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Sound Effects

  • Horror Creepy Cello Play Track 720 sounds included $79

    The Creepy Cello SFXs Instrument: A Big collection of Creepy SFXs live Cello, recorded from 3 mic positions with a Neumann U87. This is the best cello collection for your horror trailer tracks, recorded by Vesislava Todorova.

    Features 1.61 GB uncompressed content, 720 sounds in 24 bit / 96 Khz. Includes 11 instruments for the FULL Kontakt version 5.6.0 and the AIFF Version .

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  • Get Recordings from the amazing Monza Rally Show, a motoring event at the Autodromo di Monza where some of the most famous rally drivers and track racing experts compete in different races:

    • The R5 class rally cars
    • The WRC 1.6 T.Trophy for WRC 1.6 Turbo rally cars from 2011-2016
    • The Historic section for historic rally cars from 1972 to 1990.

    The cars are recorded in different track locations to have the best chances to capture the right sound: Corners, straights, chicanes, as well distant and trackside perspectives. There also include pit ambiences with cars revving.

    The sounds are recorded with a steady stereo XY setup (2 Sennheiser 8040), together with a Shotgun microphone (Sennheiser 8060), following the cars to capture more focused sounds.

    Each file has the suffix “LR” for the XY stereo files and “SG” for the shotgun mono files.

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  • Destruction & Impact Sound Design Play Track 392 sounds included, 47 mins total $89.99 $69.99

    This is a library containing what you need to create a home experience, whether is cleaning, dining or relaxing, we have you cover with this amazing pack of 392 sounds you experience at home.

    Recorded with

    • Sound Devices 633
    • Rode NTG3
    • Rode NT4
    • Seymour Duncan SCR-1
    22 %
    OFF
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  • Environments Alaska: Wind Play Track 39+ sounds included, 148 mins total From: $59

    DESCRIPTION:
    • In Alaska: Wind, get an expansive collection of forest winds from the pristine wilderness of Alaska. Hear the power of the Alaskan Range as gusts whip down from the high mountains. Hear blustery blasts whipping through the birch and cottonwood canopy and scrappy tundra spruces straining to stay vertical.
    • This library offers you a large collection of arctic wind. I hope you enjoy listening to the natural music of the wind as it sings through the boreal forests of Alaska. 

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • Spring foliage from June 2019
    • Cottonwood, birch, and spruce
    • Canopy winds
    • Swirling gusts
    • Squeaky trees and creaking branches
    • Close deciduous leaves fluttering
    BLOG POST:
    • Read the full story in my blog post The Sounds of the Alaskan Arctic.
    • Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast
    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
    • Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
    • DPA 4060s in AB
    • Sound Devices 702
    • Sound Devices MixPre-6
    • Cinela Pianissimo Double Mid/Side Blimp
    STEREO AND QUAD FILES:
    • Stereo: front mid/side decoded to left and right.
    • Quad: double mid/side decoded to quad.
    STEREO ONLY FILES:
    These recording were made with two DPA 4060s and do not include a quad version.
    The “stereo only” files are included in the specs for the “Stereo Specs” below.
  • Environments Alaska: Rain Play Track 24+ sounds included, 141 mins total From: $59

    DESCRIPTION:
    Alaska: Rain has the vast, beautiful crackling of arctic thunderstorms. Hear soothing rain deep in the boreal forest. Hear massive post-rain drips plopping and the musical call of Swainson’s Thrushes singing in the rain. Hear thunderclaps that ripple across glacial valleys and the soothing noise of a million raindrops on cottonwood leaves.
    • This library offers you a large collection of arctic rain. I hope you enjoy listening to the natural music of the weather as it sings through the boreal forests of Alaska.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased to offset my field recording travel for this library.

