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Home Sound Effects

Sound Effects

  • Flesh, Bones & Gore Vol. 3 is the third in our series of unsettling gore sound effects. This collection focuses on the slurps and growls of a creature eating flesh. General bone cracks and flesh rips have also been included to induce maximum cringe in your audiences.

    Our Audio Craftsmen channelled their inner monster while tearing into various fruit and vegetables. The result is a grotesque collection of sounds ideal for unsettling viewers and users in your horror Game, TV & Film productions.

    All sounds have been kept raw and are delivered in 24Bit 192kHz format, so you can drop them as-is into your timeline, or design your own monstrous creations. This library has also been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

    The library contains four folders:

    Bone Cracks: Heavy crunches and cracks.

    Creature Slurps: Munches, slurps and chews of a creature digging into its prey.

    Guts & Blood: Wet crushing of flesh, guts and bones.

    Ripping Flesh: Brutal tearing and sawing of flesh.

  • Flesh, Bones & Gore Bundle features three volumes of discomfiting gore and body horror sounds crafted to make your audiences cringe and recoil.

    A collection of mutilating actions and impacts were created by manipulating fruit, vegetables, meat and other food in our dedicated Foley suite. These sounds include bone crunches and cracks, squeezing guts, zombie bites, a creature slurping down raw meat, flesh rips and tears, wet and dry skin peels, chopping into body parts with weapons, and more!

    Ideal for making combat sequences pack a punch or intensifying slasher moments, this expansive selection of gut-churning sounds were designed with the aim of unsettling viewers and users in your horror-thriller Game, TV & Film projects.

    Each library is delivered at 24Bit. Zombie Specimens Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192kHz. The entire bundle is tagged with extensive Metadata for ease of use.

  • Car Sound Effects Subaru WRX STi2 2005 INT Play Track 82 sounds included, 64 mins total $50

    including:

    – Internal recording

    – 2 Spots, 4 mics

    – Eng start, idle, maneuvers, drive, shtdwn, doors, wipers, hood, windows, signal and other

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 4 x schoeps ccm (card and omni), sys AB, Zoom F8

    – RAW files only

    P.S. See more car exterior sounds for SUBARU WRX STi2 2005 in our products

  • including:

    – External recording

    – 4 Spots, 7 mics

    – Eng start, idle, maneuvers, drive, shtdwn, passby

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 7 x schoeps ccm4 (card and omni), sys ORTF, DIN, AB, Zoom F8

    – RAW files only

  • including:

    – External recording

    – Internal recording

    – Road covered with concrete slabs

    – 2 Spots, 4 mics

    – Eng start, idle, maneuvers, drive, shtdwn, passby, door, windows, hood e t c

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 4 x schoeps ccm (card and omni), sys AB, Zoom F8

    – RAW files only

  • including:

    – External recording

    – Internal recording

    – Road covered with concrete slabs

    – 2 Spots, 4 mics

    – Eng start, idle, maneuvers, drive, shtdwn, passby, door, windows, hood, trunk e t c

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 4 x schoeps ccm (card and omni), sys AB, Zoom F8

    – RAW files only

  • Introducing a bold new take on Wood and Metal Creak SFX that will help you bring your project to the next level.

    As sound enthusiasts, we were keen to bring something new to the table for this category of sound…and so a novel recording approach was created to produce the sounds for this library. Due to the incredibly subtle (and not so subtle!) audio details embedded in creak sounds, a recording environment is required with particularly effective sound isolation. At the same time, a high level of control over the variety of surface type and performances of the creaks themselves is needed. Our MacGyver recording engineer Phil found a solution that produced a setup within which we had isolation, control, and variety… the “Creak Box”.

    The Creak Box is able to capture the most detailed essence of most resonant surface types, and has multiple stages of tension with which the performer of the creaks can play with. Happy with the source sounds that were being created – which is always the most important stage from beginning to end – we found that a multi mic rig was needed. To really get the depth and detail of these creaks we found that the best results were achieved by using a spatially tweaked-up microphone setup using the contact mic LOM Geophon, a pair of cardioid Sennheiser Mkh8040s, and a shotgun Rode NTG3. The best recordings always come from testing multiple mic positions, and experimenting with input levels and mic positions; this sound library brings you only our best takes.

    As sound designers, we always need new, better, varied material. We want to feel excited by and connected to the sounds we use – enjoy and make it yours!

    Wood: Old wood stairs, doors, floors, ships, houses, twisting and bending wood, chairs, tables, fences, and more.

    Metal: Big and small doors, small squeaks, huge resonant duct and convector surfaces, chairs, benches, wires, bedsprings, and more.

