The SECOND edition of Footsteps Outdoor Sessions!
In addition to the first version, the bundle contain now 13 NEW textures of floors. Many different ground surfaces with some action footsteps, such as slow walk, Walk, Jog, Run, Scuff, Jump and Land.
The library contains 290 files on various surfaces: Asphalt, Carpet, Ceramic, Concrete, Dirt, Grass, Gravel, Metal, Mud, Sand, Stone, Rock, Snow, Ice, Water, Wood and more. It also contains 814 isolated foot files.
Like the last edition: The bundle includes the Kontakt FootSteps Player!
• A player that allows you to play all footsteps in real-time!
• 57 Footsteps Texture Kit Preset (NKI)
• Just import it like a new library in Kontakt.
• The full Kontakt 5.5 version is required (not included).
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24 Bit / 96 kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
Get ready for your next project with this unique combo! Grab SPACE DIVERS together with DIVE DEEP, DIVE DEEP 2 and BOAT RIDE for a special price:
DIVE DEEP 2 – new genration of underwater ambiences, including “Detail”, “Space” and “Eeerie” categories.
Exclusively on A Sound Effect!
The New York Subway doesn’t only run underground: the elevated tracks in sections of the city provide a rich source of groans, creaks, rumbles, screeches and rattles, This library contains twenty First Order Ambisonic tracks of subway trains overhead recorded at 96/24 and available in both FuMa and ambiX orders and weighting. Extras include three FOA street-atmos files taken at the same time as the train recordings and twelve stereo files from my extensive archive. Guaranteed to add that certain something to your city ambiences.
• 23 FOA FuMa
• 23 FOA ambiX
• 12 Stereo
This is a sfx library of a classic wooden roller coaster built in 1932 that is in operation at Bakken theme park in Klampenborg, Denmark. It was recorded in 5 takes with four onboard microphones, multiple stereo rigs placed around the track and a 4 channel sps200 ambeo microphone placed in the middle of the coaster for the first two takes, above the cart in the station for the 2nd, 3rd and 4th takes, and the last take underneath the photobooth hill next to the station.
Sounds included are hill pass-bys, climbing, large bank turn, driving through tunnel, onboard sounds, and 4 channel atmos recording.
This is a great library for designing trains, subways, future machines, and of course, roller coasters. All are recordings contain no park patrons while the park was closed. On one or two of the recordings (while the cart is off mic ) has some light construction noise from park cleaners, this does not affect the usable and editable coaster sounds. I have included a few cut plane by’s and atmospheres that were picked up in-between takes.
If you are curious if a certain sound will work for you please send me a message at firstname.lastname@example.org
Wooden Roller Coaster was recorded with Sound Devices 788, Mixpre3, Zoom H4,H5,H6 with a variety of microphones from DPA, Sennheiser, Line Audio, Soundfield and with wind protection from Bubblebee Industries, Rycote and Cinela.
The Cars In Motion II sound library was built from 551 WAV files, with total length of 268 minutes. It features exterior sounds of cars driving at different speeds, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different sounding engines, from a small Seat Ibiza through a powerful Porsche Cayenne, up to a fast Subaru Impreza WRX. In addition to cars there are also random cars folder, that contains everything from regular cars up to trucks and buses. Here’s a list of all the cars that are part of this library:
Magic Metal is a collection of high quality magical cinematic transitions and whooshes,
recorded, edited and processed at superb 192KHZ/24BIT to achieve the best quality possible.
Magic Metal was created from studio recordings of bells, chimes, small metal plates, ring outs, cutlery and more. Every sound was processed with 10 up to 40 different plugins.
Sound effects can be used as magical cinematic transitions, whooshes, risers, spells, tension builders and more.
RECORDED WITH: Sound Devices MixPre 6 + DPA4060
EDITED AND MASTERED WITH: RX, Pro Tools, Equality, Reaktor, H3000, Little Plate, Pro C2, Pro L2, Brufri, Adaptiverb, Crystalizer, Absynth, Wormhole, Echoboy, Soundminer
This curated package of sound effects is from another planet. If you ever wondered how to make your audience experience the extraterrestrial, this compilation of handpicked sounds is the “go-to” compilation for your Sci-Fi projects.
