Clicks is busting at the seams with a wide variety of buttons, switches, dials, pumps, and more. Whether you’re in need of realistic buttons for a dramatic movie scene, or designing mechanical sounds for the next AAA video game, these clicks are bound to have you covered. Both near and distant perspectives were captured for (nearly) all recordings in this library, which adds flexibility when matching these sound effects to picture.
Some of the objects in this library include but are not limited to:
Endless Drones is a diverse set of 100 multi-layered atmospheres and mangled drone textures, that will help you portray an unsettling sense of mood or establish a unique sense of location in your projects.
All sounds are formed using field recordings and organic sound elements that have been are mixed and merged with synthetic tones and low-end rumble sources, using extensive processing and advanced production techniques.
Some of the interesting real-life elements that have been used in the making of this library are city and roaring factory ambiences, radio statics, cicada songs, water flows and howling winds, spooky waves of laughter, horse galloping sounds, rough metal scrapes and slides, tape wrapping sounds around gears and rainscapes.
And the sounds can be described as spacious, immersive, futuristic, mysterious, wide, deep, dark, hypnotic, ominous, experimental.
Our Gore library was recorded in the weeks preceding Halloween 2017. We decided to have some fun because we generally only have access to pumpkins this time of year and thought why not create something fun for us, and our friends and colleagues to use. Please enjoy the use of these recording in all your spooky movies and sound design.
Provided are 750 MB of LR and MS Recordings. LR is decoded from the MS and has the approximate stereo width as an XY recording. On the MS tracks the mid mic is on the left and the side mic on the right.
The LR can be encoded back into MS or if panned center, cancels out the side mics to just play the mid mic. Alternately in the provided MS file, the right side channel can be dropped so you can use the mono center. The 2 files are mastered the same. Occasionally the levels vary on the MS track as these are the levels set to keep the the tracks phase coherent. All tracks are edited to be M&E friendly, and monitored through a phase scope to again, keep the tracks phase coherent.
All recordings were recorded In a foley studio at 192kHz with a Fostex FR-2 recorder, Project Studio C4 mic, and Ambient Emesser ATE-208 bi-directional mic and mastered in Pro Tools.
All recordings are recorded in Toronto, Ontario Canada, by Ryan Macneill and Steven Ejbick of Textures Sound.
FOREST summer edition of Japan is nature sounds and ambiances captured in different forests of Central Japan, from the Kanto region.
This library contains recordings of deep forest ambiances and direct close cicadas & birds and creeks, streams, and waterfalls in a Japanese forest.
All of these nature ambiances are recorded using different microphone set-ups. Ortf stereo set-up and xy & ortf combination set up brings variations to stereo images from the locations.
This library is a collection of balls bouncing off different surfaces, inside and outside. We can generally find sports being played but not the clean sound of the ball used. We have included unique sounding balls such as a toddlers play ball and a Yoga ball for that really specific sound.
INDUSTRIAL TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle.
Collection consists of 108 designed sound effects and 102 source field recordings.
Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror genre.
Ready to be used on their own or as a part of a more complex sound design.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4
Distant Trains Sound Library delivers impressive multi-channel recordings of trains that pass by in a distance of at least 300 meters up to 1.5 kilometres.
Included are pass bys of freight, commuter and passenger trains plus single locomotives.
In order to capture the impressive walls of sound caused by passing trains an arrangement of 6 microphones was used. This setup encompasses stereo-pairs of MKH3040-MS, MKH8090-ORTF and MKH8040-WideAB. All pairs are recorded to separate files that are now available as time-aligned Reaper sets.
Each recording session took place at nights so that it was possible to capture extremely long approaches and tails that fade out to natural and calm night ambience without any disturbance by road traffic or other unwanted noises.
This library is a small collection of handwriting foley on paper. It’s a mix of scribbles, doodles writing and punctuation that will save you alot of time when you need various writing movements and sounds.
All sounds recorded using the Neumann KMR81 and the MA5 Pre.
Static Space is a collection of 155 space or Sci-Fi sound effects, focused on continuous, seamless loops. Instead of fly-by's and accelerations, you get the sounds of space ships going at cruise speeds or idling. If you need motion, just add panning, fades and doppler as you like.
Here are plenty of loops for designing alien environments, including engine rooms, general room tones, strange transmissions and more. Additionally, I have made sure to add plenty of variety; both in terms of moods, frequency content and tonality. Some of these are unmistakably space sound effects, while others are more ambiguous, and could be used for other high tech environments as well.
