• 0
    $0
    • No products in the cart.
  • 0
    $0
    • No products in the cart.

Home Sound Effects

Sound Effects

  • Gore Sound Effects Gore Play Track 894+ sounds included $149

    Gore is just plain & simple great high quality bloody impacts, splatters, and weapons. You can't go wrong with this library, and it will be a work horse go to for many years! GORE features more than 875 files, 2.92 GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata. GORE was created in collaboration with Michael Leaning, a UK based Triple AAA video game sound designer.

    GORE includes the following:

    • 19 different weapon impacts, both dry and wet
    • Blood
    • Guts
    • Drips
    • Splatters
    • Head Explosions
    • Stabs
    • Extras
    • Source Recordings
    • Designed Files
  • Vehicle Sound Effects Ford F-150 Truck Play Track 85+ sounds included, 52 mins total $99

    Get the sounds of a Ford F-150 2013 truck, captured by Watson Wu. Metadata is included with over 52 minutes of combined recording time split into 85 ready to use wave files. There are onboard, external, and foley sounds, all in high quality 24 bit resolution, 96khz sample rate. This is the right library when you need truck sounds for your film, TV, or game projects. Note that are no interior cab recordings in this package.

    Onboard multi-track recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo wave files. The download is a 1.5gb compressed .rar file (3.45gb Uncompressed).

    Text here:

    Onboard Settings:
    Channel 1 = Engine, Channel 2 = Near Air Intake, Channel 3 = Exhaust 1, Channel 4 = Exhaust 2

    External Settings:
    Stereo in Left and Right Channels

  • Kitchen Foley is a collection of cookware, plates, glasses and kitchen appliances sounds.
    It consist of 241 .wav files with baked-in Soundminer’s metadata

    All sound have been recorded multiple times: Different microphone positions from extremely close to 1.5m away
    and different microphones: DPA4060 and Sennheiser MKH8060.

    RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060, DPA4060
    EDITED WITH: iZotope RX, Pro Tools.

  • Winter Parks by Badlands Sound features 31 ambiences of parks in or near the city recorded during the winter months. These sounds are three minutes long and are loopable allowing for easy editing while cutting ambiences for the projects you are working on. This was recorded in 96k / 24 bit with high level professional gear: Sound Devices 702t, a pair of Sennheiser MKH 8040’s and a Rycote in ORTF configuration.

  • This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The RacerBike is that kind of bicyle the snobby double shot cortado drinker nochalantly parks in the window at his favorite barista. This vintage Koga Miyata is  maintained very well, with fresh lubricants and perfectly lined up gears it’s a smooth racing devil that you pay nicely for second hand (we can tell, we are the coffee snobs).

    Speeds and actions:
    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:
    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.

    However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.

    Download our Metadata Reference Guide

    Download complete metadata PDF

    If you have any questions about this, contact us!

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.

    Need more?
    The RacerBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.

    'City Bicycles'  Sound Library by Frick & Traa

    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

    City Bicycles sound examples

     

  • Interface is a collection of Button Presses, Power-Ups, Data Rolls and Whooshes for use in Games and Multimedia. They are also very useful for creative music production. Use the whooshes as transition elements or the Power-Ups to start off a song. This collection belongs in every digital artist toolkit.

  • Horror Sound Effects Supernatural Ghosts Play Track 262 sounds included, 62 mins total $40

    Supernatural Ghosts provides the sounds of spirits in multiple variations, allowing you to construct entire horror scenes and suggest ghostly presence. To bring you this horrifying library, we recorded and designed human voices, abstract instruments such as the waterphone, thunder tube, harmonica all in 24Bit 96kHz allowing for further manipulation.

    All of the human voices are provided with dry variations to enable you to apply your own effects to taste.

    Here are the included folders:

    Ghostly Breaths: This folder consists of male and female inhales, exhales and angry breaths all with a cold and ghostly performance.

    Ghostly Voices: A collection of phrases by male and female ghosts, perfect for giving a voice to a supernatural being within your scene.

    Ghostly Presence: This category contains haunting ambiances, sure to leave your audience with their neck hairs standing up.

    Production Elements: piercing risers, booming cinematic impacts, ultrasonic and infrasonic sounds, perfect for accenting your most gruesome moments.

