From 24/96 Sound Effects. Immersive Parks and Forests features 28 HD 24bit/96khz Surround Sound Effects with a large selection of Parks, Forests and Residential Areas. Most of the tracks were captured in Los Angeles during the 2020 Corona Virus shutdown, so the ambiences are quieter with less human activity. Recorded with a Voyage Audio 2nd Order Spatial Microphone. Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R) Most tracks are 2-3 Minutes in length with embedded metadata. All new, original recordings. Want a taste of what’s included? Download the O2A and 7.1.2 Surround Demo files here: https://tinyurl.com/ImmersiveParks and try it out on your own system!
From 24/96 Sound Effects. Immersive Parks and Residential continues a series started with Immersive Parks and Forests, features 26 more HD 24bit/96khz Surround Sound Effects with a large selection of Parks, Residential Areas and City Rain. Most of the tracks were captured in Los Angeles during the 2020 Corona Virus shutdown, so the ambiences are quieter with less human activity. Recorded with a Voyage Audio 2nd Order Spatial Microphone. Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Immersive Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R) Most tracks are 2-3 Minutes in length with embedded metadata. All new, original recordings. Want a taste of what’s included? Download the O2A Ambisonic and 7.1.2 Immersive Surround Demo files here: https://tinyurl.com/ParksResidential and try it out on your own system!
From 24/96 Sound Effects. Immersive Room tones features 28 HD 24bit/96khz Surround Sound Effects with a large selection of Interior Room tones and Quiet Places. Empty rooms, Hallways, Automobiles and more. Recorded with a Voyage Audio 2nd Order Spatial Microphone. Mastered with ProTools Ultimate in 3 configurations: Ambisonic (Ambix 2nd Order (Wyzxrstuv), Atmos™ 7.1.2 Surround Sound (LRCLfeLssRssLrsRrsLtsRts) and Stereo (L-R) Most tracks are 2 Minutes in length with embedded metadata. All new, original recordings. Want a taste of what’s included? Download the O2A and 7.1.2 Surround Demo files HERE and try it out on your own system!
A pack of forty 5.1 high-definition surround effects with a L,R,C,LFe,Ls,Rs track layout.
Over two hours of Water, Crowds, Trains, Boats, Aircraft, Birds, Bees and Fireworks all in glorious surround, captured with high-end equipment at a range of locations.
Full Soundminer metadata embedded and a Excel spreadsheet included. Recording equipment includes Soundfield ST250 and ST450 microphones, DPA 5100 microphone, Metric Halo 2882 and ULN-8 interfaces and Sound Devices 788 & 744 recorders.
Impact is a 100 sound collection of light and heavy abstract hits sourced from lo-fi recordings of the destruction of laptops, mobile phones and a handheld games console. The sounds have been manipulated with extreme editing and digital processing – leaving little to no trace of the original recordings behind – to bring a series of production elements ready to drop into your latest trailer, environment or Industrial/EDM music production. Featuring huge sonic eruptions, metal on metal collisions, robotic movement, found sound snare drums, tech debris and more, this versatile array of sound effects may be just what you need to give your latest production that extra bit of Impact.
Exclusive to A Sound Effect, this library comes with 100 bonus source material sounds featuring hammer hits, drops and debris scrapes!
The Impact Collection is a library of 304 impacts, whooshes, swells, static, rises and zaps all designed with Trailers and Promos in mind.
These sounds were designed using anything I could hit, bang, rumble and smash. In the process I destroyed a couple tools and put a healthy dent in a spare refrigerator, not to mention the smashing of dozens of plates as well as my neighbor’s leftover ceramic tiles.
After recording all of my source material I got to work on building pre-made impacts in various ways as well as adding a healthy dose of plug-in abuse. My Genelecs may never be the same! Thanks for listening.
This collection delivers a vast variety of Impacts, Hits & Whooshes that are commonly used in contemporary trailers and big screen productions.
Refine your scene with Impacts, Hits & Whooshes to give it that extra oomph.
Impacts, Hits & Whooshes – Air, Transition, Bass, Dark, Explosion, Fire, Flutter, Glass, Magic, Metal, Percussion, Synthesized, Transition, Water, Wood
A massive collection of 423 impacts, smashes, hits and explosions.
24-bit impacts, recorded and designed with ice, glass, metal, water, wood and other sources. Clean and processed, from small wood knocks to massive designed bomb blasts and deep pulses.
All sounds were recorded or designed at 24-bit 96kHz, with embedded meta data.
This Muscle car was hoisted up on jacks and run up to 40 miles per hour, recorded from the hood, underbelly, interiors and tail pipes you’ll get full coverage of the car running, getting up to speed, and slowing to a stop. Included in the library is through car foley covering doors, glove box, seat belts, and seat adjustments.