You will find both low- and high end sweeteners, so when ever you see the words “rumble” or “low end” in a file name; watch that master fader! Furthermore, I went for a strong, almost musical tone, in some sounds, while others are much more noise-based and abrasive.
Wind In Broadleaf Trees is a collection of recordings focusing on wind through broadleaf trees. Recorded in a Swedish forest in October it is representative of the most common broadleaf trees in Europe and other areas with a temperate climate.
In this collection I wanted to capture evocative and emotional wind sounds, from the soothing and relaxing soft winds, tense moderate winds, dramatic strong winds and the transitions between the different emotions or speeds of wind.
The collection was recorded at 24 bits 96Khz with an A-B stereo setup. It contains both longer files, with two minutes and more in length and shorter files edited to be a seamless loop. The files also come with embedded metadata.
Whether is be empty pool room tones, busy children pools or calm exterior lap pools this library has you covered. Recorded at 10 different public swimming pools this library contains different spaces (interior and exterior) differentiated by the size, space and number of swimmers.
All sounds were recorded using the DPA 5100 and Sound Devices 788T. This library is available in stereo or 5.0 (5.0 package contains stereo down mixes as well).
This sound collection covers a wide range of sounds produced by this colorful characteristic car. Not only extensive driving sounds but also foley (doors, windows, body tapping, …), horn blasts and engine loops. All in high quality 96/24 BWAV-files, recorded with high end equipment.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
•In Bowed Cactus, get a visceral collection of bowed and plucked cactus from the deserts of the American Southwest. Take a violin bow to a cactus spine and hear guttural screeches with intense, physical energy. Hear plucked needles popping in rich organic granulation. Hear thick, bowed spines growling like supernatural animals and single needles stuttering with real grit.
•This library offers you an extensive collection of sounds from a unique organic sound source. Cactus sounds are incredibly soft and intimate in real life, but when recorded from two inches they morph into otherworldly creatures brimming with ultrasonic energy. I hope you are excited by their sound designing potential and I can’t wait to hear what you create!
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
This library features various recordings of traffic ranging from rural highways, inner city, residential, city CBD and wet traffic. Metadata includes information such as time of day, location and how busy the roads are. All sounds were recorded using the DPA 5100 and Sound Devices 788T this library is delivered to you in 24bit / 96khz and is available in stereo or 5.0 (5.0 version includes stereo files as well).
Sigil is a unique library of dark, gritty, raw, and eerie textures and tones made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician Nathan Moody.
Sigil provides an edgy set of layers that are rich with organic complexity: Skittery bows on handmade string instruments; “prepared” string tones and textures, bowed and rubbed springs under tension; salvaged rusty metal tubes; perforated steel gongs; aluminum water bottle bells; and deep, resonant handmade percussion instruments. Textures include chugs, shrieks, groans, drones, bounces, peals, and rattles. The sounds range from blissfully musical to horrifyingly atonal, and are equally at home lending an uneasy tone to either avant garde musical works or multi-layered sound effects, especially in thriller or horror genres.
The organic nature of the Sigil library means that its sounds hold up well to extreme processing like pitch shifting and granular resynthesis. The handmade nature of the instruments used means that there’s no other library quite like it.
The recordings were made with a variety of pickups, contact microphones, and traditional microphones, through various high-end “character” mic preamps selected uniquely per microphone and per instrument. Full details are in the library’s documentation.
This collection was recorded at 24 bits, 96 kHz and includes over three hours of recordings with more than 600 individual sounds, all fully tagged with metadata. Multiple articulations and voicing are ganged into single files for convenience and organization.
We all know what central London sounds like. It’s noisy, crowded, and full of people trying to sell you watches. Ok, maybe that last point wasn’t that relevant, but have you ever wondered what lies beyond?
A short drive towards the suburbs will reveal a world filled with warm beer, cricket, and endless parks, where deer roam free.
When planning this library, the intention was to capture the quieter side of the metropolis, all year round! As a result, this library will receive multiple updates over the coming months. There will be one more summer update soon, along with an autumn update, winter update, and spring update.
So far, the first version of the library contains 15 .WAV stereo files at 96kHz/24 bit, recorded with a Sony PCM-D100/1, and contains approximately 35 minutes of summer ambiances in different locations throughout suburban London. Over the following months, I’ll keep traveling around the suburbs, collecting more and more ambiances, each update representing its own season.
