electronic mechanism for the summing function and nice heavy clacks for the regular keys. It also had some very sticky metal plates that would occasionally get stuck and then pop loose with a big resonant ringing sound. This specific defect made an incredibly interesting sound that is very unique to this specific machine’s wear and tear.

    As with the Burroughs Protectograph we miked it with three different mono perspectives to produce three very different sounds on each move. We used Schoeps CMC6/MK4 mics on the front and back and an AT4050 for the wide perspective in mono. The close perspectives are great for big thick clicks and mechanisms, and the wide is excellent for use in one offs for bgfx tracks.

     

    Key features for Remington Rand Adding Machine

    • 3 mic perspectives of each performance
    • 9 unique articulation groups
    • 10 + performances per articulation
    • 11 Kontakt .nki files (unlocked)
    • .nki files require full version of NI Kontakt 4 or higher
    • photographs and video stills

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • City Life Sound Effects Ambiences from Los Angeles Play Track 32+ sounds included, 88 mins total $44.99

    From Hollywood Walk to Santa Monica beach, this library captures the spirit and atmosphere of the famed City of Angels. Home to celebrities, film studios, iconic theaters and landmarks. ‘Ambiences from… Los Angeles’ includes sounds from LAX airport, Downtown, Hollywood, Malibu, Santa Monica, Venice Beach and West Hollywood.

  • Mechanical Sound Effects Cabinet Shop Play Track 115+ sounds included, 120 mins total $69

    The ‘Cabinet Shop’ library includes a large variation of different wood cutting, shaping, and morphing machinery. Some of these elements are table saws, drill presses, giant band saws, radial arm saws, air compression valves, horizontal drill presses, jointers, stroke sanders, drum sanders, hammers, hand saws, lathes, pressure releases, and much more!

    The library was recorded in Diebold’s Cabinet Shop, founded in 1936. It is a well-recognized local custom cabinet shop located in Logan Square, just North West of downtown Chicago.

    General atmospheric sounds of the cabinet shop, such as air conditioners / heaters, fans, clocks and room tones, are also included.

  • Get some real insect sounds with this SFX library – almost entirely recorded in and around one large grassy meadow throughout various times of day and season. GRASSHOPPERS, CRICKETS & KATYDIDS is a small collection of 14 crisp recordings focusing on 12 insect species commonly found in open fields and forested areas of northeastern North-America. Each sound is 2:30 mins or longer (96kHz/24bit), for a total of 38+ mins of sound.

    Features insects such as:

    Allard's Ground Cricket • Carolina Ground Cricket • Northern Bush Katydid • Oblong-Winged Katydid • Red-Legged Grasshopper • Roesel's Katydid • Short-Winged Meadow Katydid • Slender Meadow Katydid • Snowy Tree Cricket • Spring Field Cricket • Sword-Bearing Conehead Katydid

    – as well as multiple mixed choruses of various sizes!

  • Human Sound Effects BURP Play Track 242 sounds included, 8 mins total $5

    The BURP sound effects library brings to you a varied and expressive set of burps and belches. All from the gut of Jack Menhorn; the goal was to produce a burp library that would be great for regular belches in addition to monster and creature vocalizations.

    These 21 files with 242 individual takes equaling over 140 MB of authentic burps will whisk you away to another realm of rudeness and lack of manners.

    It comes with short, medium, and long versions of many performances including; harsh, airy, strained, opened/closed, and many more.

  • Want weapon sounds that stand out? With Steampunk Weapons, we mixed the old with the new to make this uniquely diversified collection of weapons. Combining modern recording techniques with metal, rusted objects, and synthesis, if you need some more weapons that break the mold of traditional weapons, this is the collection for you!