    KEY FEATURES:
    • A Cinela Kelly Rain Cover was used. So, all recordings were captured deep in the forest.
    • Rain in the boreal forest of cottonwood, birch, and spruce
    • Light, moderate, and heavy rain
    • Post-rain canopy drips broken loose by the wind
    • Rippling thunderclaps
    • All recordings include birds
    BLOG POST:
    • Read the full story in my blog post The Sounds of the Alaskan Arctic.
    • Hear an interview about my Alaskan Expedition on Episode 121 of the Tonebenders Podcast

    RECORDING TIPS – HOW TO RECORD RAIN:
    • Use microphones known to perform well in high humidity. I use Sennheiser microphones. View my full gear list – here.
    • Use cables made with Neutrik X-HD Series waterproof connectors. This keeps water from getting into your cable connection points.
    • Use a dry bag for your recorder. I like the Sea to Summit 65L bags because they have a wide mouth and can easily fit a recording bag through the opening.
    • Put your dry bag at least 25 feet away and cover it with local foliage. Otherwise you’ll just record the sound of rain hitting a dry bag.
    • Use a Cinela Pianissimo Double Mid/Side blimp with a Kelly Rain Cover.
    • Coat the inner cover of the Cinela Pianissimo with NixWax as Cinela directs on their website. This is a water repellant molecule that is also acoustically transparent. The water repellant causes the water to bead up and roll off while also letting the air through. Read more about how NixWax works – here.
    • The honeycomb of the Kelly Rain cover disperses drops as they hit the blimp which minimizes thumps. However, don’t use the Kelly Rain cover in areas with lots of insects because they tend to get stuck in the honeycomb, buzz for hours, and ruin recordings. The honeycomb cover also doubles as excellent protection for the blimp if a bear/moose/elk decides to chew on it.
    • Find a section of forest with low and dense deciduous leaves. These leaves catch the rain so drips don’t thump on the blimp. Occasional thumps during heavy rain are okay because they are easy to edit out in post.
    • Waterproofing a microphone blimp is totally game changing. I can now leave my rig out in the elements for 24 hours without fear of rain. Waterproof blimps and 32-bit float recorders have opened up a whole new world of recording for me  and I couldn’t be more excited.
    • Build a platform of local foliage to cover the blimp for extra protection. George Vlad has an excellent video on how to build a natural rain canopy – here.
    • I learned many of these rain recording techniques from George Vlad, so make sure you check out his work at Mindful Audio.

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform.
    • Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    • View larger version or Download CSV
    • A spectrogram is included for each audio file. Double click on the photo to enlarge.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Double Mid/Side
    • Sound Devices MixPre-6
    • Cinela Pianissimo Double Mid/Side Blimp
    • Cinela Kelly Rain Cover
    STEREO AND QUAD FILES:
    • Stereo: front mid/side decoded to left and right.
    • Quad: double mid/side decoded to quad.
  • Animals & Creatures Forest Play Track 43 sounds included, 174 mins total $35

    There are sounds of forests, swamps and meadows recorded in Ukraine, mostly in spring and summer. Recordings consist of coniferous and deciduous forests, different swamps and few meadows.

    Recording gear: Sounddevices 744t, Oktava MC-012

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  • Animals & Creatures Vocal Pack 05 Minotaur Play Track 175+ sounds included, 11+ mins total $33.33

    The Mini Vocal Pack 05: Minotaur contains over 11 minutes (68 files) of high quality Minotaur styled vocalisation exertions using 1 human actor type & a German Sheppard Mix dog type.

    The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.

    The included basic construction kit / original recordings enables further vocal details to be created for extra granular focus.

    All assets have been recorded & produced at 96kHz/24bit.
    Included in this pack:

    • 1 Human actor set: Attack, Death, Pain, Breath, Scream (Long & Short versions available for Attacks and Pains)
    • 1 set of German Sheppard Mix Dog type: Growls, Grunts, Panting, Barks, Sniffs / Sneezes (Close, Medium & Far Distant version available for Barks only)
    • Minotaur Individual vocal designed assets created from the construction kit for quick drag and drop access.
    • Sets of individual vocal designed assets (e.g. 4+ individual designed assets in one file)
    • Exertion Types included: Attack, Breath, Scream/Taunt,  Death, Grunt, Pain, Idle, Sniff
    • Basic construction kits of the original recordings with 2 microphone versions for all human content. 1 microphone version for dog related content.
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  • Weather Rain Designer Play Track 396 sounds included, 182 mins total $49.99

    RAIN DESIGNER is all about (you guessed it) rain. It’s a library like no other and here’s why:
    RD allows you to design high quality, dynamic rain sfx/ambiences that won’t end up sounding like a wall of noise.
    It gives you full control over the sound – control wetness, drippiness, background noisiness, proximity, surfaces and more.
    It’s perfect for adding more detail, sense of proximity to close up or ground level shots, enhancing rain field recordings, design complex rain soundscapes, implementing dynamic rain in FMOD/WWISE and more.