  • Say Hello to Particles the new sonic weapon for creative sound designers, video makers, filmmakers and motion designers.

    A must-have sound effect library to give a sense of organic and hyper-realistic to your projects in a fast and creative way.

    • 287 high quality pristine sound effects with an organic and granular taste divided into 6 categories.
    • Stereo 24bit and 96khz for extreme pitch shifting and sound manipulation.
    • BaseHead embedded metadata

    CATEGORIES:

    Hyper- Realistic Textures (104 sounds)

    These are hyper close-up recordings of various kinds of props (food, fabrics, materials).

    Since they are really rough, they’ll inspire you to create something cool using them as sound sources.

    Their proximity allows you to use them for macro-shots, CGI and motion pieces, hyper-detailed images.


    Granular Whooshes (76 sounds)

    From sci-fi granular to totally organic, a large number of whooshes, passbys, dopplers to give a natural sense of motion to your project.


    Minimal One Shots (62 sounds)

    This is the category of short and tiny sounds: small collapsing, fractures, all with a premium high-end sonic detail.

    You can make your organic foley drumkit using them as a sample into your electronic music project.


    Organic Impacts (17 sounds)

    Powerful, organic, natural-sounding with a big low end, these impacts are ready for your earth’s destruction shots.


    Granular Atmospheres (16 sounds)

    Abstract but generated from organic recordings, these atmospheres will help you to get the right “other world” dimension to your project


    Low End Rumbles (12 sounds)

    Last but not least, do you need more power in the low end? You can layer these sounds to enforce subsonic frequencies giving a new taste to other existing sounds.

  • Car Sound Effects Indy Cars Play Track 307 sounds included $199

    The Indy Cars race car sound effects library delivers an action-packed day at the races. Craft exciting and authentic racing scenes in your projects with immersive interior driving sequences, expansive racetrack ambiences, lively pit crew sounds, and roaring race car pass-bys.

    Recorded by iconic sound designer and composer Alan Howarth (Army of Darkness, Total Recall) at various indy car tracks including the Mid-Ohio Sports Car Course, the street circuit of Long Beach, and the Laguna Seca Raceway, these racecar recordings will transport your projects straight into the excitement of race day. Create a genuine racetrack atmosphere with the energetic crowd and booming PA announcements, and utilize the thrilling energy of indy car engine sounds for vehicles in your films and games.

    Each sound file is embedded with detailed metadata to help you find the exact sound you need with quick, intuitive search.

    Key Features:

    • 307 sound effects (12GB)
    • 16/24-bit/48kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
  • Cymbals From Hell Bundle is a disturbing collection of sound effects which includes three of our most popular horror libraries. Bringing you the nastiest, harshest set of designed elements and raw recordings, this bundle has more than 420 files with a total run time of 430+ mins. (18.94 GB).

    Two of the included libraries are made in collaboration with Igor Tikhonov from KEDR Audio, who captured various types of gongs, Tibetan bowls, various bells in several performances using both Mid-Side and A/B microphone techniques to encapsulate an extensive stereo-field and different textures. Cymbals From Hell Vol. 1 has been recorded in a studio environment and played by a professional percussionist, with the intention of providing the most dynamic range and disturbing playing style. Our Audio Craftsmen carefully edited and designed the sounds to make the most frightening and bizarre effects.

    This bundle contains harsh-bowed cymbals, distorted gong rumbles, horror stingers, heavy drones, risers, cinematic, mangled hits, gut rumbling sub sounds, dark-unsetting chimes, magical bells, weird sci-fi drones and much, much more.

    This array of sounds is perfect for your films, video games and other projects, giving you everything you need to build compelling horror and sci-fi soundscapes.
    You will be saving almost 30% of the total cost of the individual libraries when purchasing this bundle, an excellent value for money addition to your horror sound effects libraries.

  • – “TRUE-TO-LIFE RAIN SOUNDS FROM THE TROPICAL CITY-STATE OF SINGAPORE”

    The distinct sound of tropical rain against Singapore’s skyscapes and streets

    As part of our Ambient Sound Series focusing on the specific, distinct Soundscape of Singapore, we went on a journey to capture high definition sounds of the city-state.