Included are Ambiences, Weapons, Electronics, Objects, Spaceships, Alarms, UI, Devices
Get the injection of ultrasonic-grade sources…
This is an open-minded toolbox with a variety of sound element sources. Most sounds were captured in high resolution and contain rich ultrasonic information. That gives much better results for creative post-processes such as heavy down-pitch shifting or time stretching.
Design Source 192 collection combines different materials and actions, such as: slime manipulations, friction slides, creaks, squeaks, crackles, impacts, resonations, swooshes, pours, shakes, crazy man vocalizations, chihuahua growls and attacks, bursts, water elements and much more.
The Nissan Terrano II 2.7 TDi sound library features 111 high-quality files recorded with a multi-mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving.
From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road-related sounds recorded in mono and stereo both on wet and dry asphalt.
Last but not least, different foley sounds were recorded to cover exterior and interior activities.
Metal elements is a metal, iron, steel bonanza of hits, impacts, slams as well as mechanical sounds, levers, clicks, drops and drags. This library is especially suited for anyone looking to design sounds that are metallic in nature. The sounds contained in this library will also work fantastic as foley pieces to spice up fights, robot movement, crashes or any action scene for that matter.
Some of the sounds found in the library make use of a contact microphone to add to the lower end frequency that would simply not translate using just a shotgun microphone.
Weapons of World War II is Super Thumps first of many sound libraries recorded and designed by film and video game industry veterans!
This library features 14 different weapons, some of them quite rare, that were commonly used in World War II between German and American forces. The weapons were recorded at various distances, perspectives, and firing modes with a wide array of microphones. They have been compiled together and designed with a punch at 96,000 Hz, 24-bit, ready for you to easily drop into your project! Each weapon contains multiple variations and versions.
This library contains the source recordings of an M3 Grease Gun using several microphones at 4 different distances!
238 total sounds of multiple variations for your sound design needs!
Multiple firing mods recorded! Single shots with tail/report ring-out. Burst fire, and automatic fire, all from 4 different perspectives/distances!
Electric Vehicle is a special library that showcases a Mitsubishi Outlander PHEV (Plug-In Hybrid Electric Vehicle). For this release I wanted to focus on the EV mode of this vehicle even though it has a measly 45km of electric battery range! But no worries! Now you can drive endlessly on battery-power with “Electric Vehicle” by Sounds of Norway!
Discover every aXLsound libraries with this Black Friday special bundle :
Lamps focuses on the buzzing/humming sound of light bulbs, lamps, fluorescent tubes, you name it… You can find a sound for any electricity driven device you can imagine.
These sounds can be used as pure effects or as a layer in your ambiances/atmos tracks to create a buzzing hallway or even to add tension in a basement scene with a fluorescent tube.
Low humming growls, aggressive and high pitched, glass resonant tubes, tiny filament lamp, fridge style hums, etc…
This library contains 44 designed textures and about 20 source material files with full and detailed metadata embedded ( Soundminer, Basehead, iXML), all at 96kHz / 24 bits.
Extensive recording session of a 1970 Ford Mustang ” Mach 1 ” . The Mach 1 is a performance-oriented model of the Ford Mustang, its 351 cu in (5.8 L) Cleveland V8 produces 300 HP.
This library contains onboard ( up to 8 mics ), exterior and all the spot effects and foley you’ll need ( doors, windows, seatbelt, trunk, indicators… )
For greater edit possibilities, the exterior tracks were recorded with various microphones setups :
– static wide AB array
– static Cinela LCR array ( ORTF + Center )
– Neumann KMR81 shotgun mic following the car
For the onboard setup, here’s what you’ll find:
– 2 mics in the engine ( static omni + dynamic cardioïd )
– 3 mics on the exhaust ( lavalier + static cardioïd + dynamic omni )
– MKH 8040 ORTF + a hidden lavalier inside the cabin
Foley and spot FX were recorded with the Neumann KMR81 and Sennheiser 80XX LCR setup
Urban Passes By delivers hundreds of different vehicles passing by in an urban environment, covering all your needs for traffic scenes, especially to edit cars in the background or vehicles passing by your main character’s car during an onboard scene.
No need to search through your numerous traffic recordings to find the one “pass by”, we gathered hundreds of them from very slow to fast, dry cobblestones to very wet asphalt.