    The library includes more than 40 weapons, such as:
    Angry Daddy • B Eva • Back from the Past • Big Fuckin Gun • Bio Machine • Bolt Gun • Bucket Gun • Bulb Presser Gun • Cash Machine Gun • Clack Gun • Clicker Gun • Destroyer • Destructor • Drivetrain Rifle • Electro Gun • Electrocutor Gun • Eviscerator • Firestorm Flamer • Grenade Launcher and Shells • Handgun Foley • Impulse Gun • Magnet Gun • Metal Chunker Gun • Metal Daddy • Mine Machine • Mini Bolt • Pulse Gun • Rail Gun • Rebel Bio • Rocket Launcher • Rocket Launcher semi-auto • Screamer • Shotgun • Shotgun NL • Steam Gun • Steamer • Thorn • Tube Gun • Uber God Gun
  • Drones & Mood Sound Effects No Input Feedbacks Play Track 56 sounds included, 72 mins total $17

    No Input Feedbacks is a library of tones, drones, noises, and oddities generated with a matrix mixer and a series of guitar and bass stomp effects.

    Gear Used:
    Xiwi Electronics Passive Matrix Mixer, Electro-Harmonix Bass Big Muff Pi and Holy Stain, TC Electronic Flashback Mini Delay, Tech 21 SansAmp Bass Driver DI, Jim Dunlop MXR Auto Q, Moog Minifooger MF Ring, BBE Sonic Stomp Sonic Maximizer, TASCAM DR100-MKII.
  • Weather Sound Effects High Desert Winds 2 Play Track 59+ sounds included, 165 mins total $70

    In the second installment of the High Desert Winds Series, get the blustery sounds of High Desert Winds 2 recorded in the resonant mountains of West Texas. This library was recorded during a massive two-day wind storm with gusts up 75 mph! These extreme winds rattled and shook the house in wonderful ways. The creaking and groaning windows, doors, and walls were vibrating so much that I could record wind for the first time using a contact microphone! There are also recordings of leaf vortexes, sand blasts, tarps popping, umbrella destruction, and much more. If you need the sounds of a stunning desert storm to complement the recordings in High Desert Winds 1, this is the library to check out.

    2% FOR THE PLANET:

    Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    KEY FEATURES:

    • 90% bird and insect free
    • Turbulent hurricane-force gusts ranging from 20-75 mph
    • Droning and singing wind whistles
    • Open plastic bottle and wine bottle wind whistles
    • Mountain ridge top wind
    • Desert grass, scrub oak, and pinyon pine wind
    • Indoor ORTF perspectives: adobe house, wooden storage shed, and mid-sized truck
    • Indoor contact mic perspectives: chimneys, windows, doors, and walls
    • Plastic tarps and umbrellas whipping in 50-75 mph winds
    • Locations: Davis Mountains, Texas
    • Named markers included in each file to help find interesting events. Starting in Soundminer 4.5Pro_v252 you can now read text markers from within Soundminer!
    • Marker text included in the Soundminer Description and BWAV description fields.

    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair
    • Aquarian Audio H2a-XLR Hydrophone – Used as contact microphone
    • Sound Devices 702
    • Rycote ORTF Blimp

    FILE LIST:
    • View in browser or Download CSV
    Need More Winds? Listen to High Desert Winds 1!
  • World Sounds Sounds of Canada Play Track 43 sounds included, 47 mins total $50

    Sounds of Canada includes a huge variety of local ambiences and sounds unique to Canada. From Canadian crowds, restaurants, bars and markets to community sporting events, stadium events, street parades, nature sounds, ski villages, the distinct rattling sound of the Vancouver Marathon, the Canadian pedestrian crossing button sound and even Vancouver’s famous steam-powered organ clock.

    This collection is a true representation of Canadian sounds, all recorded on location whilst living in Vancouver, around British Colombia, Vancouver Island and beyond.

    All tracks recorded by Evan Buist, sound engineer and field recordist (National Geographic, Dreamworks, Paramount Pictures).

