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Home Sound Effects

Sound Effects

  • Exterior Vibrations Vol. 3 comprises textural, tonal sounds recorded with two stereo-figured contact microphones. Our Audio Craftsmen performed dynamic movements across metal, wood and motor vehicles found in the outside world to yield an abstract selection of hits, squeaks, shakes, bounces, braaams! and mechanical sound effects.

    These raw recordings are made for further design and are great for adding an abstract edge to your projects.

    All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

  • Environments & Ambiences The Shipyard Play Track 32 sounds included, 52 mins total $54

    This library was recorded at the commercial port of Copenhagen. The area is filled with giant cranes, trucks, and containers, and is normally closed to the public.

    The Shipyard library contains multiple recordings of:

    • Big containers being unloaded from commercial ship liners.
    • Containers set onto the ground by crane, followed by large metallic blasts.
    • Dock workers working on the containers.
    • Pick ups by straddle carriers.
    • Crane and carrier alarms going off.
    • Several trucks passing by.
    • Harbor and customs area ambiences.
  • Introducing SoundMorph’s Sinematic – a sound pack featuring cutting edge impacts, stutters, sub sonic bass, mega horns, stingers, risers, whooshs, bowed cymbals, and source recordings.

    Get this collection of cinematic sounds to cater to the most modern and cutting edge productions out there.

    Sinematic Highlights:

    • Stutter Risers
    • Sub Sonic Bass
    • Mega Horns
    • Hits and Impacts
    • Stingers
    • Risers
    • Simple Design
    • Statics
    • Whoosh Bys
    • Bowed Cymbals
    • Raw Source Recordings

  • Modular UI is an advanced user interface library designed by world-renowned sound designer and musician Richard Devine.

    Designed and sourced entirely from Richard Devine’s personal and exclusive Eurorack modular synths and processors collection, the Modular UI soundpack combines the retro, clean sound of analog with the futuristic tech of the new wave of advanced analog and digital synthesis from modular synths, evoking flashbacks of iconic sound design heard in both classic and modern sci-fi films.

    The Modular UI soundpack gives you access to sounds created by one of the masters of modular synths and sound design, and is sourced from equipment that would take a lifetime to purchase and assemble, giving an incredible value to this soundpack both artistically and financially.

    Utilizing many Eurorack modules that have not yet been released to the public and containing samples equally suited to sound designers and electronic musicians alike, Modular UI is in a class by itself!

  • The Tools, Machines & Engines sound effects pack gets you the sounds of bench drillers, upright drillers, pavers, pneumatic hammers, thermal lances, angle grinders, welding, air compressors, polishing machines, axial blower fans, bench grinders and more.

  • The Burroughs Protectograph that we acquired was manufactured around the turn of the 20th century and had a single unique function – to stamp and emboss checks for banks. The Burroughs corporation has been around since 1886, and was an early force in the adding machine, check stamper and typewriter industries. This Protectograph version had an electric mechanism that would move large printheads down through a ribbon and would stamp a check hard and repeatedly for as long as the print key was held down. Our machine was acquired in perfect working condition.

    Its keys have a short through but a satisfying clack, and the punch mechanism is a huge whir stamp sound than can cycle if the punch button is held down. We rolled with the case both on and off, which revealed very different sounds from the main electric mechanisms.

    We ran the whole session with three perspectives miked up – front by the keys, in the back by the punch and a wide perspective perfect for bgfx placement. The front and back mics were Schoeps CMC6.MK4 and the wide mic was an AT 4050 in omni about 5 feet away. Listen to the straight examples give a clear accounting of the type of sounds we got from this machine, and the bent examples show what can really be done with those sounds and the Kontakt instrument.

     

    Key features for Burroughs Protectograph

    • 3 mic perspectives of each performance
    • 10 unique articulation groups
    • 10 + performances per articulation
    • 13 Kontakt .nki files (unlocked)
    • .nki files require full version of NI Kontakt 4 or higher
    • photographs and video stills

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • Environments & Ambiences Quad City Berlin Play Track 34+ sounds included, 108 mins total From: $99

    Quad City Berlin is a comprehensive collection of quadrophonic recordings from the busy and multifaceted german capital, the second largest city in the European Union.
    It was created to work as an internationally usable library of urban ambiences while still capturing the unique sounds of Berlin. It’s a set of extensive and versatile recordings focused on large open spaces and the nice fat low-end hum of major city traffic.