    Scaling high above the city’s skyscapes all the way down to Singapore’s busy streets, we captured the sound of rain unique to the city-state, all in this extensive library.

    For sound designers and editors looking for the sound of rain unique to this small, vibrant city

    Singapore Ambiences – Rain is a collection of high definition sounds of the unique rain ambience of various locations in the country. From light drizzles to heavy apocalyptic tropical thunderstorms with rolling rumbles and cracking booms of thunder included. Recorded by a team who have worked on projects for Marvel Studios, Universal Studios, Riot Games and the Discovery Channel, these recordings are clean, accurate and of high quality.

    Like all IX Sound Libraries, this collection is meticulously edited and embedded with detailed descriptive metadata utilising the Universal Category System (UCS).

    This collection is compatible with Soundminer, Pro Tools, Basehead, AudioFinder and other popular sound effects library search engines.

    The files will be delivered in Stereo/Mono Wav format at 24bit, 48kHz.

  • Insect Sound Effects Psychedelic Cicadas Vol. 3 Play Track 18+ sounds included, 54 mins total $25

    Psychedelic Cicadas Vol. 3 is the latest edition of our cicada ambiences produced in collaboration with César Rodriguez Pulido and Guile Martins.

    A diverse collection of cicada species were recorded in Cerrado, Brazil for this library, yielding wild, weird and wonderful choruses. Add texture to your soundscapes and creations with these insects’ captivating tones, pitches and rhythms – along with the sounds of other local wildlife found in the valleys of Cerrado.

    Recording by César Rodriguez Pulido and Guile Martins.

    Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.

    All sounds are delivered in 24Bit 48kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Water Movements Vol. 1, curated here at 344 Audio by our skilled in-house audio craftsmen, features water-based sound effects captured by the legendary MKH50 Super Cardioid Microphone and our real-life Hydrophonic microphone. A large array of aquatic noises and resonances are contained within this library, allowing you to fashion immersive underwater soundscapes within your latest projects!

    All files have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use, and come delivered to you at a format of 24bit 192kHz; allowing you to manipulate and design these source recordings in any way you could wish.

  • The latest in our collection of Historical Weapons sounds is a symphony of shing-ing, clunking, thudding, clashing and ringing impacts for all your combat and battle design needs! This library focuses on shield-based sounds, with additional recordings of weapon-on-weapon fights.

    Using our multi-mic configuration (comprising the Sennheiser MKH50, Røde NTG-3 and Line Audio CM4 Stereo Pair), our Audio Craftsmen recorded two professional swordsmen going head-to-head in multi-move melees using wooden shields, spears, swords and axes.

    This library includes shield holds and push-offs, spear pole hits, spear scrapes to a shield edge, metallic sword clashes, axe clinks on a shield boss, a metal shield spinning on the ground and being picked up, spear hits on a wooden haft, sword slide cuts and much more! Perfect for TV, film, game and documentary projects requiring the exciting, natural tones of authentic historical weapons!

    Sound have been separated into the follow categories:

    Shield Groundwork: Sounds of a wooden and metal shield dropping onto the floor, spinning on the floor and being picked up.

    Shield Impacts: A huge variety of sounds where a spear, sword, wooden stick and axe hit different shield parts.

    Spear Fights: Recordings of spear head and pole combat sequences.

    Sword Impacts: Swords sliding off each other, being pressed against each other, and clashing together.

    Each file contains multiple takes of the named action.

    All sounds were recorded in 24Bit 192kHz, and have been tagged with extensive UCS metadata for ease of use.

  • You would never guess these sounds are from an acoustic instrument…

    Our Audio Craftsmen have used raw acoustic guitar recordings to design a variety of futuristic and horrifying sound effects including drones, stingers, risers and impacts.

    Manipulate your audience’s emotions by creating creepy and uncomfortable atmospheres with this unique sound effects library!

    These sounds have been separated into the following categories:
    Drones: 20 evolving atmospheres with a generous amount of low frequencies, perfect for designing science fiction and horror ambiences.

    Impacts: 10 hits and impacts to make your audience jump, ideal for trailer sound design.