    (The video bellow contains added room tone to show some of the sounds in context.)

  • Natural soundscapes in Ambisonic recorded in Spring and Summer. Forests, meadows, lakes, streams ambiences. Long recordings.

    Recorded with Sennheiser Ambeo VR mic (Rycote blimp) and Sound Devices recorder

    (all ch. matched with noise generator). Metadata tagged with info. Mic position is upright.

    RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).

    Check the sound list for add. info.

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  • Two Typewriters. Protectograph. Adding Machine. Sewing Machine. Vintage Cigarette Machine.

    The sound enthusiast in you will love to know that we scoured around the city/internet to collect a bunch of antique mechanistic objects for this sound collection. We even scored an old classic adding machine and a working antique pedal sewing machine! The gears and mechanisms in this odd assortment of old machines is from a beautiful and rich bygone era of manual movement, of strange and fascinating ideas from inventors creating moving parts that are simply unproducible in modern day gadgets.

    Your ears spring to life as you listen through, one by one through these highly detailed and engrossing audio recordings that capture brilliantly the foreground and midground layers of the small moving parts. Perfect for older weapon Foley, for steam-punk machines, period piece machines, industrial era machinery, and on and on. A small vintage gear crank, that special metallic rich clickety-clack of a dusty old mechanism, the ribbon typewriter scrolling…

    To get the most out of this collection of old mechanisms, we used a multipositional close mic-ing approach for these in order to get all those tiny moving details. Of course, they required that they be captured in our smallest studio used for precisely these low-noise environment sort of recordings – key in bringing the detailed three dimentional quality of these mechanisms to life.

    As sound designers, we always need new, better, varied material. We want to feel excited by and connected to the sounds we use – enjoy and make it yours!

    Antique Mechanisms Sound Effects

     

  • Garden and nature in April. Fresh spring air with birds’ concert in the morning, echoey chatter from the neighborhood, gardening, dogs barking, roosters calling, jets and prop passing, as well as the dead silence and eerie animals in the deep of the night; the awakening of nature and residents during the early morning hours and much more.

    ‘Residential Forest II’ is the 2nd library in my series of long term recordings in a German allotment environment. The area is a remote place surrounded by a forest with cottages, ponds and lots of nature sounds. The library is a conflation of suburban, residential and forest ambiences.

    ‘Residential Forest II’ contains 59 unique ambiences, recorded in Germany during spring, in April 2022 from 4 p.m. till 4 p.m. on the next day. Out of these 24 hours of ambiences I edited the best parts and collected them to a 4 GB time travel in sound, from afternoon to evening, through the night, morning and mid day hours in a residential forest area.

    For recording as well the dead silence during the night I chose an extreme low noise matched pair of Rode NT 1A and the Tascam HD-P1.

    The whole length of the library is about 4 hours, most of the ambiences are between 5 – 10 minutes, some are longer, a few are shorter.

    ‘Residential Forest II’ is recorded in AB Stereophony, 48 kHz, 24 bit.

  • A massive 496 Audio Files of detailed and balanced recordings of handwriting performances. Scribbles, erasing, check marks, blackouts, colouring, circles and crosshatches for each writing tool are in this complete Foley library.

    You get mechanical pen and pencil clicks, cap pop-offs and snap-ons, squeaky pens and thick markers, crayons, ball point pens, felt pens, erasers, highlighters and sharpies.

    Capturing the detail of the subtle sound with zero background noise is an art in itself! For these recordings, we found that the best results were achieved using an LCR configuration. A tightly positioned Rode NTG3 shotgun mic for the centre was used, along with a pair of slightly pulled back Sennheiser MKH 8040s to provide a gentle stereo image. The environment we used was our “dead room”, completely silent and reverb-free for this type of recording (this neat little room approaches a mini anechoic chamber) Reliably transparent and highly recommended, a Sound Devices Mix-Pre-6 was used to capture the final recordings.

  • Fire Sound Effects Fire: Campfire, Bonfire Play Track 42 sounds included, 68 mins total $25

    Fire: Campfire, Bonfire FX sound library 

    Very detailed sounds of fire burning, including:

    burning, crackling, sizzling,…big fire, small fire, gentle fire, embers-coals sizzling, dropping fuel-oil, water, branches in the fire, paper in the fire, starting fire-putting out fire, flames…etc.

    Many different perspectives and mic positions. Just listen to the sound preview. 

    The 42 RAW files without any dynamic manipulation (compressors/limiters etc.). Maximum peak level is around -5 dBFS. Silent background.

    Recorded in MS stereo, NOS stereo, XY stereo, various perspectives and distance from fire. Check the sound list for additional info.

