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Featuring 38 pristine nature recordings from remote locations across the U.S., Biophony delivers a diverse collection of ambient environmental sounds. Delivered in 24-bit/96kHz FuMa Ambisonics format as well as stereo, this library contains amphibians, sea animals, insects and other wildlife interacting within distinct biomes. Use these sounds to enliven your nature scenes with a rich, authentic ecological backdrop.
To capture these sounds, recordist Jason Strawley and videographer Andrew Garraway traveled to four states from Florida to California with the goal of capturing a variety of ecosystems including swamps, ponds, and forests. The result is a dense collection of vibrant wildlife recordings brimming with life. According to Strawley, one of the most difficult aspects of the process was finding locations unaffected by human intervention, be it noise pollution or the overarching effects of climate change. In his own words:
“Human-made noise pollution foiled many a recording, forcing us to travel to more and more remote locations. We should all be advocating to preserve more wild lands, but it’s not just about the land – we need to preserve the soundscape and darkscape as well. Some national parks are doing a great job with this and I hope we can contribute to awareness in some tiny way.”
Each sound file is embedded with rich, descriptive metadata to help you find the exact ecosystem and animal recording you need. Biophony is also included in Pro Sound Effects’ CORE: Pro.
Attention: Extreme Subwoofer Rumbles! After making our first volume of Bass Drops & Downers, we decided to go even lower! Handmade by our Audio Craftsmen, these 50 effects are designed to bring drama and energy to your productions. Handcrafted using analogue synthesisers and hardware effects, they are guaranteed to give your audience the excitement and suspense you’re looking for; all recorded and supplied to you at 192khz 24bit.
Each sound is individually crafted featuring it’s very own unique and sensational character, ranging from applied low-end mulit-band distortion to extreme envelope modulation, to reinforce those intense moments! Not to mention, included in this pack is all of your absolute imperative, must have, bass-drop tones, coming straight to you from our collection of eloquent, stereo analogue synths programmed by our in-house specialists.
Composers, Producers and Film-Makers alike; this pack provides you with powerful bass drops, breathtaking blasts and explosive bass rumbles for your most sensational and electrifying projects yet. Due to their inherent high resolution, you are free to further manipulate these sounds by any means you could possibly desire. Push your low-end to the next level!
The Ultimate Horror Ambience bundle brings you the very best products we have to date to perfectly set your horror scene. Inspire fear in your audience with our fantastic range of ambience. Everything from Haunting Ambience to Cymbals from Hell to Ghostly presences will provide the perfect background layering to set up your next horror project.
Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.
Included Libraries:
Haunting Ambiences Vol. 1
Haunting Ambiences Vol. 2
Haunting Ambiences Vol. 3
Cymbals from Hell Vol. 1
Cymbals from Hell Vol. 2
Cymbals from Hell Vol. 3
Ghostly Presences
Phantasmal Ambiences Vol. 1
Phantasmal Ambiences Vol. 2
Ready, aim…FIRE!
Pull the trigger on this one-of-a-kind antique gun library! Using a multi-mic configuration (comprising the Sennheiser MKH50, Røde NTG-3 and Line Audio CM4 Stereo Pair) our Audio Craftsmen recorded a professional armourer manipulating two authentic 19th century muskets. The result is a carefully edited collection of intimate sounds, including opening and closing the frizzen, dry firing, trigger fidgeting, dropping and dragging the gun on various surfaces, loading with ramrods, blowing into the barrel, hands sliding and twisting across the gun, slamming the stock, grabbing the barrel and more!
Our multi-mic set-up means for most of the actions you can enjoy different perspectives while designing technical scenes. Perfect for Film, TV, documentary and game projects that feature flintlock or caplock muskets, rifles or pistols. This library is a real Foley treat!
Sounds have been separated into the following categories:
General Handling: Hand twists, grabs and slides.
Scraping: The stock (butt) of the gun scraping across wood and cobbles.
Loading: Actions involving the ramrod and barrel.