    Riser & Transitions: 30 risers sound effects processed with various reverbs and delays to smoothly transition between scenes.

    Stingers: 10 terrifying stingers to give goosebumps to your audience.

  • Zombie Specimens Bundle comprises three volumes of expressive zombie vocalisations – delivered straight from the zombie testing lab!

    Our Audio Craftsmen designed a range of vocal performances to yield a bizarre, diverse series of groans, growls, moans, cries, snarls, wails, hunts and hisses.

    This collection grants you an eclectic mix of vocalisations to choose from when crafting your TV, Game, Film or Real-Life projects. Whether you require a breathy groan or a tired growl, the Zombie Specimens Bundle has everything you need to add personality and character to your zombie creations, or build up terrifyingly immersive horror backgrounds. Plus, all sounds are provided without reverb, so you can drop them straight into your mix.

    Each library is delivered at 24Bit. Zombie Specimens Vols. 1 and 2 are delivered at 96kHz, while Vol. 3 is delivered at 192kHz. The entire bundle is tagged with extensive Metadata for ease of use.

  • WHOOSHES FOR EDITORS BY EDITORS!

     

    WHOOSHES for EDITORS Vol 1 is a must-have arsenal of cinematic transition sound effects designed to add dimension and movement to any editorial project!
    This special collection contains 60 hand picked dynamic transitions culled from literally hundreds of our cinematic sounds. -There’s no filler here. This streamlined sound-set gives editors and sound mixers a concise assortment of easy to use sounds. And every sound in this set has a purpose waiting to fit your creative!
    Owner & lead designer for Orbital Emitter, Charlie Eisenhardt thinks WHOOSHES for EDITORS Vol 1 should be your go-to source for transition sounds -and with good reason, Charlie is an award winning editor in NYC who created this sound-set for editors!
    “…After we made all these transition sounds, I gave them to my post production peers for feedback… And after speaking with editors and post sound-mixers alike, we narrowed it all down to this 60 file sound-set, agreeing that these 60 files (which translates to 113 individual sounds,) covered a multitude of styles and moods to help editors up the production value of their projects with cinematic transition sounds!…”
    “WHOOSHES for EDITORS Vol 1 is an all-in-one powerhouse of transition sounds that you’ll find yourself going back to over and over again because the sounds run the gamut from short to long, simple to complex, dramatic to muted… ”
    But what if you’re concerned there won’t be sounds you can use in this sound-set?
    We assure you this set has something for every editor and for any project…
    And as a secret bonus, we include esoteric and complex punctuation sounds like Stingers, Attackers and Cues-  all to enhance your creative however you wish.
    So whether you’re a beginner or a seasoned professional, we guarantee that you will find our transition sounds to be fun and easy to use in all your creative projects!
    Click the sound list below to view the sounds included in this sound-set!



    THE BUSINESS

    The WHOOSHES for EDITORS Vol 1 sound-set delivers in two sample rates for maximum compatibility…
    The 48k folder will serve just about any professional NLE editorial workflow for television, film, or streaming project and the 96k folder is for sound-designers, mixers or anyone who likes to manipulate sound! And all of our sounds are 100% Royalty Free!

    And along with the two audio folders we have included a short glossary to help you differentiate the Whooshes from the Sweeps and the Stingers and the Swishes… etc…
    Our #1 goal is to provide you with sounds that let you focus on your creative process as quickly as possible. That’s why we test our sounds with other award winning editors to see how they use them… Then, we include alternate takes and variations of our sounds, so you can easily find what you need to compliment your workflow.
    We hope this streamlined sound-set adds impact and energy to all your creative projects!
    Thanks for listening!

    – The Orbital Emitter Team
  • Newcastle & Durham Vol. 1 features ambient recordings of Newcastle upon Tyne and Durham, England.

    The local environments of these historic cities were faithfully captured, bringing you a diverse collection of urban and suburban sounds. Together these comprise a sonic tapestry of one of Britain’s major regions – the North East of England.

    Included are recordings of: clangs and bangs of a garbage truck; creaky footsteps in the Bowes Museum; clinking cutlery in Eldon Square food court; peaceful protest walla; pressure washer spray; evening rain; Haymarket Station bus engines; escalator squeaks; Central Station trains; Tyne Bridge traffic and more!