This library aims to help sound editors quickly find the whooshin’ vehicles they need, it includes passes by of cars, motorcycles, mopeds, trucks, etc…
All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadatas for improved search results, including a detailed description, surface type, microphone setup, etc…
Metadata compatible with Soundminer, Basehead, etc…
The “Source” folder contains 337 files corresponding to 183 different recordings with various microphones setups :
– Cinela LCR array ( ORTF + Center )
– Some sounds are simultaneously recorded from inside and outside a car, giving you extra edit possibilities
The “ Designed” folder contains 59 stereo files with processed sounds such as :
– Interior “whoosh” passes
– Isolated wet asphalt textures
– Resonant bass vehicle textures
We recorded tons of different metallic objects like wrenches, cameras, stands, microphones,etc… to create different hits and textures for the Source Material kit, everything was recorded at 192 kHz with the famous Sennheiser MKH 8040/8050 microphones in order to capture all the harmonics up to 50-60 kHz. Then we layered/edited/pitched, crushed them to create the sounds in the Designed folder.
The “Source” folder contains 91 files and hundreds individual sounds divided into these categories:
The “Designed” folder contains 20 files and many more individual sounds, all created from the “Source Material”:
– Silenced/Suppressed shots
The “Synced” folder contains multiple groups of 8 layers + 3 silencers/suppressor, all sync’ed on some of the most common guns rate of fire :
– Ak 47
All the sounds are 192 kHz / 24 bits, giving you all the process flexibility you need. Most importantly the files are embedded with exhaustive metadata compatible with Soundminer, Basehead, etc…
This library is perfect to spice up “boring” real-life recordings, create a whole new futuristic weapon or just to give that ” Hyper Realistic ” feel to the project you’re working on.
This ambiences pack is the result of a short field recording trip/road trip I made in October 2019 around the beautiful land/soundscapes of the Scottish Highlands.
I decided to go with a LCR + AB setup, as while testing different options I found it to be very versatile and relatively light and small. All mics were mounted inside the Cinela Albert basket for more convenience, allowing me to capture multichannel ambiences ( virtually 5.0 surround ) with a single thing to set up, and perfectly sheltered from the wind.
I came across rivers, streams, lochs, waterfalls, lochs, harbors, lochs, quiet forests, reindeers slabs and more lochs.
This ” Mini Ambience Pack ” contains 24 sounds /72 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).
This library is quite self explanatory, ” Planes – Takeoffs & Landings ” is a collection of various commercial jets taking off and landing on a runway.
We recorded as close as possible to the airport fences with a multi microphones setup giving you different sonic perspectives.
The “Source” folder contains 130 files corresponding to 34 different recordings :
– AB stereo (LOM Usi)
– Cinela LCR array (Sennheiser MKH8040 ORTF + MKH8050 Center)
– a shotgun mic following the plane (Neumann KMR81)
The “ Designed” folder contains 46 files / 28 processed sounds such as fast jet fly by or sonic boom.
All the files are 96kHz /24bits and embedded with rich metadata ( Soundminer, Basehead, iXML ) .
Urban Air is a collection of long duration / ready to use / surround urban backgrounds.
This is aXLsound’s first surround ambience library, it has been recorded across different cities with various microphones setup ( LCR ORTF / QUAD / 5.0 ) and then carefully collected and edited into 5.0 surround tracks.
You’ll find various moods and sonic characteristics including: downtown, suburban, industrial, small towns, quiet, loud and annoying traffic beds, wet city, side streets, parks, wide city squares, diffuse and distant urban elements, clean air tones or dirty gritty city noise …
The duration of the tracks varies between 02m 30s for the shortest and more than 08 minutes with the vast majority lasting around 04-05 minutes, so long scenes shouldn’t be a problem. Also, some sounds include markers highlighting (un)interesting sounds and events.
For more convenience, 2 versions are available for this library :
– C / LR / LsRs : the 5.0 sounds are delivered “splitted” in three separate files : ( 1 mono + 2 stereo files ) , this way you can easily use the stereo files if you don’t need surround.
– .C / .L / .R / Ls / .Rs : multiple mono files
This ambience pack contains 33 sounds / 99 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).
Lexus LFA is a two-seat sports car manufactured between 2009 and 2012 by Toyota brand, Lexus. The production number was limited to 500 cars.
This rare and unique sounding car library features 74 high quality files recorded with multi mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving. From casual city driving, through accelerations on a race track up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features few exterior passes, but you can expect an update with more content in the future. Inside this sound effects library you’ll find designed premixed engine onboard recordings and individual stems (engine, exhaust).