Implosion is a sound effects collection of buildings being destroyed with explosives. It features 10 unique building implosions recorded across the country.
Each implosion was recorded with 4 to 14 channels of audio. To offer multiple perspectives, mics were placed as close as 150ft (~50m) and as far away as 2000ft (~600m) from the various explosive demolitions.
Impulse is a collection of “designed” impulse responses to expand your design palate, featuring a wide variety of metallic, wooden, glass, and icy reverbs, as well as some delays and effects. The IR included in this collection are unique “spaces” to help you take your sound design to different realms and planes of being. Why settle for just practical, real-world spaces, when you can explore the blurred lines between reality and fiction? Film, tv, and internet productions are exploring realms between conscious reality and the unknown – this library seeks to help you on those journeys.
Whether you’re looking for metallic, wooden, glassy, icy or even watery spaces – look no further. There are small, claustrophobic, metallic spaces; huge, thunderous spaces fit for a Greek god; icy castles only Superman could live in; strange delays that will have you bouncing around the room in a straight jacket; and crazy effects that will make you question your sanity.
The included track list gives short descriptions to help you find something to suite your needs. For example “Short Verb – Box Trap” is described as “Like you’re in a very reverberant, but small, bassy, wooden box.”
Impulse responses included:
• Short Reverbs
• Medium Reverbs
• Long Reverbs
A perfect tone. It’s the thing that you always wonder about when you play with your guitar. We know your needs. This collection of impulse responses, will finally unlock the character of your electric guitar.
It’s a unique collection of accurately sculpted cabinet tones for electric guitars and bass, made with a truly scientific approach focused on precision.
We physically reconstructed the impulse responses of the very best studio equipment, as well as the mic coloration from mathematically-modeled high grade dynamic, condenser and ribbon microphones. It’s a great companion for your convolution engine and amp sim, for the extra vintage feel and mighty character that you as a musician require.
The NRS quest for the perfect guitar tone continues. This time we have covered the grounds that are wild and hard to reach, for most. Our unique team of sound designers have, spent the last 6 months developing a brand new set of cabinet and mic impulse responses for you. Thanks to our custom mathematical equations and processing algorithms that aid us in accurate hardware modeling, we have reached a much wider than usual variety of sound possible.
The final result closes the gap between our previous release and adds an inspiring selection of new tones which will fit both acoustic guitarist and aggressive rock-roll head or pure bass guitar virtuoso. We can guarantee that you will be very positively surprised. Try our mic-coloring IRs for gentle character or creative use, or dive deeper into guitar and bass cabs, to enjoy an experience full of wonderful tones and possibilities. Buckle up, it will be a wild ride.
Make room for our groundbreaking Impulse Responses library! Yes, we are serious, it’s the high quality collection of experimental convolution samples that could easily, if unchecked, contradict the laws of physics and nature. These impulses were recorded and deeply-processed to create reverb tails with unique characteristics as well as creative effects that are not accessible or easily simulated in any other way. Prepare yourself for an immersive experience of sonic trickery applied throughout the included material.
We dive right into additive synthesis, to generate chord and tonal effects, then we throw away the rulebook for pitch-shifting and time-stretching, then we go even further with glitch-like effects; finally, we manipulated the timbres in combination with custom rhythmic-noise generation tools to create the extraterrestrial atmospheres that will let you turn any material into a completely unique experience.
These samples, are designed to be user-friendly, no unwanted resonances; but in the hands of the professionals, these deep impulses can be the new edge for mixing and sound design. Creating Hollywood-style cinematic-effects, futuristic-glitches and ambience goodness, was never so easy. Just drag, drop and feel the air shake.
Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.
Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.
They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.
The journey continues. This time we focused our attention on resonant chambers, unusual small-spaces, rooms and corridors (spiced with unique tonal character). These impulse responses will put your instruments in tight-spaces that are unreachable in the real world.
Including organic, futuristic environments and psychedelic chambers, all surprisingly fitting in a natural way. Just for this project, we pushed granular synthesis to the limits, mixing it with great sounding analog gear and a handful of our special algorithms, to make sure we delivered the most versatile and dynamics-rich product. Everything is ready for professional use, right out of the box; thanks to the precisely controlled tonality of the IRs.
You won’t find anything like this in any other place, and we are fully proud of it. Just try it.
We are proud to present the next step in our impulse response research; Impulse Exploration 4. This time we have combined all the algorithms and processing techniques used in our previous IR-based products including FM, AM, time stretching, pitch-shifting, spectral-synthesis and multi-faceted manipulations, then added rhythmic elements, which result in tape echo-like sounds or metallic-comb textures.