    Equipment used: Sennheiser MKHs mics, Rode NT1a mics (matched), LOM Usi Sound Devices recorder/mixer (for every file in metadata chunk there is description ).

    Metadata tagged with list of equipment and microphone technique/stereo setup used.

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  • Household Textures is all about those peculiar textures that we can obtain from an everyday object that is already in our place. These sounds can become a super useful source when it comes to sweetening your sound design workflow.

    • The goal was to use any object located in a house and manipulate it as much as possible in order to get a unique sound that might be used in a completely different scenario.
    • From carpet to mayonnaise to rubber. The list is endless.
    • A plant, if moved with the right timing, might become insect wings. A sliding door can be used for a portcullis. Some synthetic clothes do sound like sand. Even a mountain bike can fake a giant watermill spin.
    • Actions included such as carpet rustling, putting down a leather jacket, extracting viscous sounds from homemade sauces, scraping aluminium foil, sharpening a knife, etc. From long steady movements to short impacts and hits.
    • Cloth, dirt, glass, liquid, metal, plastic or wood are among the recoded textures.
    • Gear used: Sound Devices MixPre 6-II, Sennheiser 8050 & 30 in MS, Sennheiser 8040s in ORTF, LOM Usis, LOM Geofon, LOM Mikro Usis, Sony D100.
    • Most of the files are in 96 kHz / 24 bit, while the ones recorded with LOM Usis and with usable frequency content are in 192 kHz. They all have embedded Soundminer metadata.
    • UCS Compatible Metadata embedded. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, Microphone, Designer, Manufacturer, Keywords.
  • “Ambiences Collection Vol 1” by SpillAudio is a collection of 50 extremely diverse and often needed ambiences.

    From plane flights to wild streams and lush rivers, it is highly likely that you will find what you need in our very rich in variety library. The length of every sound is from 1 to 3 minutes long. In the preview below you will hear 13 of the ambiences.

  • inspired by app market hits like fall guys and tunic! with kids games you unlock a lovable mixture of musical stabs, footsteps, percussion cartoons & comics and 45 original game music, upgrades, bubbles, ui, tiny pianos, guitars, organs, metallophones, bells, shakers, moo-cans, music boxes, talking toys and more! you’re sure to find unique and charactered sounds, a fun, lighthearted collection of popular app game sounds is here!

    all royalty free.

  • The CYBERDECK Sound Pack features more than 430 sounds. These futuristic sound effects are especially useful when it comes to creating holograms or spaceship control room sounds. The sounds are also very usable for the creation of user interfaces (UIs), head-up displays (HUDs), games and video animations, too.

    The CYBERDECK Sound Pack offers 9 categories including hologram noise loops, designed holograms, alerts, ui sounds and many more. A bonus category gives you 10 sci-fi roomtones to give some background for your creations.

    The sounds provided by the CYBERDECK Sound Pack have been carefully produced, selected, edited and tested. In this sound pack you will find a total of 433 sound effects, all royalty free and mastered in 48kHz/24bit or 44.1kHz/16bit for direct use in your next project.

  • Flesh, Bones & Gore Vol. 2 is the second instalment of 344 Audio’s hard-hitting gore sounds. This library features cringe-worthy bone crunches, voracious monster bites, and wet, textured tearing of flesh.

    Using a selection of vegetables and fruit, our Audio Craftsmen performed and recorded unnerving, gory impacts intended to make audiences recoil. These were then edited for use in your horror-thriller projects and moments, including fight sequences, slasher attacks and creature transformations.

    The library contains three folders:

    Bone Crunches: Quick and drawn-out bone cracking.

    Flesh Tearing: Flesh being aggressively torn, ripped and attacked.

    Monster Bites: Chomping into and munching on a victim’s flesh.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

     

  • Zombie Specimens Bundle comprises three volumes of expressive zombie vocalisations – delivered straight from the zombie testing lab!

    Our Audio Craftsmen designed a range of vocal performances to yield a bizarre, diverse series of groans, growls, moans, cries, snarls, wails, hunts and hisses.

    This collection grants you an eclectic mix of vocalisations to choose from when crafting your TV, Game, Film or Real-Life projects. Whether you require a breathy groan or a tired growl, the Zombie Specimens Bundle has everything you need to add personality and character to your zombie creations, or build up terrifyingly immersive horror backgrounds. Plus, all sounds are provided without reverb, so you can drop them straight into your mix.

    Each library is delivered at 24Bit. Zombie Specimens Vols. 1 and 2 are delivered at 96kHz, while Vol. 3 is delivered at 192kHz. The entire bundle is tagged with extensive Metadata for ease of use.