    Quad City Berlin comes in two flavors:
    – Quad + MS: four channels with omni-directional mics + two channels mid-side (6 channels total, please check out diagram below. 102 files)
    – Stereo only: the two front channels of the quad setup only (A-B stereo, 34 files)

    The locations covered in Quad City Berlin include: rooftops, main roads & squares, residential areas, parks, freeways, room ambiences

    The recording session took place in the fall of 2015 where birdsong is usually very sparse and the weather can still be sunny and dry. Thanks to these conditions, most of the recordings contain no bird chirping at all. All recordings where made using the same microphone setup: four omni-directional mics with equal distances to each other and one MS rig at the front side.

    Depending on the location, the omnis where placed up to 3 meters apart to deliver a truly wide sound that works well on a cinema mixing stage. The MS signal serves as both a center signal (if needed) and a stereo option that is also mono compatible.
    The four omnis where the high-end DPA 4006 (Bruel&Kjaer) microphones with a remarkable quality in the low frequencies. They work exceptionally well for city background hum and low engine sounds producing a very full and warm, yet precise sound.

  • Foley Sound Effects Burst Play Track 324+ sounds included, 38 mins total $23

    This collection features a wide assortment of FX derived from that classic Japanese soda, ramune.  By controlling how the drink is opened, a veritable cornucopia of sonic clay is unleashed.   With its unique design and composition of materials, the ramune bottle creates a timbre all its own.  Glass, soft plastics, bits of aluminum, and the carbonated soda interact in unique ways.  Layer these sounds into impacts, slides, scrapes, openings, divisions, and any other effect where a dynamic high end transient is required.

    Soon to be a new go-to library in your collection.  Drink up!

  • 'Jungle and forest of Asia' is a unique collection of 72 sounds of nature through Asia, recorded and produced with high-quality equipment over 2 years. From 5 different countries and many national parks at different seasons, this collection includes:

    • Wet tropical jungles from Thailand, India and Philippines
    • Forests of Lao, Indonesia, Thailand and Philippines
    • Rice fields and countrysides
    • Mountains and volcanos
    • Wildlife: Birds such as toucans, gibbons, hornbills, pelicans, storks and many more

    This collection provides authentic and interesting nature sounds recorded through all Asia using DPA and Neumann mics, Audio technica preamp, Aeta Mixy Recorder, and PCM D-100 digital recorder. All Faunethic tracks include Soundminer metadata tags.

    These sounds are also included in the following collections:
    Lao, Thailand, Philippines, Indonesia and South India.

  • TEXTROBOT is a NI Kontakt instrument designed to help you in the sound design of UI sounds and to produce retriggered samples for VFX text animations.

    All 165 sounds are easily accessible using a MIDI master keyboard from the first octave. You can choose a category to load a set of samples and play it manually, or in the retriggered way (if active) by holding down the note. The full version of NI Kontakt is required to use this library.

    Sound categories:

    Click (10 samples): very tight, clicky sounds for UI interface usage or small text VFX
    Bleeps (16 samples): it contains bleeping sounds, tones, and alerts for telemetrics and sci-fisound design
    Big Size (16 samples): a collection of low frequency sounds for big title animation
    Percussive (22 samples): organic and processed percussive sounds like shakers, maracas, and woods for multimedia apps or menu sound design
    Fun (30 samples): a collection of funny sounds for cartoonish motion graphics
    Digital (20 samples): glitches and lo-fi sounds for experimental videos
    Keys (28 samples): keyboards, typewriters, and mouse sounds
    Mechanical (23 samples): switches, clangs, squeaks, and metal impact sounds for mechanic motion graphics

  • The Mopeds SFX library delivers the sounds of no less than 7 different mopeds. Created in a collaboration between Sonicsalute, sound designer Rune Palving (The Girl with the Dragon Tattoo, 1864, and Tordenskjold), and sound designer Peter Albrechtsen (Antichrist, The Queen of Versailles, and The Idealist).

    The included mopeds range from new and non-modified models, to many characteristic-sounding (old and wrecked) models – as well as one heavily-tuned moped.

    The Mopeds library contains:

    Onboard driving and maneuvering (long onboard drives) • Ambiences • Passbys • Circles • Incoming/aways • Start/stop • Revs • Horns • Fuel covers

  • The library is a collection of atmosphere recordings of different sized/aged forests during summer time in Eastern and Southern Finland.

    In these recordings you can hear a huge variety of birds during different times of the day and also some changes of the weather such as multiple states of the wind.

    The library contains 30 files (10 FuMa, 10 AmbiX and 10 Stereo files) captured at 24bit/96kHz. Total length of over 1.5 hours.

    B-format files are in FuMa and AmbiX format.
    With the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 6.0, 6.1, 7.0 or 7.1 surround). There's also other plugin options such as Harpex-X.