    Collection consists of three main categories:

    CONSTRUCTION-KIT 96/24 (104 SFX)
    Heart of the library. 104 high quality sound beds to design and tailor rain sounds that you need for your project
    Construction Kit consists of:
    14 carefully extracted from real world recordings rain backgrounds and noises
    4 synthesized white-noisy sweeps and beds
    86 surfaces: rain drops on metal, plastic, water, iron plates, skylight windows, glass, between glass panels, fabrics, tarps,
    muffled drops, drizzle drops, fine drops, water movements and more.

    DESIGNED LOOPS 96/24 (24 SFX)
    24 high quality, seamlessly looping, designed ambiences perfect for quick spotting.

    SOURCE CONSTRUCTION-KIT 192/24 (268 SFX)
    268 high quality source files recorded with DPA4060 and MKH8040.
    Single drips, multiple drips, water trickles and more.

    DOWNLOAD INCLUDES:
    96-192KHZ 24BIT version (396 SFX/7.09 GB)
    44.1KHZ 16BIT version for Unreal Engine (396 SFX/2.07 GB)
    RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH8060 + ATE208 + DPA4060, PCM D100
    EDITED AND MASTERED WITH: RX, Pro Tools, Brufri, DMGAudio, Sound Particles

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  • City Life Sounds & Ambiences Of Sicily Play Track 80 sounds included, 265 mins total $40

    This library consists of 80 recordings from the beautiful Italian island of Sicily. Centered around the Eastern coastal city of Catania and surrounding areas, this library includes everything you need to get a real feel of this historical island.  It includes everything from town ambiences to beaches, traffic, harbor sounds, markets, church bells, transport and much more.

    Over 4.5 hours of audio, with most ambiences over 3 minutes in length.

    Perfect for filmmakers, theatre sound designers and anyone who needs that authentic, everyday sound of Sicily and Sicilian life.

    All recordings are at 24Bit/96KHz with Soundminer & RIFF metadata embedded.

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  • Environments Collected Ambiences – Volume 12 Play Track 33 sounds included, 180 mins total $28

    “Collected Ambiences“ – Series description:

    Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
    All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
    All files were cleaned, edited and most of the files loop seamlessly.

    Collected Ambiences – Volume XII
    Countryside, Heavy Duty Gardening, Riverside, Rain, Zeppelin, Garden, Trainstations

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  • This is Part 01 of the “GlitchFX Percussion Sounds 02” Sample collection: It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.

    Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
    Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.

    • 102 x Claps & Snares
    • 80 x Kicks
    • 45 x Hats & Noise
    • 104 x Percussions
    • 180 Glitch, Dirty & SFX
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  • City Life Collected Ambiences – Volume 14 Play Track 33 sounds included, 160 mins total $28

    “Collected Ambiences“ – Series description:

    Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.

    All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
    All files were cleaned, edited and most of the files loop seamlessly.

    Collected Ambiences – Volume XIV
    Harvester Cabin, Home Improvement, Busy Exhibition Hallway, Kids Crowds, Farm, Coutryside

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  • Environments Collected Ambiences – Volume 13 Play Track 50 sounds included, 275 mins total $45

    “Collected Ambiences“ – Series description:

    Each library of the “Collected Ambiences“ series features 33 various Stereo Ambiences.
    All recorded with Sound Devices 744T, Sonosax SX-R4+, Sennheiser MKH8040 ORTF, Sennheiser MKH8050 + MK30 MS, RODE NT1-A or Sony PCM-D100.
    All files were cleaned, edited and most of the files loop seamlessly.

    Collected Ambiences – Volume XIII

    As volume X this volume also contains 50 various Stereo Ambiences.
    City, Traffic, Car-Horn Chorus, Howling Wind, Roomtones, Train Control Room

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  • This is Part 01 of the “GlitchFX Percussion Sounds 01” Sample collection It contains over hundreds of dirty, glitchy percussive sounds to spice up your tracks.
    Noisy hats, dirty percussion sounds, devestated kicks and mutilated snare drums. Everything far from clean.
    Fits perfectly for electronic music like GlitchHop, EDM, Trap, Dubstep, HipHop and many others. And of course for any kind of sound design.