This ambiences pack is the result of a short field recording trip / road trip I made in October 2019 around the beautiful land/soundscapes of the Scottish Highlands.
I decided to go with a LCR + AB setup, as while testing different options I found it to be very versatile and relatively light and small. All mics were mounted inside the Cinela Albert basket for more convenience, allowing me to capture multichannel ambiences ( virtually 5.0 surround ) with a single thing to set up, and perfectly sheltered from wind.
I came across rivers, streams, lochs, waterfalls, lochs, harbours, lochs, quiet forests, reindeers slabs and more lochs.
This ” Mini Ambience Pack ” contains 24 sounds /72 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).
Kenworth 900 is a detailed sound library containing multi-channel recordings of the various parts the truck has to offer including truck driving tracks with both exterior and interior tracks and interior and exterior doors, hisses, gearshifts and plenty other details of the truck. Everything was recorded at 24 bits and 96 kHz with a Zaxcom Nomad 12 and AKG C451E/CK1, Schoeps CCM4 and the Sennheiser MKH 416.
Carefully designed signature trailer sounds and rich cinematic elements featuring strong impactful braams, enormous horns, nerve-racking jumpscares, and cutting edge hybrid trailer sound design.
This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)
The Volvo XC70 III features 473 clips in 20.89 gigabytes of a 2008 model of the car. Twenty-one field recordings capture the Swedish car’s AWD Diesel D5 2.4 litre engine.
The collection includes a combined 36 channels of synchronized recordings. The onboard takes highlight 11 perspectives of driving at fast to slow speeds at steady RPMs, with gearshifts, and ramps. Exterior microphones are positioned at 9 close and distant positions to capture arrivals, departures, and passes on straightaways and corners. The library is complemented with Ambisonic recordings, 18+ field of metadata, and Waves and Altiverb impulse responses.
Dirt & Asphalt Volume 1 is the first addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from 3 road bikes, with additional bonus content from other road motorbikes. The library also contains acceleration ramps for use in granular playback engines.
Dirt & Asphalt Volume 2 is the second addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from two motocross events and two practise sessions, with additional bonus content provided as race atmospheres.
AMCA Motocross Classes Included:
MX1/MX2/Experts/Seniors Unlimited classes
Engine Sizes Included:
Ui Two is the sequel to our overwhelming popular Ui One collection, this collection contains 377 original sounds uniquely crafted for creating user interfaces, telemetry, gadgetry and more.
Empty Sea’s Mark Camperell, carefully crafted these sounds using a variety of beepers, boopers and other sonic tools. A sample of which include synths, samplers, spectral editors and more. Each sound was recorded at 48k/24bit. Planned, processed, mangled and otherwise destroyed, every single tone was tweaked until it was something new, original, and exciting.
As usual, we meticulously edited, mastered and embedded the files with metadata. This collection is priced to move, so don’t hesitate. If you’re tired of the your same old UI inspiration, Ui Two from The Library by Empty Sea is a great addition to your library.
An electric car sound library with a range of FX from the Hyundai SUV, Kona.
The library includes numerous driving FX on both gravel and asphalt including pass-bys, take offs, corners, approaches and skids.
It also contains a large range of interior recordings from driving at highway speed all the way to buttons and switches.
Multiple FX on each track – recorded in Sydney, Australia
car interiors library is a great supplement for all the car engine sounds that you already own. That way the action on the inside of the car is not stale at all. Dashboard buttons, seatbelts, automatic windows, switches, switching gears, brake, clutch and gas pedals, vents, turning signals. They’re all here!
Got a whole bunch of roaring car engine sounds but then realised that you’re not equipped with all of the boring stuff like:
car door handles, seatbelts, turn signal, air vents, buttons and switches, seats, storage compartments, horns, windows, pedals (gas, brake, clutch), handbrakes wend
and all other Car Interior sound effects? Well then.. look no further! This is just the pack for you.
160 wav files with over 400 single sounds in total. Car Interiors will spice up that car interior scene with real, crisp sounds, recorded from over 6 cars in total!
ENORMOUS SOUNDING PERCUSSIVE HITS
CINEMATIC STRIKES joins the BOOM Library Cinematic Series – and it focuses on big sounding drums. A whole world of cinematic percussive sound design lies a few clicks away: From devastating cracks and stomps over crisp swells and rolls to epic ensemble hits – you will be sure to find and build just what you are looking for.