Each file has been carefully edited in iZotope RX in order to remove as much unwanted noise as possible, such as random shouting, barking, etc. This will provide you with clean ambiences that will add character to your projects, without distracting the audience. That being said, do please note that the recordings contain some amount of traffic noise, and some also contain airplane noise. This is, of course, unavoidable when recording in a city such as London.
In addition to that, each file has been filled to the brim with SoundMiner metadata, allowing you to quickly search through the files, waste less time and dedicate more time to what you love doing!
This ambience sound pack comprises of street recordings taken in the city of Edinburgh. Expect lots of cars driving by, traffic, distant chatter, construction works, machinery and even the occasional seagull. Perfect for use with film to add ambient realism to outdoor scenes.
– This pack contains 7 beautiful long soundscapes (5 mins+) and 18 other shorter clips
– Sounds were recorded professionally using a shock-mounted Mid-Side microphone with a windjammer
– 1 hour long
– Metadata included
Sounds of Asia explores the sounds native to this diverse and vibrant area of the world.
These sounds were recorded in Japan, Indonesia, Malaysia, Thailand, Vietnam and Indonesia over a period of several years.
From various foreign accents, to food courts in Thailand, the famous Tokyo fish markets and metro, wildlife in rural Indonesia, the hill tribes of Vietnam, Jakarta’s omnipresent Islamic call to prayer, and the general chaos of South East Asian traffic and markets, this collection is a true snapshot of Asia. Please check out the Tracklist below for specific track information.
Sounds of Asia was recorded with the intention to be particularly useful in post-production environments with a range of genuine and rare sounds you can genuinely expect to hear in these countries.
We really hope you enjoy this extensive, high-quality sound pack.
All tracks recorded by Evan Buist, sound engineer and field recordist (National Geographic, DreamWorks, Paramount Pictures).
30 ear piercing samples created from organic recordings which were then stretched and manipulated using various professional plugins.
Recorded using the Sennheiser MKH 8020 Stereo Pair and Sound Devices Mix-Pre 6, this library is delivered to you at 24bit/96khz for all your sound design needs.
What happens when you get lucky while figuring out a Cassette Player that hasn’t run in years? You bring out an annoying motor whine that last long enough to capture and record it.
In the 3rd installment of the Personal Cassette Player Collection, Personal Cassette Player_Pack 03, includes recordings of the name-sake, the brand name, the leader of the pack, the Sony Walkman FM/AM Player. Included in this pack are sounds of buttons, fast forwards, rewinds, sliders, switches, opens, close, motors, and the surprising motor whine. Over 1875 sounds packed into 54 files and 48 minutes with loads of different motor sounds!
All recordings are metadata tagged using Basehead and Soundly, recorded at 24 Bit, 192kHz using the Sennheiser MKH8050, MKH30 microphone combo into a Sound Devices Mix Pre-6.
Plug in those headphones, sit back, relax, and listen to your favorite classic cassette tapes.
• In Wind Harp, get an expansive collection of musical winds from the mountains of the American Southwest. Hear singing wires brought to life by 30 mph gusts and desert winds meshing perfectly with musical drones. Hear blustery blasts whipping through mountain valleys and scrappy desert foliage rustling frantically. Hear dancing grasses strike fretboard strings, pinging rich melodies with each swaying stalk.
• To record this library an acoustic guitar was transformed into an aeolian harp. I hope this library gives you a chance to hear the wind in a way you haven’t heard it before. Enjoy listening to the natural music of the wind as it sings on long thin wires
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
This collection of quirky and cartoonish sounds is perfect to create the next prank for your colleagues.
Including organic and acoustic instruments performing falls, rises and all sorts of quirky sounds. Additionally ‘Cartoon & Quirk’ gets you preproduced and ready to use combos, as well as foley and household effects and human reactions.
Recording of a 12-meter trawler fishing boat with a Hundestedt Hotbulb 2-cylinder, 78 horsepower engine with a range of 80-480 RPM per minute.
In a remote research lab in the north-east of England, scientists have been secretly carrying out experiments on a number of human test subjects. There is no record of what these experiments entailed or who authorized them, but one thing we do know is that something went horrendously wrong and transformed these once-innocent, everyday people into something else entirely… Something inherently evil.
Herein lies an audio documentation of these wretched beasts as they run amok with only one thing on their minds… To feed and to destroy.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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