    • 102 x Claps & Snares
    • 80 x Kicks
    • 45 x Hats & Noise
    • 104 x Percussions
    • 180 Glitch, Dirty & SFX
    Add to cart
  • Cars Volkswagen Golf 2001 Play Track 358 sounds included $249

    Recording of a German 2001 Volkswagen Golf Sportscombi with a 1.6 litre engine with 5 speed transmission in a total of 14 synchronized takes.

    The German 2001 Volkswagen Golf Sportscombi sound fx collection features 358 clips in 29.21 gigabytes of field recordings. It showcases the sound of its 1.6-litre engine with 5-speed transmission in a total of 14 synchronized takes.

    The 11 onboard takes feature microphones mounted in the engine, at the exhaust, and the interior (with an Ambisonic perspective) to record driving with gearshifts, steady RPMs, and ramps. In addition, three stereo rendered mixes of each position are included for easy editing. The 8 exterior microphones were positioned at 5 locations to record starting and shutting down, departures and arrivals, and passes (including doppler horn bys) at slow to fast speeds. Also included are performed sound effects of doors, windshield wipers, horns, and more.

    The package is complete with Reaper and Pro Tools editing sessions, Altiverb and Waves impulse responses of the cabin interior, and full professional metadata embedded in every clip.

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  • Recording of a Lancia Delta Integrale HF 16v rally car from 1989 with a turbocharged 2-litre Lancia 16v 4 cylinder engine and Garrett T3 turbocharger producing 200 bhp (149 kW) at 5500 RPM and a maximum speed of 137 mph (220 km/h).

    The Lancia Delta Integrale HF 16v rally car sound fx collection includes 198 clips in 16.03 gigabytes. It showcases the sound of a 1989 version of the Italian car and its turbocharged 2-litre Lancia 16v 4 cylinder engine and Garrett T3 turbocharger producing 200 bhp (149 kW) at 5500 RPM and a maximum speed of 137 mph (220 km/h).

    A total of 11 synchronized takes gather both onboard and exterior recordings. 9 onboard perspectives from the interior, engine, and exhaust share driving with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives present driving away, approaching, passing by, idling, and more from multiple microphone locations. Also included are stereo mixes of the interior perspectives, Pro Tools and Reaper mixing sessions, 18+ fields of Soundminer, BWAV, and MacOS Finder metadata in every clip, and keyword translation import files in 7 languages.

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  • Cars Volvo PV4 1929 Play Track 280 sounds included $249

    Recording of a Volvo PV4 from 1929 with a 1.9 litre, 4-cylinder side-valve, 28 horsepower engine.

    The Volvo PV4 sound fx collection features 280 clips and 10.42 gigabytes of an antique 1929 Swedish car. Also known as the Jakob or ÖV4, the library shares a total of 22 takes of its 1.9 litre, 4-cylinder side-valve, 28 horsepower engine.

    A total of 25 synchronized channels capture onboard and exterior recordings. Microphones placed at three exterior locations (7 perspectives) depict starting, shutting off, departing, passing, and arriving. The onboard microphones (6 perspectives) were placed inside the cab, around the engine, and at the exhaust to capture driving at steady RPMs and with ramps. Also included is an interior Ambisonic perspective, a number of false starts, and performed effects.

    Every clip is embedded with Soundminer, BWAV, and MacOS Finder metadata comments.

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  • Cars Volvo PV831 1954 Play Track 306 sounds included $249

    Recording of a Volvo PV831, the 1954 Swedish vehicle – common as a cab in the 50s and 60s and also known as the Suggan, Sow, and droska, and PV802 –  powered by a 3.6 litre ED straight 6 side-valve engine with 90 horsepower.

    The Volvo PV831 sound fx collection features 15.37 gigabytes of audio in 306 sound clips. This classic 1954 Swedish vehicle – common as a cab in the 50s and 60s and also known as the Suggan, Sow, and droska, and PV802 – is powered by a 3.6 litre ED straight 6 side-valve engine with 90 horsepower.