    The library also contains ready-made stereo (ORTF with wide cardioid pattern) mixdowns for your convenience.

    These recordings are very raw. Very little or none denoising, EQ or any other processing method was used.

  • This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.

    Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.

    Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!

    Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.

    While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.

  • Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.

    Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.

    They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.

    Details:

    • 64 impulse response samples
    • 48khz / 24bit wav files
    • Compatible with any convolution-reverb software
    • WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
  • Environments & Ambiences Hong Kong Ambiences Play Track 18+ sounds included, 75 mins total $49

    Welcome to the Hong Kong Ambience sound effects library (1 hour and 15 minutes long, 1.6gb compressed .rar file, 2.4gb Uncompressed). This package contains sounds of what the Cantonese people hear during their daily commutes and can be used for common Asian scenes, China Town scenes, etc. All 18 ready to use and loop-able stereo wave files were captured in 24 Bit, 96 kHz (each in 3, 4, or 5 minutes long), and include metadata.

  • INDUSTRIAL TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle.

    Collection consists of 108 designed sound effects and 102 source field recordings.

    Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror genre.
    Ready to be used on their own or as a part of a more complex sound design.

    RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
    CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4

  • Vehicle Sound Effects Volkswagen Westfalia Type 2, 1979 Play Track 207 sounds included, 138 mins total $79

    Moxie Sound and their seasoned recordists are proud to present to you their very first sound effects library featuring the one and only 1979 Volkswagen Westfalia 'Type 2' Camper.
    This mini bus has a diesel engine that purs, rumbles, and roars. We recorded every sound this beast is capable of making. If you've got a project with this specific vehicle or a similar one that simply needs sweetening, you will find everything you are looking for here. The older character of this vehicle will no doubt add life to your story.

  • Transitions 003 brings you even more specially crafted sounds for all your animation, game or film post production needs. Each sound has been carefully created using a variety of processing plugins and techniques to give you an arsenal of unique FX to use in your next productions. All files have been meta tagged so they'll be easily searchable in Soundminer.

  • Bluezone presents ‘Alien Spacecraft Sound Effects’, a new sample library offering a wide range of inspirational spaceship sfx. Backed with complex and varied sounds, this sci-fi sample library brings you production-ready elements as: alarms, alien synthetic textures, exterior and organic interior background sounds, reactor rumbles, explosions, futuristic interface and beep sounds, spacecraft passby, machine room ambiences and more.

    Every sound in this cutting edge collection will stimulate your creativity: All these samples were created from hardware synthesizers and field recordings, and have then been twisted to add an inspiring alternate-reality sonic character. WAV files are provided as 24 Bit / 96 kHz and sorted in 11 folders. In order to give you ready-to-use sounds for your productions, all samples are royalty-free for all your commercial projects.

    Ginno Legaspi review – SoundBytes Magazine:

    “Another sample collection produced by Bluezone Corporation, Alien Spacecraft Sound Effects comprises 893 MB of inspirational spaceship SFX. The wide range of complex sounds included in this production-ready library is great and useful. Sounds include alarms, alien synthetic textures, exterior and organic interior background sounds, reactor rumbles, explosions, futuristic interface and beep sounds, spacecraft pass-by, machine room ambiences and more. They were created with the use of various boutique hardware synthesizers and unique field recordings.

    All sounds have been created, programmed and optimized for use in TV, film, trailer and game music. I give this pack a thumbs-up because the recording quality is high. Not only that it features some creative sounds, but the usability of this pack will find its way to plenty of producers.”

  • It’s been awhile since Doom Drones, came out, and we put another excellent collection together that is over twice the size! Enter Doom Drones 2, a collaboration between SoundMorph, Tibo Csuko (Robotic LIfeforms 2, Sinematic 2), Boris Karékine (Robotic LIfeforms 2, Sinematic 2), Real Cardinal (Sinematic 1&2). Doom Drones 2 is a great addition for anyone wanting to enhance dark ominous moments.

    Doom Drones 2 contains more than 9.7Gb of eerie, doomful, dark, atmospheric field recordings, designed drones, backgrounds, and musical drones. Perfect for something in the realm of a David Lynch film, ambient music production, a horror film, or just to set the mood of a foreboding sound scape.
    All files are 24bit/96khz .WAV stereo files, all meticulously embedded with Soundminer & Basehead metadata.

  • MOKARPA

    is a bizarre and unique harp for Ni Kontakt based on a custom-made musical instrument by Italy-based guitarist Paolo Balestri.

    He crafted Mokarpa using guitar strings mounted on a Moka, the iconic Italian coffee pot.