  • • In Northern Rockies: Quiet Nature, get a collection of the most serene ambiences from the mountains of Montana. Hear the massive sparseness of glacial valleys and still water. Hear majestic swaying of old growth forest and naked trunks left by wildfire. Hear Lodgepole pines creaking and Douglas fir slamming to the forest floor. This library is packed full of “quiet nature” tracks from the continental divide of North America, the crown of the continent where glacial meltwaters flow all the way to the Pacific, the Gulf of Mexico, and to the Hudson Bay. Perfect for use as the foundation of your designed environment, some stretches of rare natural silence are up to 35 minutes!
    • Only 26 glaciers (of the 150 in 1850) remain in Glacier National Park and all are predicted to melt within 30 yearsHear the sounds of this stunning natural cathedral while the glaciers remain. The ecosystem won’t sound the same when they’re gone.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
    • Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!

    KEY FEATURES:
    • Quiet Nature recordings from the coniferous forests of the northern Rocky Mountains.
    • If you need more “active” or “quiet” nature sounds check out: NR: Common Loons and NR: miNiATURE
    • Desolate ambiences with no wildlife.
    • Serene ambiences with minimal or distant flora and fauna.
    • Large glacial and small shallow lakes
    • Ruffed grouse “drumming” can be heard as distant bass thumps. Read more about how males create this sound by beating their wings on hollow logs – here.
    • Close perspective meltwater was not the focus of this library, but water is unavoidable during summertime in the Rockies. Water was always recorded at a distant as, for example, “distant soothing river” as part of flora and fauna ambiences.

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
    • Marker text included in the Soundminer description and BWAV description fields.

    FILE LIST & METADATA:
    • View in Browser or Download CSV
    • Flora (plants) and Fauna (animals) are described in these terms:
    • stillness – close to absolute silence
    • fauna sparse
    • fauna constant
    • flora sparse
    • flora constant
    • flora and fauna sparse
    • flora and fauna constant
    • Included wildlife: Swainson’s Thrush, Wilson’s Snipe, Common Raven, Chipping Sparrow, Dark-eyed Junco, White-crowned Sparrow, Townsend’s Solitaire, American Redstart, Northern Waterthrush, Yellow Warbler, Ruby-crowned Kinglet, Red-naped Sapsucker, Western Tanager, Warbling Vireo, Tree Swallows, territorial beaver tail slaps, angry Chipmunks, and bats up to 90 kHz.

    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Sound Devices 702
    • Rycote ORTF Blimp

  • Have you heard about fractals, if so then you probably know that they can be used as art; to an almost-infinite detail creating mind boggling patterns. Luckily, it so happens that one of our core team sound-designers is also a well known fractal artist.

    With the help of “photo-synthesis” and “spectral-manipulations”, we extracted the unique impulse responses straight out of some of the most mathematical pieces of art we have ever seen. These visually insane patterns resulted in some truly unique sonic experiences, which we have been unable to find anywhere else. More importantly, now you can add an extra layer of complexity and dimension to your sound with the easy-to-use impulse responses.

    These are not the typical reverb tones that can be found or created, in most already-existing convolution reverb plugins.

    Think about these Mathematical Impulse Responses, as unique effects and textures, a sound designer’s’ paradise. Make your math-rock mathematically richer than ever before, or give your EDM a new harmonically otherworldly twist, go where you want to go without the fear of being held back by the tools you use.

    Details:

    • 64 impulse response samples
    • 48khz / 24bit wav files
    • Compatible with any convolution-reverb software
    • WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
  • We here at Sonner Sound have collected a wide range of buttons, switches handling noises, cranks and dials, both old and new. There’s over 500 sounds collected in 68 files, so something here for everyone! Regular household buttons such as light switches and computer mice and some more experimental in steampunk style. They’re recorded at 96 kHz and 48 kHz at 24 Bit (both Stereo and Mono) with rich meta data. Recorded with Sennheiser MKH50 and DPA 4017.

    Sonner Sound

  • BREAKDOWN ELEMENTS | A bold collection of sound effects for visual effects breakdowns.

    Our objective was to create a unique and easy-to-use selection of sound effects that takes an entirely different approach to cliche synthesized sci-fi sound effects.