    The sound library gathers 15 takes of synchronized interior and exterior field recordings. The exterior recordings include 8 perspectives with 17 channels of audio. Those takes have microphones positioned on straightaways and at corners at various distances to capture slow, medium, and fast maneuvers of passing, departing and arriving. The onboard takes (8 perspectives and 12 channels) capture driving with gearshifts, ramps, and steady RPMs from the exhaust, engine, interior, and an Ambisonic microphone. Also included are performed effects of doors, the glove box, radio, and many other specific sound fx.

    All clips feature 18+ fields of embedded metadata.

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  • Recording of a Dodge A100, a 1965 American pick up truck with a V8 318 C.I. small block Mopar engine.

    The Dodge A100 pick up truck sound fx collection includes 312 clips in 18.29 gigabytes of audio. It features the sound of an American 1965 pick up truck with a V8 318 C.I. small block Mopar engine.

    The sound bundle includes a total of 14 synchronized takes of field recordings. The 11 onboard perspectives capture driving at steady RPMs, with gearshifts, and with ramps from the engine, exhaust, and interior (including an Ambisonic perspective). The 8 exterior takes share departures, arrivals, and passes at slow, medium, and fast speeds from various distances and positions. Also included are mixes of the interior microphones, and some performed effects of doors.

    The package is delivered with Pro Tools and Reaper mixing sessions as well as 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.

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  • The Case Puma 180 CVX row-crop tractor sound library showcases the sound of a 2001 version of the American tractor with a 180 horsepower 4-wheel drive engine with automatic gears.

    The Case Puma 180 CVX row-crop tractor sound library includes 395 sound effects in 57.57 gigabytes of audio. It showcases the sound of a 2001 version of the American tractor with a 180 horsepower 4-wheel drive engine with automatic gears.

    A total of 15 synchronized takes share both onboard and exterior driving. The 7 exterior perspectives include turning on and off, departing and arriving, passing by, and more at slow to fast speeds from multiple distances and positions. The 14 onboard perspectives include interior (including an Ambisonic perspective), exhaust, and engine locations that capture driving at steady RPMs, with ramps, and gearshifts. Three stereo mixes of the interior, exhaust, and engine are also available for quick and easy editing. Performed effects of doors and buttons and more are included as well.

    The package includes Altiverb and Waves impulse responses of the interior cabin, Reaper and Pro Tools mixing sessions, and full professional metadata in every clip.

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  • Foley Office hits Play Track 132 sounds included $19.99

    132 sounds to experience the true colors of an office, everything you do on a day to day paperwork

    Recorded with

    • Sound Devices 633
    • Rode NTG3
    • Rode NT4
    • Seymour Duncan SCR-1
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  • The car is a beast and we recorded it in all its beastliness, at varying speeds from its soft metal purr to its ferocious roar, on the test track, inside and out, with all the very best equipment. From many angles, we used the following microphones: Interior – Neumann U 87 and Sennheiser Ambeo; Engine – Schoeps CMC6 MK4, Neumann KM 184; Exhaust pipes – Electro Voice ND 868, DPA fastening; Outside points – Sennheiser MKHs 70 & 416, and also again the Neumann U 87. If your project needs the sound of a great car, recorded in a great way, get it here.

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  • Destruction & Impact Tortured Piano Play Track 500+ sounds included, 135 mins total $80

    Sounds of a tortured, tormented and ultimately destroyed vintage piano.

    Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.

    Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.

     

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  • Recording of an Italian Lamborghini Aventador from 2014 with a 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.

    The Lamborghini Aventador sound library 366 field recordings from a 2014 luxury Italian vehicle totaling 27.48 gigabytes. The clips capture the sound of the 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.

    The collection features 19 synchronized takes of onboard and exterior perspectives. The onboard channels (12 channels) offer 11 perspectives of fast, medium, and slow driving from microphones placed at the exhaust, in the engine, and inside the cabin. The 10 exterior perspectives collect 21 channels of the sports car starting, departing, passing, arriving, and stopping. Performances include driving at steady RPMs, with gearshifts, and with ramps. There are also tracks of steady idling, with blips, and steadies in neutral.

    Every track is embedded with 18+ fields of detailed metadata. The collection is with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

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