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Home Sound Effects

Sound Effects

  • Want to make your visual effects breakdown stand out?

    BREAKDOWN ELEMENTS – a bold collection of sound effects for visual effects breakdowns.

    Our mission was to create a unique and easy-to-use selection of sound effects that takes an entirely different approach to cliche synthesized sci-fi sound effects.

    The majority of elements have originated from organic field recordings which have been elegantly manipulated into a wild new form. This gives the sounds a natural, physical vibe to them – a style that we are certain you’ll love.

    The collection is structured into eight categories: BED, BUILD, IMPACT, INTERFERENCE, REWIND, RISER, TRANSITION and WHOOSH. Each element has been designed to work both by itself or layered to produce more complex textures. Additionally, each element has 4-6 variations to maximise versatility.

    All sounds are royalty free and equipped with comprehensive Soundminer metadata for rapid access.

    We are extremely proud of this collection and we hope you will enjoy using the sounds. Your ears won’t be able to believe their ears!

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  • Surround Sound LAB is proud to present our third ambisonic library decoded and mixed in Dolby ATMOS.

    We recorded the Cantabria Country in Spainan area belonging to Green Spain, the name given to the strip of land between the Bay of Biscay and the Cantabrian Mountains, so called because of its particularly lush vegetation, due to the wet and moderate oceanic climate. The climate is strongly influenced by Atlantic Ocean winds trapped by the mountains.

    Recorded in ambisonic format, 48Khz and 24 bits HD. As always, top quality recordings specially designed for film audio projects.

    Once again, we have mastered all the files in Ad Hoc Studios Madrid (link), Post Production sound studios certified by Avid and Dolby ATMOS, one of the best post-production facilities in Spain.

    AmbiX First Order Ambisonic, Dolby ATMOS 7.12, 5.1 and ST files have been mastered with Pro Tools HD 2018 system are included in the package.

    Another way to get this library:
    Also included in the Surround Sound LAB Complete Bundle, featuring 25+ SFX libraries at a huge discount.
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  • Train and ambience library recorded in Tokyo, Kobe, and Osaka. Bullet and regional trains, platforms, and station ambiences. Recorded at 96kHz stereo.

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  • Moving Soundscapes is a collection of abstract and layered textures focusing on the Sci-Fi and Space age genre. Each drone comes in multiple pitches at full 192khz WAV quality.

    Perfect for anything and everything in the Sci-Fi realm.

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  • This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)

    Speeds and actions:
    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:
    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.

    However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.

    Download our Metadata Reference Guide

    Download complete metadata PDF

    If you have any questions about this, contact us!

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.

    Need more?
    The UglyBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.

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    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

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  • The Babies & Kids SFX Library contains a variety of recorded baby and kid vocalizations from children ages six months, three years, and five years old.

    The recordings in this library include breathing, cooing, coughing, fussing, grunting, squealing, laughing, sneezing, animal impressions, babbling, growling, pouting, screaming, singing, spitting, whimpering, whining, yelling, and more.

    In addition to a wide range of vocalizations appropriate to their ages, the older kids were asked to also perform like younger babies–giving you the superior performance of an older child but the feel of a baby. All sounds easily pitch up or down to be useful for a wider range of ages.

    All performances are non-English. Talking, singing, babbling, etc. were performed with nonsense words so the files may be used for post-production without the need to replace in an M&E.

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  • Toyota RAV 4 II 2.0 16V Diesel sound library features 89 high quality files recorded with multi mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, different foley were recorded to cover exterior and interior activities.

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  • Vehicles Audi A4 Allroad 2.0 TFSI Play Track 155+ sounds included, 213 mins total $150

    The Audi A4 B8 Allroad 2.0 TFSI is a 211 HP 4×4 car with turbo, and this library gets you almost 9GB of recordings, featuring 155 96kHz and 24bit files (including RAW files, 111 without RAW), with a total length of 213 minutes (without RAW files).

    The library covers different sound effects like engine during regular driving, reverse or accelerations. It was recorded with 3 microphones mounted under the hood and one inside the drivers’ cabin to capture the interior in sync with the engine.

    It was recorded with two Sound Devices 702, two DPA 4061 microphones, two Sennheiser MKH 8040, Sony PCM-M10 and Rode NTG3.

    In addition to the onboard sound you’ll find exterior driving, turning, stopping, turning engine on and off or reverse sounds recorded from 2 perspectives.

    Also driving on the snow and asphalt effects recorded with DPA 4061 mounted near the tyres, and finally, passes recorded from 3 perspectives. Slow driving (20 to 40 km/h), medium speeds (40 to 80) and fast (from 80 to 140 km/h), stopping and accelerations.

    Those sounds were recorded in mono with Rode NTG3 following a car, stereo ORTF recorded with MKH 8040s capturing passes from left to right, and stereo AB with Sony PCM-M10 capturing sound from right to left.