    The majority of elements have originated from organic field recordings that have been elegantly manipulated into a wild new form, achieving a natural, physical vibe for each sound.

    The collection is structured into eight categories: BED, BUILD, IMPACT, INTERFERENCE, REWIND, RISER, TRANSITION and WHOOSH. Each element has been designed to work both by itself or layered to produce more complex textures. Additionally, each element has 4-6 variations to maximise versatility.

    All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.

  • This library delivers the sounds of a 1999 Honda CBR Super Blackbird motorcycle(with Metadata).

    All 103 ready-to-use wave files were captured in 24 Bit, 96 kHz. Files are divided into External static sounds, External following sounds, Foley sounds, and Onboard sounds. The combined recorded driving time is more than 62 minutes long. The Onboard recordings are in 2 separate mono wave files, channel one for engine and channel two for exhausts. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo, one MS (Mid-Side) for following (tracking) and the other MS at a fixed (static) position.

    Onboard Settings:
    Channel 1 = Engine, Channel 2 = Exhaust

    External Settings:
    Following (MS Stereo in Left & Right Channels tracking the moving vehicle)Static (MS Stereo in Left & Right Channels from a fixed position)

    Definitions:
    Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle)
    External: Sounds heard from bystander’s point of view.

  • Introducing Foam Gun fun!

    Over 300 fun-filled plastic toy gun sounds to share with your friends. Featuring small to large sizes of gun cocks, dry gunshots, and bullet fires. Also featuring designed, processed or effected sounds such as rapid-fire and sci-fi blasts!

  • Trailer Instruments Designed contains a variety of effects captured from abstract instruments and manipulated into impacts, drones, stingers, risers and more by our award-winning Sound Designers. We recorded our custom-built Waterphone, Dulcimer, Thunder Tube, Hand Drum, Bells, Violin, Guitar, Chimes and more.

    These sounds are perfect for accentuating music tracks and adding a cinematic edge to trailers or full film scenes.  All effects were recorded in 24Bit 96kHz, allowing for further sonic manipulation.

    If you need some designed effects with a natural, abstract tone, this library is for you! Trailer Instruments Designed is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.

    Here are the included folders:

    Drones: Build tension with airy and tonal drones that blend well with music and effects.

    Impacts: Huge trailer impacts made from natural recordings.

    LFE Rumbles: Extended recordings were manipulated to bring huge rumbles to your tracklay.

    Risers: Unique and edgy riser effects will heighten the builds and drops in your project.

    Stingers: A great way to add strange, tonal elements to your mix.

    Sub Drops: Huge low end drops, perfect for layering with impacts and other sounds.

  • Environments & Ambiences The Hangar Bay Play Track 51 sounds included, 23 mins total $24.95

    Orbital Emitter proudly presents The Hangar Bay – a comprehensive sci-fi environment sound-set that gives you the tools you need to build fantastic sci-fi hangar atmospheres quickly!

    In Science Fiction, hangar bays are cavernous mechanized spaces housing spacecraft ready for interstellar travel. These futuristic hangars usually have flight crews preparing those craft with last minute repairs and fuel as environmental force fields repel the cold vacuum of space just outside…
    The Hangar Bay sound-set contains three long playing audio-scenes and twenty-four isolated audio-stems to give you ultimate creative control over our sounds!

    The three audio-scenes are like field recordings from the future -like we travelled forward in time and recorded a hangar bay in real time and then sent those sounds back to the now! The three scenes include a high alert scenario with busy activity and a star fighter launch and landing sequence! There is a night shift scene which is calm and relaxed and finally, a scene that puts you down on the flight deck floor in the middle of all the frantic action! These three sound-scenes are rich with original sounds and designed to be flexible and fun to use!

    Inside the audio-stems folder you will find the isolated audio elements used to make the audio-scenes! There you will find massive environment backgrounds, hurried activity sounds, pressurized valves hissing, mechanized lifts, bombastic alerts, repair sounds and the cinematic star fighter launch and landing sequences, isolated! The Hangar Bay sound-set is full of futuristic industrial sounds -on a massive scale! And the best part about our sound-sets is that they are so easy to use! Just drag and drop into any DAW or NLE have fun creating your own fantastic environments!