All of these new impulses were optimized with a slightly soft-warm feel which perfectly fits the mix. It’s an entire world of brand new processing effects and possibilities which can be easily unraveled within any convolution engine, ready to be explored. We hope you enjoy the trip.
Have you heard about fractals, if so then you probably know that they can be used as art; to an almost-infinite detail creating mind boggling patterns. Luckily, it so happens that one of our core team sound-designers is also a well known fractal artist.
With the help of “photo-synthesis” and “spectral-manipulations”, we extracted the unique impulse responses straight out of some of the most mathematical pieces of art we have ever seen. These visually insane patterns resulted in some truly unique sonic experiences, which we have been unable to find anywhere else. More importantly, now you can add an extra layer of complexity and dimension to your sound with the easy-to-use impulse responses.
These are not the typical reverb tones that can be found or created, in most already-existing convolution reverb plugins.
Think about these Mathematical Impulse Responses, as unique effects and textures, a sound designer’s’ paradise. Make your math-rock mathematically richer than ever before, or give your EDM a new harmonically otherworldly twist, go where you want to go without the fear of being held back by the tools you use.
Let’s step into the wonderful world of classic hardware reverbs. The Lexicon legends; the 960, the 480L, the PCM90 and so forth used in thousands of tracks across tens of thousands of albums, and a number of the world’s’ greatest hits. Everyone knows what’s special about them, and how good they sound. We just love the natural beauty of the “Lexicon 960”, “Lexicon 480L” and “Lexicon PCM90”.
However, instead of giving you our sampled Impulse Responses from those marvelous pieces of audio engineering, we decided to step up the game and combine them into one new device. All three of them were combined into one product, thanks to the use of FFT algorithms and complex audio processing aimed for precision and sound quality.
The final result is just astonishing, we named it “Lexi”; a new hybrid with a natural and richer sound that keeps the warm tonal character of the classics. Our team also couldn’t resist to the temptation to push our audio-processing scripts to the limits, so you not only get the great sounding regulars, but also a few of the modern (both brighter and way deeper) Impulse tones that those original devices couldn’t produce. Now it’s your turn to decide which way you use them. Will it be the remaster of a classic rock song or the new EDM club hit? The decision is truly yours.
IN MOTION is a collection of high quality time-lapse-like sound effects, indicating passage of time.
40 high quality, carefully rendered, sound effects created with FILM and TV in mind.
Enhance your time-lapses/hyper-lapses, Created original sound transitions to give your documentary
that desirable, modern sound.
RECORDED WITH: PCM D100, NTG3
CREATED WITH: Sound Particles, Pro Tools
“INACCURACY” is a collection of 152 digital glitches, errors and malfunctions. These sounds were created using a great variety of audio sources (from vocalizations to, even, designed Sci-Fi weapons) processed with extreme changes in time, velocity and pitch to obtain very direct and aggressive glitches.
The sounds in “INACCURACY” are great for any kind of Sci-Fi production (games, trailers and movies).
A comprehensive Ambience Collection of countryside India featuring Andaman Islands, Tamil Nadu, Rajasthan, Maharashtra, Kerala, Uttarakhand. It Includes Tropical Forest, Beaches, Tropical Island Life, Himalaya Village Life, Rajasthan Countryside and Sounth Indian Lifestyle. Nature, Train Rides, Villages, Birds, Weather, Thunder, Insects, Roomtone of Bamboo Huts.
A comprehensive Ambience Collection of Urban India ambiences, featuring cities like Mumbai, Port Blair, Rishikesh and Udaipur.
It includes Scenes of everyday life in India, street life scenes, Prayer, Chants, Mantras, Muslim Prayer, Train Rides, Busy streets, Traffic, Markets, Rivers, Roomtones of Busy People, Andaman Islands, Tamil Nadu, Rajasthan, Maharashtra, Kerala, Uttarakhand.
Indecent Machines is a sci-fi sample pack inspired by a concept of mechanical disrepair and emergent AI consciousness. It features 1.7 gigabytes of 24-bit/96khz samples and bundled Kontakt kits, created by producer/sound designer Chad Glenn.
These sounds originated from field and studio recordings of various machines which were then processed through custom DSP algorithms using Kyma and other sound design tools.
The result is a unique set of mutant robotics, mechanical snippets, evolving textures, rhythmic artifacts and menacing atmospheres appropriate for music and sound design projects of all kinds. Features 347 .wav files and 5 Kontakt kits (full version of NI Kontakt required for the Kontakt files).
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.