  • including:

    – External recording

    – Internal recording

    – 3 Spots, 6 mics

    – Eng start, idle, maneuvers, drive, shtdwn, passby

    – Slow, medium and fast

    – 48 KHz, 24 bit

    – 6 x schoeps ccm4 (card and omni), sys AB, Zoom F8

    – RAW files only

  • Ambisonic Sound Effects Campfire Ambisonic Play Track 18 sounds included, 43 mins total $14

    Campfire FX, Ambisonic. Recorded with Sennheiser Ambeo VR mic (Rycote blimp) and Sound Devices recorder

    (all ch. matched with noise generator). Metadata tagged. Mic position is upright.

    RAW files: B-format, Ambix (4 ch.) and Binaural stereo (preview is in Binaural stereo).

    Check the sound list for add. info.

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  • Enter the wonderful sonic emporium of UK Seaside Town & Theme Park Vol. 2!

    While Vol. 1 featured the sounds and native accent of Blackpool in the North West of England, this collection focuses on the people, amusements and Southern accent of Bournemouth, England.

    Enjoy this assortment of candid ambiences recorded at a beachside restaurant, in an arcade, amongst crowds, in the suburbs, and inside a hotel. Our Audio Craftsmen captured sounds both eclectic and useful, including a whirring old elevator, walla, seagulls, grasshoppers, footsteps of passersby, distant surf, and arcade dings and clinks.

    Fatten up background designs in your TV, Film or Game coastal locations with these authentic ambiences. Or infuse your soundscapes with a touch of seaside idiosyncrasy.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Animal Sound Effects Dragon Talk Play Track 25 sounds included $230

    A package of organic, realistic-sounding dragon/dinosaur/pterodactyl hisses, grunts, munching, clacking jaws, howls – from close and breathy, to distantly echoing, as well as colony chatter. All created from real (and unusual) animal field recordings. All in 48KHz/24 bit stereo. Bring a big and scary or a cute and chattery creature alive in your podcast, game or film production. And avoid having to get your own mic covers singed!

    Take a little fantasy trip … with the Audio Ninja.

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  • Human Sound Effects Pirate Voices Play Track 220 sounds included $49.99

    Ahoy, me Hearties! Set sail into this huge soundbank of swashbuckling Male and Female Pirate WORDS, PHRASES, SHOUTS and GRUNTS. Experience the high seas in glorious high quality audio, featuring top voice talents that will put you at the wheel of your very own pirate ship.

     

    “ARRR, THERE BE TREASURE FILLED WITH JEWELS AND DOUBLOONS!”

     

    From one syllable shouts, to elaborate phrases, there be no finer collection of piratical sounds than our PIRATES VOICEPACK.

     

    DOWNLOAD NOW this massive treasure chest of AAA-quality Male and Female voice overs!

     

    PERFECT FOR:

    • Video Games
    • Slot Games
    • Film / Animation
    • Ads / Trailers
    • YouTube videos
    • Live Events
    • Sound Design

    …and all other audio-visual productions

     

    KEY FEATURES:

    • Huge variety of words, phrases, shouts, warnings, laughs, and more – covering every scene and situation you’ll ever need
    • Perfect MALE & FEMALE vocal styles for multiple genres (Adventure, FPS, RPG, RTS, Slot Games, etc.)
    • Ready to use – requires no editing, labeling or splicing
    • Categorized, organized and individually labeled files for maximum use efficiency
    • FREE updates to higher versions!

     

    TECHNICAL DETAILS:

    • 660 Audio Files (220 original sounds)
    • WAV Format: 24 Bit, 96 kHz and 16 Bit, 44.1 kHz
    • MP3 Format: 320 Kbps
    • Unpacked Size: 299 MB
    • Total Run Time: 19m 45s

     

    SET SAIL TODAY with this massive chest of gems and jewels!

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  • Useful Sound Effects releases Creature Wings, a library that contains Wings sound effects. Sounds range from complete mixes of creatures flying by, being hit, moving in stereo, single wing flaps, multiple wing beats recorded in foley sessions with multiple materials and various speeds. Also RAW files that allow you to edit the wing sounds to your needs… Some recorded session files with a Sanken CO100K are added in their 192KHz format.
    Save hours of foley sessions and editing and get started with what you were after, or let yourself be surprised and listen to wing sounds that add more character to your creature flying movement.
    Over 450 files that contain in most cases multiple recordings, offering variations in speed, texture, material, EQ, FX.

    UCS compliant and Metatagged files with 458 sounds, containing over 1000 sounds. Useful for very small insect up to monster wing sounds.

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