    Orbital Emitter’s sound effects are designed to be at home in any motion picture, television show, video game or whatever sci-fi multimedia you can create!

    All of the sound-sets in our Star Cruiser Environments Anthology Collection are 100% royalty free, delivered industry ready at 24 bit/48k WAV and each sound file contains simple meta-data to make our sound files easy to organize & find. All of our sounds are 100% original, created in our sound-labs and designed to boldly explore the universe of sci-fi sound!

    Thank you for reading and watch for more sci-fi sound from Orbital Emitter coming soon!

  • Recorded by renowned innovators of film sound design Ann Kroeber and Alan Splet, the Beautiful Bugs library features an expressive collection of natural and designed insect sound effects including rhythmic cicada swells, dense locust drones, mosquito cries, isolated fly buzzes and more.

    The impressive spectrum of emotion conjured by these artful insect recordings ranges from ominous, frightening, irritating, and disgusting all the way to lonely, tranquil, and soothing. Inject mystery and surrealism in your scenes or add unique character and texture to your creature design with impressionistic buzzy swarms, chirpy choruses, and heavy rhythmic pulsing.

    Following the acclaimed sound libraries Cinematic Winds, Industrial Sounds with Soul, and Beautiful Bugs is the fourth exclusive release by Pro Sound Effects curated from Sound Mountain: Kroeber and Splet’s venerable private recording collection created over decades of film sound work. Kroeber has since worked on or supplied sounds for film, television, and games – including 6 movies that won an Academy Award® in sound, and 7 additional nominations.

    The Beautiful Bugs library brings you 88 insect sound effects that were recorded and designed while working on major feature films including David Lynch’s Blue Velvet and Peter Weir’s The Mosquito Coast. These masterful recordings were captured on excursions in the jungle of Belize, the Alaskan wilderness, muggy summertime North Carolina, and an insect lab in Berkeley, California.

    Rich, descriptive embedded metadata helps you find the exact sound effect you need with descriptions that detail the emotional power of the recordings beyond the practical interpretations.

    Key Features:

    • 88 sound effects (2.55GB)
    • 24-bit/48kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
  • Made in collaboration with Robert Pepper from EffectsWorks, The Horrorphone is a unique and disturbing cinematic Kontakt library built from 460+ sample recordings of a custom built percussion/effects instrument. Played with a bow, beater, and hands triggering the most horrifying and uncomfortable stingers, drones, hits and much, much more.

    Our Audio Craftsmen meticulously edited, balanced and programmed 48 different patches and integrated them into our Kontakt interface, giving Film Composers and Music Producers a suite of unique textures to use in their tracks. These sounds are perfect for horror scores, trailer percussion loops, rhythmic tension, electronic music and film score cues with an element of atonality.

    The Main Articulations include: Percussion, Cymbals, Knockers, High Mid and Low Hits, Metal Bars, Shakes, Springs, Wood Vibrations and Various Drum Kits.

    But we didn’t stop there… As always with our Kontakt library releases, our in-house Composers designed an eclectic array of designed patches. Pads, arps, drones, EDM leads, horror alarms, pulses and even screaming cymbals give the user both tonal and atonal material to layer with their percussion, and build a haunting, metallic texture into their sound.

    The 344 Audio Kontakt interface provides a variety of controls that encourage experimentation with the patches. The built in Arpeggiator is great for generating hundreds of percussion/lead variations on the fly, while the Main View provides a set of parameters perfect for shaping the sounds your way.

    Kontakt 5.8.1 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’

  • Antique Luggage is our new sound effects library with a varied assortment of suitcase and trunk sounds captured in our acoustically treated Foley suite. This is the only library available online focused specifically on antique suitcases and trunks, reminiscent of those seen in films like Harry Potter, Paddington, Breakfast At Tiffany’s, and Titanic.