With the ultimate flexibility of different microphone positions, single and ensemble hits, flams and swells using various drums and beaters, you couldn’t be better equipped to design huge blockbuster and trailer hits – or simply place ready-to-use DESIGNED sounds into your timeline and feel the earth shake.
The Construction Kit offers you one of the most comprehensive drum hit packages ever recorded. Carefully planned to satisfy and complement every spot in the frequency range, you will never run out of low end booms, aggressive cracks, mid-range body impacts, reverberant tails and excellent sweeteners to top it off.
PERSPECTIVE & RHYTHM
Not only are you able to produce impressive sounding hits, but also transition into, out of and between peaks. Control the attack and release of each sound, using rolls, flams, double hits and other meticulously performed techniques. Three coherent microphone positions make spatial adjustments a breeze.
Files: 618 • Sounds: 3708 • Size: 13 GB
CINEMATIC STRIKES – Designed is what you get when layering and processing Construction Kit sounds BOOM Library style.
From rumbling low-end BOOMS, soft and natural sounding WHOOSH HITS to aggressive, frontal CRACKS and PUNCHES, the Designed library showcases what’s possible, while saving precious time and budget on a tight schedule.
This package is particularly useful for filmmakers and trailer sound designers.
Files: 108 • Sounds: 432 • Size: 1.4 GB
Files: 726 • Sounds: 4140 • Size: 14.6 GB
Implosion is a sound effects collection of buildings being destroyed with explosives. It features 10 unique building implosions recorded across the country.
Each implosion was recorded with 4 to 14 channels of audio. To offer multiple perspectives, mics were placed as close as 150ft (~50m) and as far away as 2000ft (~600m) from the various explosive demolitions.
The eerie sound of wind resonating through wires, fences and abandoned buildings.
Recorded using the JrF C-Series contact microphone, these recordings capture the metallic resonance of wind with natural ebbs and flows.
All sounds were recorded using the JrF C-Series contact microphone stereo pair and Sound Devices Mix-Pre 6.
Resonating metallic creaks, groans, impacts, rattles and tremors from two variations of the BlueBird cargo bicycle.
This library covers all the possible perspectives, featuring recordings from the metallic box interior, exterior and contact.
All sounds were recorded using DPA 4060 stereo pair, Jez Riley French C-Series contact microphones, Schoeps CCM4/CCM8 Mid-Side microphone and the Sound Devices 788T.
Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.
The Unreal Machines I sound library includes 11 rattly and squeaky fictional metallic machines.
START. STOP. LOOP.
Each of the 11 machines is available as a kit that allows the user to extend its operation time:
Start & Stop file: The first sound file consists of the machine starting until it is running steady for a while, then it is turned off and shuts down.
Loop file: The second sound file is seamlessly loopable and can be used to extend the steady operation of the machine. Just customize it to the desired length and fade it into the middle.
Like in other recent sound libraries by The Sound Pack Tree, source material which has been used to create these sounds has been recorded with microphones that can catch ultrasonic frequencies. When pitched down, the machine sounds stay rich in high frequencies.
The Letters sound fx library contains a collection of sounds about writing & reading:
1. Handwriting with different pencils and handling of those pencils
2. Typing with different computer keyboards
3. Screen Text and Telemetry
4. Paper & Book
5. Typewriter (small + big)
Two versions are included in your download – you can either choose one or download both of them:
The audio content of both versions is 100% identical.
WINDY HILL is a collection of high quality exterior wind ambiences.
The library consists of wind gusts through branches, shrub, dry grass, coniferous trees and more.
2 Super wide AB recordings with a pair of spaced out DPA4060’s
3 M/S (decoded) with Sennheiser MKH8060 combo + Ambient ATE208
3 Sony PCM D100 recording
All SFX have baked-in Soundminer’s meta data.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060, ATE208, 2x DPA4060, SONY PCM D100
EDITED AND MASTERED WITH: RX, Pro Tools, Equality.
Transportation – Ambiance is a great collection of ambience recordings performed at various transportation scenarios.
You will find recordings such as a Train car interior, Jumbo jet interior, multiple cars interior under different driving conditions,
Bus interior, public transportation stations and much more.
This package includes 68 Samples.
A total 2h 37m of content.
Stereo files sampled @ 96Khz / 24bit.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.