    This library also contains some basic foley, like closing and opening doors, servo sounds, windows, buttons or seatbelts.

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  • Drones & Moods Infiltration Play Track 161 sounds included, 39 mins total $30

    Welcome to “INFILTRATION”, a collection of 161 sound effects aimed to be used in modern espionage/infiltration productions.

    From intense low frequency atmospheric elements to powerful synth movements this 1.4 GB pack can be your secret tool to enhance trailers, movies, games or musical compositions. See it as a powerful kit to create a modern espionage feel in your production.

    As a bonus I included the sources (24 sfx) used to create some of the sounds in the library.

    Sounds included:
    Atmospheric element_Low • Fx_Alert • Fx_Synth_Drop • Drone_Pulse • Fx_Snare_Synth_Tension • Fx_Transition • Fx_Movement • Fx_Distant_Atmospheric • And More

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  • Beef up your creature sound design with the deep intensity of the Wildlife Collection: Grizzly Bear sound effects library. With 146 expressive bear sound effects and vocalizations, these high-quality recordings contain a wide variety of grunts, roars, sniffs, mouth smacks, and purrs that are ready for naturalistic use or manipulation for sound design applications.

    Recorded at 24-bit/192kHz using multiple microphones including the Sanken CO-100K, which captures and maintains up to 100kHz (rather than 20kHz from other microphones), field recordist and sound designer Chris Diebold (Spider-Man: Homecoming, Transformers: The Last Knight) captured the unique vocalizations and slimy mouth-noises of an old aged male Grizzly bear. Use the natural and characteristic recordings of deep groans, slimy chews, and heavy breaths for pitch processing and control over your sound design, to design your beasts, creatures, monsters and more.

    In addition to these raw bear recordings, this collection also contains 41 designed and “hyped” sounds, ready to drag-and-drop directly into your monstrous designs and animalistic scenes. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.

    Key Features:

    • 146 sound effects (1.97GB)
      • Includes 41 designed and “hyped” sounds
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
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  • This library has the aim of bringing ultra high quality malleable materials for sound designers with extensive organic variations in the realm of horror/gore.

    What’s inside:
    • various impacts with hands, slap, stab, drop, stomp, slam, crush, and blood spurt
    • slimy squeezes and twists of disgusting goo and flesh
    • diverse manipulations and gnaw
    • juicy flesh squirts and filaments tension
    • bones cracking, snaps and breaks
    • blade ringing, and various whooshes
    • body chunks falling in bloodbath, spurts and spatters

    It can help the most gruesome and disgusting scene comes alive with vivid realism.

    well-focused and malleable

    Each file has a great amount a variations of the same sound.

    In the meantime, the extensive frequency range provided by the Sanken co-100k and the Sennheiser MKH-series microphones allows extreme pitch-shifting.

    Let’s express creativity by layering these sounds and pitch-shiftings with almost no limits!

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  • Need rock impacts or dirt debris for your projects? Then you're in luck:

    This library offers rock impacts on iron/metal, wood, concrete + dirt & pebble debris – more than 300 files total.

    Here's what you get:

    • 84 files: Rocks rolling down hill
    • 55 files: Concrete impacts on rock
    • 37 files: Rock impacts on iron/metal
    • 96 files: Rock impacts on wood (48 mono files Mkh416, and 48 mono files of Mkh8020)
    • 103 files: Dirt/pebbles/bark debris impacts on Rock/wood/ground. Long rains, and short impacts

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  • A collection of hunger-inducing sounds of cooking: Includes sounds of frying, boiling, pouring, stirring, whisking and many more sounds from the kitchen.

    Just updated:
    New cooking sound effects have been added to the library, bringing the total number of sound files to 478, for more than 500 sounds!

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  • We are the People is a sound effects library filled with protests chants from the 2012 NATO protests in Chicago.

    Two locations give this library two aurally unique crowd environments. The downtown protests reflect off the surrounding buildings, giving them a neat urban quality, while the Ravenswood protests give the impression of a more open environment. Groups of protesters in unified chant ranged in size from just a few to perhaps 200 or more. Many of the recordings have wonderful builds, starting with one or two voices and grow from there, in both size and intensity.

    These recordings work great as stand alone effects or for layering in some specificity to crowds. The next time your designing a defiant crowd, bring some authenticity with We are the People.

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  • Looking for vinyl noises, crackles, pops and buzzes? PHONO is a set of textures lovingly recorded from the blank spots of old and new vinyl records.

    Comprised of various loops pops and decays, this collection spans the range of what a needle on an empty track can sound like.

    108 flavors of rhythmic noise, crackles, hiss, pops, buzzes, bumps and air – packaged, looped, and ready to go. Great straight or with fx.

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

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  • Environments Auto Workshop Play Track 72+ sounds included, 83 mins total $35

    Want the sounds of a garage / auto repair workshop? The Auto Workshop SFX library features lots of different tool sounds and general ambiences from automotive workshops (originally recorded for scenes in the Bulgarian feature Godless).