Mechanisms: Manipulation of cock, caplock, frizzen and trigger.
Groundwork: Anytime the gun is in contact with concrete, earth, sand and wood surfaces. Includes the gun dropping, falling and being picked up, as well as the stock slamming onto the ground.
Each file contains multiple performances of the named action.
All sounds were recorded in 24Bit 192kHz, and have been tagged with extensive UCS metadata for ease of use.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
Looking for some new and different background tracks? Create more movement within your BG’s tracks with dynamic files. These tracks might be just what you’re looking for. With an average of 4 min. per track, and as long as 10 min., the days of repetitive copy/paste are behind you.
The advantage to long tracks is that it will never sound looped, and thus, no listener fatigue.
This library consists of urban and city traffic ambiences and dins, high desert amb, small town amb, busy and calm ambiences. There are both day and night time scenarios.
Add this collection, “Essential Sound Urban Background Ambience & Traffic PART 1” and it’s counterpart, “Essential Sound Urban Background Ambience & Traffic PART 2“, to your library and see what all the noise is about.
All sounds captured with Zoom H6 and Zoom F6 recorders
Mastered in Pro Tools.
There's a whole lot of rattling going on in this library – from objects on a ferry to furniture, glass, plastic, vans and some serious subwoofer shakes. Oh, and the mandatory hospital bed shake, of course.
Industrial Ambiences – perfect for realistic industrial settings, adjacent to factories, dockyards, warehouses. Subtle intricate backgrounds, eerie man-made areas and horror ambiences. All files at least four minutes in length.
• 53 Tracks Total (25 Day time Tracks, 28 Night time Tracks)
• High Resolution Photographs of Recording Locations Included
• Thorough UCS compatible metadata included in all files
• All tracks recorded and edited at 24bit, 96kHz
• Each Track around 4 Minutes in Length
• 6.9 GB compressed download, 7.5 GB uncompressed
Get the sound of bomb blasts, explosions, debris and destruction in this high-impact library. The sound effects are separated into categories like falling glass debris, falling metal debris, stone debris and mixed falling rubble explosion impacts, allowing you to customize the sound and intensity of your explosion.
The Blacksmith Sound Effects Library gets you the ringing, banging sounds of hammer impacts on an anvil, as well as the sounds of a large blacksmith's bellows.
Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.
The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.
We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.
Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.
Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.
From deep growling and gargling vocals to nasal sounds, this unique collection provides a wide array of camel vocals and noises. These camels has been hunted in the arid deserts of Jordan and Morocco and captured with high-quality equipment.
Each track contain various variations of:
This collection provides original voice textures to design monsters and animals! All Faunethic tracks includes metadata carefully edited with Soundminer
Travel through Barcelona, Spain in sound with this sound effects library recorded by Ana Monte. It features recordings from around parks, beaches, touristic areas and even a marathon finish line!
18 read-to-use stereo tracks with all the appropriate metadata ready to be used on your next production.
Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…
With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.
All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.
Generators and Compressors
• Industrial Machinery
• Radio static
• Crackles and glitches
• Ground hum and buzz
• Transformers
• Transportation cabin hums
• Gas leaks, air leaks and bursts
• Air conditioners
• Fans, from tiny to massive
• Vents
• Elevators
• Afterburners
• Voids
• Rumbles
• Force fields
• Transmissions
• Sci-Fi Machinery
• and more…
‘Coins’ by Badlands Sound includes 100+ clean and high-quality coin sounds. Everything from one coin, a few, too many coins dropping on various surfaces like wood, water, metal, and other coins. Also, includes Foley sounds of grabbing coins perfect for film and video games.
Get the sounds of switches, buttons, knobs and handles – recorded inside an old, retired flight simulator donated to the Danish Technical Museum.
This machine used to make aspiring pilots sweat in their seats, putting them through all sorts of mechanical failures, emergency landings, and just plain flying.
There is basically a switch, button, knob or handle to start every single possible emergency situation a pilot and crew may encounter when flying.