    Use these sounds to build candid backgrounds and ground your Film, TV and Game projects in British realism.

    All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • A collection of authentic Italian motorcycles and scooters – includes recordings of models like the Guzzi, Ciao Piaggio, Vespa and Ducati. Recordings include pass-bys, onboard, starting, idle, stopping, horn honking – and even skidding.

    Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
    (see the full track list below).

    Just updated!

    This library has just been updated with 72 new recordings (47+ minutes) of motorcycles & scooters such as the APRILIA 150cc, LAMBRETTA 125cc, MALAGUTI 50cc, MOTOMORINI Scrambler 1200cc, MV AGUSTA F3 600, PIAGGIO X9 500cc and a VESPA 125 ET3 PRIMAVERA

  • Wood Sound Effects Bunretsu Play Track 281+ sounds included, 78 mins total $18

    A collection of rending, snapping, and striking bamboo SFX + some extra added goodies.

  • Welcome to the jungle: 'Pura Vida – Sounds of the Tropical Forests of Costa Rica' delivers a wealth of rainforest recordings and ambiences.

    Recordings include exotic sounds such as atmospheric jungle ambiences, howler monkeys, hummingbirds, tropical birds, insects, cicadas, waterfalls, bats and a slew of other tropical sounds.

    A total of more than 4.5 hours of jungle sounds and ambiences are included!

  • Vehicle Sound Effects Massey-Ferguson 3060E Play Track 33+ sounds included, 30 mins total $40

    The Massey-Ferguson 3060E Tractor Sound Effects Library delivers 33 files (External, Foley, OnBoard) with over 30 minutes of driving time on the road. There are two main driving speeds (gears): medium and high – plus one additional external, really slow one.

    All sounds were captured at 24-bit, 96 kHz samplerate. Passbys and approach are stereo wave files. Foleys are in mono. OnBoard recordings include 4 different channels: Engine1, Engine2, Exhaust and Backside. You can layer and mix all 4 channels of OnBoard sounds, they will line up nicely in your DAW or audio editor.

  • Water & Ocean Sounds Mountain Rivers Play Track 19 sounds included, 48+ mins total $25

    Mountain Rivers sound effects library is about strong, running water, which gains its power from waterfalls. The water falls from big heights and after it comes to the earth, it continues as a fast creek with a lot of water, or as we say “mountain river”. These recordings were made in the one of the most beautiful places in the World, Yosemite National Park.

    In the centre of Yosemite Park we can find Merced River (which is 145 miles / 233 km long), surrounded by mountains and waterfalls. Recordings of the Merced River were made from 12 various points and some of them includes recordings which were made with various distances. Also the Mountain Rivers library contains recordings from the bottom of two waterfalls: Bridalveil and Yosemite. Most of these waterfalls recordings were made from the middle of the bridges, the best place for getting awesome panoramic atmosphere.

    Mountain Rivers Included:

    Bridalveil Fall Bottom (Bridalveil Creek): 3 recordings from 2 bridges and a 4th recording from the side of the mountain river.
    Merced River: 12 recordings from 8 points include 1 / 5 / 15 / 20 / 50 meter distances from the mountain river.
    Yosemite Fall Bottom (Yosemite Fall Creek): 2 recordings from the bridge in the centre of the mountain river from 2 meters and additional recordings where river was surrounded by rocks with great and unique reverb effect.

  • Ice Sound Effects Ice Blocks and Ice Cubes Play Track 48 sounds included, 6 mins total $5

    Various handpicked and carefully recorded essential and familiar ice sounds. Recorded ice cubes and ice blocks of different sizes to make crackling, breaking, twisting, sizzling, swirling, chipping, smashing, and shaking sounds.

    Several types of tools were used to chip and break the ice objects such as kitchen knives, hammers, rubber mallets, and ice picks. A hot iron was used to melt ice blocks, ice cubes were stepped on to make crushing and walking sounds, ice cubes in glass and plastic cups combined with water, plastic ice trays of freshly frozen ice that was twisted, turned, and recorded different ways.

    These are just handful of examples of the many familiar sounds of ice that are included in this sound library.

Your location

Recent Reviews

What others are saying:

\n