    The idea was to capture the sounds at both closeup and off-mic, to be able to fade easily between them. A mono microphone was placed close to the source, and a set of stereo microphones was set up further away, capturing more of the room and echo. The result is very usable, and the ability to fade between closeup and wide shot works very well.

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  • This library is all about picking stuff up and putting it down, whilst you rub your beard, pop pills and type with your toes. It's a collection of foley sounds that we always seem to need, but often can't find. Each track includes multiple movements of the object in question. The recordings are mono and unprocessed, so they sound natural and can be easily placed in your stereo field.

    All tracks recorded with a Sennheiser 416 microphone, through a Buzz Audio – Elixer preamp.

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  • Motorcycles Keeway TX50 Moped Play Track 22+ sounds included, 15 mins total $40

    Get the sounds of a moped with the Keeway TX50 Moped Sound Effects Library. This model is from 2011, and features 6 gears and electric start function. The Library contains 22 sound files (External, Foley, OnBoard). External sounds such as passbys and approaches are stereo files, and Foley recordings are in mono.
    OnBoard recordings include 2 different channels: Engine and Exhaust. You can layer and mix these 2 channels of OnBoard sounds – they will line up nicely in your DAW or audio editor.

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  • The terrifying sounds of re-imagined dinosaurs that are ready for the hunt and hankering for your Jeep tires!

    This library has 74 sounds of pterodactyls, velociraptors, brachiosaurus, and – of course – the infamous Tyrannosaurus Rex, with multiple growls and roars (processed and raw) from each terrible reptile.

    There are also distant takes to help you build tension as these predators approach. For angry and hungry dinosaurs, look no further!

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  • The library is a collection of atmosphere recordings of different sized/aged spruce and birch forests during spring time in Eastern Finland.

    In these recordings you can hear a variety of common birds during different times of the day and also change of the weather such as multiple states of the wind or even sudden snowing.

    The library contains 28 files (14 B-format and 14 Stereo files) captured at 24bit/96kHz. Total length of about 2.5 hours.

    B-format files are in FuMa format.
    With the free SoundField SurroundZone 2 plugin you can convert the B-format files into your preferred format (stereo, 5.0, 5.1, 6.0, 6.1, 7.0 or 7.1 surround). There's also other plugin options such as Harpex-B.

    The library also contains ready-made stereo mixdowns for your convenience.

    These recordings are very raw. Very little or none denoising, EQ or any other processing method was used.
    Note: The preview is in binaural stereo, so please listen with headphones!

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  • A collection of high-quality stereo audio recordings capturing trains at speed in the United Kingdom.

    Features:

    • Lineside recordings of both freight and passenger trains in operation on the main line.
    • Station arrivals and departures recorded from the station platform.
    • Sounds of the typical automated crossing barriers in operation at level crossings throughout the UK.
    • Incorporated metadata included within the sound files shows the direction and microphone position helping you align the perfect audio for your video clips.
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  • Get the drifting, breaking, screaming, skidding and acceleration sounds of a race car – from both interior and exterior perspectives.

    Features the roaring engines of a Nissan 240SFX s13 and the BMW E46 giving it everything they've got on a racetrack. Includes microphone positions such as cabin, body, exhaust and engine, and also includes selected ambiences from the race track, captured at a distance. Includes nearly 3.5 hours of recordings.

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  • Glass and Metal Clouds are the result of experimenting with the tonal and noise elements of a glass or metal impact via granular processing. Various household objects were struck and recorded, ranging from metal shovels, desk legs and brass ornaments to glass and crystal objects – basically anything that would ring after it was struck.

    The recordings were then sent through ‘Clouds’ and processed with gentle, chaotic modulation by a combination of sloth chaos modules and standard cyclic modulation resulting in drones that gently sweep between musical tonal sounds and the random noise produced by the strike and are ever evolving; some more than others.

    Sometimes some surprising sounds came out of the drones and I let them run, some were kept quite constant with only a subtle amount of modulation so there is a lot of variation in the pack.
    The sounds came from my need as a sound designer to embed strange mood, emotion and feeling of uncertainty into everyday ambience.

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  • STUTTER MATTER delivers a fresh sound set of syncopated hi-tech stutters and ultra-triggered sound effects. Whether you work as movie trailer or game sound designer, editor, soundtrack composer or experimental musician STUTTER MATTER will add a touch of sound dementia to create a more diverse listening experience.

    If you are looking for brutal syncopated bursts, head spinning dynamics shifts and industrial dyslexia this sound pack deserves a listen for anyone seeking out interesting sound design.

    Categories:• Stutter Chopper
    • Stutter Filter
    • Stutter Reverse
    • Stutter Woosh
    • Stutter Sequences and Glitches
    • Unprocessed/Raw Stutter elements
    + Bonus folder – 40 Hi-Tech Hits

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