    The sounds is harmonically rich, delicate with metallic resonances and with a dreamy flavor.

    It’s suitable for fantasy soundtracks, lo-fi hiphop, R&B, cinematic and chill tracks.

    The Kontakt instrument allows you to adjust the sound with a custom scripted GUI.


    Key Features
    • 48 total wav samples
    • Microphone and Pickup recordings (sources can be mixed in the gui)
    • 2 round robin
    • 3 dynamic velocity sample (soft, medium, hard)
    • 3 convolution with noises: Grain (the noise of coffee grains handling to give a granular and organic feel), Moka (the noise of coffee pot boil to give a sense of motion), Gas (the noise of cooker to give an airy hissing taste)
    • ADSR Envelope
    • Low Pass and Hi pass Filters
    • Drive and Reverb FX

    MOKARPA WORKS ONLY WITH FULL KONTAKT 5.8.1 or ABOVE (NOT COMPATIBLE FREE KONTAKT PLAYER)

  • Deliver your best sound with award-winning quality.

    Great sound begins with quality tools. Odyssey Starter gives you instant access to go-to sound effects from the private library of two Academy Award®-winners created for over 250 Hollywood feature films and shows. Fuel your projects with dazzling design elements, devastating impacts, subtle transitions, whooshes, foley and beyond.

    Formerly the secret sonic weapon of Mark Mangini (Blade Runner 2049, Mad Max: Fury Road) and Richard L. Anderson (Batman Returns, The Lion King), these sounds are now available to you 100% royalty-free for unlimited usage.

    Selected from over 100,000 recordings, we have carefully curated and cataloged a powerful, compact general library – featuring the most useful, standard, inspiring, and surprising sound effects that will help you take your sound and stories to the next level in your film, television, game, and music projects.

    “I use this library every day. It has been instrumental to our own success, and now the sounds can live on in the hands of the next generation of filmmakers and sound designers.”Mark Mangini

     

    “These are the kind of sounds that I’m always looking for – everything has character and a great cinematic feel. I’m amazed by the variety, quality and organization.”Will Files (War for the Planet of the Apes)

    With over 4,000 sound effects curated from Odyssey Essentials, Odyssey Starter is part of the The Odyssey Collection of libraries developed by Pro Sound Effects and Academy Award®-winners Mark Mangini & Richard Anderson. The Odyssey Collection: Starter is also included in Pro Sound Effects’ CORE: Creator

    Features:

      • 4,382 sound effects (40GB)
      • 280 categories
      • Native Broadcast .wav formats
        • 24/96, 24/48, 16/48, 16/44.1
      • Rich embedded metadata descriptions
      • 100% Royalty-Free use on any project
      • Delivered via download

     

  •  

    Curated from an extensive vehicle workup of a 2001 Saleen Mustang from The Odyssey Collection by Academy Award®-winners Mark Mangini & Richard L. Anderson, this library includes a wide variety of powerful car recordings from different angles, distances, speeds, and perspectives.

     

    What is a workup? A workup is a thorough series of recordings of the same subject from many different perspectives. Having these options at your fingertips helps to quickly and intuitively cut sound effects for a scene without needing to reuse or process sounds to make them fit the picture.

    Streamline your sound editing workflow with expertly recorded car sound effects from the 2001 Saleen Mustang including ignition, engine revving, idling, driving sequences in forward and reverse on various terrains, pass bys, tire skids, door and trunk open and close, horn honks, engine rumbles, and more.

    This workup also includes a selection of multi-mono recordings, which offers the choice of different mic positions from the same recording. And each sound is embedded with rich, descriptive metadata for lightning-fast, pinpoint search results.

    Vehicle Workup: 2001 Saleen Mustang is also included in Pro Sound Effects’ CORE: Standard.

    Key Features:

    • 100 sound effects (1.61GB)
    • 24-bit/48kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free
    • Delivered via download

     

  • Add some serious fire power to your arsenal.

    Over 5,000 files – 18GB of samples – 6 libraries


    You get a great bang for you buck with the SoundMorph “Warfare Bundle”.

    Matter Mayhem – Destruction, Debris, Massive Explosions, Multiple materials and perspectives.
    Intervention – Real SWAT weapons, 26 different weapons and foley recorded by Hollywood pro Charles Maynes.
    Future Weapons – One of the most advanced weapon sound effects libraries ever created.
    Future Weapons 2 – All new weapons and recordings, with a focus on specialized weapons.
    Solar Sky – State-of-the-art sci-fi spaceship sounds.
    Rupture – Game and filim ready destruction soundpack.

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