    Our Audio Craftsmen captured different vintage suitcases including: dropping, opening and closing, rattling handles, locking and unlocking, searching inside the suitcase, tapping, and much much more. All of the sounds were then meticulously edited, meta tagged and made UCS compliant so you can find your desired sounds and drag them straight to your projects effortlessly. All the files are available unprocessed in 24Bit/96 kHz which gives you a lot of room for sonic manipulation if required.

    This library is perfect for use in your films, documentaries, video games and other projects, also a great addition for sound designers to their general audio collection. The included effects are particularly relevant to scenes from historical eras.

  • Eastern European City Ambiences is brought to you as our newest set of real-world authentic and functional ambience sound effects, made in partnership with our long-time friend and collaborator Georgi Valchev at West Wolf. Sofia, Bucharest and Belgrade are just a few of the iconic cities to mention where these sounds were meticulously captured by Georgi, a native and well-experienced Field Recordist working everyday within these areas.

    All files in this sample pack come at a sample rate of 96kHz, and bit-depth of 24-bit, with the option of either AB or ORTF stereo configurations on many. The inherent high quality of each sound enables you to stretch, distort and manipulate the audio in whatever way you may wish! So feel free to get creative, or, just simply place any of these ambiences into your latest project for a true representation of life in a great European metropolis.

  • Psychedelic Cicadas Vol. 2 is the second in our series of cicada ambiences produced in collaboration with César Rodriguez Pulido and Guile Martins.

    A huge variety of cicada species were recorded in Cerrado, Brazil for this series. The creatures’ unique pitches, tones and rhythms combine to form strange, beautiful choruses ideal for affective soundscapes, atmosphere design and abstract creations. These recordings are further enriched with the sounds of Cerrado denizens; birds, oxen, dogs, crickets, frogs and insects were captured during thunder and rain storms, in the forest and by a river.

    Recording by César Rodriguez Pulido and Guile Martins.

    Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.

    All sounds are delivered in 24Bit 48kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Lights, Camera… Action! 

    Film Crew is loaded with a vast range of authentic film crew and film production sound effects. Our team of skilled audio craftsmen recorded these sounds directly from a working film set, immersing themselves within the crew top bring you sounds as they happened on set.

    This diverse collection of sounds are some of the only sound effects recorded at a working film set, making these sounds very unique and highly sought-after addition to an audio professionals sound library.

    Inside this product, you will find a wide selection of genuine recordings that cover various stages of production, exterior and interior locations, on-set conversations between different crew departments, Director and 1st AD calling action, cut etc, equipment being set up, and film set ambiences at various levels of busy-ness.

    Sounds have been separated into the following categories:

    Ambiences – Exterior Atmos recordings taken from unique filming locations such as the Humber Bridge in Hull.

    Exterior – Sounds captured from exterior shoots, Crew setting up outdoors, Crowd effects, Vehicles, Light traffic, On-set ambiences.

    Interior – Sounds captured from interior, Crew setting up lighting and camera etc, Crew conversations, Director and 1st AD talking with actors and extras etc.

    Extras – Crowd effects from extras on set, Crowds clapping and cheering, Crowd celebrating at a wedding scene.

    Vintage Car Props – Sound effects captured from a genuine vintage car that featured heavily in the production where we recorded these effects.

    All sounds were recorded in 24Bit 96kHz, and have been tagged with extensive UCS metadata for ease of use.

  • Interior Vibrations is a collection of raw contact microphone recordings of dynamic movements made across materials and surfaces found in interior locations. Inside you will find scraping static, ringing metal, oscillating tones, hissing violins, crackling rocks and more.

    Our Audio Craftsmen utilised two contacts mics to create a stereo configuration, allowing for an affecting, immersive listening experience.

    The organic nature of these sounds means they’re perfect for designing or inclusion in abstract projects. Their more unsettling qualities, meanwhile, make them ideal for horror and science fiction productions.

    Texturise unusual moments or craft evolving ambiences with this experimental treat of a library!

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

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