When the sound recording started, some of them were partly broken, and others missing, some did not turn or switch, but most of them were still there and worked beautifully. The variety is surprisingly great, and very different from today's modern switch sounds.
91 tracks, recorded with a Sennheiser 416 onto a Sounddevices 702, all tracks Metadata tagged.
Virtual UI is a library of over 500 high-tech user interface sounds. Using a combination of digital and analogue gear, sound designer Daniel Mumford has created super-usable wipes, beeps, notifications, menus, power-ups and downs, errors, buttons, data, malfunctions, switches, alarms, atmospheres and drones.
• In Northern Rockies: Miniature, get a mini-nature collection of ambiences from the mountains of Montana. Hear hallowed halls carved by glacial sculptors. Hear quaking Aspens and Ruffed grouse drumming on hollow logs. Hear euphoric dawn choruses, merry songbirds, sacred stillness, and stately woodpeckers knocking on forest doors. This library gives you a small collection of both “quiet” and “active” nature sounds from the continental divide of North America.
• Only 26 glaciers (of the 150 in 1850) remain in Glacier National Park and all are predicted to melt within 30 years. Hear the sounds of this stunning natural cathedral while the glaciers remain. The ecosystem won’t sound the same when they’re gone.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!
• Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I’ve been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.
• Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you’ll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.
• Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.
• The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.
Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.
Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.
Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.
Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.
“Helinä” can be translated as “the tinkling sound made by the shaking of tiny bells”. These may be wind chimes, and some are quite large, but the meaning of the name still rings true. Beautiful, glorious, and entrancing wind chimes, all stirred up for your designing and listening pleasure.
We’ve meticulously recorded and only very lightly edited 15 different sets of wind chimes composed of varying materials, shapes, and sizes. The result is a stirring array of shimmering textures from the soft dull knock of bamboo to the brilliant crystalline sparkle of obsidian.
The chimes sets and performances include:
Chimes: Bamboo, Glass Shards, Porcelain Bell, Cast iron Bell, Glass Bell, Stoneware, Obsidian, Buoy, Paper/Mixed, Copper, Aluminum, Bronze, Agate, Shells, Capiz
Performances: Flowing (Short, Med, Long), Breeze (Light), Windy (Moderate), Stormy (Heavy), Quaking, Plops, Gusts, Strikes, Grabbing, Releasing
You’ll get incredible tonal depth, preciously sustained tails, and conveniently isolated strikes and “gusts” resulting in a natural representation of each chime. All of the chime-work was recorded in 192 kHz so you can bend, stretch, and twist with the comfort of the extended harmonic content of each chime. The majority of the stereo content is presented in Mid-Side format (noted in tracklist and metadata) such that the stereo width can be dialed in as desired and a clean mono track can be had without any added processing or summing. All of the performances resulted in 50 separate files for each of the 15 chimes, making layering and matching performances a breeze. In addition to the chime sets, we’ve included four stereo wind captures, in different capacities and locations, for adding context and ambiance to any wind chime-appropriate environment you may find yourself working on.
• In Rock Creatures, get a visceral collection of guttural and grating vocalizations from the volcanic rocks of the Davis Mountains. Scrape rhyolite with intense pressure and hear guttural screeches with vigorous, physical energy. Hear the thick weight of boulders growling and frenetic stutters of rocks performed to sound like animals. Hear textured squeaks of small stones sliding. Hear rocks rich in titanium clattering to create otherworldly harmonics perfect for creature sound design.
• This library offers you an extensive collection of rocks painstakingly performed to bring these inanimate objects to life and transform them into intensely vocal creatures.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
Armenia Faunethic sound library is a unique collection of 37 sounds recorded in this small country landlocked in the Caucasus mountain range, right in the middle of Orient, Middle-east and Asia.
All these sounds has been recorded and produced with high quality equipment at 24 Bit / 96 kHz.
All Faunethic tracks include metadata carefully edited, compatible with Soundminer, Soundly and Basehead.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.